TOBIAS OSTRANDER: “LATIN AMERICA IS A VERY POTENT SOURCE FOR RETHINKING ART HISTORY”

We speak with Tobias Ostrander, the Estrellita B. Brodsky Adjunct Curator of Latin American Art at Tate Modern, at a moment of growing international recognition for Latin American art, as the institution presents three major exhibitions. The conversation explores the region’s growing visibility, the reassessment of the art-historical canon, and the importance of building a global art history grounded in diverse perspectives and local contexts.

By Álvaro De Benito
Interviews

TOBIAS OSTRANDER: “LATIN AMERICA IS A VERY POTENT SOURCE FOR RETHINKING ART HISTORY”

By Álvaro De Benito

We speak with Tobias Ostrander, the Estrellita B. Brodsky Adjunct Curator of Latin American Art at Tate Modern, at a moment of growing international recognition for Latin American art, as the institution presents three major exhibitions. The conversation explores the region’s growing visibility, the reassessment of the art-historical canon, and the importance of building a global art history grounded in diverse perspectives and local contexts.

LONDON AND PARIS: TWO WEEKS TAKING THE PULSE OF THE ART MARKET

For years, the proximity of Frieze London and Art Basel Paris has prompted the same question: which city comes out on top? Having visited both fairs this autumn, I think the question deserves a different approach. 

By María Sancho-Arroyo
MARKET

LONDON AND PARIS: TWO WEEKS TAKING THE PULSE OF THE ART MARKET

By María Sancho-Arroyo

For years, the proximity of Frieze London and Art Basel Paris has prompted the same question: which city comes out on top? Having visited both fairs this autumn, I think the question deserves a different approach. 

NICOLA COSTANTINO BRINGS A CERAMIC GARDEN TO L’SPACE GALLERY IN NEW YORK

Where Time Stands Still features sculptures, tapestries and installations inspired by Bosch. On view through December 19.

Galleries

NICOLA COSTANTINO BRINGS A CERAMIC GARDEN TO L’SPACE GALLERY IN NEW YORK

Until 12/19/2026
New York, Estados Unidos
MIGUEL ÁNGEL ROJAS: PRACTICES AND NARRATIVE FROM THE DARKNESS

The Museo Reina Sofía in Madrid reviews over half a century of the Colombian artist’s career with an exhibition that transforms the night and autobiographical experience into key elements for addressing identity, violence, and social and political conflicts through a consolidated formal language.

By Álvaro De Benito
Reviews

MIGUEL ÁNGEL ROJAS: PRACTICES AND NARRATIVE FROM THE DARKNESS

By Álvaro De Benito

The Museo Reina Sofía in Madrid reviews over half a century of the Colombian artist’s career with an exhibition that transforms the night and autobiographical experience into key elements for addressing identity, violence, and social and political conflicts through a consolidated formal language.

November 11, 2026
LIVING MEMORIES OF CASSAVA: PHOTOGRAPHY AND MBYA-GUARANÍ KNOWLEDGE IN BUENOS AIRES

Kalie Granier presents at Paco Urondo a project developed with the Tava Miri community in Misiones that explores the relationships between people, plants, and land.

News

LIVING MEMORIES OF CASSAVA: PHOTOGRAPHY AND MBYA-GUARANÍ KNOWLEDGE IN BUENOS AIRES

Kalie Granier presents at Paco Urondo a project developed with the Tava Miri community in Misiones that explores the relationships between people, plants, and land.

SEBASTIÃO SALGADO IN MADRID: AN APPEAL TO THE BEAUTY AND FRAGILITY OF WATER

An exhibition in the Spanish capital gathers nearly one hundred photographs by the Brazilian artist, centering on the landscape aesthetics of water and advocating for the urgent need for its protection.

By Álvaro De Benito
News

SEBASTIÃO SALGADO IN MADRID: AN APPEAL TO THE BEAUTY AND FRAGILITY OF WATER

By Álvaro De Benito

An exhibition in the Spanish capital gathers nearly one hundred photographs by the Brazilian artist, centering on the landscape aesthetics of water and advocating for the urgent need for its protection.

ART IS A LONG JOURNEY ATTAINED THROUGH DISCIPLINE: OLMEDO QUIMBITA

An interview with painter Olmedo Quimbita (Latacunga, Ecuador, 1965)

By Albeiro Arciniegas Mejía
Interviews

ART IS A LONG JOURNEY ATTAINED THROUGH DISCIPLINE: OLMEDO QUIMBITA

By Albeiro Arciniegas Mejía

An interview with painter Olmedo Quimbita (Latacunga, Ecuador, 1965)

AMANDA DE LA GARZA: «MUSEUMS ARE NO LONGER REGARDED AS THE SOLE AUTHORITIES ON TRUTH»

The Mexican cultural practitioner and president of CIMAM discusses the principal challenges facing museums—from diversity and funding to ethics and independence—ahead of the Annual Conference of an organization seeking to broaden the voices participating within it.

By Álvaro De Benito
Interviews

AMANDA DE LA GARZA: «MUSEUMS ARE NO LONGER REGARDED AS THE SOLE AUTHORITIES ON TRUTH»

By Álvaro De Benito

The Mexican cultural practitioner and president of CIMAM discusses the principal challenges facing museums—from diversity and funding to ethics and independence—ahead of the Annual Conference of an organization seeking to broaden the voices participating within it.

JULIETA PESTARINO ON THE EXHIBITION OF MEXICAN PHOTOGRAPHERS AT THE GETTY

In conversation with Arte al Día, the Argentine curator and researcher discusses the process behind Instante/revelación: Moments in Mexican Photography, a new photography exhibition at Getty Museum, drawing on her role as Assistant Curator specializing in Latin American photography.

By María Galarza
Interviews

JULIETA PESTARINO ON THE EXHIBITION OF MEXICAN PHOTOGRAPHERS AT THE GETTY

By María Galarza

In conversation with Arte al Día, the Argentine curator and researcher discusses the process behind Instante/revelación: Moments in Mexican Photography, a new photography exhibition at Getty Museum, drawing on her role as Assistant Curator specializing in Latin American photography.

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