Rutas relacionales (Relational Routes) is the long-term collective with which the Lucía Mendoza gallery celebrates its tenth anniversary and with which it intends to raise awareness, through the work of about 40 artists, about several of the current thematic and philosophical axes, those that trace their need from the relationship of mankind with its environment. In these axes, we find lines of argument that deal with ecology, society and economies, passing through everything that composes them, such as political processes or the construction of identity. 

Kubikulo presents in its Oporto gallery Sol Raso, an installation by Gabriel Ribeiro (Rio de Janeiro, Brazil, 1990) that is presented as a material and superficial photographic event on polyurethane foams in which the evolution of the exposure of the materials to the elements and the sun for thirty days is captured.

The Niemeyer Center, in the Asturian city of Aviles, hosts Tokyo Blues hacia Gritos Sordos (From Tokyo Blues to Deaf Cries), an exhibition by Brazilian photographer Miguel Rio Branco (Las Palmas de Gran Canaria, Spain, 1946) that traces a journey through his work of crossed images and pieces that were conceived from his personal experience on a trip to Japan, a country whose culture and names in cinema, art and architecture have always fascinated the artist.

Fundación Ama Amoedo is pleased to announce the Grantees for its second edition of the Fundación Ama Amoedo Grants. With more than 2000 applications, 10 projects were selected in the categories: Artists, Art and Social Engagement, Organizations, and Publications. Each Awardee will receive support of 10,000 dollars for the research and development of their proposals. The winners are: Alejandro Cruz (Uruguay), Clara Esborraz (Argentina), Ana María Montenegro (Colombia), Davi Pontes (Brazil), Instituto Tele Arte (Chile), Museo MARC (Argentina), Aldeia-Escola Floresta (Brazil), Archivo de la Memoria Trans (Argentina), El Flasherito (Argentina), and Claudia Martínez Garay (Peru).

The Brooklyn Museum announced the selection of more than two hundred artists for The Brooklyn Artists Exhibition, which will open on the occasion of the Museum’s 200th anniversary. This extensive group show highlights the remarkable creativity and diversity of Brooklyn’s artistic communities. Reflecting on a rich history of fostering creativity and championing artists of all backgrounds, the Museum’s bicentennial is an opportunity to honor the borough’s artistic heritage while looking towards the future.

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

Last Thursday, September 26, a ceremony was held at the French Embassy in Paraguay, where Ambassador Pierre-Christian Soccoja awarded art critic Adriana Almada and visual artist Félix Toranzos with the Order of Arts and Letters. Both were part of the third edition of Pinta Sud | ASU.

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

The Hirshhorn Museum will present the first US museum survey and largest US exhibition of work by identical twin brothers Gustavo and Otavio Pandolfo (b. São Paulo, Brazil, 1974), known globally as OSGEMEOS—Portuguese for “the twins.” The yearlong, full-floor presentation will bring together approximately 1,000 artworks, photographs, and archival materials to highlight the trajectory of their collaborative multidisciplinary practice, including the roots of their fantastical artistic language, inspired by their upbringing in urban Brazil.

Larivière Foundation opens two exhibitions: Ideas Fijas (Fixed Ideas), by Cecilia Szalkowicz, curated by Mariano Mayer; and Carrusel de melancolías (Carousel of Melancholy), by renowned Chilean photographer Leonora Vicuña, curated by Alexis Fabry.

The Museo Moderno de Buenos Aires inaugurated Celina Eceiza: Ofrenda, the artist's first solo museum exhibition. It is an immersive project that was produced by the museum in its entirety. The exhibition is curated by Jimena Ferreiro.