GABRIEL CHAILE UNFOLDS HIS ARCHAEOLOGY OF MIGRATION IN LONDON
The Argentine artist connects memory and identity in a large-scale installation commissioned by Whitechapel Gallery, where adobe sculptures and collected objects examine the experience of displacement through a contemporary archaeological lens.
THE THREAD THAT DOES NOT BREAK THIRTY YEARS LATER AT THE CASTELLO DI RIVOLI
DENMARK’S PAVILION AT VENICE BIENNALE EXAMINES PORNOGRAPHY, SCIENCE, AND HUMAN REPRODUCTION
For the 61st edition of the world's oldest contemporary art exhibition, Denmark selected Maja Malou Lyse and curator Chus Martínez to represent the country at the Giardini.
THE GELMAN COLLECTION: BETWEEN NATIONAL HERITAGE AND FINANCIAL ASSET
The current controversy highlights the difficult coexistence between the collection’s private ownership and the heritage protection that covers part of its works.
WYNNIE MYNERVA IN BERLIN: CONCEPTUALIZING LOVE AS COLLECTIVE RESISTANCE
THE CAAC EXPLORES “AMEFRICAN” CONNECTIONS THROUGH THE JORGE M. PÉREZ COLLECTION
Inspired by Lélia Gonzalez’s concept of “amefricanity,” Seville once again engages with the Jorge M. Pérez collection, bringing together American and African artists and proposals to question the historical, symbolic, and aesthetic links across both sides of the Atlantic.
TUNGA’S "YO, VOS Y LA LUNA " MAKES ITS EUROPEAN DEBUT
Supported by Collegium, the acclaimed installation by the Brazilian artist arrives in Spain with a sensorial and contemplative proposal in dialogue with the Church of San Miguel in Arévalo.
REINTERPRETATIONS BY DEMIÁN FLORES OF VIOLENCE, MYTH, AND REPRESENTATION
The Mexican artist reinterprets colonial-themed prints by Theodor de Bry to question the construction of otherness and denounce neocolonial violence and contemporary conflicts.
ECUADOR UNVEILS “KANUA” IN THE CANALS OF VENICE
In the run-up to the Venice Biennale, the Ecuador Pavilion project offers solar-powered boat tours and intimate conversations about extractivism, rivers, territories, and ways of life in the Amazon.
A GLIMPSE INTO FERNANDO MAZA'S SURREAL WORLD AT THE MAR MUSEUM
With more than 50 paintings and watercolors, the exhibition offers a journey through the metaphysical universe of the painter, marking the beginning of a national tour that will continue in Córdoba and Mendoza.
ARTIUM RECOVERS THE SILENCED DISSIDENCE OF JUANA CIMA
Artium brings back into the artistic debate the trajectory of Juana Fernández Cima, a body of work shaped by dissidence, identity, and spirituality that was progressively marginalized from the dominant artistic narrative.
THE VENICE BIENNALE IN AN EDITION MARKED BY POLITICAL GAMES
By: María Galarza and Álvaro de Benito
The Venice Art Biennale is approaching the inauguration of its 61st edition amid resignations, protests, and controversies. Never indifferent to its time, its launch also converges within an intense context of wars, genocides, and geopolitical crises. From Arte al Día, we ask ourselves: how can we trace the relationships between politics and art?
JOSÉ DE LA MANO RECLAIMS THE SCULPTURAL WORK OF CHACÓN ÁVILA
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