documenta 16 ADDS 4 NEW CURATORS TO ITS TEAM
Raven Chacon, Osei Bonsu, Timea Junghaus, and Noam Segal join the 2027 edition, to be held in Kassel under the artistic direction of Naomi Beckwith.
ROME DECIPHERS THE EVOLUTION OF MEXICAN ART THROUGH DIEGO RIVERA
An exhibition at the Capitoline Museums traces the development of modern Mexican art, muralism, and the search for a national identity, structuring its narrative around the figure of the master.
HE AND I: ON ROMANTIC LOVE AND UNCONSCIOUS DESIRES OF NICOLÁS SAID AND CERVIO MARTINI
On a wall in downtown Buenos Aires, a tiny message from a fortune cookie tells the viewer: “Today is a good day to fall in love; look carefully around you.” Beneath the text sits an egg wearing a magician’s hat, next to a lit mosquito coil. Above it all, a single word: Yo (I).
FINAL DAYS: INTERNATIONAL ART FRONTIER OPEN CALL
IAF invites artists of all nationalities and media to apply to the Venice Edition – Winter 2027, with the chance to win a solo exhibition and a cash prize of €1,000 each. Application deadline: November 4, 2026
A PERCEPTUAL LABYRINTH OF JULIO LE PARC AT TATE MODERN
The London-based museum presents a pedagogically structured retrospective on the Franco-Argentine artist, yielding a successful outcome that showcases his experimentation with light, movement, and color while maintaining viewer participation as a key element.
LEONORA CARRINGTON & CECILIA VICUÑA: AN EXHIBITION OF AFFINITIES
Lehmann Maupin and Gallery Wendi Norris present, in New York and San Francisco, a two-part exhibition of historical works by one artist and new works by the other.
THE TERMS OF INDEPENDENCE
Curated by Gabriela Román González at London’s Brixton House, with the participation of artists Débora Delmar and Ilê Sartuzi, INDEPENDENCE turns its own making into an experiment in what it means to act independently within the legal structures and working relationships that shape cultural production today.
CERVIO MARTINI. THE SALON OF THE REJECTED
In sixteenth-century Florence, Duke Cosimo de’ Medici and the painter Giorgio Vasari founded the Accademia del Disegno, one of the first institutions to offer artists a space devoted to perfecting their craft, free from commercial pressures. In 1863, in Paris, by order of Napoleon III, an exhibition was held for a number of artists whose works had been rejected by the jury of an official Salon. It was given the name Salon des Refusés (Salon of the Rejected).
AFFAIR #4: COLLABORATIVE PROPOSALS TO EXPLORE
AFFAIR #4 opened its doors today, October 28, and will run through November 1 in Buenos Aires, Argentina. Featuring 34 galleries and projects, with free admission as a distinctive feature during the city’s busy art fair season, this edition brings together art, collecting, music, and performance. Arte al Día presents a tour to discover and rediscover artists and galleries.
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