Notes related to Argentina

In the next edition of Pinta PArC 2024, Herlitzka & Co. (Buenos Aires) and Henrique Faria (New York) join forces to present a booth proposal that challenges conventional notions of contemporaneity and ancestry in Latin American art.

Lucila Gradin begins her work when creating her own natural dyes –through dyeing and medicinal plants from all over the world– and culminates it by pursuing the image that leaves every trace of this ancestral practice through embroidery, textiles and compositions on paper. The Argentine artist is part of the RADAR section of Pinta PArC 2024, together with COTT Gallery.

Pinta BAphoto is the most important art fair specialized in photography in Latin America. In its 20th edition, it invites galleries to submit their proposals until April 30, 2024.

The exhibition at Pivô not only celebrates Carolee Schneemann’s legacy but also expands on her ideas and proposes a dialogue between her works and two contemporary artists: Diego Bianchi and Márcia Falcão.

Tiempo real (Real Time) is an installation by artist Vivian Galban now on view at Fundación Larrivière Fotografía Latinoamericana, curated by Raúl Flores and in association with the Buenos Aires Performance Biennale. It was previously exhibited at Rolf Art (2019), BAphoto (2019) and Paris Photo (2023).

For the second consecutive year, the Ama Amoedo Foundation and Casa Wabi Foundation in alliance launched an open call for artists from Argentina to carry out a six-week residency in Puerto Escondido, Mexico. Deadline to apply: May 2, 2024.

The exhibition Danza Actual (Current Dance) at the Museum of Modern Art of Buenos Aires explores the importance of modern dance in Argentina. It is curated by Francisco Lemus.

The CA2M (Museum Centro de Arte Dos de Mayo) presents the exhibition Ana Gallardo. Tembló acá un delirio. (A delirium trembled here). Curated by Alfredo Aracil and Violeta Janeiro, the show runs from March 2 to July 7, 2024. 

ARCOmadrid is being held until Sunday, March 10, and presented its Lexus Award for Best Stand to the Argentinean gallery W-Gallery. In addition, the galleries Remota and Piedras won the X Opening Award, which recognizes the best stand in that section.

Banco Macro presented the works of Argentine artists Cynthia Cohen and Pabli Stein in the exhibition Esplendor (Splendor) at Torre Macro, curated by Patricia Rizzo. This exhibition is a commitment by Banco Macro to share the legacy and culture of national artists.

The 60th International Art Exhibition of the Venice Biennale –to be held from April 20 to November 24, 2024– presents 332 participants, including Argentine artists, in the international exhibition Foreigners Everywhere.

Cosmogony Nativa (Native Cosmogony) is Lucila Gradín's exhibition at the Museo Marco. It is curated by Eva Grinstein.

Presente Continuo is a two-year training program for artists, thinkers, curators, researchers in the exact sciences, social sciences and humanities, scientists and technologists from all over Argentina. Application deadline: March 17, 2024.

Open call for the Pastizal Residency, Edition #3 Fungi and Lichens to produce, share, reflect and experience artistic practices and research of interest, in the biodiversity of a Natural Reserve environment. Deadline to apply: March 3, 2024.

Argentine multidisciplinary artist Adriana Bustos presents her site-specific project entitled Genealogy of a Collection conceived for Viceversa, an exhibition project celebrating the 60th anniversary of the Museo de Arte Moderno de Bogotá (MAMBO).

Otumpa is the first exhibition of the artists Guillermo Faivovich and Nicolás Goldberg at the Museo Moderno in Buenos Aires, Argentina. Curated by Javier Villa.

Graphic Scores at PROA 21 presents, for the first time in Argentina, a selection of works by the Swiss-American artist Christian Marclay (1955), an unavoidable reference in the field of visual-sound experimentation.

Life(s) of Webs, arachnophobias, arachnophilias, and other stories is a permanent installation at Chiesa della Madonna del Carmine, Palazzo Lanfranchi by Tomás Saraceno, arrived in Matera, Italy with a project of the Matera Basilicata 2019 Foundation in collaboration with the National Museum of Matera.

Paisajes políticos (Political Landscapes) is an exhibition on the work of Carlos Trilnick. Curated by Marcela Römer, PROA presents a small group of photographs and video installations made between 1989 and 2019 that introduce the universe of this artist, curator, disseminator and teacher considered a pioneer of video art in Argentina and Latin America.

The exhibition From the Margins. Gumier Maier in the 80s, at the Museo de Bellas Artes, brings together nearly 90 paintings, drawings, illustrations, photographs, publications and documents from the early years of Jorge Gumier Maier's career (1953-2021). It is curated by Natalia Pineau.

MACBA presents the exhibition Obsceno (Obscene) by artist Pablo Siquier, curated by Rodrigo Alonso. It is a collection of works never seen before in Argentina, which are part of the museum's collection.

The exhibition Argentina. The night tells the day at Padiglione d’Arte Contemporantea (PAC) presents a selection of works created by more than twenty Argentinean artists of different generations over the last fifty years.

Argentine artist Trinidad Metz Brea is part of the 2023 edition of Pinta Miami, within the NEXT section that presents emerging artists from Latin America. In an interview with Arte al Día, she explores the contradictions and challenges of our present and how this is the seedbed for her sculptures, murals and post-human figures.   

MIAMI

The Buenos Aires-based gallery Futbolitis is teaming up with (RE)BOOT, a new brand championing sustainability through sport, to present Tiempo Extra (Extra Time), an exhibition at Miami Design District.

The Jewish Museum will present the first exhibition in the United States of Marta Minujín, a defining force of Latin American art whose trajectory intersected with the major artistic developments of the postwar period while reflecting a singular spirit and vision infused by her sharp intellect, irreverent humor, and performative presence.

The Knop Foundation recently inaugurated an anthological exhibition, Legados (Legacy), consisting of thirty-five works by seventeen renowned representatives of twentieth-century Argentine art: Carmelo Arden Quin, Libero Badii, Martín Blaszko, Ary Brizzi, Pascual Buigues, Pablo Curatella Manes, Germaine Derbecq, Jorge Demirjian, Juan Del Prete, José Fioravanti, Magda Frank, Walter Gavito, Naum Knop, Rubén Locaso, Eduardo Mac Entyre, Miguel Ángel Vidal and Yente (Eugenia Crenovich).

Based on futuristic tales, Guadaloup Vilar created an entire universe where life and art are supported by death. Completely functional to organic and cohesive development, Guadaloup’s artworks and installations reshape the notion of expiration.

Installations, death and futurism coexist in this solo exhibition by the spatial artist Guadaloup Vilar. The Argentine artist presents her works and installations at the Greatorex Street space in London during September and October, within the framework of the Frieze fair.

Argentina Performance Art (APA), with the support of LATEA Theater and Grace Exhibition Space, will curate a three-night series to address critical and essential South American issues through the power of performance art.

The experience proposed by Martina Servio Olavide is composed of two parts, one that invokes dying and the other, as an organic counterpoint, living. The first, "dying", is represented by a non-naturalistic play, while the second, "living", manifests itself as an exhibition in an art gallery. Through these two dimensions, the artist challenges the viewer to question their understanding of self and others, and to explore a wide range of interpretations.