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La Tercera Nave brings together the practices of Linarejos Moreno and Vanessa Enríquez in a dialogue centered on the material and symbolic remnants of memory. Through the concepts of textiles and weaving, both artists address fragmentation from industrial and technological perspectives.

By Álvaro de Benito

Let’s Play. Juguemos en la colección, a BIENALSUR project, engages with the permanent collection of the Museo Nacional de Artes Decorativas through the conceptual lens of play, featuring the work of ten artists, mostly from Latin America, including Marta Minujín, Glenda León, and Silvia Rivas.

By Álvaro de Benito

The installation is constructed using the artist's usual practices, where sand, pigments, and translucent curtains come together with cosmology and contemporary languages.

Within the framework of Mexico City Art Week 2026,  MUAC continues to present the Colombian artist's exhibition, a proposal that invites visitors to inhabit the ritual.

This March, the event will once again take place in Panama City, opening new spaces for exchange to celebrate regional diversity.

By Álvaro de Benito

Andrea Canepa intervenes in the Palacio de Cristal at the Museo Reina Sofía with Fardo, an installation consisting of a large tarp inspired by pre-Columbian funerary bundles that transforms the building into a symbolic body, inviting reflection on what is visible and displayed, as well as on preservation and transformation.

The Chilean museum unveils a temporary exhibition that foregrounds the living traditions and creative persistence of the Atacameño/Lickanantay, Mapuche, and Rapanui peoples through an extensive process of research and collaboration with Indigenous communities.

One of the most prominent figures of contemporary Latin American art passed away this Friday at the age of 93.

By Álvaro de Benito

The exhibition brings together a decade of technical and poetic experimentation that transcends the traditional boundaries of photography and places visual experience at the center of reflection. 

The museum explores the construction of the region’s identity through a major group exhibition and solo presentations by Jesús Soto, Damián Ortega, Sandra Gamarra, La Chola Poblete, among other artists.

By Álvaro de Benito

The exhibition traces different moments and formal strategies in her practice, marked by a critical reflection on violence, denial, and the tensions that permeate the female experience in contemporary society.

Chief Cipassé Xavante leads this unprecedented performance, which combines ritual, music, and public dialogue to reflect on climate, territory, and indigenous knowledge.

By María Galarza

Antena by Silvia Gurfein, Huir del mundo by Rosa Chancho, and Important Artifacts by Leanne Shapton are three art books published in Spanish during 2025. All three have pink covers. But contrary to the saying, it’s not all roses in these books. Or perhaps it is, but not in an obvious way: they narrate and engage with art through themes of isolation, fragmentation, rupture, and imagination.

The international award expands its network of partners and recognizes 43 artists through prizes that include residencies, exhibitions, creative commissions, and collaborations with cultural institutions and companies from eight countries.

The 82nd edition brings together 56 artists and collectives in an exhibition that privileges atmosphere, sensibility, and contemporary forms of coexistence. Within this framework, Latin American artists play a key role, weaving together memory, technology, body, and territory.

The award recognizes a sculptural practice in which the geometric and the organic are articulated in suspended scenes, shaped by fable, theater, and memory.

In an image-saturated present, Francisco Lemus proposes new relationships through a selection of works that appropriate space to assert their presence in the face of contemporary volatility.

The multidisciplinary exhibition by the Mexican artist, featuring installation, sculpture, painting, posters, and video, closes the Histories of Ecology cycle and highlights the environmental crisis as a social issue.

At a moment when the world unites around the ball, Football and Art. That Same Emotion invites us to reflect on the sport’s power to bring communities together, build imaginaries, and transcend borders.

The 2025 edition of Pinta Miami concluded by reaffirming its commitment to elevating Latin American art, celebrating artists, galleries and institutions through its awards program and key acquisitions that strengthened regional collecting.

By Álvaro de Benito 

The Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba is presenting Me duelen los ojos de mirar sin verte, the first solo exhibition in Spain by Ana Segovia (Mexico City, Mexico, 1991), on view until January. Curated by Jimena Blázquez Abascal, the show features thirteen oil paintings on canvas and one work on wood, all created expressly for the occasion.

By Álvaro de Benito

Un visionado a tres voces (A three-voiced screening frames) is the conversation between three video art collections that draw from the languages and dynamics of different Southern contexts. The selections prepared for the occasion by the Centro de Arte Dos de Mayo Museum (CA2M Museum) in Móstoles —which hosts the initiative—, MAC Panamá and BIENALSUR, carried out through MUNTREF in Buenos Aires, also aim to establish synergies among the institutions.

By Álvaro de Benito

The Valencian Centre del Carme presents South Body, a broad selection of recent performance documentation by Carlos Martiel (Havana, Cuba, 1989). Through photographs and videos, the exhibition explores the relationship between racism and xenophobia and the way the body becomes the materialization of exclusion. This corporeal object, or objectified body, is employed by the artist as a medium to express cries of resistance and to propose critical reflections on power structures and their influence on the construction of contemporary society.

By Violeta Méndez

In its new edition, Pinta Miami reaffirms its role as a vital anchor of Miami Art Week. Curated by Irene Gelfman, the fair presents three projects that explore—through distinct approaches—the shifting relationships between landscape, identity, and collective experience.

With Special Projects, the Sculpture Garden, and the FORO program, the fair stands as the key meeting point for Latin American art during Miami Art Week.

By Violeta Méndez

In its 2025 edition, the fair unfolds a terrain of questions and encounters. Curated by Juan Canela, NEXT proposes pairings of artists and galleries that explore how we inhabit, name, and imagine the region, articulating new ways of thinking about the contemporary from Latin America and the Caribbean.

Over 120 groundbreaking works arrive in Argentina in the most extensive exhibition to date on this defining artistic era.

From the ancestral to the mythical, two parallel exhibitions explore how memory, identity, and nature shape the symbolic territories where migrant communities imagine —and reinvent— their roots.

The artist unfolds an all-encompassing installation that invites viewers to move through scenes in constant tension between allure and ruin.

The Bass presents an immersive expansion of the artist's fictional universe, where sentient vehicles confront questions of memory, purpose, and control inside a corporate system designed to repair—and restrain—them.

The museum invites visitors to immerse themselves in a field of pure, perceptual color.

By Álvaro de Benito

The Guggenheim Museum in Bilbao presents Anatomy of Space, an extensive exhibition dedicated to Maria Helena Vieira da Silva (Lisbon, Portugal, 1908 – Paris, France, 1992), which primarily encompasses her production from the 1930s through the 1980s. The exhibition is structured around two fundamental axes: architecture and the architectural landscape as compositional frameworks, and memory as the generator of the image.