Reviews

Reviews
THE VITAL ASPECT OF EXPERIENCE. EDGARDO GIMÉNEZ AT MALBA
By
María Galarza
September 12, 2023

Reviews
LIGIA D'ANDREA: VISUAL POETRY THAT ESCAPES FROM TWO-DIMENSIONALITY (part 2)
By
Jorge Luna Ortuño – Philosopher and researcher
August 16, 2023

Reviews
LIGIA D'ANDREA: VISUAL POETRY THAT ESCAPES FROM TWO-DIMENSIONALITY (part 1)
By
Jorge Luna Ortuño – Philosopher and researcher
August 16, 2023

Reviews
MARTÍN REYNA PRESENTED FLUIDES AT GALERIE BESSIERE, PARIS
By
Patricia Avena Navarro
August 15, 2023

Reviews
3RD ACT – ABDIAS NASCIMENTO AND THE MUSEUM OF BLACK ART, MESTRE DIDI AND MÔNICA VENTURA – MYSTERIES TO EMERGE
By
Mario Gioia, art critic and independent curator
July 18, 2023

Reviews
THE ARBITRARY CREATING THE NECESSARY
By
Jorge Villacorta. Critic and art curator
May 05, 2023

Reviews
TO DRESS GODS: ABOUT PURPLE SPELL BY SANTIAGO PAREDES AND BRIGITTE HOFFMAN
By
Federico Curutchet
April 12, 2023

Reviews
BETWEEN LAYOUTS, COLORS AND VIBRATIONS – JUDITH LAUAND: CONCRETE DETOUR
By
Mario Gioia, art critic and independent curator.
March 29, 2023

Reviews
THE INFLUENCE AND CONTINUITY OF PRE-HISPANIC TEXTILE ART IN MODERN AND CONTEMPORARY ART
By
Adriana Herrera Téllez, PhD.
February 28, 2023

Reviews
DESIRE, TRANCE AND SHAPPER – JONATHAS DE ANDRADE IN ‘THE WORLD IS THE THEATER OF MAN’ AND ‘POUNCE AND BOUNCE’
By
Mario Gioia, art critic and independent curator.
February 23, 2023

Reviews
ABALOS AUSTRALIS - 13TH MERCOSUR BIENNIAL - TRAUMA, DREAM AND ESCAPE
By
By Mario Gioia, art critic and independent curator.
January 27, 2023

Reviews
GABRIELA AYZA ASCHMANN: HER CALL TOWARDS WILD (LIGHT)
By
Adriana Herrera Téllez
November 15, 2022

Reviews
SLEEPING EMBAR - 37TH PANORAMA OF BRAZILIAN ART
By
By Mario Gioia, art critic and independent curator
October 13, 2022

Reviews
RURAL INSTALLATIONS - GUILLERMO SRODEK HART IN UNGALLERY
By
Santiago López
September 08, 2022

Reviews
THE INSEPARABILITY OF ART AND POLITICAL ACTION – LEÓN FERRARI AT THE POMPIDOU
By
Patricia Avena Navarro
September 01, 2022

Reviews
'INHOTIM IS ABSOLUTELY UNIQUE,' SAYS JULIETA GONZÁLEZ
By
Mario Gioia, art critic and independent curator
July 21, 2022

Reviews
THE “BIENNIAL WITHOUT PUBLIC” (2020) IN SANTA CRUZ AND AN OUTLINED PATH (PART 2)
By
Jorge Luna Ortuño – Philosopher and Researcher
July 18, 2022

Reviews
THE “BIENNIAL WITHOUT PUBLIC” (2020) IN SANTA CRUZ AND AN OUTLINED PATH (PART 1)
By
Jorge Luna Ortuño – Philosopher and Researcher
July 14, 2022