PINTA SOLO PROJECTS - A NEW EMPHASIS

With the curatorship of Oscar Roldán and Luis Fumero, the Solo Projects section acquires a stronger protagonism this year. The section is dedicated to gallery exhibitions that consist of works by a selected artist; the perfect opportunity for visitors to relate more profoundly and personally with the artists.

News

PINTA SOLO PROJECTS - A NEW EMPHASIS

PINTA NAMES DANIEL FISCHER AS NEW ARCHITECT

With its new location and wider horizons, Pinta introduces architect and curator Daniel Fischer to its production team.

By Mercedes Abella
Architecture

PINTA NAMES DANIEL FISCHER AS NEW ARCHITECT

By Mercedes Abella
THE BEAUTY OF DANGER AS STIMULUS – NAN GONZÁLEZ IN PINTA CONCEPT

With the curatorship of Félix Suazo, Pinta Miami 2021 becomes a scenario for immersive and thought provoking installations. The aim of Pinta’s section Special Projects is to accentuate the individuality and artistry of contemporary artists who, through their works and installations, bring to life the concerns and possibilities of the near future.

By Mercedes Abella
Reviews

THE BEAUTY OF DANGER AS STIMULUS – NAN GONZÁLEZ IN PINTA CONCEPT

By Mercedes Abella
December 02, 2021
MIAMI 2021. PINTA CONCEPT – CONTEMPORARY AND MULTIFACETED

This year, in its 15th anniversary and after highly transformative events, Pinta ventures into a new concept. New formats, new location and many other exciting ingredients will make up Pinta 2021.

News

MIAMI 2021. PINTA CONCEPT – CONTEMPORARY AND MULTIFACETED

JOSÉ CAEROLS NOMINATED IN Ch.ACO FOR THE EFG LATIN AMERICAN ART AWARD

The EFG Latin America Art Award, in partnership with ArtNexus, announces José Caerols, from OMA Galeria, Santiago de Chile, as the nominated artist for its annual acquisition award. The list of selected artists is now finallyy complete, and the winner will be announced at Pinta Miami this week.

News

JOSÉ CAEROLS NOMINATED IN Ch.ACO FOR THE EFG LATIN AMERICAN ART AWARD

ENJOY THE PINTA CONCEPT EXPERIENCE – NOW OPEN

Miami’s leading art fair for Latin American art opens its doors to the public at a new location. Promising exhibitions, emerging and established talents, and exciting announcements will feature in Pinta 2021. Tickets are available here

News

ENJOY THE PINTA CONCEPT EXPERIENCE – NOW OPEN

TREMOR: SANDRA RENGIFO EXPLORES THE NOTIONS OF BODY, MATERIALITY AND LABOR AT CASA HOFFMANN

TREMOR collects and revisits the reflections on painting, cinematographic noema and experimental video that Sandra Rengifo started in 2016 with the work Los Lirios del Campo y las Aves del Cielo. It is a kind of "synthetic Neo-romanticism" that gathers the premises of existentialism, the process of the everyday, the revisiting of the past and thinking about the present: carrying bodies, diseased bodies, caring bodies, bodies suffering from inclement weather.

Galleries

TREMOR: SANDRA RENGIFO EXPLORES THE NOTIONS OF BODY, MATERIALITY AND LABOR AT CASA HOFFMANN

CHAOS AND REALITY: LUIS FELIPE NOÉ’S “ENTREVEROS” IN BIENALSUR

The renowned Argentine artist Luis Felipe “Yuyo” Noé is also a part of BIENALSUR 2021, the International Biennial of Contemporary Art of the South, which emerged at Argentina’s Universidad Nacional de Tres de Febrero and is held in 124 venues in 24 countries around the world. The installation "Entreveros BIENALSUR / MUNTREF" can be visited in Buenos Aires, at the MUNTREF Centro de Arte Contemporáneo (at its Hotel de Inmigrantes venue), until the end of December.

BIENALSUR

CHAOS AND REALITY: LUIS FELIPE NOÉ’S “ENTREVEROS” IN BIENALSUR

AMAZE ME AND I AMAZE YOU – FRIEDEBERG AT DOT FIFTYONE GALLERY, MIAMI

Dot Fiftyone presents the first solo show of the celebrated Mexican artist Pedro Friedeberg in the gallery. With a career spanning more than six decades, Friedeberg is considered an outstanding and emblematic cultural figure. Born in 1936, he was first recognized as a Surrealist artist alongside Leonora Carrington and Remedios Varo. He originally trained as an architect and rejected modernism, turning to art with his mentor and friend Mathias Goeritz. In the early 1960s he was part of the interdisciplinary group Los Hartos (The Fed-Ups), always opposing the canon as well as visual and conceptual trends. The irony and absurdity that has characterized his broader artistic practice is embodied in the Mano-Silla (Hand Chair), which has elevated him to the global sphere since 1962. He remains prolific and is significant for new generations.

Galleries

AMAZE ME AND I AMAZE YOU – FRIEDEBERG AT DOT FIFTYONE GALLERY, MIAMI

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