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THE LATEST TOUR AT DA2 OF THE LUCIANO MÉNDEZ SÁNCHEZ CONTEMPORARY CUBAN ART COLLECTION

The DA2 hosts the last stage of the itinerancy of the Luciano Méndez Sánchez Contemporary Cuban Art Collection, a cycle of exhibitions that the collection started in 2019 in Spain in this institution and that reflects, through different curatorial lines, the realities and attitudes around contemporary art in Cuba.

By Alvaro de Benito Fernandez
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THE LATEST TOUR AT DA2 OF THE LUCIANO MÉNDEZ SÁNCHEZ CONTEMPORARY CUBAN ART COLLECTION

By Alvaro de Benito Fernandez

The DA2 hosts the last stage of the itinerancy of the Luciano Méndez Sánchez Contemporary Cuban Art Collection, a cycle of exhibitions that the collection started in 2019 in Spain in this institution and that reflects, through different curatorial lines, the realities and attitudes around contemporary art in Cuba.

"RELATIONAL ROUTES": THE LATIN AMERICAN COLLECTIVE EXHIBITION AT LUCÍA MENDOZA

Rutas relacionales (Relational Routes) is the long-term collective with which the Lucía Mendoza gallery celebrates its tenth anniversary and with which it intends to raise awareness, through the work of about 40 artists, about several of the current thematic and philosophical axes, those that trace their need from the relationship of mankind with its environment. In these axes, we find lines of argument that deal with ecology, society and economies, passing through everything that composes them, such as political processes or the construction of identity. 

By Álvaro de Benito
News

"RELATIONAL ROUTES": THE LATIN AMERICAN COLLECTIVE EXHIBITION AT LUCÍA MENDOZA

By Álvaro de Benito

Rutas relacionales (Relational Routes) is the long-term collective with which the Lucía Mendoza gallery celebrates its tenth anniversary and with which it intends to raise awareness, through the work of about 40 artists, about several of the current thematic and philosophical axes, those that trace their need from the relationship of mankind with its environment. In these axes, we find lines of argument that deal with ecology, society and economies, passing through everything that composes them, such as political processes or the construction of identity. 

MORE THAN TWO HUNDRED ARTISTS SELECTED FOR THE BROOKLYN ARTISTS EXHIBITION

The Brooklyn Museum announced the selection of more than two hundred artists for The Brooklyn Artists Exhibition, which will open on the occasion of the Museum’s 200th anniversary. This extensive group show highlights the remarkable creativity and diversity of Brooklyn’s artistic communities. Reflecting on a rich history of fostering creativity and championing artists of all backgrounds, the Museum’s bicentennial is an opportunity to honor the borough’s artistic heritage while looking towards the future.

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MORE THAN TWO HUNDRED ARTISTS SELECTED FOR THE BROOKLYN ARTISTS EXHIBITION

The Brooklyn Museum announced the selection of more than two hundred artists for The Brooklyn Artists Exhibition, which will open on the occasion of the Museum’s 200th anniversary. This extensive group show highlights the remarkable creativity and diversity of Brooklyn’s artistic communities. Reflecting on a rich history of fostering creativity and championing artists of all backgrounds, the Museum’s bicentennial is an opportunity to honor the borough’s artistic heritage while looking towards the future.

RIO BRANCO'S JAPANESE FASCINATION IN AVILÉS

The Niemeyer Center, in the Asturian city of Aviles, hosts Tokyo Blues hacia Gritos Sordos (From Tokyo Blues to Deaf Cries), an exhibition by Brazilian photographer Miguel Rio Branco (Las Palmas de Gran Canaria, Spain, 1946) that traces a journey through his work of crossed images and pieces that were conceived from his personal experience on a trip to Japan, a country whose culture and names in cinema, art and architecture have always fascinated the artist.

By Álvaro de Benito Fernández
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RIO BRANCO'S JAPANESE FASCINATION IN AVILÉS

By Álvaro de Benito Fernández

The Niemeyer Center, in the Asturian city of Aviles, hosts Tokyo Blues hacia Gritos Sordos (From Tokyo Blues to Deaf Cries), an exhibition by Brazilian photographer Miguel Rio Branco (Las Palmas de Gran Canaria, Spain, 1946) that traces a journey through his work of crossed images and pieces that were conceived from his personal experience on a trip to Japan, a country whose culture and names in cinema, art and architecture have always fascinated the artist.

MABEL RUBLI'S SPATIAL ENGRAVINGS

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

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MABEL RUBLI'S SPATIAL ENGRAVINGS

The National Museum of Fine Arts in Buenos Aires inaugurated the exhibition Mabel Rubli. Spatial Engravings and Other Explorations, which brings together in the second floor hall a selection of more than 30 works that review the career of one of the most outstanding Argentinean engravers.

PINTA BAphoto 2024: NEW RADAR SECTION

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

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PINTA BAphoto 2024: NEW RADAR SECTION

This year, Pinta BAphoto will hold its twentieth edition with new curatorial proposals to continue celebrating photography in Latin America. Based in Buenos Aires, the fair presents the new RADAR section, curated by Sebastián Vidal Mackinson.

ADRIANA ALMADA AND FÉLIX TORANZOS: AWARDED BY THE GOVERNMENT OF FRANCE

Last Thursday, September 26, a ceremony was held at the French Embassy in Paraguay, where Ambassador Pierre-Christian Soccoja awarded art critic Adriana Almada and visual artist Félix Toranzos with the Order of Arts and Letters. Both were part of the third edition of Pinta Sud | ASU.

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ADRIANA ALMADA AND FÉLIX TORANZOS: AWARDED BY THE GOVERNMENT OF FRANCE

Last Thursday, September 26, a ceremony was held at the French Embassy in Paraguay, where Ambassador Pierre-Christian Soccoja awarded art critic Adriana Almada and visual artist Félix Toranzos with the Order of Arts and Letters. Both were part of the third edition of Pinta Sud | ASU.

OSGEMEOS: THE REAL AND THE FANTASTIC

The Hirshhorn Museum will present the first US museum survey and largest US exhibition of work by identical twin brothers Gustavo and Otavio Pandolfo (b. São Paulo, Brazil, 1974), known globally as OSGEMEOS—Portuguese for “the twins.” The yearlong, full-floor presentation will bring together approximately 1,000 artworks, photographs, and archival materials to highlight the trajectory of their collaborative multidisciplinary practice, including the roots of their fantastical artistic language, inspired by their upbringing in urban Brazil.

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OSGEMEOS: THE REAL AND THE FANTASTIC

The Hirshhorn Museum will present the first US museum survey and largest US exhibition of work by identical twin brothers Gustavo and Otavio Pandolfo (b. São Paulo, Brazil, 1974), known globally as OSGEMEOS—Portuguese for “the twins.” The yearlong, full-floor presentation will bring together approximately 1,000 artworks, photographs, and archival materials to highlight the trajectory of their collaborative multidisciplinary practice, including the roots of their fantastical artistic language, inspired by their upbringing in urban Brazil.

TWO EXHIBITIONS, TWO WOMEN PHOTOGRAPHERS AT THE LARIVÈRE FOUNDATION

Larivière Foundation opens two exhibitions: Ideas Fijas (Fixed Ideas), by Cecilia Szalkowicz, curated by Mariano Mayer; and Carrusel de melancolías (Carousel of Melancholy), by renowned Chilean photographer Leonora Vicuña, curated by Alexis Fabry.

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TWO EXHIBITIONS, TWO WOMEN PHOTOGRAPHERS AT THE LARIVÈRE FOUNDATION

Larivière Foundation opens two exhibitions: Ideas Fijas (Fixed Ideas), by Cecilia Szalkowicz, curated by Mariano Mayer; and Carrusel de melancolías (Carousel of Melancholy), by renowned Chilean photographer Leonora Vicuña, curated by Alexis Fabry.

MERCEDES AZPILICUETA AND HER “DANCING TABLES” IN C3A

Mercedes Azpilicueta (La Plata, Argentina, 1981) lands with her dancing tables at the Centro de Creación Contemporánea de Andalucía (C3A) in an exhibition curated by Verónica Rossi and Jimena Blázquez. A visual and performance artist based in Amsterdam, her artistic practice proposes in her multi-layered works a meeting place between the past and the present through her protagonists and their expressions, some physical -but not corporeal-, such as voices; others, material, such as forms and texts; and others of a more intangible nature such as memory and remembrance.

By Álvaro de Benito
News

MERCEDES AZPILICUETA AND HER “DANCING TABLES” IN C3A

By Álvaro de Benito

Mercedes Azpilicueta (La Plata, Argentina, 1981) lands with her dancing tables at the Centro de Creación Contemporánea de Andalucía (C3A) in an exhibition curated by Verónica Rossi and Jimena Blázquez. A visual and performance artist based in Amsterdam, her artistic practice proposes in her multi-layered works a meeting place between the past and the present through her protagonists and their expressions, some physical -but not corporeal-, such as voices; others, material, such as forms and texts; and others of a more intangible nature such as memory and remembrance.

CELINA ECEIZA: BODIES IN TRANSFORMATION

The Museo Moderno de Buenos Aires inaugurated Celina Eceiza: Ofrenda, the artist's first solo museum exhibition. It is an immersive project that was produced by the museum in its entirety. The exhibition is curated by Jimena Ferreiro.

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CELINA ECEIZA: BODIES IN TRANSFORMATION

The Museo Moderno de Buenos Aires inaugurated Celina Eceiza: Ofrenda, the artist's first solo museum exhibition. It is an immersive project that was produced by the museum in its entirety. The exhibition is curated by Jimena Ferreiro.

PAMEN PEREIRA: SPACE, ORDER AND ELEMENTS, AT ARTIZAR

Pamen Pereira (Ferrol, Spain, 1963) unfolds her project Don't give up at Artizar gallery in Tenerife, a show made up of fourteen pieces that make up a total, but that must be seen from the prism of combination and language. However, the artist advocates for observing what is hidden behind the relationship of her works, the selection and the dialogue that the tour offers us.

By Álvaro de Benito
News

PAMEN PEREIRA: SPACE, ORDER AND ELEMENTS, AT ARTIZAR

By Álvaro de Benito

Pamen Pereira (Ferrol, Spain, 1963) unfolds her project Don't give up at Artizar gallery in Tenerife, a show made up of fourteen pieces that make up a total, but that must be seen from the prism of combination and language. However, the artist advocates for observing what is hidden behind the relationship of her works, the selection and the dialogue that the tour offers us.

THE PRE-COLUMBIAN ROOTS IN THE CONTEMPORARY, AT CASA DE AMERICA

Casa de América is hosting three interconnected exhibitions in Madrid until November 30 that investigate and show the influence of the arts and the roots of pre-Columbian cultures in contemporary art and architecture. 

By Álvaro de Benito
News

THE PRE-COLUMBIAN ROOTS IN THE CONTEMPORARY, AT CASA DE AMERICA

By Álvaro de Benito

Casa de América is hosting three interconnected exhibitions in Madrid until November 30 that investigate and show the influence of the arts and the roots of pre-Columbian cultures in contemporary art and architecture. 

QUIPU GUT – CECILIA VICUÑA’S INSTALLATION AT PAMM

Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.

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QUIPU GUT – CECILIA VICUÑA’S INSTALLATION AT PAMM

Cecilia Vicuña's Quipu Gut is a large hanging sculpture of unspun wool dyed entirely red, made in 2017 and inspired by the ancient quipu system, that arrived at the Pérez Art Museum in Miami.

STEFAN BRÜGGEMANN'S LINES OF FAITH, AT CASA DE MEXICO

Stefan Brüggemann (Mexico City, Mexico, 1975) disembarks at Casa de México with Dos líneas (fe), a series that is understood as an installation and that starts from the impact and the apparent simplicity exposed to develop the concept of inheritance and its satellites. The Mexican conceptual artist uses the power reflected by symbols, religion and history, an element that he deploys, sometimes explicitly, in his large-format works.

By Álvaro de Benito
News

STEFAN BRÜGGEMANN'S LINES OF FAITH, AT CASA DE MEXICO

By Álvaro de Benito

Stefan Brüggemann (Mexico City, Mexico, 1975) disembarks at Casa de México with Dos líneas (fe), a series that is understood as an installation and that starts from the impact and the apparent simplicity exposed to develop the concept of inheritance and its satellites. The Mexican conceptual artist uses the power reflected by symbols, religion and history, an element that he deploys, sometimes explicitly, in his large-format works.

LA CHOLA POBLETE IN MILÁN – THE EXHIBITION “GUAYMALLÉN” ARRIVES AT MUDEC

MUDEC in Milan presented the exhibition Guaymallén, by Argentinian artist La Chola Poblete, winner in 2023 of the prestigious international “Artist of the Year” award dedicated by the Deutsche Bank to contemporary art, and who was recently celebrated with a special mention for her contribution to the 60th International Art Exhibition of the Venice Biennale. The exhibition is curated by Britta Färber, Global Head of Art & Culture at the Bank.

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LA CHOLA POBLETE IN MILÁN – THE EXHIBITION “GUAYMALLÉN” ARRIVES AT MUDEC

MUDEC in Milan presented the exhibition Guaymallén, by Argentinian artist La Chola Poblete, winner in 2023 of the prestigious international “Artist of the Year” award dedicated by the Deutsche Bank to contemporary art, and who was recently celebrated with a special mention for her contribution to the 60th International Art Exhibition of the Venice Biennale. The exhibition is curated by Britta Färber, Global Head of Art & Culture at the Bank.

GUSTAVO PÉREZ AND LIN CALLE CONNECT IN THE ARBOREAL, IN MEMORIAM

The two venues of MEMORIA gallery enter into a necessary dialogue by hosting the individual but connected exhibitions of Gustavo Pérez (Mexico City, Mexico, 1950) and Lin Calle (Hubei, China, 1994), who put on the table, from their techniques and perspectives, a debate of thought on the impoverishment and extinction of contemporary imaginaries.

By Álvaro de Benito
News

GUSTAVO PÉREZ AND LIN CALLE CONNECT IN THE ARBOREAL, IN MEMORIAM

By Álvaro de Benito

The two venues of MEMORIA gallery enter into a necessary dialogue by hosting the individual but connected exhibitions of Gustavo Pérez (Mexico City, Mexico, 1950) and Lin Calle (Hubei, China, 1994), who put on the table, from their techniques and perspectives, a debate of thought on the impoverishment and extinction of contemporary imaginaries.

MARTA MINUJIN’S FIRST RETROSPECTIVE EXHIBITION IN EUROPE

Intensity Life is Marta Minujín’s first retrospective exhibition in Europe, to be held at the Copenhagen Contemporary Museum.

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MARTA MINUJIN’S FIRST RETROSPECTIVE EXHIBITION IN EUROPE

Intensity Life is Marta Minujín’s first retrospective exhibition in Europe, to be held at the Copenhagen Contemporary Museum.

OPAVIVARÁ! INSTALLS ITS “SOCIAL NETWORK” IN THE CAAC

The artistic collective from Rio de Janeiro OPAVIVARÁ! intervenes in the space of the Capilla de Afuera of the Centro Andaluz de Arte Contemporáneo in Seville with its Rede social, a sensorial and materialized symbology with which the Brazilians invite the spectator to place himself in a position to negotiate and cooperate with his fellow men and women. The intervention, consisting of the unfolding of fabric hammocks that acquire the rhythm and cadence that the visitor imprints with his movement and presence and that adds sounds of snoring, follows the group's premise of building spaces and devices that offer a collaborative experience.

By Álvaro de Benito
News

OPAVIVARÁ! INSTALLS ITS “SOCIAL NETWORK” IN THE CAAC

By Álvaro de Benito

The artistic collective from Rio de Janeiro OPAVIVARÁ! intervenes in the space of the Capilla de Afuera of the Centro Andaluz de Arte Contemporáneo in Seville with its Rede social, a sensorial and materialized symbology with which the Brazilians invite the spectator to place himself in a position to negotiate and cooperate with his fellow men and women. The intervention, consisting of the unfolding of fabric hammocks that acquire the rhythm and cadence that the visitor imprints with his movement and presence and that adds sounds of snoring, follows the group's premise of building spaces and devices that offer a collaborative experience.

FUERA DE FOCO – TEN YEARS OF EMERGENT PHOTOGRAPHY

As part of the 20th anniversary of BAphoto, the art fair dedicated exclusively to photography in Buenos Aires, the Fuera de Foco section celebrates its tenth edition in 2024. Since its creation, this section has been a key space to promote the visibility of emerging galleries and artists, functioning as a platform that connects Argentine photography with the international scene. Throughout these ten years, Fuera de Foco has played a fundamental role in positioning emerging galleries and generating links with larger art circuits, contributing to BAphoto and Pinta's goal of promoting Latin American art in the world.

News

FUERA DE FOCO – TEN YEARS OF EMERGENT PHOTOGRAPHY

As part of the 20th anniversary of BAphoto, the art fair dedicated exclusively to photography in Buenos Aires, the Fuera de Foco section celebrates its tenth edition in 2024. Since its creation, this section has been a key space to promote the visibility of emerging galleries and artists, functioning as a platform that connects Argentine photography with the international scene. Throughout these ten years, Fuera de Foco has played a fundamental role in positioning emerging galleries and generating links with larger art circuits, contributing to BAphoto and Pinta's goal of promoting Latin American art in the world.

TRANSITORY BOUNDARIES: THE LIMITS OF SPACE, OBJECTS AND IDENTITY.

As part of Open House Festival, an event that celebrates architecture, history and culture, four Argentine artists - Martín Cordiano, Sara Sahores, Ignacio Unrrein and Mariela Vita - intervened the space of the Argentine Ambassador's Residence in London, addressing themes such as transition, domesticity and barriers. Curated by Federika Chaimowicz, Carolina Orlando, Mora Pranteda and Pilar Seivane.

News

TRANSITORY BOUNDARIES: THE LIMITS OF SPACE, OBJECTS AND IDENTITY.

As part of Open House Festival, an event that celebrates architecture, history and culture, four Argentine artists - Martín Cordiano, Sara Sahores, Ignacio Unrrein and Mariela Vita - intervened the space of the Argentine Ambassador's Residence in London, addressing themes such as transition, domesticity and barriers. Curated by Federika Chaimowicz, Carolina Orlando, Mora Pranteda and Pilar Seivane.

TOMÁS SARACENO’S PROJECT ARRIVES AT SEOUL

The Leeum Museum of Art, operated by the Samsung Foundation of Culture, is hosting Aerocene Seoul, a three-month-long public project that connects Aerocene communities in and around Seoul as part of its public programme “Idea Museum.”

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TOMÁS SARACENO’S PROJECT ARRIVES AT SEOUL

The Leeum Museum of Art, operated by the Samsung Foundation of Culture, is hosting Aerocene Seoul, a three-month-long public project that connects Aerocene communities in and around Seoul as part of its public programme “Idea Museum.”

LEONILSON EN EL MASP: ENTRE LA VULNERABILIDAD Y EL PODER

El Museo de Arte de São Paulo (MASP) presenta la exposición Leonilson: Ahora y Oportunidades, dedicada al artista, que fue figura clave en la escena brasileña de finales del siglo XX. La muestra abarca sus últimos años creativos, donde explora temas de amor, pérdida y la fragilidad humana con una voz íntima y única.

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LEONILSON EN EL MASP: ENTRE LA VULNERABILIDAD Y EL PODER

El Museo de Arte de São Paulo (MASP) presenta la exposición Leonilson: Ahora y Oportunidades, dedicada al artista, que fue figura clave en la escena brasileña de finales del siglo XX. La muestra abarca sus últimos años creativos, donde explora temas de amor, pérdida y la fragilidad humana con una voz íntima y única.

LOUIS CARLOS BERNAL’S RETROSPECTIVE AT THE CENTER FOR CREATIVE PHOTOGRAPHY

The Center for Creative Photography presents Louis Carlos Bernal: Retrospectiva, a landmark survey of one of the most significant American photographers of the twentieth century.

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LOUIS CARLOS BERNAL’S RETROSPECTIVE AT THE CENTER FOR CREATIVE PHOTOGRAPHY

The Center for Creative Photography presents Louis Carlos Bernal: Retrospectiva, a landmark survey of one of the most significant American photographers of the twentieth century.

INTERGALACTIC: GYULA KOSICE AT MALBA

In the centennial year of the birth of visionary Argentine artist Gyula Kosice (b. Ferdinand Fallik; Košice, Czechoslovakia, 1924 - Buenos Aires, 2016), Malba presents a monographic exhibition dedicated to his work, with the purpose of highlighting his pioneering role and repositioning him in the international context of postwar art.

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INTERGALACTIC: GYULA KOSICE AT MALBA

In the centennial year of the birth of visionary Argentine artist Gyula Kosice (b. Ferdinand Fallik; Košice, Czechoslovakia, 1924 - Buenos Aires, 2016), Malba presents a monographic exhibition dedicated to his work, with the purpose of highlighting his pioneering role and repositioning him in the international context of postwar art.

GABRIEL PÉREZ-BARREIRO: THE MUN'S NEW ARTISTIC DIRECTOR

After six years of his collaboration as a teacher in the Master's Degree in Curatorial Studies offered by the Museo Universidad de Navarra (MUN), Gabriel Pérez-Barreriro has been appointed as the institution's new artistic director. With extensive experience in university museums and other centers in Europe, the United States and Latin America, he is now the new head of the MUN's artistic strategy together with Teresa Lasheras, artistic director of performing arts and music.

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GABRIEL PÉREZ-BARREIRO: THE MUN'S NEW ARTISTIC DIRECTOR

After six years of his collaboration as a teacher in the Master's Degree in Curatorial Studies offered by the Museo Universidad de Navarra (MUN), Gabriel Pérez-Barreriro has been appointed as the institution's new artistic director. With extensive experience in university museums and other centers in Europe, the United States and Latin America, he is now the new head of the MUN's artistic strategy together with Teresa Lasheras, artistic director of performing arts and music.

 A NEW EDITION OF GALLERY - THE CIRCUIT THAT TRAVELS THROUGH BUENOS AIRES' DISTRICTS

With the support of the Ministry of Culture of the City of Buenos Aires, on Saturday, September 14, 2024, a new edition of Gallery arrives in the Palermo and Villa Crespo districts, in the city of Buenos Aires, Argentina. Gallery promotes tours through art circuits visiting galleries, museums, artists' studios, museums and foundations.

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A NEW EDITION OF GALLERY - THE CIRCUIT THAT TRAVELS THROUGH BUENOS AIRES' DISTRICTS

With the support of the Ministry of Culture of the City of Buenos Aires, on Saturday, September 14, 2024, a new edition of Gallery arrives in the Palermo and Villa Crespo districts, in the city of Buenos Aires, Argentina. Gallery promotes tours through art circuits visiting galleries, museums, artists' studios, museums and foundations.

FRANCIS ALŸS: TWO DECADES AFTER HIS PROJECT

PROA21 presented the exhibition of interdisciplinary artist Francis Alÿs, curated by Cuauhtémoc Medina, on the emblematic project When Faith Moves Mountains, created in April 2002 for the III Ibero-American Biennial of Lima.

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FRANCIS ALŸS: TWO DECADES AFTER HIS PROJECT

PROA21 presented the exhibition of interdisciplinary artist Francis Alÿs, curated by Cuauhtémoc Medina, on the emblematic project When Faith Moves Mountains, created in April 2002 for the III Ibero-American Biennial of Lima.

THE ARMORY SHOW’S 30th ANNIVERSARY EDITION

The Armory Show is taking place from September 6th to 8th. The fair’s 30th edition features over 235 galleries from 35 countries, showcasing artist projects in the Platform section, as well as highlights from sections Galleries, Focus, Solo and Presents, alongside presentation details for the Gramercy International Prize. Now part of the Frieze network, the Armory Show presents a revitalized program that offers a comprehensive view of the contemporary art world.

News

THE ARMORY SHOW’S 30th ANNIVERSARY EDITION

The Armory Show is taking place from September 6th to 8th. The fair’s 30th edition features over 235 galleries from 35 countries, showcasing artist projects in the Platform section, as well as highlights from sections Galleries, Focus, Solo and Presents, alongside presentation details for the Gramercy International Prize. Now part of the Frieze network, the Armory Show presents a revitalized program that offers a comprehensive view of the contemporary art world.

FUTURE IMAGINARIES: INDIGENOUS ART, FASHION & TECHNOLOGY

Future Imaginaries, the collective exhibition at The Autry Museum of the American West, explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures and advocating for Indigenous technologies in a more inclusive present and sustainable future.

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FUTURE IMAGINARIES: INDIGENOUS ART, FASHION & TECHNOLOGY

Future Imaginaries, the collective exhibition at The Autry Museum of the American West, explores the rise of Futurism in contemporary Indigenous art as a means of enduring colonial trauma, creating alternative futures and advocating for Indigenous technologies in a more inclusive present and sustainable future.

LEILA TSCHOPP: ARTEBA'S NOMINEE FOR THE EFG LATIN AMERICAN ART AWARD

The EFG Latin America Art Award, in partnership with ArtNexus, announced Leila Tschopp of Buenos Aires, Argentina, as arteba's nominated artist for its annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

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LEILA TSCHOPP: ARTEBA'S NOMINEE FOR THE EFG LATIN AMERICAN ART AWARD

The EFG Latin America Art Award, in partnership with ArtNexus, announced Leila Tschopp of Buenos Aires, Argentina, as arteba's nominated artist for its annual acquisition award. The winning artist will be featured at Pinta Miami 2024.

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