A CONVERSATION AROUND POLITICS, AFFECTION AND LISTENING WITH SOL HENARO

Director of the Museo Universitario del Chopo, Sol Henaro reflects on her role, the tensions within the institution, and the construction of communities from a curatorial perspective.

By María Galarza
Interviews

A CONVERSATION AROUND POLITICS, AFFECTION AND LISTENING WITH SOL HENARO

By María Galarza

Director of the Museo Universitario del Chopo, Sol Henaro reflects on her role, the tensions within the institution, and the construction of communities from a curatorial perspective.

NEREIDA APAZA MAMANI: A HISTORY OF MIGRATION AND VIOLENCE AT THE ICPNA CULTURAL IN MIRAFLORES

The exhibition Lengua materna (Mother language) is a journey through the intimate and social spaces that have shaped the work of the artist.

By María Laura Hernández de Agüero
News

NEREIDA APAZA MAMANI: A HISTORY OF MIGRATION AND VIOLENCE AT THE ICPNA CULTURAL IN MIRAFLORES

By María Laura Hernández de Agüero

The exhibition Lengua materna (Mother language) is a journey through the intimate and social spaces that have shaped the work of the artist.

CHALLENGING THE WESTERN CANON – IN CONVERSATION WITH MELANIE ROUMIGUIÈRE ON HER PARTICIPATION IN PINTA LIMA

Argentine by origin, the curator and former Director of the Visual Arts Department of the Artists in Berlin Program (DAAD) — a residency that connects creatives from around the world with Germany's cultural scene — has spent years building bridges between Latin American art scenes and the major centers of Western art.

By Mercedes Abella
Interviews

CHALLENGING THE WESTERN CANON – IN CONVERSATION WITH MELANIE ROUMIGUIÈRE ON HER PARTICIPATION IN PINTA LIMA

By Mercedes Abella

Argentine by origin, the curator and former Director of the Visual Arts Department of the Artists in Berlin Program (DAAD) — a residency that connects creatives from around the world with Germany's cultural scene — has spent years building bridges between Latin American art scenes and the major centers of Western art.

"NOBODY CAN DEFEAT ME": THE BRAZILIAN PAVILION IN VENICE BETWEEN SPIRITUALITY, HISTORY, AND NATURE

Curated by Diane Lima, the exhibition brings together Adriana Varejão and Rosana Paulino for the first time to rewrite the wounds of colonialism.

News

"NOBODY CAN DEFEAT ME": THE BRAZILIAN PAVILION IN VENICE BETWEEN SPIRITUALITY, HISTORY, AND NATURE

Curated by Diane Lima, the exhibition brings together Adriana Varejão and Rosana Paulino for the first time to rewrite the wounds of colonialism.

CARLOS RUNCIE TANAKA’S CERAMICS IN PINTA LIMA’S SPECIAL PROJECT

"Repeating and mastering form, shaping clay spheres, is like offering a prayer with no beginning or end in time. When I look, I hear distant music" — Carlos Runcie Tanaka (A Zen Parable and Ten Small Stories, 2007)

By María Laura Hernández de Agüero
News

CARLOS RUNCIE TANAKA’S CERAMICS IN PINTA LIMA’S SPECIAL PROJECT

By María Laura Hernández de Agüero

"Repeating and mastering form, shaping clay spheres, is like offering a prayer with no beginning or end in time. When I look, I hear distant music" — Carlos Runcie Tanaka (A Zen Parable and Ten Small Stories, 2007)

PATRICK CHARPENEL: “CULTURALLY SPECIFIC INSTITUTIONS ARE BREAKING AN INCREASINGLY HOMOGENEOUS PATTERN”

What is a Culturally Specific Institution? Director of El Museo del Barrio for over eight years, Patrick Charpenel reflects on the role of museums in the United States, the visibility of Latinx communities, and the challenges of thinking about art beyond fixed categories and market logics.

By María Galarza
Interviews

PATRICK CHARPENEL: “CULTURALLY SPECIFIC INSTITUTIONS ARE BREAKING AN INCREASINGLY HOMOGENEOUS PATTERN”

By María Galarza

What is a Culturally Specific Institution? Director of El Museo del Barrio for over eight years, Patrick Charpenel reflects on the role of museums in the United States, the visibility of Latinx communities, and the challenges of thinking about art beyond fixed categories and market logics.

ARMANDO ANDRADE: “SARA FLORES PRESENTS A SERIES OF WORKS THAT TAKE KENÉ TO A SCALE NEVER BEFORE EXPLORED”

As curator of the Peruvian pavilion in Venice, Andrade examines how the Shipibo-Konibo artist transforms a visual thinking system into an all-encompassing experience —and why that gesture reshapes the scale of what contemporary art can hold.

By María Laura Hernández de Agüero
Interviews

ARMANDO ANDRADE: “SARA FLORES PRESENTS A SERIES OF WORKS THAT TAKE KENÉ TO A SCALE NEVER BEFORE EXPLORED”

By María Laura Hernández de Agüero

As curator of the Peruvian pavilion in Venice, Andrade examines how the Shipibo-Konibo artist transforms a visual thinking system into an all-encompassing experience —and why that gesture reshapes the scale of what contemporary art can hold.

THE IMAGE OF ANOTHER WORLD TAKES SHAPE IN A VIBRANT FORM: FIVE PERUVIAN ARTISTS AT PINTA LIMA 2026

Vásquez, Rodrigo, Másquez, Verovcha, and Yone Makino transform the space into a living organism. A Special Project that questions what it means to make art in Peru today.

By Violeta Méndez
News

THE IMAGE OF ANOTHER WORLD TAKES SHAPE IN A VIBRANT FORM: FIVE PERUVIAN ARTISTS AT PINTA LIMA 2026

By Violeta Méndez

Vásquez, Rodrigo, Másquez, Verovcha, and Yone Makino transform the space into a living organism. A Special Project that questions what it means to make art in Peru today.

DON NADIE: THE LATIN AMERICAN PROJECT AT MILANO DESIGN ART WEEK

The Ecuador-based design studio DON NADIE presents the project 1 m² / 1 second at the Fuorisalone of Milano Design Week 2026. The paper-sculptured native plants seek to translate deforestation into a tangible experience.

By María Galarza
News

DON NADIE: THE LATIN AMERICAN PROJECT AT MILANO DESIGN ART WEEK

By María Galarza

The Ecuador-based design studio DON NADIE presents the project 1 m² / 1 second at the Fuorisalone of Milano Design Week 2026. The paper-sculptured native plants seek to translate deforestation into a tangible experience.

KUNSTHAUS ZÜRICH CHAMPIONS MARISOL WITH HER FIRST MAJOR EUROPEAN RETROSPECTIVE

The Swiss institution presents an extensive survey spanning five decades of the Venezuelan-born artist’s production, highlighting her ironic focus on power and mass culture.

By Álvaro De Benito
News

KUNSTHAUS ZÜRICH CHAMPIONS MARISOL WITH HER FIRST MAJOR EUROPEAN RETROSPECTIVE

By Álvaro De Benito

The Swiss institution presents an extensive survey spanning five decades of the Venezuelan-born artist’s production, highlighting her ironic focus on power and mass culture.

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