Galleries

The Lima gallery presents NON (Nuevos Órganos Naturales), the exhibition by Oscar Santillán (Ecuador, 1980), which vindicates man's capacity to imagine new relationships with the world.

The exhibition Amo el hinojo (I Love Fennel) weaves together art, nature, and healing. Curated by Cristina Schiavi, it emerges from an artistic practice deeply rooted in the everyday life of the artist, far from the city and devoted to the cultivation of her garden.

The Jorge López Gallery in Valencia is currently presenting Tierra de Nadie, a project by Candela Bado (Montevideo, Uruguay, 1991), curated by Agustina Bornhoffer. The exhibition is the result of Bado's participation in the first edition of the Petrona Program, which she won. The artist developed her proposal during a one-month residency at Miguel Hernández University, as part of the gallery’s second artist-in-residence initiative.

Patricia Domínguez (Santiago, Chile, 1984) presents Lactómeda in her first solo exhibition at The Ryder Projects in Madrid. The title, a fusion of Vía Láctea (Spanish for Milky Way) and Andromeda, alludes to a portal—a space related to physics where the artist brings together her videos, sculptures, photographs, and paintings. Thus, the Chilean artist explores how different worlds interact to shape the spaces where we exist and act.

La Galería presents La forma resignificada (The Redefined Form), a solo painting exhibition by Peruvian visual artist. The show brings together a remarkable selection of 14 recent medium- and large-format works created using mixed media on canvas.

The Barcelona gallery Load presents Visions, the first solo exhibition in continental Europe by multimedia artist Pilar Zeta (Buenos Aires, Argentina, 1986). This project, conceived specifically for the gallery’s space, reaffirms her commitment to installations and monumentality.

Egogenesis is the title of the solo exhibition that Travesía Cuatro presents at its Madrid headquarters for Manuel Solano (Ciudad Satélite, Mexico, 1987), exploring the origins of the ego through personal experience. The exhibition consists entirely of self-portraits that pictorially express different manifestations of the “I” and the emergence of self-perception.

The Madrid branch of Travesía Cuatro gallery presents an exhibition dedicated to Miriam Inez da Silva (Trinidad, Brazil, 1939 – Rio de Janeiro, Brazil, 1996). Curated by Cristiano Raimondi, the show delves into the work of one of the artists who most vividly captured Brazil’s modernization throughout the 20th century. Her small-format paintings on white backgrounds depict everyday life and the traditions shaping human relationships and their role in social structures.

Palinodia is the new and second exhibition of the Spanish artist at LABOR. It takes its name from the lyrical art of taking one’s own words back, a title that references the many changing points in his production. Large, vertical paintings, the biggest paper pieces yet, and an explosion of color rarely seen in his previous work, hang throughout the gallery’s walls.

The ATM Gallery in Asturias presents La naturaleza del lenguaje (The Nature of Language), a solo exhibition by Pablo Linsambarth (Santiago, Chile, 1989). The artist's proposal focuses exhaustively on the anecdotal aspect of certain narratives as the deep well from which he draws his work. Centered on immortalizing seemingly ordinary scenes, his producition is actually a reflection on both the political and the everyday.

The Madrid headquarters of El Apartamento presents Lo que es igual, no es ventaja Vol.2 (What is equal is not an advantage) in its project room, a group exhibition by REGULARNORMAL, a project led by Danny Báez. As the exhibition’s curator, Báez seeks to connect the perspectives of eight artists living and working in New York, delving into human relationships in a globalized world.

Galería del Paseo / Lima presents Esta tierra que compartimos (This land we share), a solo exhibition by Peruvian artist Josué Sánchez, curated by Giuliana Vidarte with exhibition design by Álvaro Sánchez.

Fernando Pradilla presents Depresión Tropical (Tropical Depression), Gonzalo Fuenmayor’s (Barranquilla, Colombia, 1977) third solo exhibition at the gallery. The show brings together a new series of charcoal drawings created specifically for its Madrid headquarters. In this latest body of work—caught between references to nature and the artificial, between chaos and tranquility—the artist offers a vision in which climate becomes a metaphorical instrument for personal and cultural transformation, as well as a certain historiography.

The Panamanian gallery hosts the exhibition Life, Like Water, Never Forgets Its Path by artist Giana De Dier. This show immerses the viewer in a sensory and emotional exploration of the past, inviting them to imagine what they have not lived but remains present in the memory of the space.

kurimanzutto and Luhring Augustine present a major two-part exhibition of works by the late Mexican artist, marking the first significant solo presentation of his work in New York in over two decades. 

Crisis Galería presents the solo exhibition Amuleto by artist Ana Navas. This marks her second solo show at the gallery. For the Peruvian artist, each "glass organism" emerges from the metabolization of her fascination with the connection between the pioneers of modern abstraction and spirituality.

Zielinsky Barcelona presents Una breve quemadura (A Brief Burn), a solo exhibition by Pedro Torres (Glória de Dourados, Brazil, 1982), where the artist invites viewers to explore, both visually and conceptually, the present and our relationship with the world and environment. Through his work, the Brazilian artist explores the etymology of "the present," presence, and temporality, attempting to resolve certain uncertainties while challenging the linearity of physical temporality.

The art gallery located in downtown Lima presents its second exhibition, featuring renowned artists from Peru, Kyrgyzstan, and China. This new showcase transforms the space into a meeting point between the material and the transient, inviting viewers to immerse themselves in an experience that evolves with every new glance.

A double exhibition brings together the artistic approaches of Majd Abdel Hamid (b. 1988 in Damascus/SY, lives and works in Paris and Beirut) and Sofía Salazar Rosales (b. 1999 in Quito, lives and works in Amsterdam). Both artists share a poetic focus on themes of identity, time, fragility, and materiality. Additionally, both Salazar Rosales and Hamid have created new works for their presentation at Kunst Halle Sankt Gallen, each finding their own references to resonate with in the local context.

The Latin Art Core Gallery presents a historic exhibition dedicated to Eduardo Abela, one of the great exponents of Cuba’s First Vanguard movement. This showcase marks the first exhibition of his work in forty years, offering the public the opportunity to rediscover his artistic legacy.

Metanarratives by Ariel Cabrera is a pictorial exploration that challenges the linearity of time and history, weaving fragmented narratives where past, present, and future converge on the same stage.

Copperfield presents Rebeca Romero's first solo show with the gallery. The exhibition is accompanied by a text written by Gisselle Girón Casas, curator at the ESCALA Collection. 

Ana González (Bogotá, Colombia, 1974) explores the significance of water as a medium, an environment, and a sacred entity in Llovizna, her solo exhibition at La Cometa’s Madrid venue. Rooted in the Muisca culture’s reverence for water as an integral part of sacred land, this element becomes the symbolic core of her exhibition. Through it, the artist reflects on its spiritual value while also exposing the harsh reality of the Bogotá River, using symbolism to prompt a deeper awareness of environmental degradation.

Luis De Jesus Los Angeles presents Hugo Crosthwaite: Ex-voto, the artist’s sixth solo exhibition with the gallery. It brings together a new series of large-scale paintings and multi-panel mural on canvas—a prolific endeavor that continues his commitment to visualizing the many myths, narratives, and dynamics of his native Tijuana, Mexico.