VALERIA MACULAN: TRANSFORMING SPACE THROUGH THEATRICAL LANGUAGE AT CENTRO PÁRRAGA
Valeria Maculan presents an installation that turns the exhibition space into a stage shared with the audience. The work uses large, foldable textile figures to create a theatrical environment that evokes archetypes, myth, and ritual.
BEATRIZ GONZÁLEZ IN LONDON: A MONUMENTAL RETROSPECTIVE FOLLOWING HER PASSING
The acclaimed Colombian artist will be honoured at the Barbican Centre with an exhibition bringing together more than 150 works spanning seven decades of production.
BETWEEN LAYERS AND COLLECTIVE TRACES: OSCAR MURILLO AT KURIMANZUTTO
DE DIER: REIMAGINING THROUGH MEMORY AND REMEMBRANCE
Giana De Dier presents an exhibition in Madrid that proposes a visual reflection on memory. Through archival imagery, appropriation, and the technique of collage, the Panamanian artist reconstructs the affective memory of El Terraplén in response to its recent transformation.
AN ANTHOLOGY OF ALFREDO JAAR IN TOKYO
You and Me and the Others brings together historical works and a newly commissioned production for the Tokyo Opera City Art Gallery, as part of an extensive program of activities by the artist in Japan.
CHRISTIAN VIVEROS-FAUNÉ: “LATIN AMERICAN REPRESENTS A CRITICAL AND PRIVILEGED STANCE TOWARD POWER FROM THE ‘MARGINS’ OF THE EMPIRE”
From the curatorship of the Foco LATAM program at CAN Art Fair Madrid, Christian Viveros-Fauné approaches surrealism as a tool for reading global uncertainty, while advocating for painting and Latin American artistic practices as spaces of resistance and the creation of new imaginaries.
GRAPHIC DESIGN, JUDGMENT, AND VISUAL CULTURE IN THE CARIBBEAN AND LATIN AMERICA
The visual culture of the Caribbean and Latin America cannot be understood as a homogeneous or stable system; it is a territory shaped by flows, displacements, and symbolic overlaps in which images not only circulate, but constantly negotiate their meaning. Within this configuration, graphic design occupies a particularly distinctive position, as it does not function merely as a tool of mediation, but rather as a practice of judgment that intervenes in how the region represents, interprets, and projects itself.
WATER AS A CRITICAL OPERATOR: DÁVALOS AT THE MUSEO DE ARTE MODERNO OF SANTO DOMINGO
Mario Dávalos' retrospective challenges inherited notions of the static landscape; working across multiple disciplines, it rethinks the histories of bodies and cultural representation.
EVERY CENTER OF QUISQUEYA HENRÍQUEZ
The Complutense Art Center explores the work of Quisqueya Henríquez, a practice rich both technically and conceptually, which employs social critique, creolization, and multidisciplinary semantics as analytical tools for the discourse of the Caribbean.
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