Galleries

Embajada presents in Madrid a group exhibition that traces a panorama of artistic practices from a Caribbean context exploring languages, identities, and cultural forms.

The Brazilian artist’s work starts from still life to reinterpret pictorial concepts, integrating references from art history into a distinctive visual language.

Melen (Lima, 2001), one of the most outstanding young artists of his generation, is participating in the current Making Context group exhibition, curated by Martin Gustavson and Rodrigo Gomez Olivos.

The textile work of Trine Ellitsgaard emerges between her Scandinavian origins and Mexican craft traditions, where materials and techniques construct a dialogue between memory, territory, and form. 

The Cuban employs the metaphor of chess to reflect on the tensions within the art industry, examining, from a postmodern perspective, originality, the commodification of aesthetics, and its impact on the artist.

The exhibition brings together geological processes and contemporary debates on territory, displacement, and belonging through an interdisciplinary approach.

Javier Marín’s first solo exhibition at Hilario Galguera in Madrid brings together nearly thirty works that investigate and rethink contemporary sculpture as a dialogue between technique, material, and technology.

María Fernanda Cardoso explores, through macro photography and video, the performative dimension of the behavior of spiders of the genus Maratus in a body of work that connects science, chromaticism, and aesthetics through naturalistic observation.

Galería Mateo Sariel in Panama City presents the work of Kojiro Takakuwa in which the reflections of light, water, a mother and her baby are the protagonists

The exhibition Diálogos Autónomos brings together unique visual systems by eight artists as diverse as the Latin American region who confront homogeneous narratives.

The collective exhibition I saw it in a dream presented by the Panamanian gallery Arteconsult brings together women artists who materialize their intuition through different media

The gallery will inaugurate a new venue where historical works by artists from the Global South will be presented.

The Panamanian gallery will host the work of Irene Kopelman this month, a project that keeps open the interval between seeing and understanding.

Glenda León creates a space where art, sound, and dance engage in dialogue in the face of the erosion of traditional systems of belief, through symbols that allow us to rethink the meaning of the contemporary from a ritual perspective.

Vicky Neumann brings together recent works that explore memory and mourning through nostalgia-laden scenes. Through layering, cutting and recomposing the canvas, she reclaims painting as a space of destruction and repair.

The Brazilian duo Detanico Lain explores the relationship between time and space through systems of representation that transform language into visual and physical structures charged with semiological meaning.

Erick Beltrán examines how Baroque iconography shaped imaginaries of power that remain active today and, through a rereading of Hispanic epistles and emblems, questions contemporary forms of authority and representation.

At a time marked by persistent inequalities, ecological urgencies, and identity-based disputes, this space conceives of art as a field of action for imagining and constructing alternative futures.

The artist and Olympic swimmer will present her first solo photography exhibition. The series, created with synchronized swimmers, required strict coordination to achieve precision and visual coherence.

The American artist constructs a “cartography of return” based on a new series of tapestries that dialogue with previous projects, intertwining memories of migration, collective work, and belonging.

The Argentine curator, artist, and gallerist will lead a platform committed to positioning Latin American art within international conversations “without diluting its specificity.”

Igartua presents a pictorial practice that investigates the relationship between the human and the natural through surfaces conceived as organic membranes. Within them, beauty and disorder are set in tension to reveal nature as an enveloping and transformative organism.

The Colombian artist presents El pozo de agua in Mexico City, a series of marks, traces, and impressions that explore social exchange and questions of identity and belonging.

The gallery presents the work of Constanza Alarcón Tennen, which deactivates the hierarchies between viewer and object, thus focusing on intimacy and the connection between bodies and materials.