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PINACOTECA MIGRANTE: SPAIN AT THE VENICE BIENNALE

Spanish-Peruvian artist Sandra Gamarra Heshiki represents Spain at the Venice Biennale. It is the first time in 60 editions that an artist not born in Spain does so. Her project Pinacoteca migrante (Migrant gallery), questions colonial narratives and historical modes of representation.

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PINACOTECA MIGRANTE: SPAIN AT THE VENICE BIENNALE

Spanish-Peruvian artist Sandra Gamarra Heshiki represents Spain at the Venice Biennale. It is the first time in 60 editions that an artist not born in Spain does so. Her project Pinacoteca migrante (Migrant gallery), questions colonial narratives and historical modes of representation.

THIS MUST BE THE PLACE: INSIDE THE WALKER’S COLLECTION

Grounded in the many meanings and ideas of “home,” This Must Be the Place is a major new exhibition at Walker Art Center showcasing works drawn from across the Walker’s dynamic collections.

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THIS MUST BE THE PLACE: INSIDE THE WALKER’S COLLECTION

Grounded in the many meanings and ideas of “home,” This Must Be the Place is a major new exhibition at Walker Art Center showcasing works drawn from across the Walker’s dynamic collections.

UKRAINE AND THE EFECT OF WAR AT VENICE BIENNALE

The Ukranian Pavilion addresses the othering effect of war, two years into the Russian Invasion, in Net Making at the 60th Venice Biennale.

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UKRAINE AND THE EFECT OF WAR AT VENICE BIENNALE

The Ukranian Pavilion addresses the othering effect of war, two years into the Russian Invasion, in Net Making at the 60th Venice Biennale.

ES BALUARD HOSTS ANA LAURA ALÁEZ'S DIALOGUE WITH EMPTINESS

Soy Palacio / Soy Establo is the proposal conceived by Ana Laura Aláez (Bilbao, Spain, 1964) for one of the spaces of the Balearic Museum Es Baluard and in which she proposes, as an intervention, an express dialogue with emptiness.

By Álvaro de Benito
News

ES BALUARD HOSTS ANA LAURA ALÁEZ'S DIALOGUE WITH EMPTINESS

By Álvaro de Benito

Soy Palacio / Soy Establo is the proposal conceived by Ana Laura Aláez (Bilbao, Spain, 1964) for one of the spaces of the Balearic Museum Es Baluard and in which she proposes, as an intervention, an express dialogue with emptiness.

PAZ ERRÁZURIZ IN THE FUNDACIÓN MAPFRE COLLECTIONS

The international photography festival PHOTOEspaña proposes a program of exhibitions that evoke, both in concept and subject matter, a breadth and diversity that have led to its recognition for years. However, one of its most appreciated improvements has been the expansion of venues and cities, which allows for a wider and better offer.

By Álvaro de Benito
News

PAZ ERRÁZURIZ IN THE FUNDACIÓN MAPFRE COLLECTIONS

By Álvaro de Benito

The international photography festival PHOTOEspaña proposes a program of exhibitions that evoke, both in concept and subject matter, a breadth and diversity that have led to its recognition for years. However, one of its most appreciated improvements has been the expansion of venues and cities, which allows for a wider and better offer.

CATHERINE OPIE AT MASP – THE GENDER OF PORTRAITURE

Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography

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CATHERINE OPIE AT MASP – THE GENDER OF PORTRAITURE

Museu de Arte de São Paulo Assis Chateaubriand (MASP) features the exhibition Catherine Opie: Genre/Gender/Portraiture, with works by one of the leading names in contemporary international photography

REINOSO'S BIOMORPHISM, AT THE MEIAC

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) is extending until mid-September the exhibition Las líneas de la vida, by artist Pablo Reinoso (Buenos Aires, Argentina, 1955), which deals with the concept of legacy.

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REINOSO'S BIOMORPHISM, AT THE MEIAC

The Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) is extending until mid-September the exhibition Las líneas de la vida, by artist Pablo Reinoso (Buenos Aires, Argentina, 1955), which deals with the concept of legacy.

LESLIE SARDINIAS. NATURE AND SEXUALITY AT CASA DE AMERICA

Casa de America joins the program of Muestra t, cultural festival of Madrid Orgullo (MADO) 2024, with the exhibition Jungle, by Cuban artist Leslie Sardinias. It is curated by Aldones Nino.

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LESLIE SARDINIAS. NATURE AND SEXUALITY AT CASA DE AMERICA

Casa de America joins the program of Muestra t, cultural festival of Madrid Orgullo (MADO) 2024, with the exhibition Jungle, by Cuban artist Leslie Sardinias. It is curated by Aldones Nino.

TERESITA FERNÁNDEZ / ROBERT SMITHSON: A CONVERSATION

Artist-led and conceptually driven, Teresita Fernández / Robert Smithson is a subjective, intergenerational conversation between two practices, pulling the past into the present. The exhibition at Site Santa Fe critically considers entanglements between place, site, seeing, and deep time through the artists’ mutual engagement with material intelligence, geological agency, and cartographic fictions.

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TERESITA FERNÁNDEZ / ROBERT SMITHSON: A CONVERSATION

Artist-led and conceptually driven, Teresita Fernández / Robert Smithson is a subjective, intergenerational conversation between two practices, pulling the past into the present. The exhibition at Site Santa Fe critically considers entanglements between place, site, seeing, and deep time through the artists’ mutual engagement with material intelligence, geological agency, and cartographic fictions.

WHITNEY BIENNIAL 2024: EVEN BETTER THAN THE REAL THING

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and collectives grappling with many of today’s most pressing issues.

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WHITNEY BIENNIAL 2024: EVEN BETTER THAN THE REAL THING

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and collectives grappling with many of today’s most pressing issues.

WORK, FAITH AND JOY: A JOURNEY THROUGH POPULAR CULTURE

The exhibition Work, Faith and Joy at Museo Marte presents 95 works by more than 40 Salvadoran artists, and seeks to be a reflection of the country's popular culture.

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WORK, FAITH AND JOY: A JOURNEY THROUGH POPULAR CULTURE

The exhibition Work, Faith and Joy at Museo Marte presents 95 works by more than 40 Salvadoran artists, and seeks to be a reflection of the country's popular culture.

ALFREDO CASTAÑEDA, PAINTER OF POETRY

The exhibition Alfredo Castañeda, painter of poetry at Casa de América offers a journey through the Mexican artist's work from a more poetic point of view. In this way, Castañeda's paintings are shown accompanied by his poems, where a dialogue is generated between the artist's two vocations.

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ALFREDO CASTAÑEDA, PAINTER OF POETRY

The exhibition Alfredo Castañeda, painter of poetry at Casa de América offers a journey through the Mexican artist's work from a more poetic point of view. In this way, Castañeda's paintings are shown accompanied by his poems, where a dialogue is generated between the artist's two vocations.

CARLOS GARAICOA: ARCHITECTURE AND PLACE AT THE CAAM

The Centro Atlántico de Arte Moderno (CAAM), located in Las Palmas de Gran Canaria, is hosting the exhibition Toda utopía pasa por la barriga, a tour through the work of Carlos Garaicoa (Havana, Cuba, 1967) curated by Lillebit Fabraga that best connects with architecture, the natural order and the location of the human being in the system.

By Alvaro de Benito
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CARLOS GARAICOA: ARCHITECTURE AND PLACE AT THE CAAM

By Alvaro de Benito

The Centro Atlántico de Arte Moderno (CAAM), located in Las Palmas de Gran Canaria, is hosting the exhibition Toda utopía pasa por la barriga, a tour through the work of Carlos Garaicoa (Havana, Cuba, 1967) curated by Lillebit Fabraga that best connects with architecture, the natural order and the location of the human being in the system.

THE OTHERNESS OF THE BODY, ACCORDING TO NELA OCHOA, IN TEA

The Canary Islands' TEA (Tenerife Espacio de las Artes) is showing until September Y, a solo exhibition by Nela Ochoa (Caracas, Venezuela, 1953), which is part of the curatorial program Filtraciones that the center carries out for artists and with its collection.

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THE OTHERNESS OF THE BODY, ACCORDING TO NELA OCHOA, IN TEA

The Canary Islands' TEA (Tenerife Espacio de las Artes) is showing until September Y, a solo exhibition by Nela Ochoa (Caracas, Venezuela, 1953), which is part of the curatorial program Filtraciones that the center carries out for artists and with its collection.

THE U.S. LATINX ART FORUM (USLAF) AWARDS LATINX ARTIST FELLOWSHIPS

Fifteen artists working across the United States and Puerto Rico have been awarded the 2024 Latinx Artist Fellowships by the U.S. Latinx Forum (USLAF), with $50,0000 in unrestricted funding and a year-long program of professional engagement opportunities.

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THE U.S. LATINX ART FORUM (USLAF) AWARDS LATINX ARTIST FELLOWSHIPS

Fifteen artists working across the United States and Puerto Rico have been awarded the 2024 Latinx Artist Fellowships by the U.S. Latinx Forum (USLAF), with $50,0000 in unrestricted funding and a year-long program of professional engagement opportunities.

CAC MALAGA HOSTS MARIO AYALA'S FIRST SOLO EXHIBITION IN A MUSEUM

The CAC Malaga hosts Milagro, the first solo exhibition in a museum of Mario Ayala (Los Angeles, USA, 1991), son of a Mexican-American mother and Cuban immigrant father, whose production reflects his personal experiences and artistic concerns of the world of garages, truck drivers and mechanics of Fontana.

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CAC MALAGA HOSTS MARIO AYALA'S FIRST SOLO EXHIBITION IN A MUSEUM

The CAC Malaga hosts Milagro, the first solo exhibition in a museum of Mario Ayala (Los Angeles, USA, 1991), son of a Mexican-American mother and Cuban immigrant father, whose production reflects his personal experiences and artistic concerns of the world of garages, truck drivers and mechanics of Fontana.

CALIDA RAWLES’ DEBUT AT PAMM: AWAY WITH THE TIDES

Calida Rawles presents Away with the Tides, an exhibition at Pérez Art Museum (PAMM) featuring all-new, site-specific works alongside a novel large-scale video installation. Marking Rawles’s first solo museum exhibition in the United States, Away with the Tides reflects aspects of Miami’s diverse communities, natural environments, and rich history.

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CALIDA RAWLES’ DEBUT AT PAMM: AWAY WITH THE TIDES

Calida Rawles presents Away with the Tides, an exhibition at Pérez Art Museum (PAMM) featuring all-new, site-specific works alongside a novel large-scale video installation. Marking Rawles’s first solo museum exhibition in the United States, Away with the Tides reflects aspects of Miami’s diverse communities, natural environments, and rich history.

JOSEPH BEUYS IN BERLIN: NATURE, MATERIALITY AND LANGUAGE

The Hamburger Bahnhof is presenting its extensive holdings of works by the artist Joseph Beuys (1921–86) in the Kleihueshalle.

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JOSEPH BEUYS IN BERLIN: NATURE, MATERIALITY AND LANGUAGE

The Hamburger Bahnhof is presenting its extensive holdings of works by the artist Joseph Beuys (1921–86) in the Kleihueshalle.

TERRITORIES. CONTEMPORARY ART IN THE JORGE M. PÉREZ COLLECTION

The exhibition Territorios: Latin American Contemporary Art in the Jorge M. Perez Collection shows a selection of works by more than 50 contemporary Latin American artists at the Centro Andaluz de Arte Contemporáneo (CAAC). It is curated by Jimena Blázquez Abascal, director of the CAAC.

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TERRITORIES. CONTEMPORARY ART IN THE JORGE M. PÉREZ COLLECTION

The exhibition Territorios: Latin American Contemporary Art in the Jorge M. Perez Collection shows a selection of works by more than 50 contemporary Latin American artists at the Centro Andaluz de Arte Contemporáneo (CAAC). It is curated by Jimena Blázquez Abascal, director of the CAAC.

EXPERIMENTAL ART PROJECTS IN ARGENTINA

The Museum of Modern Art of Buenos Aires inaugurated El Aprendizaje Infinito (Infinite Learning), an exhibition that recognizes Argentina's master artists and puts in dialogue the historical tradition of arts education and the experimental projects of the latest decades.

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EXPERIMENTAL ART PROJECTS IN ARGENTINA

The Museum of Modern Art of Buenos Aires inaugurated El Aprendizaje Infinito (Infinite Learning), an exhibition that recognizes Argentina's master artists and puts in dialogue the historical tradition of arts education and the experimental projects of the latest decades.

FOREIGNERS EVERYWHERE: LATIN AMERICA TAKES OVER THE VENICE BIENNALE

The exhibition of the 60th edition of the Venice Biennale - Stranieri Ovunque (Foregneirs Everywhere) - curated by Brazilian Adriano Pedrosa, presents 331 artists, significantly more than the usual number. More than a third of those artists come from Latin America.

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FOREIGNERS EVERYWHERE: LATIN AMERICA TAKES OVER THE VENICE BIENNALE

The exhibition of the 60th edition of the Venice Biennale - Stranieri Ovunque (Foregneirs Everywhere) - curated by Brazilian Adriano Pedrosa, presents 331 artists, significantly more than the usual number. More than a third of those artists come from Latin America.

WATER AS A PRISM: GREEK PAVILION AT THE VENICE BIENNALE

Xirómero / Dryland is an interdisciplinary collective work conceived by Thanasis Deligiannis and Yannis Michalopoulos, created along with the artists Elia Kalogianni, Yorgos Kyvernitis, Kostas Chaikalis and Fotis Sagonas for the Greek Pavilion at the 60th Venice Biennale. The project is curated by Panos Giannikopoulos.

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WATER AS A PRISM: GREEK PAVILION AT THE VENICE BIENNALE

Xirómero / Dryland is an interdisciplinary collective work conceived by Thanasis Deligiannis and Yannis Michalopoulos, created along with the artists Elia Kalogianni, Yorgos Kyvernitis, Kostas Chaikalis and Fotis Sagonas for the Greek Pavilion at the 60th Venice Biennale. The project is curated by Panos Giannikopoulos.

THE STORIES OF PABLO LINSAMBARTH AT ICPNA

Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.

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THE STORIES OF PABLO LINSAMBARTH AT ICPNA

Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.

TECHNO ZEN BY MÁRTON NEMEZ: THE HUNGARIAN PAVILION IN VENICE BIENNALE

For the 60th International Venice Biennale, Nemes designed the project as an immersive, painting-based Gesamtkunstwerk that expands the genre of painting and extends it to other media. Project curated by Róna Kopeczky.

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TECHNO ZEN BY MÁRTON NEMEZ: THE HUNGARIAN PAVILION IN VENICE BIENNALE

For the 60th International Venice Biennale, Nemes designed the project as an immersive, painting-based Gesamtkunstwerk that expands the genre of painting and extends it to other media. Project curated by Róna Kopeczky.

EVA LOOTZ ASSAULTS MADRID

Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.

By Álvaro de Benito
News

EVA LOOTZ ASSAULTS MADRID

By Álvaro de Benito

Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.

FAREWELL TO SARA FACIO, THE GREAT ARGENTINE PHOTOGRAPHER

Sara Facio passed away at the age of 92. Photographer, curator, journalist and editor, she stood out for her portraits of Latin American cultural figures and for her sharp and sensitive spirit that vindicated photography in the art world.

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FAREWELL TO SARA FACIO, THE GREAT ARGENTINE PHOTOGRAPHER

Sara Facio passed away at the age of 92. Photographer, curator, journalist and editor, she stood out for her portraits of Latin American cultural figures and for her sharp and sensitive spirit that vindicated photography in the art world.

GALLERY BUENOS AIRES RETURNS FOR THE FIRST 2024 EDITION

With the support of the Ministry of Culture of the City of Buenos Aires, on Friday, June 28, 2024 the Gallery circuit of galleries returns to the areas of Recolecta, Retiro and Microcentro.

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GALLERY BUENOS AIRES RETURNS FOR THE FIRST 2024 EDITION

With the support of the Ministry of Culture of the City of Buenos Aires, on Friday, June 28, 2024 the Gallery circuit of galleries returns to the areas of Recolecta, Retiro and Microcentro.

HAITIAN PHOTOGRAPHER WILDLINE CADET PRESENTS EXHIBITION AT CASA DE AMERICA

Haitian photographer Wildline Cadet's exhibition Take this with you at Casa de América portrays the longing for the lost home. It is curated by Nanda van den Berg, Widline Cadet and Désirée Kroep.

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HAITIAN PHOTOGRAPHER WILDLINE CADET PRESENTS EXHIBITION AT CASA DE AMERICA

Haitian photographer Wildline Cadet's exhibition Take this with you at Casa de América portrays the longing for the lost home. It is curated by Nanda van den Berg, Widline Cadet and Désirée Kroep.

CLAUDIA ALARCÓN AND SILÄT’S VENICE BIENNALE PARTICIPATION

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.

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CLAUDIA ALARCÓN AND SILÄT’S VENICE BIENNALE PARTICIPATION

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.

ASUNCIÓN IN THE SPOTLIGHT: LAST EDITION OF PINTA SUD

Pinta Sud | ASU presents the third and final edition of Asunción’s Art Week, taking place from August 5-11, 2024. The event will feature art exhibitions, events, and various activities free and open to the public, offering seven days of artistic celebration throughout the city.

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ASUNCIÓN IN THE SPOTLIGHT: LAST EDITION OF PINTA SUD

Pinta Sud | ASU presents the third and final edition of Asunción’s Art Week, taking place from August 5-11, 2024. The event will feature art exhibitions, events, and various activities free and open to the public, offering seven days of artistic celebration throughout the city.

CAYCEDO’S LAND OF FRIENDS AT VALENCIA’S IVAM

Carolina Caycedo’s (London, UK, 1978) Tierra de los amigos (Land of Friends) arrives at the IVAM in Valencia after its run at the Artium museum in Vitoria.

By Álvaro de Benito
News

CAYCEDO’S LAND OF FRIENDS AT VALENCIA’S IVAM

By Álvaro de Benito

Carolina Caycedo’s (London, UK, 1978) Tierra de los amigos (Land of Friends) arrives at the IVAM in Valencia after its run at the Artium museum in Vitoria.

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