IRENE GELFMAN TO PARTICIPATE IN SECRETS OF COLLECTING
Various leading figures from the collecting world will come together at the Museo Nacional de Arte Decorativo to discuss the power of cultural platforms to drive artists and projects forward.
MEMORIA STRATA: A MATERIAL STUDY AS A TRIGGER FOR LATIN AMERICAN MIGRATORY MEMORY
"The spiral is a form of transit, a structure that transforms whoever moves through it." With that statement, curator Enzzo Hernández opened the presentation of Memoria Strata, the new artistic research project by Elmer Castillo, inaugurated on August 7 at Estudio-Galleria Mansión Castillo, in Havana.
COSMOS: PATRICE DE SANTA COLOMA DEVELOPED A RESIDENCY IN SAN LUIS POTOSÍ BETWEEN COLOR, MATTER, AND TERRITORY
The Franco-Argentine artist's project proposes that the work be born from direct contact between the artist's chromatic universe and the light, landscape, matter, and particularities of the Altiplano Potosino.
MARINA DE CARO TAKES PART IN THE EKWC INTERNATIONAL RESIDENCY, THE NETHERLANDS
The Argentine artist is in Oisterwijk developing a project that will conclude once her works have reached different corners of the globe.
TWO PERUVIAN ARTISTS EXPLORE FOLIAGE AS MATERIAL AND METAPHOR AT LA MANCHA GALERÍA
THE MORTON ARBORETUM ANNOUNCES "TREE DIMENSIONS," AN IMMERSIVE ART EXHIBITION IN ILLINOIS
Rommy González presents five large-scale sculptures that invite visitors to enter, explore, and experience trees in unique ways.
EMILIA DE LAS CARRERAS, THE ARTIST WHO PRACTICES FICTIONAL TAXIDERMY
Just as Emilia de las Carreras (Buenos Aires, 1989) looks at the hermit crab and understands that leaving a mark means that life leaves marks on you too, engaging with her artistic practice inevitably means that little crusts of her narrative stick to us: the methodology she works with, her intuition as a collector, her thinking of the body as geology, her obsessions, her skeletal and exoskeletal sculptures. The artist's work explores bodies and their remains through a visual and sensory operation crossed with scientific research and self-knowledge, giving shape to pieces that evoke an intersection of the archaeological, the clinical, and the speculative. Her approach to art could easily fill dozens of pages; this is only one chapter.
THE DUTCH PAVILION AND A PERFORMANCE OF CONTRASTS IN VENICE
An orderly, Dutch line. A pavilion, white, tall and closed. We were given generic instructions: no filming, keep silent, respect the tempo of the piece. All the visitors entered together and we followed the implicit choreography, finding where to place ourselves in the space. There is something terribly solemn in performances that make room for waiting, that builds tension.
MASP PRESENTS INTERNATIONAL GROUP EXHIBITION “HISTÓRIAS LATINO-AMERICANAS”
Spanning five floors of the Pietro Maria Bardi Building, the exhibition brings together works by 148 artists, including previously unseen works, to examine how the idea of Latin America was constructed and continues to be contested today.
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