Galleries

FTALO GALLERY EXHIBITS "TANTO TIEMPO" BY PAZ BARDI

The exhibition is the reflection of a series of paintings by Paz Bardi under a theme that is, at the same time, method. Taking time as a place, as a tool, and as a subject, the exhibition and its curatorship (by felisa) display a type of creation that can be summarized as: 1. Complicity 2. Fantastic architecture 3. Filtering and editing 4. Mediation

Galleries

FTALO GALLERY EXHIBITS "TANTO TIEMPO" BY PAZ BARDI

ON THE MEANING OF INTERSECTION – EAMON ORE-GIRON’S EXHIBITION IN GENEVA

Geneva-based gallery Espace Muraille presents Eamon Ore-Giron: Auto-Tune, the first-ever show of the Los Angeles-based artist in continental Europe. Curated by Valentina Locatelli and developed in close collaboration with the artist, the exhibition gathers eighteen paintings from his ongoing series Infinite Regress, conceived especially for the exhibition in Geneva, and two loom-woven tapestries created in collaboration with the Taller Mexicano de Gobelinos in Guadalajara, Mexico

Galleries

ON THE MEANING OF INTERSECTION – EAMON ORE-GIRON’S EXHIBITION IN GENEVA

INTIMATE, URBAN AND HUMAN - YAMADÚ CANOSA EXHIBITS IN BARCELONA

Galería Zielinsky presents Yamandú Canosa's exhibition "Entre ramas” (Between Branches) as an epilogue — a coda — to "El árbol de los frutos diferentes", the project that the artist presented in 2011 at the Fundació Suñol in Barcelona. “Entre ramas” is Yamandú Canosa's first solo exhibition for the Zielinsky Gallery, in which the artist revisits works from different periods that interweave different formal preferences and thematic subjects.

Galleries

INTIMATE, URBAN AND HUMAN - YAMADÚ CANOSA EXHIBITS IN BARCELONA

RAQUEL RABINOVICH EXHIBITS “PORTALS” IN NEW YORK

Presented by Hutchinson Modern & Contemporary, the exhibition features a selection of the artist’s work from the 1960s to the present. Over the course of a seventy-year-long career, New York-based Argentinian-American artist Raquel Rabinovich (b. 1929, Buenos Aires) has been concerned with the paradox of making the invisible visible. Her interest in mythology, existence, poetry, nature, and transcendence is reflected in her monochromatic paintings and drawings, as well as in her sculptural practice that encompasses large-scale glass environments and site-specific stone installations along the shores of the Hudson River.

Galleries

RAQUEL RABINOVICH EXHIBITS “PORTALS” IN NEW YORK

NOHRA HAIME GALLERY EXHIBITS JULIO LARRAZ: MAJOR WORKS FROM PRIVATE COLLECTIONS

The exhibition comprises fourteen key works from major collections, including most of Larraz’ notorious themes.

Galleries

NOHRA HAIME GALLERY EXHIBITS JULIO LARRAZ: MAJOR WORKS FROM PRIVATE COLLECTIONS

CASA HOFFMANN EXHIBITS ARTIFACTS, A PROJECT ABOUT PRIVACY AND TECHNOLOGY

ARTIFACTS is a project curated by researchers Barbara Krulik (US/NL) and Mildred Durán (CO/FR) that revolves around the ubiquity of information and data, and our relationship with them in the contemporary world. It was the winner of the Santa Fe Gallery Network Grant 2021 - Continuous Programming.

Galleries

CASA HOFFMANN EXHIBITS ARTIFACTS, A PROJECT ABOUT PRIVACY AND TECHNOLOGY

“ANTONIO HERNIQUE AMARAL: INSIDE OUT” IN CASA TRIÂNGULO

Casa Triângulo exhibits Antonio Henrique Amaral: Pelo Avesso, Antonio Henrique Amaral's first exhibition at the gallery, curated by Pollyana Quintella and Raphael Fonseca. Multiple and polyphonic, Antonio Henrique Amaral (1935 - 2015) endeavored to create a body of work that would resist univocal meanings. His more than six decades of production have drawn a multifaceted path that has been the subject of recent revisions through essays and monographic exhibitions that place the artist beyond his iconic and emblematic Bananas, made between 1968 and 1975.

Galleries

“ANTONIO HERNIQUE AMARAL: INSIDE OUT” IN CASA TRIÂNGULO

ANSWERS TO A TIME: MARÍA TERESA HINCAPIÉ 1987- 2006

Carried out by Casas Riegner in collaboration with the 1Mira Madrid gallery, and curated by Paula Bossa, Respuestas a una época: María Teresa Hincapié 1987- 2006 (Answers to a time) is the first posthumous exhibition held in Colombia that is dedicated to the artistic practice of one of the pioneers of performance in Latin America.

Galleries

ANSWERS TO A TIME: MARÍA TERESA HINCAPIÉ 1987- 2006

HYPERLEAK. PAST → PRESENT ← FUTURE

The exhibition HyperLeak at Diana Lowenstein Gallery brings together two artists, Alex Trimino and Felice Grodin, who, through installation, moving image, and sculpture, collectively engage with material to understand different experiences of time as a poetic proposition towards redefining our relationships with ecosystems.  

By Patricia M. Hernández
Galleries

HYPERLEAK. PAST → PRESENT ← FUTURE

By Patricia M. Hernández
POETIC ACTIVISM IN PINK AND RED – SCAFATI’S EXHIBITION IN NEW YORK

Storefront for Art and Architecture exhibits Something Broke: 2011-Windows-2021, an exhibition by Buenos Aires-based artist Mariela Scafati that presents an installation of hand-painted posters lettered by the artist with her writings and reflections on art, activism, and community. The exhibition, hosted at Storefront’s gallery space in New York, is open until September 15th, 2021.

Galleries

POETIC ACTIVISM IN PINK AND RED – SCAFATI’S EXHIBITION IN NEW YORK

MARÍA SÁBATO EXPLORES THE NATURE OF LIMITS IN “INTERMITTENT GEOGRAPHIES”

In collaboration with Jimena Pérez Salerno, the Argentine artist carried out a performance in the river which she later translated to la_cápsula’s gallery space in Zurich, Switzerland.

Galleries

MARÍA SÁBATO EXPLORES THE NATURE OF LIMITS IN “INTERMITTENT GEOGRAPHIES”

LEME NFT: GALERIA LEME LAUNCHES PROJECT TO COMMERCIALIZE NFT ART

Over more than 15 years of history, Galeria Leme has always aimed to promote contemporary art in its multiple scopes, understanding the complexity and constant change that are part of it. It is in this sense that, in 2021, the gallery initiates Leme NFT, a project conceived to produce, promote and commercialize art in NFT format, as well as to develop this still-rising market. The project was launched last Monday, August 16th and its English version can be accessed on their website.

Galleries

LEME NFT: GALERIA LEME LAUNCHES PROJECT TO COMMERCIALIZE NFT ART

NOCTURNAL MAPS TO THINK LATIN AMERICA - COLLABORATIVE EXHIBITION BETWEEN VIGIL GONZALES AND ESPACIO EL DORADO

The exhibition, at the Vigil Gonzales gallery in Valle Sagrado, brings together the work of seven Latin American artists who question the generalizations imposed on the countries and cultures of their region, and address issues such as politics, neoliberalism, and the art market.

Galleries

NOCTURNAL MAPS TO THINK LATIN AMERICA - COLLABORATIVE EXHIBITION BETWEEN VIGIL GONZALES AND ESPACIO EL DORADO

VOLVAMOS, PAINTINGS IN A CYCLE TO BE UNVEILED

The Galería del Paseo Lima presents Volvamos (Let’s Return), the solo show by Sylvia Fernández under the curatorship of Nicolás Gómez Echeverri.

Galleries

VOLVAMOS, PAINTINGS IN A CYCLE TO BE UNVEILED

JULIANA CERQUEIRA LEITE EXHIBITS IN HER KIND AT SARGENT’S DAUGHTERS GALLERY NEW YORK

The Brazilian sculptor explores the materiality of the human body and what it means to be human through her work in the group exhibition Her Kind. The show takes its title from the iconic and unsettling poem by American poet Anne Sexton. The works on view blend and warp pre-existing materials, transforming them into uncanny, anthropomorphic presences.

Galleries

JULIANA CERQUEIRA LEITE EXHIBITS IN HER KIND AT SARGENT’S DAUGHTERS GALLERY NEW YORK

MERCEDES PARDO IS HONORED ON THE 100TH ANNIVERSARY OF HER BIRTH AT THE ASCASO ART GALLERY

On the artist's centenary, the Ascaso Art Gallery of Caracas will present, together with the Otero-Pardo Foundation, an exhibition entitled “Contemplaciones y Memorias” (Contemplations and Memories), which under the curatorship of Bélgica Rodríguez and the museography of Rafael Santana, brings together a selection of paintings and serigraphs made by the outstanding creator.

Galleries

MERCEDES PARDO IS HONORED ON THE 100TH ANNIVERSARY OF HER BIRTH AT THE ASCASO ART GALLERY

THE MORTALITY OF THE PROCESS AS A PHOTOGRAPHIC AXIS

The Ecuadorian gallery/workshop + ARTE exhibits photography by Raúl Borja Arboleda in The Hill

Galleries

THE MORTALITY OF THE PROCESS AS A PHOTOGRAPHIC AXIS

ON THE HETEROGENEOUS RHYTHM OF THE COLLAGE - INCISO AT CASA HOFFMANN

The INCISO (Incision) exhibition brings together a group of artists who propose a journey via the collage technique and through the plurality of micro stories inherent to their own life or their interest as visual artists. Open until August 27, 2021, the exhibition is curated by Juan David Quintero Arbeláez.

By Mercedes Abella
Galleries

ON THE HETEROGENEOUS RHYTHM OF THE COLLAGE - INCISO AT CASA HOFFMANN

By Mercedes Abella
COSMOCOSA EXHIBITS CONCEPTUAL ART BY EMILIANO MILIYO AND EDUARDO COSTA

The Buenos Aires gallery presents in Miliyo / Costa a bold selection of works by these artists separated by 30 years: Emiliano Miliyo (b.1970) and Eduardo Costa (b.1940).

Galleries

COSMOCOSA EXHIBITS CONCEPTUAL ART BY EMILIANO MILIYO AND EDUARDO COSTA

ANTONIO MENCHEN’S PHOTOGRAPHY AT MARTA CERVERA GALLERY

A conscious capture, which thinks of itself, and freezes in order to account for temporal movement.

Galleries

ANTONIO MENCHEN’S PHOTOGRAPHY AT MARTA CERVERA GALLERY

MEXICO - LANAO EXHIBITS "TO EAT ONE’S EYE, TO METABOLIZE PAINTING"

The group show runs until August 26 at the laNao space in La Condesa, Mexico City. Curated by Manuel Sentíes, COMERSE EL OJO (TO EAT ONE’S EYE) revolves around painting. The artists Anaís Vasconcelos, Luis Figueroa, Lucas Lugarinho and Enrique López Llamas participate.

Galleries

MEXICO - LANAO EXHIBITS "TO EAT ONE’S EYE, TO METABOLIZE PAINTING"

SPECIAL DEFECTS - FERNANDO UHÍA IN NUEVEOCHENTA GALLERY

It is inevitable to mention the history of painting when we refer to the work of Fernando Uhía, since it seems in the first instance to allude to the theories of color, the purism of the medium and the ruptures of the mimetic representation that occurred during the emergence of the artistic avant-gardes in the first decades of the 20th century. However, Special Defects departs from such assumptions and invites the viewer to an aesthetic experience of color through a unique treatment of paint. The above, from a global language that is expressed through the construction of shapes and colors, which today are not only present in fine arts but also in design and advertising. " Luciana Rizo introduces in the curatorial text.

Galleries

SPECIAL DEFECTS - FERNANDO UHÍA IN NUEVEOCHENTA GALLERY

AN INTIMATE CORPOREAL READING OF SCULPTURE AT META MIAMI

META Miami and Henrique Faria New York present Selected Works (2003-2019), José Gabriel Fernández’s first solo exhibition at the foundation's Wynwood space. This exhibition features a selection of works in different media (sculpture, reliefs, photography and collage) that spans over 15 years of the artist’s production. 

Galleries

AN INTIMATE CORPOREAL READING OF SCULPTURE AT META MIAMI

HOW FAR IS FAR? - NO LUGAR EXHIBITS "A CIRCLE CALLED ZERO"

The Ecuadorian gallery presents A circle called zero, a solo exhibition by David Rickard (New Zealand/UK) curated by Rubén Darío Díaz Chávez. The proposal brings together works in painting, objects, installation, sculpture, video and photography and reflects on the territory, its representation and how we relate to each other in times of pandemic.

Galleries

HOW FAR IS FAR? - NO LUGAR EXHIBITS "A CIRCLE CALLED ZERO"

ROLF ART PORTRAITS THE LEGACY OF MODERNITY IN "INVISIBLE CITY"

This group show at the Buenos Aires gallery offers a multiple panorama of the urban experience. With the city as the protagonist, the works evoke the different relationships that can be found between the individual and its built environment.

Galleries

ROLF ART PORTRAITS THE LEGACY OF MODERNITY IN "INVISIBLE CITY"

DISTENSIONES – PRESENT REVELATIONS OF A PAST OF ANTITHESIS

Exhibited at La Galería Rebelde (Guatemala City – Los Ángeles), Distensiones is a story, a metaphor of life, of technology versus nature, of the symbiosis and juxtaposition of the evolution of the human being. Within this series there is also a personal narrative of travels, experiences and connections with past generations and personal visions.

By Mercedes Abella
Galleries

DISTENSIONES – PRESENT REVELATIONS OF A PAST OF ANTITHESIS

By Mercedes Abella
EVELATED MATTER GALLERY EXHIBITS LYDIA RUBIO’S FORBIDDEN LANDSCAPES

The exhibition PROHIBIDO (Forbidden) showcases selection of 13 paintings and an oversized travel journal completed from 1992 to 2014 by artist Lydia Rubio, who represents her environment in a naturalistic style reminiscent of the Hudson River School. For four decades, she has painted highly technical oils on panel, using the traditions of the old masters with a systematic conceptual approach; the traditional style transformed through her subversive allegorical and poetic play.

Galleries

EVELATED MATTER GALLERY EXHIBITS LYDIA RUBIO’S FORBIDDEN LANDSCAPES

SIGNS, ABSTRACTIONS & METAPHORS AT THE JUAN CARLOS MALDONADO ART COLLECTION

Curated by Ariel Jiménez, this exhibition is where abstract-geometrical and concrete artists such as Lygia Clark and Tomás Maldonado engage in dialogue with those of artists who, while bordering abstraction, or even clearly abstract in nature, such as Julio Alpuy, Martín Blaszko and César Pasternosto, still bestow their works with a metaphorical and/or symbolic dimension that they consider to be essential. It is also an opportunity to discuss concepts that are not always well-comprehended, such as the difference between geometric abstraction and concrete abstraction, or between works that, while geometric, can work in a radically different manner; some with the plastic autonomy sought by the concrete artist, and others integrating a metaphoric dimension that many Latin American artists consider to be fundamental in maintaining the ties that bind them to the history of the continent.

Galleries

SIGNS, ABSTRACTIONS & METAPHORS AT THE JUAN CARLOS MALDONADO ART COLLECTION

MATEO LÓPEZ MANIPULATES FORM AND SPACE IN “HESITANTE” – GALERÍA LUISA STRINA

In this exhibition, the Colombian artist presents ten works in different media: drawing, video, sculpture, and installation. These explore the idea of play, movement and activation of the exhibition space.

Galleries

MATEO LÓPEZ MANIPULATES FORM AND SPACE IN “HESITANTE” – GALERÍA LUISA STRINA

LYDIA AZOUT EXHIBITS “OLD EARTH-NEW EARTH” IN DOT FIFTYONE GALLERY MIAMI

The Colombian artist presents a selection of sculptures that flesh out her vision in accordance with what is currently happening: What happens when a space of clarity becomes a vitiated, expressionless space? Absurdity is negative. Is negativity always the end? Or is it rather a path to make way to the new? This is a personal thought process that has become matter; rather than purely conceptual, “Tierra Vieja / Tierra Nueva” is a risk, a medication, a vulnerability opened to the rebirth of pleasure and freedom.

Galleries

LYDIA AZOUT EXHIBITS “OLD EARTH-NEW EARTH” IN DOT FIFTYONE GALLERY MIAMI

DANIEL ORTEGA CREATES AN IMAGINARY OF FUTURE ARCHEOLOGY IN HIS EXHIBITION "ABRAXAS"

Exhibited at Galería Zielinsky, this solo exhibition will take place until September 10, 2021 in Barcelona. It gives an account of the recent production of the artist, who bases his research on envisioning a new perspective of the landscape: extracting the layers of the environment he inhabits and discovering the synergies that arise between fragments of everyday ruins with materials of great symbolic charge.

Galleries

DANIEL ORTEGA CREATES AN IMAGINARY OF FUTURE ARCHEOLOGY IN HIS EXHIBITION "ABRAXAS"

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