Galleries

The Peruvian artist presents her first solo exhibition at Manhattan's Praxis Gallery, with works that move between architectural order and the chaos of a breaking wave.

The Mexican artist departs, at Travesía Cuatro, from his established use of popular culture to embrace a more sensitive imaginary that explores tenderness, childhood, and reconciliation as forms of resistance against the contemporary world.

The Argentine artist returns to carlier | gebauer to explore, through the creation of a suggestive environment, how we perceive and destabilize time and its interruptions.

The exhibition by the Peruvian artist in Madrid examines, through mobile sculptures and mosaics, the ways in which movement and memory function as structuring forces of cultural resistance and continuity.

The two Colombian artists approach the exploration of painting’s zero point through separate solo exhibitions at La Cometa, responding from positions shaped by contemporary visual saturation and the suspended pictorial gesture.

The exhibition by Peruvian artist at Galería Maisterra examines memory, identity, and belonging through a literary narrative articulated across video and sculpture, interrogating systems of social classification and the cultural hierarchies that sustain mechanisms of exclusion.

The Argentine artist presents at Lucy García Gallery a visual proposal that explores transformation, the ephemeral nature of time, and social bonds through the body.

The Colombian artist presents an exhibition bringing together installations and drawings centered on Teotihuacan murals, Maya stelae, and Totonac sculptures — all separated from their original sites by the black market and museum institutions

The Argentine artist's work offers an immersive experience in which textiles, sculptures, and books sewn into the floor celebrate collective creation.

Colombian artist Cristina Umaña Durán's installation invites viewers to observe breathing — and through it, the passage of time.

The artist who shared a generation with Guillermo Kuitca and Alfredo Prior presented at espacio FAN a show that revisits his own influences in pursuit of a new, timeless aesthetic.

Peruvian artist Wynnie Mynerva explores migration, love, and resistance in Berlin through Andean cosmology and social thought, interrogating which bodies become legible within regimes of recognition and how forms of attachment persist amid conditions of violence and exclusion.

The Madrid gallery delves into the evolution through which Ester Chacón Ávila moved from design to sculpture, reclaiming both the artist’s figure and textile practice as a fully contemporary language.

In HIPERASIA, Chilean artist Patrick Hamilton examines post-capitalism, consumerism, and neoliberalism through the formal premises of geometric abstraction and minimalism, while reflecting on cultural banalization and contemporary global dynamics.

Brazilian artist Paulo Nimer Pjota presents at South London Gallery an exhibition that dismantles certainties: his paintings and murals weave a universe where the ancient and the imaginary coexist without hierarchies or borders.

The trajectory of Regina Silveira is presented in Madrid through her main conceptual frameworks, through which she questions reality and established social structures.

Embajada presents in Madrid a group exhibition that traces a panorama of artistic practices from a Caribbean context exploring languages, identities, and cultural forms.

The Brazilian artist’s work starts from still life to reinterpret pictorial concepts, integrating references from art history into a distinctive visual language.

Melen (Lima, 2001), one of the most outstanding young artists of his generation, is participating in the current Making Context group exhibition, curated by Martin Gustavson and Rodrigo Gomez Olivos.

The textile work of Trine Ellitsgaard emerges between her Scandinavian origins and Mexican craft traditions, where materials and techniques construct a dialogue between memory, territory, and form. 

The Cuban employs the metaphor of chess to reflect on the tensions within the art industry, examining, from a postmodern perspective, originality, the commodification of aesthetics, and its impact on the artist.

The exhibition brings together geological processes and contemporary debates on territory, displacement, and belonging through an interdisciplinary approach.

Javier Marín’s first solo exhibition at Hilario Galguera in Madrid brings together nearly thirty works that investigate and rethink contemporary sculpture as a dialogue between technique, material, and technology.

María Fernanda Cardoso explores, through macro photography and video, the performative dimension of the behavior of spiders of the genus Maratus in a body of work that connects science, chromaticism, and aesthetics through naturalistic observation.