News

Sesc SP announced the fourth edition of Frestas—Triennial of Arts for the third quarter of 2025 at Sesc Sorocaba. This initiative is part of the institution’s extensive cultural agenda in the countryside of São Paulo State, aiming to expand access to cultural assets, strengthen local and regional partnerships, and foster the contemporary art scene in the region.

The exhibition El incondicionado desocultamiento: las experimentaciones audiovisuales de Rafael Hastings (The Unconditioned Unveiling: Rafael Hastings’ Audiovisual Experimentations) has opened at the ICPNA San Miguel space, offering a revisit of the Peruvian visual artist’s filmic work.

The renowned artist Moico Yaker returns to the exhibition halls with a solo show after six years to present Conversaciones en el zoológico (Conversations at the Zoo), while Rafael Pascuale explores the relationship between the body and fragility in Espejos de una humanidad perdida (Mirrors of a Lost Humanity).

One hundred years after his birth, the Perez Art Museum Miami (PAMM) celebrates the career of the Argentine experimental artist, sculptor, poet and theorist.

For 66 days, the exhibition will spread throughout the city, bringing together works by 76 artists from different regions of the world, focusing on exchanges between various social contexts and artistic languages as a way to explore the multiplicity of experiences between art and life.

The Museo La Neomudéjar presents No hay más ciego que el que no quiere ver (No one is more blind than the one who refuses to see), a solo exhibition by Marisa Caichiolo (Santa Fe, Argentina, 1974). In this project, the artist explores and materializes pain and absence, primarily through embroidery. Drawing from her personal experiences, Caichiolo constructs narratives of resistance and instrumental memory to confront traumatic episodes—many of them rooted in forced disappearances.

The Museum of Modern Art of Bogota (MAMBO) presents its first exhibition cycle of 2025 with Colombian artist Julieth Morales, Chilean artist Seba Calfuqueo, and Brazilian artist UÝRA. They address, from different perspectives, the relationship between identity, territory and memory, proposing new forms of resistance.

An exhibition that navigates the complex layers of womanhood, resilience, and the inherent solidarity forged through collective survival and the pursuit of safety in community, highlighting the invisible threads that connect women across different cultures.

The Museo Nacional Centro de Arte Reina Sofía has announced the acquisitions made during the ARCO fair, through which both the institution and the Ministry of Culture expand the museum’s collections. Among the artists whose work is now part of the Madrid-based institution are Argentine artist Marta Minujín and Colombian artists Juan Pablo Echeverri and Luz Lizarazo—three figures with different career trajectories who bring a distinct Latin American perspective to a list of acquisitions largely focused on Spanish artists.

The Argentine artist has introduced the Julio Le Parc Virtual Labyrinthus Museum, an enveloping digital space that invites the public to explore more than 500 works, including previously unseen pieces created especially for this platform.

The Colección Patricia Phelps de Cisneros (CPPC), in collaboration with The Museum of Modern Art (MoMA) Archives, Library, and Research Collections, announced the launch of Cisneros Research Guide. This bilingual research tool provides public access to over 200 curated digital assets, ensuring the long-term accessibility of key materials related to Latin American and Caribbean art and culture.

The visual art exhibition brings together a selection of works created through digital media, exploring experiences, imaginary worlds, and the artist’s personal wanderings.

The Institute of Contemporary Art Miami (ICA Miami) presents a retrospective of textile artist Olga de Amaral (Bogotá, 1932), a pioneer in material exploration and the expansion of textile art. The exhibition, in collaboration with the Fondation Cartier pour l’art contemporain in Paris, will be open from May 1 to October 12, showcasing over 50 works spanning six decades of her career, including pieces never before exhibited outside Colombia.

Madrid's Reina Sofia Museum, in collaboration with the Reina Sofia Museum Foundation, reinforces its growing involvement and strategy for the dissemination and study of Latin American contemporary art with the creation of the Cáder Institute of Central American Art (ICAC), dedicated to the research and dissemination of Central American art.

The intervention Wasi Llamkha (Place and touch), by artist Andrea Canepa (Lima, Peru, 1980), stands on the South Patio of Madrid's Condeduque. This pavilion, designed as an ephemeral architectural structure, invites us to explore its sensorial value, far from the preeminence of the visual, and claims, by way of inspiration, the quipus, the forms of representation and recording of information from pre-Columbian Peru.

With an innovative perspective and a personal scenic language, KAY presents a play that reveals how the myths of the Amazon have been distorted to conceal the violence lurking over the women and girls of the region. The performance will serve as the closing event of the tenth edition of the prestigious theater and dance festival Temporada Alta, organized by the Alianza Francesa de Lima.

Marres, House for Contemporary Culture, will present on March 15 the exhibition Vultures & Fireflies by Alejandro Galván; this is a painted chronicle of Mexico from the perspective of one of the largest working-class suburbs.

The Atchugarry Museum of Contemporary Art (MACA) presents the exhibition Carmelo Arden Quin: In the Fabric of Constructive Art, curated by renowned historian and scholar Cristina Rossi.

The Badischer Kunstverein presents the work of the Brazilian poet and artist in their first extensive solo exhibition in Germany; To See Aloud  includes diverse facets of her artistic practice, ranging from early text works, videotext poems, publications and printed matter to photographs, objects, object poems and installations, all the way to her most recent performances and artworks in public spaces, including sound-based and collective activations.

The Guggenheim Museum Bilbao hosts a retrospective exhibition of Tarsila do Amaral (Capivari, Brazil, 1886 - São Paulo, Brazil, 1973) focused on her conception and renovation of painting, as well as on her recognition as one of the key and most representative figures of the entry of avant-garde and modernizing pictorial languages in Latin America. A central name in Brazilian modernism, her style was consecrated as her own identity, a product of her desires and experiences, evoking both indigenous themes and the modernizing processes of a Brazil that was undergoing a constant transformation.

The MIT List Visual Arts Center presents The Great Learning, Pedro Gómez-Egaña’s exhibition that materializes our polyrhythmic experiences of time.

Madrid's CentroCentro approaches the artistic production related to the Amazon with the exhibition Trópico sin tópico: Amazonas (Tropic without Topic: Amazon), curated by Halim Badawi (Barranquilla, Colombia, 1982), and with which it intends to facilitate new looks beyond the usual ones with which the European imaginary contemplates the indigenous legacy and its relation with the contemporary world.

The annual program, presented by Victoria Noorthoorn, director of the Modern Museum, consists of ten exhibitions dedicated to showcasing the powerful dialogue between visual arts and theater in Argentina, from the 1960s to the present.

The Broad Museum is set to present Jeffrey Gibson: the space in which to place me, a special exhibition showcasing the artist’s multidimensional work. Adapted from its original presentation at the U.S. Pavilion at the 60th Biennale in 2024, this exhibition marks a historic moment—Gibson was the first Indigenous artist to represent the United States with a solo exhibition.

The Museum of Contemporary Art of Lima (MAC) is organizing New Horizons of Digital Art, aimed at young people and adults, as part of the public program of the exhibition Artware 9. Lima Digital Art Biennial.

Felipe Romero (Bogota, Colombia, 1992) usually shows in his photographic proposal a high interest in conflict zones. While the scenario reflects this palpable but still intangible tension, it also serves as a reflective framework where the conflict and its protagonists meet.

Contemporary art has become a testing ground where the boundaries between disciplines dissolve, giving way to hybrid experiences. In this shifting landscape, artist Cristian Segura introduces an unexpected provocation: an ice cream that is not only tasted but also contemplated.

In her work, using traditional techniques such as oil painting, she explores contemporary imaginaries with a reflective approach to the relationship between memory, the body, image, and identity.

Paths of Life invites viewers on a journey through 45 years of the Mexican photographer's distinguished photographic career; the exhibition presents a captivating combination of previously unpublished images from the artist's personal archive along with her most recent works.

La Casa Encendida is planning a large part of its artistic, exhibition program this season around the concept of Verbos encendidos, a framework line of argument that frames the theme and the perspective from which certain public, political and social issues are approached from the institution. Escuchar (Listen) is the first verb, chosen to start with it a call for attention towards the construction of spaces and tools that allow to overcome differences and find common spaces of understanding.