VISIONS OF GOLD AS A SYMBOL OF POWER AT BLANCA BERLÍN
The group exhibition features the participation of Cecilia Paredes and Luis González Palma, offering a necessary perspective from Latin America on the golden as a sign of wealth and temporal transcendence.
WHEN A RENAISSANCE PAINTER OUTDRAWS CONTEMPORARY ART
The current exhibition devoted to Beato Angelico at Palazzo Strozzi is not only an art-historical event but also a revealing case study in how audiences engage with art today. It is the first major exhibition dedicated to the artist in more than seventy years (last time was in 1955) , and its success goes well beyond scholarly importance.
FROM MINUJÍN TO DE ANDRADE: A LUDIC INTERACTION WITH THE MNAD COLLECTION
By Álvaro de Benito
Let’s Play. Juguemos en la colección, a BIENALSUR project, engages with the permanent collection of the Museo Nacional de Artes Decorativas through the conceptual lens of play, featuring the work of ten artists, mostly from Latin America, including Marta Minujín, Glenda León, and Silvia Rivas.
NETHERLANDS-MEXICO ARTISTIC AND CULTURAL COLLABORATION FUND: ENLACE CREATIVO 2026
The Enlace Creativo 2026 call for proposals is now open. This fund is intended to support collaborative projects that strengthen cultural and creative exchange between the two countries. Application deadline: January 30, 2026.
PINAMAR CONTEMPORARY AWARD #2254 OPENS ITS CALL FOR SUBMISSIONS
This edition offers artists the opportunity to imagine, experiment with, and materialize a large-scale work with a strong territorial presence. Application deadline: March 31, 2026.
DONNA HUANCA INTERVENES IN THE CAAC WITH HER SENSORIAL LANGUAGE
By Álvaro de Benito
The installation is constructed using the artist's usual practices, where sand, pigments, and translucent curtains come together with cosmology and contemporary languages.
THE EARTH AS A FEMININE DIVINITY: DELCY MORELOS IN MEXICO
Within the framework of Mexico City Art Week 2026, MUAC continues to present the Colombian artist's exhibition, a proposal that invites visitors to inhabit the ritual.
ANDREA CANEPA: THE PALACIO DE CRISTAL AS A SYMBOLIC BODY
By Álvaro de Benito
Andrea Canepa intervenes in the Palacio de Cristal at the Museo Reina Sofía with Fardo, an installation consisting of a large tarp inspired by pre-Columbian funerary bundles that transforms the building into a symbolic body, inviting reflection on what is visible and displayed, as well as on preservation and transformation.
PINTA PANAMÁ ART WEEK 2026 OFFERS NEW DIALOGUE BETWEEN VISUAL ARTS AND CINEMA
This March, the event will once again take place in Panama City, opening new spaces for exchange to celebrate regional diversity.
OPEN CALL: INDEX FREIRAUM RESIDENCIES 2026 FOR ARTISTS AND CURATORS
The platform offers residency and collaboration programs in Switzerland, with application deadlines of January 31 and February 15, 2026, providing stays with logistical and financial support and creative space for international artistic projects.
THE WATER WELL: MATTER, TIME, AND ACCUMULATION IN THE WORK OF OSCAR MURILLO
ALIVE AND PRESENT: INDIGENOUS ART THAT “DOES NOT FOCUS SOLELY ON OBJECTS” AT THE PRE-COLUMBIAN MUSEUM
The Chilean museum unveils a temporary exhibition that foregrounds the living traditions and creative persistence of the Atacameño/Lickanantay, Mapuche, and Rapanui peoples through an extensive process of research and collaboration with Indigenous communities.
Subscribe
to receive news through our weekly newsletter or information related to the world of art
