IDENTITY AND HOME – ACCORDING TO SOL CALERO IN THE CA2M MUSEUM

Sol Calero (Caracas, Venezuela, 1982) uses the guanabana, a fruit endemic to Central America and the Caribbean, to symbolically instrumentalize the creation of a representation of the feelings of belonging, home, everyday life and stereotypes through the wide conquest of the spaces of the Museo Centro de Arte Dos de Mayo, transformed for the occasion into visual and popular references of a well-known and recognized Latin America.

By Álvaro de Benito
Reviews

IDENTITY AND HOME – ACCORDING TO SOL CALERO IN THE CA2M MUSEUM

By Álvaro de Benito

Sol Calero (Caracas, Venezuela, 1982) uses the guanabana, a fruit endemic to Central America and the Caribbean, to symbolically instrumentalize the creation of a representation of the feelings of belonging, home, everyday life and stereotypes through the wide conquest of the spaces of the Museo Centro de Arte Dos de Mayo, transformed for the occasion into visual and popular references of a well-known and recognized Latin America.

November 07, 2024
RUBEM VALENTIM AT ICA MIAMI: THINKING AND TRANSFORMATION

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

News

RUBEM VALENTIM AT ICA MIAMI: THINKING AND TRANSFORMATION

ICA Miami presents the first US museum exhibition of the late Afro-Brazilian painter Rubem Valentim (b. 1922, Salvador, Brazil; d. 1991, São Paulo). A singular voice in modernist painting and geometric abstraction, Valentim explored the medium’s formal concerns and social resonances across cultures and spiritual practices. This exhibition focuses on works Valentim produced in the 1960s, and the transformation of his work and thinking during this time.

DENOUNCEMENT AND ORIGIN IN TABITA REZAIRE

Nebulosa de la calabaza is the title of the first solo exhibition presented in Spain by Tabita Rezaire (Paris, France, 1989), an artist living in French Guiana. Renowned for her use of new media and multidisciplinarity to explore the relationship between contemporary worlds transited from technology and their relationship with the most ancestral and spiritual environment, the Guyanese-heritage artist focuses her production on activism from the perspective of denunciation from feminism and decolonization as key points.

By Álvaro de Benito
Reviews

DENOUNCEMENT AND ORIGIN IN TABITA REZAIRE

By Álvaro de Benito

Nebulosa de la calabaza is the title of the first solo exhibition presented in Spain by Tabita Rezaire (Paris, France, 1989), an artist living in French Guiana. Renowned for her use of new media and multidisciplinarity to explore the relationship between contemporary worlds transited from technology and their relationship with the most ancestral and spiritual environment, the Guyanese-heritage artist focuses her production on activism from the perspective of denunciation from feminism and decolonization as key points.

November 06, 2024
HURVIN ANDERSON’S LANDSCAPES AT PAMM

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

News

HURVIN ANDERSON’S LANDSCAPES AT PAMM

Inspired by the murals of Carl Abrahams lining the departures lounge of Kingston Jamaica’s Norman Manley International Airport, Hurvin Anderson presents a new, sixteen-panel, monumental painting in his first solo show at Pérez Art Museum Miami.

THE LAST GALLERY EDITION OF THE YEAR IN BUENOS AIRES

On Saturday, November 9, 2024, a new edition of Gallery arrives to explore the neighborhoods of San Telmo and La Boca, in Buenos Aires, Argentina. Gallery promotes free tours through art circuits where visitors can discover a great diversity of galleries, museums, artists' studios and foundations. A great opportunity to bring contemporary art closer to the general public and promote the extraordinary local offer.

News

THE LAST GALLERY EDITION OF THE YEAR IN BUENOS AIRES

On Saturday, November 9, 2024, a new edition of Gallery arrives to explore the neighborhoods of San Telmo and La Boca, in Buenos Aires, Argentina. Gallery promotes free tours through art circuits where visitors can discover a great diversity of galleries, museums, artists' studios and foundations. A great opportunity to bring contemporary art closer to the general public and promote the extraordinary local offer.

VIVIAN SUTER AND THE RELEVANCE OF SURROUNDINGS AT MAAT IN LISBON

Lisbon's MAAT hosts the exhibition Disco, a show with more than half a thousand works by Vivian Suter (Buenos Aires, Argentina, 1949) with which the institution pays tribute to the pictorial production of the Swiss-Argentine artist and her particular exploration of the interaction with nature and the different techniques and possibilities applicable to painting.

By Álvaro de Benito
News

VIVIAN SUTER AND THE RELEVANCE OF SURROUNDINGS AT MAAT IN LISBON

By Álvaro de Benito

Lisbon's MAAT hosts the exhibition Disco, a show with more than half a thousand works by Vivian Suter (Buenos Aires, Argentina, 1949) with which the institution pays tribute to the pictorial production of the Swiss-Argentine artist and her particular exploration of the interaction with nature and the different techniques and possibilities applicable to painting.

THE OTHER FORMS OF ABSTRACTION IN LATIN AMERICA

The section dedicated to abstraction in the Strangers Everywhere / Stranieri Ouvunque exhibition at the Venice Biennale 2024 explores how artists from the Global South -particularly those from Latin America- pursued less rigorous forms, undulating lines and a vibrant color palette stemming from references of their own.

By María Galarza
Reviews

THE OTHER FORMS OF ABSTRACTION IN LATIN AMERICA

By María Galarza

The section dedicated to abstraction in the Strangers Everywhere / Stranieri Ouvunque exhibition at the Venice Biennale 2024 explores how artists from the Global South -particularly those from Latin America- pursued less rigorous forms, undulating lines and a vibrant color palette stemming from references of their own.

November 05, 2024
ALEXANDRE ARRECHEA’S “BARE TOOL” AT LOCUST PROJECTS

Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.

News

ALEXANDRE ARRECHEA’S “BARE TOOL” AT LOCUST PROJECTS

Locust Projects presents Bare Tool (Herramienta desnuda), a new exhibition by artist Alexandre Arrechea that explores the action of a stone skipping across water as a metaphor for “social sculpture” and the resulting ripple effect, which the artist envisions in three acts: “The Tool,” “The Action,” and “The Implications,” unfolding as a large scale, immersive multimedia experience that invites reflection on the power of individual acts.

TOMÁS SARACENO'S INSTALLATION AT THE COPENAGHEN PLANETARIUM

The Copenhagen Planetarium opens a permanent installation by Tomás Saraceno, Cosmic Threads, where the public is invited to reflect on the enigmas of the universe and human responsibility for the future of the planet.

News

TOMÁS SARACENO'S INSTALLATION AT THE COPENAGHEN PLANETARIUM

The Copenhagen Planetarium opens a permanent installation by Tomás Saraceno, Cosmic Threads, where the public is invited to reflect on the enigmas of the universe and human responsibility for the future of the planet.

OLGA DE AMARAL IN PARIS: AN EXHIBITION AT THE FONDATION CARTIER

The Fondation Cartier pour l’art contemporain is presenting the first major retrospective in Europe of Olga de Amaral, a key figure of the Colombian art scene and of Fiber Art. The exhibition brings together nearly eighty works made between the 1960s and now, many of which have never been shown before outside of Colombia.

News

OLGA DE AMARAL IN PARIS: AN EXHIBITION AT THE FONDATION CARTIER

The Fondation Cartier pour l’art contemporain is presenting the first major retrospective in Europe of Olga de Amaral, a key figure of the Colombian art scene and of Fiber Art. The exhibition brings together nearly eighty works made between the 1960s and now, many of which have never been shown before outside of Colombia.

XIMENA GARRIDO-LECCA AT VERMELHO - A NEW VISION OF THE SYSTEM

The Brazilian gallery Vermelho inaugurated Elemental Change, Ximena Garrido-Lecca's first solo exhibition in the space.

Galleries

XIMENA GARRIDO-LECCA AT VERMELHO - A NEW VISION OF THE SYSTEM

Until 12/21/2024
São Paulo, Brasil

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