FRESTAS 2025: ART, TERRITORY AND DECOLONIAL DIALOGUES

Sesc SP announced the fourth edition of Frestas—Triennial of Arts for the third quarter of 2025 at Sesc Sorocaba. This initiative is part of the institution’s extensive cultural agenda in the countryside of São Paulo State, aiming to expand access to cultural assets, strengthen local and regional partnerships, and foster the contemporary art scene in the region.

News

FRESTAS 2025: ART, TERRITORY AND DECOLONIAL DIALOGUES

Sesc SP announced the fourth edition of Frestas—Triennial of Arts for the third quarter of 2025 at Sesc Sorocaba. This initiative is part of the institution’s extensive cultural agenda in the countryside of São Paulo State, aiming to expand access to cultural assets, strengthen local and regional partnerships, and foster the contemporary art scene in the region.

A REVISIT TO THE WORK OF RAPHAEL HASTINGS AT ICPNA

The exhibition El incondicionado desocultamiento: las experimentaciones audiovisuales de Rafael Hastings (The Unconditioned Unveiling: Rafael Hastings’ Audiovisual Experimentations) has opened at the ICPNA San Miguel space, offering a revisit of the Peruvian visual artist’s filmic work.

News

A REVISIT TO THE WORK OF RAPHAEL HASTINGS AT ICPNA

The exhibition El incondicionado desocultamiento: las experimentaciones audiovisuales de Rafael Hastings (The Unconditioned Unveiling: Rafael Hastings’ Audiovisual Experimentations) has opened at the ICPNA San Miguel space, offering a revisit of the Peruvian visual artist’s filmic work.

THE MULTIVERSES OF CUBAN HISTORY AT DUQUE ARANGO

Metanarratives by Ariel Cabrera is a pictorial exploration that challenges the linearity of time and history, weaving fragmented narratives where past, present, and future converge on the same stage.

Galleries

THE MULTIVERSES OF CUBAN HISTORY AT DUQUE ARANGO

Until 04/11/2025
Medellin, Colombia
MAC LIMA LAUNCHES ITS CYCLE OF TEMPORARY EXHIBITIONS

The renowned artist Moico Yaker returns to the exhibition halls with a solo show after six years to present Conversaciones en el zoológico (Conversations at the Zoo), while Rafael Pascuale explores the relationship between the body and fragility in Espejos de una humanidad perdida (Mirrors of a Lost Humanity).

News

MAC LIMA LAUNCHES ITS CYCLE OF TEMPORARY EXHIBITIONS

The renowned artist Moico Yaker returns to the exhibition halls with a solo show after six years to present Conversaciones en el zoológico (Conversations at the Zoo), while Rafael Pascuale explores the relationship between the body and fragility in Espejos de una humanidad perdida (Mirrors of a Lost Humanity).

REBECA ROMERO: SYMBOLS OF RESILIENCE AND MEMORY

Copperfield presents Rebeca Romero's first solo show with the gallery. The exhibition is accompanied by a text written by Gisselle Girón Casas, curator at the ESCALA Collection. 

Galleries

REBECA ROMERO: SYMBOLS OF RESILIENCE AND MEMORY

Until 05/17/2025
London, Reino Unido
TRADITION, IDENTITY AND CONTEMPORARY LANGUAGE IN ÉDGAR CALEL

The concern about how the surrounding affects not only the individual but also artistic production connects with the principle by which Édgar Calel (San Juan Comalapa, Guatemala, 1987) has developed a unique project from scratch at La Oficina gallery. Sueños guardados en granos de maíz brings us to a specific moment of materialization, but it expands toward all the vertices with which the artist works, delving above all into the importance of ancestry, identity, and the spirituality that is related to space.

By Álvaro de Benito
Reviews

TRADITION, IDENTITY AND CONTEMPORARY LANGUAGE IN ÉDGAR CALEL

By Álvaro de Benito

The concern about how the surrounding affects not only the individual but also artistic production connects with the principle by which Édgar Calel (San Juan Comalapa, Guatemala, 1987) has developed a unique project from scratch at La Oficina gallery. Sueños guardados en granos de maíz brings us to a specific moment of materialization, but it expands toward all the vertices with which the artist works, delving above all into the importance of ancestry, identity, and the spirituality that is related to space.

March 17, 2025
MYSTICAL AND SACRED WATER: ANA GONZÁLEZ AT LA COMETA

Ana González (Bogotá, Colombia, 1974) explores the significance of water as a medium, an environment, and a sacred entity in Llovizna, her solo exhibition at La Cometa’s Madrid venue. Rooted in the Muisca culture’s reverence for water as an integral part of sacred land, this element becomes the symbolic core of her exhibition. Through it, the artist reflects on its spiritual value while also exposing the harsh reality of the Bogotá River, using symbolism to prompt a deeper awareness of environmental degradation.

Galleries

MYSTICAL AND SACRED WATER: ANA GONZÁLEZ AT LA COMETA

Until 04/25/2025
Madrid, Spain
THE INTERGALACTIC PRODUCTION OF GYULA KOSICE AT THE PAMM

One hundred years after his birth, the Perez Art Museum Miami (PAMM) celebrates the career of the Argentine experimental artist, sculptor, poet and theorist.

News

THE INTERGALACTIC PRODUCTION OF GYULA KOSICE AT THE PAMM

One hundred years after his birth, the Perez Art Museum Miami (PAMM) celebrates the career of the Argentine experimental artist, sculptor, poet and theorist.

EMILIANO VALDÉS AT PINTA PANAMA 2025: EFFERVESCENCE, CONSTRUCTION AND IDENTITY

Panama is preparing to become the epicenter of regional art with the first edition of Pinta Panama, May 21-25, 2025. At an effervescence moment for the local artistic ecosystem, the fair seeks to consolidate the Panamanian scene, promote the circulation of artists and create a meeting space for the artistic currents of Central and South America. Emiliano Valdes, general curator of the project, shares his vision of Panama's potential as a cultural connection point.

By María Galarza
Interviews

EMILIANO VALDÉS AT PINTA PANAMA 2025: EFFERVESCENCE, CONSTRUCTION AND IDENTITY

By María Galarza

Panama is preparing to become the epicenter of regional art with the first edition of Pinta Panama, May 21-25, 2025. At an effervescence moment for the local artistic ecosystem, the fair seeks to consolidate the Panamanian scene, promote the circulation of artists and create a meeting space for the artistic currents of Central and South America. Emiliano Valdes, general curator of the project, shares his vision of Panama's potential as a cultural connection point.

PERCEPTION AND QUOTIDIANITY IN LEANDRO ERLICH

La nevera en la sala (The Fridge in the Living Room) is the arrangement through which Leandro Erlich (Buenos Aires, Argentina, 1973) reinterprets his vision of perception through architecture and everyday life at Prats Nogueras Blanchard. A recurring theme in this Argentine artist’s work, the pieces exhibited at the gallery’s Madrid headquarters do not belong to a new production but rather mark the first public presentation of a series of works that engage with realism and illusion, complemented by their location and functionality within the space.

By Álvaro de Benito
Reviews

PERCEPTION AND QUOTIDIANITY IN LEANDRO ERLICH

By Álvaro de Benito

La nevera en la sala (The Fridge in the Living Room) is the arrangement through which Leandro Erlich (Buenos Aires, Argentina, 1973) reinterprets his vision of perception through architecture and everyday life at Prats Nogueras Blanchard. A recurring theme in this Argentine artist’s work, the pieces exhibited at the gallery’s Madrid headquarters do not belong to a new production but rather mark the first public presentation of a series of works that engage with realism and illusion, complemented by their location and functionality within the space.

March 13, 2025

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