DAGOBERTO RODRÍGUEZ: TERRACOTTA SATELLITES AND A GYMNASIUM OF THOUGHT IN LUXEMBOURG
The co-founder of Los Carpinteros presents his first solo exhibition in the country at Château de Bourglinster and a former church in Roodt-sur-Syre.
THE 84-YEAR-OLD PANAMANIAN WOMAN HONORED BY ARGENTINE PHOTOGRAPHY
At the 22nd edition of Pinta BAphoto, the honored artist was Sandra Eleta, one of Latin America’s foundational photographers
FOUR ARTISTS IN THE FIRST BRAZILIAN PAVILION AT THE GWANGJU BIENNALE
Marcela Cantuária, Mariana Rocha, Vinicius Gerheim, and Vivian Caccuri take part in Devorações do Amanhã, curated by Aldones Nino and Bruna Levi.
PHOTOGRAPHY OVERFLOWS AFTER 200 YEARS AT PINTA BAphoto
The fair celebrates in Buenos Aires the expansion of the discipline and the way it blends with different materialities, taking shape in endless possibilities.
DANIEL VEGA: “THE AGREEMENT WITH THE OWNERS OF THE GELMAN COLLECTION IS CLOSELY LINKED TO THE AMBITION OF OUR PROJECT”
We spoke with Daniel Vega, director of Faro Santander, to address the cultural strategy of the center, its commitment to territorial engagement, and the controversy surrounding the Gelman Collection, which anchors one of its inaugural exhibitions.
FRIDA AS AN ICON: AN ARGUMENT BETWEEN THESIS AND THE BLOCKBUSTER
The Tate Modern presents a sociological reflection on the construction of Frida Kahlo as a cultural icon through a curatorial discourse that risks becoming a theoretical justification for a proposition of immense commercial appeal.
THE INTERDISCIPLINARY UNIVERSE OF CECILIA VICUÑA IN LONDON
The Whitechapel Gallery presents a retrospective survey of Cecilia Vicuña’s oeuvre in an exhibition that weaves together art, poetry, political resistance, indigenous memory, and ecology.
MERCEDES CLAUS AND PHOTOGRAPHY’S “POROUS NATURE”
Whether it is from the archive to the gallery or spanning between research and curatorial practice, Mercedes Claus explores the different spaces that outline Argentina’s photographic scene. This is an interview about the circulation, legitimization, and interpretation of images, in light of her work as curator of RADAR at the upcoming edition of Pinta BAphoto.
THYAGO NOGUEIRA: “INSTITUTIONS EXIST FOR ARTISTS”
Brazilian curator Thyago Nogueira, who heads Contemporary Art and Photography at Instituto Moreira Salles (IMS), reflects on the role of institutions, photography’s multiple dimensions, and the need to build new connections between the art scenes of Brazil and Argentina, ahead of his upcoming visit to Pinta BAphoto.
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