BEYOND THE ALGORITHM: GENEVIÈVE'S BESPOKE VISION FOR THE ART MARKET

The contemporary art ecosystem is undergoing a profound paradigm shift, caught between the hyper-speed of algorithmic metrics and the unsustainable overheads of traditional gallery models. Today's primary market increasingly rewards virality over slow-burning studio practice, forcing artists into hyper-transactional cycles and leaving collectors searching for genuine depth beneath online trends.

Interviews

BEYOND THE ALGORITHM: GENEVIÈVE'S BESPOKE VISION FOR THE ART MARKET

The contemporary art ecosystem is undergoing a profound paradigm shift, caught between the hyper-speed of algorithmic metrics and the unsustainable overheads of traditional gallery models. Today's primary market increasingly rewards virality over slow-burning studio practice, forcing artists into hyper-transactional cycles and leaving collectors searching for genuine depth beneath online trends.

JUAN CASTILLO: THE FACE AS LANDSCAPE AND TERRITORY

MEMORIA celebrates Juan Castillo with an exhibition that explores, through a distinctive artistic language, the relationships between body, territory, memory, identity and representation articulated by the C.A.D.A. member.

Galleries

JUAN CASTILLO: THE FACE AS LANDSCAPE AND TERRITORY

Until 11/07/2026
Madrid, Spain
INSISTING GHOSTS THAT REMAIN IN THIS VENICE BIENNALE'S EDITION

From the ghosts of cyberspace to the Orixás, the Venice Biennale builds correspondences between visible and invisible worlds.

Reviews

INSISTING GHOSTS THAT REMAIN IN THIS VENICE BIENNALE'S EDITION

From the ghosts of cyberspace to the Orixás, the Venice Biennale builds correspondences between visible and invisible worlds.

September 16, 2026
ANA GALLARDO: WEAVE AND MURMUR

The Argentine artist presents at Madrid’s La Oficina an exhibition that recovers her mother’s work to explore memory in the context of extimacy, through transformed images and a range of media.

Galleries

ANA GALLARDO: WEAVE AND MURMUR

Until 12/19/2026
Madrid, Spain
SELF- REALIZATION AND RESIGNIFICATION IN DIANA FONSECA

The Cuban artist’s exhibition at Max Estrella explores, time, and identity through everyday objects transformed into metaphors for human experience and personal memory.

Galleries

SELF- REALIZATION AND RESIGNIFICATION IN DIANA FONSECA

Until 10/31/2026
Madrid, Spain
BETWEEN SOFTNESS AND BITTERNESS: TWO EXHIBITIONS CURATED BY IRENE GELFMAN

Suave es la noche, by Silvana Muscio, and Trago Amargo, by Claudia Coca and Claudia Casarino, propose two distinct ways of inhabiting memory from Buenos Aires: one sensory and oneiric, the other historical and colonial.

Galleries

BETWEEN SOFTNESS AND BITTERNESS: TWO EXHIBITIONS CURATED BY IRENE GELFMAN

Suave es la noche, by Silvana Muscio, and Trago Amargo, by Claudia Coca and Claudia Casarino, propose two distinct ways of inhabiting memory from Buenos Aires: one sensory and oneiric, the other historical and colonial.

SIMÓN VEGA AND CYCLICAL TIME IN THE FACE OF POWER

The Salvadoran artist presents an exhibition in Madrid that connects Mesoamerican monuments with contemporary forms of power and propaganda through sculptures and installations that intertwine past and future to reflect on globalization, autocracy, and techno-feudalism.

Galleries

SIMÓN VEGA AND CYCLICAL TIME IN THE FACE OF POWER

Until 09/17/2026
Madrid, Spain
PINTA ART FOUNDATION AND EL ESPACIO 23 ANNOUNCED A NEW PARTNERSHIP

The collaboration covers airfare, accommodation, and participation in the Miami space's residency program for one selected artist.

News

PINTA ART FOUNDATION AND EL ESPACIO 23 ANNOUNCED A NEW PARTNERSHIP

The collaboration covers airfare, accommodation, and participation in the Miami space's residency program for one selected artist.

MALBA ADDS EIGHT WORKS TO ITS COLLECTION FOR ITS 25TH ANNIVERSARY

The museum welcomes Juan Del Prete and, for the first time, Líbero Badíi, along with donated pieces by Jorge Pineda, Mario Testino, and Margarita Paksa.

News

MALBA ADDS EIGHT WORKS TO ITS COLLECTION FOR ITS 25TH ANNIVERSARY

The museum welcomes Juan Del Prete and, for the first time, Líbero Badíi, along with donated pieces by Jorge Pineda, Mario Testino, and Margarita Paksa.

THE GARDENS OF 6 WOMEN ARTISTS AT THE 2026 VENICE BIENNALE

In Minor Keys is the title Koyo Kouoh chose for the Biennale we now read in the light filtered through her branches. What was she telling us? In this piece I reflect on its meaning and on the possibilities artists sow as they resignify the structures of our modernity. It is a walk through six works understood as ecologies, in the way philosopher of science Isabelle Stengers conceptualized it.

Reviews

THE GARDENS OF 6 WOMEN ARTISTS AT THE 2026 VENICE BIENNALE

In Minor Keys is the title Koyo Kouoh chose for the Biennale we now read in the light filtered through her branches. What was she telling us? In this piece I reflect on its meaning and on the possibilities artists sow as they resignify the structures of our modernity. It is a walk through six works understood as ecologies, in the way philosopher of science Isabelle Stengers conceptualized it.

September 10, 2026

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