JUNKANOO IN VENICE: ART, MEMORY, AND POSTHUMOUS COLLABORATION AT THE BAHAMAS PAVILION
The 2026 Venice Biennale hosts an exhibition exploring the Bahamian Junkanoo tradition through the work of John Beadle and Lavar Munroe — two generations of artists united by discarded materials and collective memory.
THE CENTRO BOTÍN REVISITS MARISOL BEYOND THE SCULPTURAL
The Santander-based institution proposes a curatorial reading of Marisol through a major retrospective of her drawing practice, understood as a fundamental axis of her work and as a means of articulating the knowledge acquired through her vital displacements.
THE LEGACY OF EVELYN W. POLITZER (1961–2026) IN MIAMI'S ARTISTIC COMMUNITY
In the week that followed the passing of Evelyn W. Politzer (1961–2026), a pivotal figure in the city's textile art scene, countless expressions of affection emerged alongside a mobilization of cultural initiatives that revealed how, in a time when the sense of community seems to have vanished, art in a city like Miami has been capable of building a social fabric able to bind itself to the meaning of creation even beyond death.
MUUS COLLECTION LAUNCHED A RESEARCH FELLOWSHIP FOR CURATORS AND ACADEMICS
The New Jersey-based organization opens applications for experimented professionals all over the globe until July 31.
THE ART MARKET REGAINS MOMENTUM IN NEW YORK
New York Art Week 2026 appears to confirm something the market has been cautiously anticipating for months: the upper end of the art market has decisively returned, while the middle market continues to recover more selectively. Across fairs and auctions alike, buyers showed strong appetite for established artists, fresh-to-market works, and collections with exceptional provenance.
BETWEEN DOG AND WOLF: CANADA BRINGS TWILIGHT TO THE VENICE BIENNALE
With Victoria water lilies as protagonists, Abbas Akhavan transforms the Canadian pavilion into a liminal space that invites to rethink humanity's relationship with the natural world.
SPAIN: ORIOL VILANOVA AND THE ABOLITION OF THE MUSEUM AND THE ARCHIVE
The Spanish Pavilion at the Biennale is transformed into an anti-museum led by the Catalan artist, grounded in the accumulation of postcards, memory, and a critique of the archive.
GALA PORRAS-KIM RECONSTRUCTS THE ORIGINAL CONTEXT OF LOOTED PRE-HISPANIC OBJECTS AT KURIMANZUTTO
US SCULPTURES AMID CONTROVERSY AT THE VENICE BIENNALE
No formal application, no galleries, and uncertain funding: the artist representing the United States in Venice explores the transformation of matter and the American landscape.
CELINA ECEIZA BRINGS HER TEXTILE INSTALLATION TO CANADA
NEW ZEALAND PHOTOGRAPHER FIONA PARDINGTON REPRESENTS AOTEAROA AT THE VENICE BIENNALE
A new series of large-scale photographs of taxidermied birds — some extinct, many endangered — explores the intersection of colonial history, Māori spirituality, and ecological loss.
THE SCHOOL OF ARTS AND CRAFTS CLOSES REGISTRATION THIS THURSDAY
Applications for Master Copies are open until May 22 — the new edition of the free program that explores the intersection of art, craft, and the transmission of knowledge.
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