The birth of a new collective is always good news, and it is so for several reasons. Firstly, because of the existence of collective dynamics that bring together different points of view and, second, because, in a didactic way, it contributes to illustrate and understand the current cartographies of art. For the Revolú collective, formed by Andrés Meléndez (San Juan, Puerto Rico, 1996), Miguel Ángel Feba (San Juan, Puerto Rico, 1994) and Marcos Daniel Vicéns (Bayamón, Puerto Rico, 1996), their first exhibition experience is the result of an artistic residency in which, almost blindly, they have been able to build those specific ties to start from the individual and reach the group identity.

Spanish-Peruvian artist Sandra Gamarra Heshiki represents Spain at the Venice Biennale. It is the first time in 60 editions that an artist not born in Spain does so. Her project Pinacoteca migrante (Migrant gallery), questions colonial narratives and historical modes of representation.

The Mexican Cultural Institute in Spain hosts the group exhibition En el interior del cielo, a show that gathers some of the most prestigious Mexican artists from the collection of Lorena Pérez-Jácome and Javier Lumbreras.

Soy Palacio / Soy Establo is the proposal conceived by Ana Laura Aláez (Bilbao, Spain, 1964) for one of the spaces of the Balearic Museum Es Baluard and in which she proposes, as an intervention, an express dialogue with emptiness.

By Álvaro de Benito

The Madrid branch of La Cometa gallery presents during July the work of eight of its Ibero-American artists in a group show that delves into different languages and techniques, from ceramics to painting, and also includes dialogues with architecture and other productions. Three of those represented come from Spain, while of the five American representatives, four are Colombian and one is Cuban, which brings a representative vision of the gallery's artistic proposal closer to the spectator.

All sauce, No shrimp is Sophie Ullrich’s anticipated solo exhibition at Piero Atchugarry. The artist presented a new collection of site-specific paintings and sculptures that entwines modern folklore and scientific inquiry.

The international photography festival PHOTOEspaña proposes a program of exhibitions that evoke, both in concept and subject matter, a breadth and diversity that have led to its recognition for years. However, one of its most appreciated improvements has been the expansion of venues and cities, which allows for a wider and better offer.

Grounded in the many meanings and ideas of “home,” This Must Be the Place is a major new exhibition at Walker Art Center showcasing works drawn from across the Walker’s dynamic collections.