Galleries

Galería Arteconsult presents Universos Paralelos, an exhibition that invites viewers to reconsider notions of belonging and territory through the lens of artistic experience.

The Panamanian gallery presents Greetings from Panama, an exhibition by Ana Elena Garuz that explores the links between the personal and the systematic. The show opens on May 24, 2025.

Laura De Bernardi, Gergana Mantscheva, and Laura Sánchez Filomeno transform Espace Muraille into an artistic herbarium where nature and identity intertwine.

Formatocómodo presents Nervio Blando (Soft Nerve), an exhibition by Rafaela Salgueiro (Mogi das Cruzes, Brazil, 1991) and Theo Firmo (São Paulo, Brazil, 1983), where the duo showcases their most recent joint work for the first time in Spain. The two artists, from different backgrounds, have been collaborating since 2023, united by a shared interest in the human body as a contemporary subject of research and reflection.

ABRA gallery has inaugurated TO TAIMA OR NOT TO TAIMA, the first solo exhibition in Venezuela by artist María Elena Pombo. Conceived as an interpretation of an archaeological site, the show brings together sculptures, objects, and archival gestures that explore the Venezuelan diaspora through a sensitive and material lens.

Galería Elvira González in Madrid presents Gego. Line, Form and Space, an exhibition dedicated to the work of Gego (born Gertrud Goldschmidt, Hamburg, Germany, 1912 – Caracas, Venezuela, 1994), featuring 45 works on paper and four sculptures that reflect her exploration of space, line, and structure. The show brings together pieces from different periods of the artist’s career, spanning from the 1950s—when she began her artistic journey and discovered her fascination with the line—to the early 1990s.

Max Estrella in Madrid presents Getsemaní. Prensa de olivo (Getsemaní. Olive Press), the second solo exhibition by Miler Lagos (Bogotá, Colombia, 1973) at the gallery. The show features a series of engravings in which both the techniques used and the material supports become essential elements of the final result.

The Lima gallery presents NON (Nuevos Órganos Naturales), the exhibition by Oscar Santillán (Ecuador, 1980), which vindicates man's capacity to imagine new relationships with the world.

The exhibition Amo el hinojo (I Love Fennel) weaves together art, nature, and healing. Curated by Cristina Schiavi, it emerges from an artistic practice deeply rooted in the everyday life of the artist, far from the city and devoted to the cultivation of her garden.

The Jorge López Gallery in Valencia is currently presenting Tierra de Nadie, a project by Candela Bado (Montevideo, Uruguay, 1991), curated by Agustina Bornhoffer. The exhibition is the result of Bado's participation in the first edition of the Petrona Program, which she won. The artist developed her proposal during a one-month residency at Miguel Hernández University, as part of the gallery’s second artist-in-residence initiative.

Patricia Domínguez (Santiago, Chile, 1984) presents Lactómeda in her first solo exhibition at The Ryder Projects in Madrid. The title, a fusion of Vía Láctea (Spanish for Milky Way) and Andromeda, alludes to a portal—a space related to physics where the artist brings together her videos, sculptures, photographs, and paintings. Thus, the Chilean artist explores how different worlds interact to shape the spaces where we exist and act.

La Galería presents La forma resignificada (The Redefined Form), a solo painting exhibition by Peruvian visual artist. The show brings together a remarkable selection of 14 recent medium- and large-format works created using mixed media on canvas.

The Barcelona gallery Load presents Visions, the first solo exhibition in continental Europe by multimedia artist Pilar Zeta (Buenos Aires, Argentina, 1986). This project, conceived specifically for the gallery’s space, reaffirms her commitment to installations and monumentality.

Egogenesis is the title of the solo exhibition that Travesía Cuatro presents at its Madrid headquarters for Manuel Solano (Ciudad Satélite, Mexico, 1987), exploring the origins of the ego through personal experience. The exhibition consists entirely of self-portraits that pictorially express different manifestations of the “I” and the emergence of self-perception.

The Madrid branch of Travesía Cuatro gallery presents an exhibition dedicated to Miriam Inez da Silva (Trinidad, Brazil, 1939 – Rio de Janeiro, Brazil, 1996). Curated by Cristiano Raimondi, the show delves into the work of one of the artists who most vividly captured Brazil’s modernization throughout the 20th century. Her small-format paintings on white backgrounds depict everyday life and the traditions shaping human relationships and their role in social structures.

Palinodia is the new and second exhibition of the Spanish artist at LABOR. It takes its name from the lyrical art of taking one’s own words back, a title that references the many changing points in his production. Large, vertical paintings, the biggest paper pieces yet, and an explosion of color rarely seen in his previous work, hang throughout the gallery’s walls.

The ATM Gallery in Asturias presents La naturaleza del lenguaje (The Nature of Language), a solo exhibition by Pablo Linsambarth (Santiago, Chile, 1989). The artist's proposal focuses exhaustively on the anecdotal aspect of certain narratives as the deep well from which he draws his work. Centered on immortalizing seemingly ordinary scenes, his producition is actually a reflection on both the political and the everyday.

The Madrid headquarters of El Apartamento presents Lo que es igual, no es ventaja Vol.2 (What is equal is not an advantage) in its project room, a group exhibition by REGULARNORMAL, a project led by Danny Báez. As the exhibition’s curator, Báez seeks to connect the perspectives of eight artists living and working in New York, delving into human relationships in a globalized world.

Galería del Paseo / Lima presents Esta tierra que compartimos (This land we share), a solo exhibition by Peruvian artist Josué Sánchez, curated by Giuliana Vidarte with exhibition design by Álvaro Sánchez.

Fernando Pradilla presents Depresión Tropical (Tropical Depression), Gonzalo Fuenmayor’s (Barranquilla, Colombia, 1977) third solo exhibition at the gallery. The show brings together a new series of charcoal drawings created specifically for its Madrid headquarters. In this latest body of work—caught between references to nature and the artificial, between chaos and tranquility—the artist offers a vision in which climate becomes a metaphorical instrument for personal and cultural transformation, as well as a certain historiography.

The Panamanian gallery hosts the exhibition Life, Like Water, Never Forgets Its Path by artist Giana De Dier. This show immerses the viewer in a sensory and emotional exploration of the past, inviting them to imagine what they have not lived but remains present in the memory of the space.

kurimanzutto and Luhring Augustine present a major two-part exhibition of works by the late Mexican artist, marking the first significant solo presentation of his work in New York in over two decades. 

Crisis Galería presents the solo exhibition Amuleto by artist Ana Navas. This marks her second solo show at the gallery. For the Peruvian artist, each "glass organism" emerges from the metabolization of her fascination with the connection between the pioneers of modern abstraction and spirituality.

Zielinsky Barcelona presents Una breve quemadura (A Brief Burn), a solo exhibition by Pedro Torres (Glória de Dourados, Brazil, 1982), where the artist invites viewers to explore, both visually and conceptually, the present and our relationship with the world and environment. Through his work, the Brazilian artist explores the etymology of "the present," presence, and temporality, attempting to resolve certain uncertainties while challenging the linearity of physical temporality.