ALEJANDRO CARTAGENA: A PHOTOGRAPHIC PRACTICE FOR THE COLLECTIVE NARRATIVE

The Dominican-Mexican photographer explores the social and territorial transformations of Mexico through a critical and serial photographic practice in a major exhibition presented as part of PhotoEspaña.

By Álvaro De Benito
News

ALEJANDRO CARTAGENA: A PHOTOGRAPHIC PRACTICE FOR THE COLLECTIVE NARRATIVE

By Álvaro De Benito

The Dominican-Mexican photographer explores the social and territorial transformations of Mexico through a critical and serial photographic practice in a major exhibition presented as part of PhotoEspaña.

FROM THE SUBTERRANEAN TO THE COSMIC: TERESITA FERNÁNDEZ REAWAKENS A DORMANT HOUSTON LANDMARK

After nearly a decade closed, The Menil Collection's Fresco Building reopens with a meditation on spirituality and matter.

News

FROM THE SUBTERRANEAN TO THE COSMIC: TERESITA FERNÁNDEZ REAWAKENS A DORMANT HOUSTON LANDMARK

After nearly a decade closed, The Menil Collection's Fresco Building reopens with a meditation on spirituality and matter.

SOUTHERN CONE ARTISTS: LAST DAYS TO APPLY FOR STUDIO VOLTAIRE’S RESIDENCY

The London space offers a fully funded twelve-week residency for emerging or mid-career artists from Argentina, Chile, Uruguay, and Paraguay. The deadline is July 16.

 

Open
Open Calls

SOUTHERN CONE ARTISTS: LAST DAYS TO APPLY FOR STUDIO VOLTAIRE’S RESIDENCY

The London space offers a fully funded twelve-week residency for emerging or mid-career artists from Argentina, Chile, Uruguay, and Paraguay. The deadline is July 16.

 

TOMÁS SARACENO IN MUNICH: ECO-SOCIAL WAYS OF COEXISTENCE ON EARTH

"When the flame drinks from the stars and the spider weaves cycles of life, where the sky touches the earth and time expands like salt...", this is how Tomás Saraceno describes the exhibition Ancestral Futures at Haus der Kunst.

News

TOMÁS SARACENO IN MUNICH: ECO-SOCIAL WAYS OF COEXISTENCE ON EARTH

"When the flame drinks from the stars and the spider weaves cycles of life, where the sky touches the earth and time expands like salt...", this is how Tomás Saraceno describes the exhibition Ancestral Futures at Haus der Kunst.

CARLOS CASTRO AND THE REASSESSMENT OF COLOMBIA'S VISUAL HISTORY

In his solo exhibition at La Cometa in Madrid, the Colombian artist revisits the imagery of the landscape through a critical lens that interrogates memory, identity, and dominant historical narratives by appropriating and intervening images from the past.

 

Galleries

CARLOS CASTRO AND THE REASSESSMENT OF COLOMBIA'S VISUAL HISTORY

Until 07/31/2026
Madrid, Spain
ARCHITECTURE AND SPIRITUALITY IN ENGEL LEONARDO

In his latest exhibition in Madrid, the Dominican artist further develops his exploration of geometric abstraction from a Caribbean perspective, linking architecture, memory, and spirituality to examine the connections between history and Antillean identity.

Galleries

ARCHITECTURE AND SPIRITUALITY IN ENGEL LEONARDO

Until 08/20/2026
Madrid, Spain
MACCHI, JEŽIK AND HERNÁNDEZ: RETHINKING THE CONTEMPORARY THROUGH MEDIA LANGUAGE

The Galician institution presents a proposal that connects the practices of Macchi, Ježik and Hernández with those of Alberto Ardid, bringing together critical strategies that engage with the construction of contemporaneity through media language and visual culture.

 

By Álvaro De Benito
News

MACCHI, JEŽIK AND HERNÁNDEZ: RETHINKING THE CONTEMPORARY THROUGH MEDIA LANGUAGE

By Álvaro De Benito

The Galician institution presents a proposal that connects the practices of Macchi, Ježik and Hernández with those of Alberto Ardid, bringing together critical strategies that engage with the construction of contemporaneity through media language and visual culture.

 

OPEN CALL FOR THE 2026 Ey!Studio AiR RESIDENCES

Ey!Studio has opened the call for applications for the Ey!Studio AiR Residencies 2026. The open call is available until 31 July 2026.

Open
Open Calls

OPEN CALL FOR THE 2026 Ey!Studio AiR RESIDENCES

Ey!Studio has opened the call for applications for the Ey!Studio AiR Residencies 2026. The open call is available until 31 July 2026.

FERNANDO ALLEN REVISITS PARAGUAYAN ROCK ENGRAVINGS HERITAGE AT ALTAMIRA

The Paraguayan artist and researcher Fernando Allen engages with the rock art of his home country in La piedra y la luz, an exhibition that combines photography, academic inquiry, and contemporary artistic practice while reflecting on cultural heritage and memory.

By Álvaro De Benito
News

FERNANDO ALLEN REVISITS PARAGUAYAN ROCK ENGRAVINGS HERITAGE AT ALTAMIRA

By Álvaro De Benito

The Paraguayan artist and researcher Fernando Allen engages with the rock art of his home country in La piedra y la luz, an exhibition that combines photography, academic inquiry, and contemporary artistic practice while reflecting on cultural heritage and memory.

THE DEFENCE OF THE GELMAN COLLECTION COMMENCES LEGAL PROCEEDINGS AGAINST BANCO SANTANDER AND THE GOVERNMENT OF MEXICO

The citizens' movement challenges the legality of an agreement authorizing the works to remain abroad until at least September 2030, in contradiction with existing legislation on the protection of artistic heritage.

News

THE DEFENCE OF THE GELMAN COLLECTION COMMENCES LEGAL PROCEEDINGS AGAINST BANCO SANTANDER AND THE GOVERNMENT OF MEXICO

The citizens' movement challenges the legality of an agreement authorizing the works to remain abroad until at least September 2030, in contradiction with existing legislation on the protection of artistic heritage.

GROUP EXHIBITION AT EL APARTAMENTO: CUBAN PERSPECTIVES ON PAINTING

Seven artists from the island come together at El Apartamento’s Madrid space to explore painting as an archive of memory, identity, and representation in contemporary culture.

Galleries

GROUP EXHIBITION AT EL APARTAMENTO: CUBAN PERSPECTIVES ON PAINTING

Until 08/01/2026
Madrid, Spain
MODELS OF GALLERY COLLABORATION MARC STRAUS AND NUEVEOCHENTA: AN ALLIANCE BETWEEN COLOMBIA AND NEW YORK

By Maria Paula Suarez and Montserrat Miranda Ayejes

MARKET

MODELS OF GALLERY COLLABORATION MARC STRAUS AND NUEVEOCHENTA: AN ALLIANCE BETWEEN COLOMBIA AND NEW YORK

By Maria Paula Suarez and Montserrat Miranda Ayejes

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