VÁSQUEZ DE LA HORRA IN GERMANY: SPACE, BODY AND THE SACRED
The exhibition sketches an intimate map where rituals, organic materials, and personal narratives intertwine to question the social norms that shape our identities.
VELVET CLUB: A CLICHÉD DREAM AT THE MODERNO
Daniel Basso presents new works that reinterpret nocturnal aesthetics, consumer objects, and urban memories to create an immersive space between fantasy and exaggeration.
REFORESTING MEMORY: YUNUEN DÍAZ AT THE BOGOTÁ BIENNIAL
By Manuel Vásquez Ortega
Bogotá and Mexico City are among the cities with the greatest bird diversity in the world: Bogotá is home to 550 species, while Mexico City has 365. Inspired by this observation, Mexican artist, poet, and educator Yunuen Díaz presented a series of ten habitable nests at the International Biennial of Art and the City, BOG25—a collaborative creation with basket weavers from Apulo, Colombia, installed in the plaza of the Gabriel García Márquez Cultural Center of the Fondo de Cultura Económica.
TARIFFS AT THE BORDER: WHEN ART MEETS TRADE POLICY
By María Sancho-Arroyo
How new U.S. trade policies are reshaping the movement of art and design, blurring the line between cultural object and commercial good.
GDA – GALERIA DE ARTISTAS LANDS AT ZIELINSKY BARCELONA WITH THE GROUP SHOW PERQUIRERE
RUTH BENZACAR: SIX DECADES ON, STILL CELEBRATING RISK AND FREEDOM
By Violeta Méndez
The gallery marks sixty years of history with Energy and Optimism for Life, a vibrant look at its legacy and its present.
TEMPO AT MAM CHILOÉ: PAINTING MEMORY IN THE HOUSES OF THE SOUTH
Painting is presented here not only as an aesthetic language, but as a symbolic, intimate, and reflective tool that invites us to view the everyday from new perspectives.
SANTIAGO YAHUARCANI: LIVING MEMORY OF THE ÁIMENI CLAN IN NEW YORK
THE LATEST EVOLUTION OF BLACK MIRROR / ESPEJO NEGRO BY LASCH, AT CASA DE MÉXICO
By Álvaro de Benito
The Fundación Casa de México in Spain hosts Re/Generación, a new installation from the Black Mirror / Espejo Negro series produced by Pedro Lasch (Mexico City, Mexico, 1975) and curated by the National Institute of Anthropology and History of Mexico (INAH). Originating from an initiative originally produced by the Nasher Museum of Art in Durham, North Carolina, in 2007, the series has been transformed through various techniques, evolving its language toward a narrative that makes it impossible to separate past and present, as well as spectator and proposal.
RAUSCHENBERG’S PHOTOGRAPHIC APPROACH AND LATIN AMERICAN ROCI SERIES, AT JUAN MARCH FOUNDATION
By Álvaro de Benito
The Juan March Foundation in Madrid presents an extensive and analytical exhibition on Robert Rauschenberg (Port Arthur, USA, 1925–Captiva, USA, 2008), focusing on the use of image and photography in his work. The exhibition, structured from a novel curatorial perspective, reinterprets the production of one of the great masters of contemporary art, highlighting it as the outcome of an essentially photographic practice.
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