CECILIA ALEMANI APPOINTED CURATOR OF THE 15th TAIPEI BIENNIAL
The Italian-American curator, known for directing the 59th Venice Biennale, arrives in Asia for the first time with a curatorial project of her own.
FROM RELIGIOUS ICONS TO FLUORESCENT ICONS: DAN FLAVIN AND LIGHT AS EXPERIENCE AT MALBA
Luz, color y espacio, the exhibition presented by the Museum of Latin American Art of Buenos Aires in collaboration with Dia Art Foundation, offers an experience in which color and space envelop the viewer. It will be open to the public through August 17.
GUATEMALA PRESENTS “LAS INVISIBLES” AT THE 61st VENICE BIENNALE
Memory, identity, and abstraction intersect in the exhibition by Ana Lorena Núñez, Jorge Chavarría, Manuel Navichoc, and Elsie Wunderlich for the international art fair.
SANDRA ELETA’S "LA SERVIDUMBRE": DIGNITY THROUGH DOMESTIC WORK
NURIA ENGUITA: “MUSEUMS DO NOT SPEAK FROM A NEUTRAL POSITION, BUT FROM A CONTEXT THAT SHOULD BE MADE VISIBLE”
Interview with Nuria Enguita, Artistic Director, MAC/CCB – Museum of Contemporary Art and Architecture Centre (Museu de Arte Contemporânea e Centro de Arquitetura), Lisbon.
“EXIT INTERVIEW”: BUCHLOH’S CRITICAL LEGACY, NOW IN SPANISH
Alias editorial publishes the Spanish translation of the conversation between Benjamin H. D. Buchloh and Hal Foster, conceived as the farewell of one of postwar art criticism's central figures.
FUNDACIÓN AMA AMOEDO AND ISCP OPEN CALL FOR ARGENTINE ARTISTS TO PARTICIPATE IN A NEW YORK RESIDENCY
The foundation will award one spot for Argentine visual artists to take part in a two-month residency at the International Studio & Curatorial Program in New York, running October through November 2026. The application deadline is June 28, 2026.
MANUELA SOLANO’S PICTORIAL UNIVERSE ARRIVES AT THE CAAC
The Mexican artist explores the relationship between memory and identity in her exhibition in Seville through more than thirty large-scale paintings in which the visual language of pop culture invites viewers to recognize themselves and question socially constructed roles.
MACARENA ROJAS OSTERLING BRINGS THE PACIFIC TO NEW YORK
THE BUNDESKUNSTHALLE RECONSIDERS THE AMAZONIAN IMAGINARY BEYOND EXOTICISM
An extensive exhibition in Bonn featuring more than 400 works and objects presents Amazonia through the perspectives of its Indigenous peoples, exploring their cosmologies through a dialogue between contemporary artistic practices and historical artefacts.
LATIN AMERICAN TEXTILE ART AND KINETICISM CONVERGE IN CALERO'S EXHIBITION IN MIAMI
Curated by Katherine Chacón, Movement in Suspended Time activates a surface that evokes the loom as originary matrix, transposing onto the picture plane the tension between artisanal tradition and abstract modernity.
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