Galleries

Yanantin and Cecilia Brunson Projects present it in London during Frieze week.

The Spanish artist based in Mexico explores, through painting and audiovisual media, how inner transformation and attention can modify our way of perceiving and constructing reality.

The Uruguayan artist explores memory, image, and language through an exhibition in Madrid that connects works from different periods.

The Cuban artist turns fishing into a metaphor for identity and interspecies exchange, constructing a symbolic painterly universe where identity, nature, and knowledge intertwine.

The Cuban artist takes up the Nevado del Ruiz eruption in a solo show at Mor Charpentier.

A botanical mythology where Black women's bodies and Brazilian vegetation become one.

The Cuban artist once again brings together Afro-Cuban traditions, African cultural heritage, and dreamlike landscapes to explore painting as a space for transmission in an information-saturated context.

Paloma Contreras Lomas' first European solo exhibition draws on Dante's Inferno and Latin America's own Antigones.

The Colombian artist presents a project rooted in the experience of rural childhood to explore memory and territory and, through different artistic languages, recover everyday stories while questioning the construction of narratives of the past.

The exhibition brings together recent works by the Swiss-Argentine artist, shaped by her close relationship with nature and by the impact of the elements on her canvases.

MEMORIA celebrates Juan Castillo with an exhibition that explores, through a distinctive artistic language, the relationships between body, territory, memory, identity and representation articulated by the C.A.D.A. member.

The Cuban artist’s exhibition at Max Estrella explores, time, and identity through everyday objects transformed into metaphors for human experience and personal memory.

The Argentine artist presents at Madrid’s La Oficina an exhibition that recovers her mother’s work to explore memory in the context of extimacy, through transformed images and a range of media.

Suave es la noche, by Silvana Muscio, and Trago Amargo, by Claudia Coca and Claudia Casarino, propose two distinct ways of inhabiting memory from Buenos Aires: one sensory and oneiric, the other historical and colonial.

The Salvadoran artist presents an exhibition in Madrid that connects Mesoamerican monuments with contemporary forms of power and propaganda through sculptures and installations that intertwine past and future to reflect on globalization, autocracy, and techno-feudalism.

The exhibition, curated by Camila Alegría Zenteno and Daniel Aguayo Mozó, brings together a new series of large-format paintings through October that explore transformation, death, and spiritual experience through contemporary painting practice.

Invited by Galería Gato to develop an in situ project, the Cuban conceptual art figure sets the immateriality of AI-generated synthetic images against the economic and social dimension of recycling in the South American context.

Curated by María Isabel Rueda, the exhibition at Casa Hoffmann (Bogotá) defends the right to opacity and secrecy as a form of resistance against a visual culture that exposes everything.

Detrás del Follaje brings together textile works and drawings by Alejandra Ortiz de Zevallos alongside paintings and ceramics by Fabiola Gonzáles.

The third edition of the curatorial cycle El amor puede funcionar brings together works by Jovita Kelmelmajer, Matías Jesús Funes, Romina Cruz, and guest artist Carla Fonseca.

Under the exhibition design by Japanese architect Hiroyuki Kimura, the Melas Martinos Gallery showcases the work of Vivian Suter—an artist who works with Guatemala’s natural elements—across two floors.

Off the Shelf, on view at Nina Johnson in Miami through November 14, will bring together two decades of the artist’s work.

Menorca brings together paper-based works and the video Generación by the Cuban artist, reflecting on the persistence of visual and ideological imaginaries linked to the Cuban revolutionary utopia.

Fernando Pradilla presents a group exhibition that highlights the strength of contemporary Latin American art through the work of five artists from Colombia, Peru, and Brazil, alongside three Spanish artists.