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CALIDA RAWLES’ DEBUT AT PAMM: AWAY WITH THE TIDES

Calida Rawles presents Away with the Tides, an exhibition at Pérez Art Museum (PAMM) featuring all-new, site-specific works alongside a novel large-scale video installation. Marking Rawles’s first solo museum exhibition in the United States, Away with the Tides reflects aspects of Miami’s diverse communities, natural environments, and rich history.

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CALIDA RAWLES’ DEBUT AT PAMM: AWAY WITH THE TIDES

Calida Rawles presents Away with the Tides, an exhibition at Pérez Art Museum (PAMM) featuring all-new, site-specific works alongside a novel large-scale video installation. Marking Rawles’s first solo museum exhibition in the United States, Away with the Tides reflects aspects of Miami’s diverse communities, natural environments, and rich history.

JOSEPH BUYS IN KLEIHUESHALLE

The Hamburger Bahnhof is presenting its extensive holdings of works by the artist Joseph Beuys (1921–86) in the Kleihueshalle.

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JOSEPH BUYS IN KLEIHUESHALLE

The Hamburger Bahnhof is presenting its extensive holdings of works by the artist Joseph Beuys (1921–86) in the Kleihueshalle.

TERRITORIES. CONTEMPORARY ART IN THE JORGE M. PÉREZ COLLECTION

The exhibition Territorios: Latin American Contemporary Art in the Jorge M. Perez Collection shows a selection of works by more than 50 contemporary Latin American artists at the Centro Andaluz de Arte Contemporáneo (CAAC). It is curated by Jimena Blázquez Abascal, director of the CAAC.

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TERRITORIES. CONTEMPORARY ART IN THE JORGE M. PÉREZ COLLECTION

The exhibition Territorios: Latin American Contemporary Art in the Jorge M. Perez Collection shows a selection of works by more than 50 contemporary Latin American artists at the Centro Andaluz de Arte Contemporáneo (CAAC). It is curated by Jimena Blázquez Abascal, director of the CAAC.

EXPERIMENTAL ART PROJECTS IN ARGENTINA

The Museum of Modern Art of Buenos Aires inaugurated El Aprendizaje Infinito (Infinite Learning), an exhibition that recognizes Argentina's master artists and puts in dialogue the historical tradition of arts education and the experimental projects of the latest decades.

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EXPERIMENTAL ART PROJECTS IN ARGENTINA

The Museum of Modern Art of Buenos Aires inaugurated El Aprendizaje Infinito (Infinite Learning), an exhibition that recognizes Argentina's master artists and puts in dialogue the historical tradition of arts education and the experimental projects of the latest decades.

FOREIGNERS EVERYWHERE: LATIN AMERICA TAKES OVER THE VENICE BIENNALE

The exhibition of the 60th edition of the Venice Biennale - Stranieri Ovunque (Foregneirs Everywhere) - curated by Brazilian Adriano Pedrosa, presents 331 artists, significantly more than the usual number. More than a third of those artists come from Latin America.

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FOREIGNERS EVERYWHERE: LATIN AMERICA TAKES OVER THE VENICE BIENNALE

The exhibition of the 60th edition of the Venice Biennale - Stranieri Ovunque (Foregneirs Everywhere) - curated by Brazilian Adriano Pedrosa, presents 331 artists, significantly more than the usual number. More than a third of those artists come from Latin America.

WATER AS A PRISM: GREEK PAVILION AT THE VENICE BIENNALE

Xirómero / Dryland is an interdisciplinary collective work conceived by Thanasis Deligiannis and Yannis Michalopoulos, created along with the artists Elia Kalogianni, Yorgos Kyvernitis, Kostas Chaikalis and Fotis Sagonas for the Greek Pavilion at the 60th Venice Biennale. The project is curated by Panos Giannikopoulos.

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WATER AS A PRISM: GREEK PAVILION AT THE VENICE BIENNALE

Xirómero / Dryland is an interdisciplinary collective work conceived by Thanasis Deligiannis and Yannis Michalopoulos, created along with the artists Elia Kalogianni, Yorgos Kyvernitis, Kostas Chaikalis and Fotis Sagonas for the Greek Pavilion at the 60th Venice Biennale. The project is curated by Panos Giannikopoulos.

THE STORIES OF PABLO LINSAMBARTH AT ICPNA

Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.

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THE STORIES OF PABLO LINSAMBARTH AT ICPNA

Álbum de Casi Todos (Album of Almost Everyone) is the solo exhibition of Chilean artist Pablo Linsambarth at the Instituto Cultural Peruano Norteamericano (ICPNA). It is curated by Daniel H. Rey.

TECHNO ZEN BY MÁRTON NEMEZ: THE HUNGARIAN PAVILION IN VENICE BIENNALE

For the 60th International Venice Biennale, Nemes designed the project as an immersive, painting-based Gesamtkunstwerk that expands the genre of painting and extends it to other media. Project curated by Róna Kopeczky.

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TECHNO ZEN BY MÁRTON NEMEZ: THE HUNGARIAN PAVILION IN VENICE BIENNALE

For the 60th International Venice Biennale, Nemes designed the project as an immersive, painting-based Gesamtkunstwerk that expands the genre of painting and extends it to other media. Project curated by Róna Kopeczky.

EVA LOOTZ ASSAULTS MADRID

Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.

By Álvaro de Benito
News

EVA LOOTZ ASSAULTS MADRID

By Álvaro de Benito

Austrian-born artist Eva Lootz (Vienna, Austria, 1940) has been living in Spain for more than half her life, where she has established herself not only as one of the great names of contemporary art in the country, where she was awarded the National Prize of Plastic Arts, but also in the whole international European panorama. A regular in exhibitions and public interventions, she now assaults Madrid with a double institutional presence with two large-format exhibitions at the Sala Alcala 31 and the Reina Sofia Museum.

FAREWELL TO SARA FACIO, THE GREAT ARGENTINE PHOTOGRAPHER

Sara Facio passed away at the age of 92. Photographer, curator, journalist and editor, she stood out for her portraits of Latin American cultural figures and for her sharp and sensitive spirit that vindicated photography in the art world.

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FAREWELL TO SARA FACIO, THE GREAT ARGENTINE PHOTOGRAPHER

Sara Facio passed away at the age of 92. Photographer, curator, journalist and editor, she stood out for her portraits of Latin American cultural figures and for her sharp and sensitive spirit that vindicated photography in the art world.

GALLERY BUENOS AIRES RETURNS FOR THE FIRST 2024 EDITION

With the support of the Ministry of Culture of the City of Buenos Aires, on Friday, June 28, 2024 the Gallery circuit of galleries returns to the areas of Recolecta, Retiro and Microcentro.

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GALLERY BUENOS AIRES RETURNS FOR THE FIRST 2024 EDITION

With the support of the Ministry of Culture of the City of Buenos Aires, on Friday, June 28, 2024 the Gallery circuit of galleries returns to the areas of Recolecta, Retiro and Microcentro.

HAITIAN PHOTOGRAPHER WILDLINE CADET PRESENTS EXHIBITION AT CASA DE AMERICA

Haitian photographer Wildline Cadet's exhibition Take this with you at Casa de América portrays the longing for the lost home. It is curated by Nanda van den Berg, Widline Cadet and Désirée Kroep.

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HAITIAN PHOTOGRAPHER WILDLINE CADET PRESENTS EXHIBITION AT CASA DE AMERICA

Haitian photographer Wildline Cadet's exhibition Take this with you at Casa de América portrays the longing for the lost home. It is curated by Nanda van den Berg, Widline Cadet and Désirée Kroep.

CLAUDIA ALARCÓN AND SILÄT’S VENICE BIENNALE PARTICIPATION

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.

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CLAUDIA ALARCÓN AND SILÄT’S VENICE BIENNALE PARTICIPATION

For the 60th International Exhibition of la Biennale di Venezia Stranieri Ovunque (Foregneirs Everywhere), artist Claudia Alarcón and art-collective Silät are presenting their reflections on being treated as foreigners in their own country.

ASUNCIÓN IN THE SPOTLIGHT: LAST EDITION OF PINTA SUD

Pinta Sud | ASU presents the third and final edition of Asunción’s Art Week, taking place from August 5-11, 2024. The event will feature art exhibitions, events, and various activities free and open to the public, offering seven days of artistic celebration throughout the city.

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ASUNCIÓN IN THE SPOTLIGHT: LAST EDITION OF PINTA SUD

Pinta Sud | ASU presents the third and final edition of Asunción’s Art Week, taking place from August 5-11, 2024. The event will feature art exhibitions, events, and various activities free and open to the public, offering seven days of artistic celebration throughout the city.

CAYCEDO’S LAND OF FRIENDS AT VALENCIA’S IVAM

Carolina Caycedo’s (London, UK, 1978) Tierra de los amigos (Land of Friends) arrives at the IVAM in Valencia after its run at the Artium museum in Vitoria.

By Álvaro de Benito
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CAYCEDO’S LAND OF FRIENDS AT VALENCIA’S IVAM

By Álvaro de Benito

Carolina Caycedo’s (London, UK, 1978) Tierra de los amigos (Land of Friends) arrives at the IVAM in Valencia after its run at the Artium museum in Vitoria.

DUTCH PAVILION AT THE VENICE BIENNALE

The International Celebration of Blasphemy and The Sacred is a presentation by Congolese artist collective Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC) for the Dutch Pavilion at the 60th Venice Biennale.

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DUTCH PAVILION AT THE VENICE BIENNALE

The International Celebration of Blasphemy and The Sacred is a presentation by Congolese artist collective Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC) for the Dutch Pavilion at the 60th Venice Biennale.

BODIES AND POLITICS: A GROUP EXHIBITION AT PAMM

Xican-a.o.x. Body in Pérez Art Museum Miami (PAMM) is the first major exhibition to showcase work by artists who foreground the body as a site of political agency and imagination, artistic investigation, decolonization, and alternative forms of community.

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BODIES AND POLITICS: A GROUP EXHIBITION AT PAMM

Xican-a.o.x. Body in Pérez Art Museum Miami (PAMM) is the first major exhibition to showcase work by artists who foreground the body as a site of political agency and imagination, artistic investigation, decolonization, and alternative forms of community.

THE ALTERSEA OPERA: THE NORDIC COUNTRIES PAVILION'S PROPOSAL

For the 60th International Art Exhibition – La Biennale di Venezia, the Nordic Countries Pavilion invites the audience to embark on a journey aboard a spectral dragon ship which occupies the light and open architecture of Sverre Fehn’s meditative masterpiece in the Giardini of the Biennale, Venice.

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THE ALTERSEA OPERA: THE NORDIC COUNTRIES PAVILION'S PROPOSAL

For the 60th International Art Exhibition – La Biennale di Venezia, the Nordic Countries Pavilion invites the audience to embark on a journey aboard a spectral dragon ship which occupies the light and open architecture of Sverre Fehn’s meditative masterpiece in the Giardini of the Biennale, Venice.

THE ART OF SEEING: GEORGIA’S PAVILION IN THE VENICE BIENNALE

The Georgian Pavilion in the 60th Venice Biennale presented The Art of Seeing– States of Astronomy, a collaborative project presented by a team of Georgian and French curators and artists.

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THE ART OF SEEING: GEORGIA’S PAVILION IN THE VENICE BIENNALE

The Georgian Pavilion in the 60th Venice Biennale presented The Art of Seeing– States of Astronomy, a collaborative project presented by a team of Georgian and French curators and artists.

NECROARCHIVOS DE LAS AMÉRICAS: AN UNRELENTING SEARCH FOR JUSTICE

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

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NECROARCHIVOS DE LAS AMÉRICAS: AN UNRELENTING SEARCH FOR JUSTICE

The exhibition in Jordan Schnitzer Mueum of Art Necroarchivos de las Américas: an unrelenting search for justice, examines artistic responses to violence instigated by state regimes across the Americas to disclose censored narratives, argue for the importance of artmaking as an act of memory and witnessing, advocate research, and seek justice.

DUE QUI/TO HEAR: ITALY’S PAVILION FOR THE VENICE BIENNALE

Due qui / To Hear is the project for the Italian Pavilion at the 60th Venice Biennale Curated by Luca Cerizza (with the assistance of Francesca Verga), it presents work that Massimo Bartolini has created in collaboration with several musicians (for the permanent installations) and writers (for the public program), employing the cooperative approach that is a hallmark of his practice.

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DUE QUI/TO HEAR: ITALY’S PAVILION FOR THE VENICE BIENNALE

Due qui / To Hear is the project for the Italian Pavilion at the 60th Venice Biennale Curated by Luca Cerizza (with the assistance of Francesca Verga), it presents work that Massimo Bartolini has created in collaboration with several musicians (for the permanent installations) and writers (for the public program), employing the cooperative approach that is a hallmark of his practice.

THE GREEN OF OUR DESIRE: EDGAR CALEL IN LA NUEVA FÁBRICA

La Nueva Fábrica (LNF) announced Ru Raxal qa Rayb’äl (The Green of Our Desire), Edgar Calel’s first institutional solo exhibition in Guatemala. Edgar Calel anchors his work in the Mayan Kaqchikel worldviews that stem from family and community life in his hometown of Chi Xot (San Juan Comalapa).

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THE GREEN OF OUR DESIRE: EDGAR CALEL IN LA NUEVA FÁBRICA

La Nueva Fábrica (LNF) announced Ru Raxal qa Rayb’äl (The Green of Our Desire), Edgar Calel’s first institutional solo exhibition in Guatemala. Edgar Calel anchors his work in the Mayan Kaqchikel worldviews that stem from family and community life in his hometown of Chi Xot (San Juan Comalapa).

ALEJANDRA SEEBER: INTERIOR WITH LANDSCAPES

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

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ALEJANDRA SEEBER: INTERIOR WITH LANDSCAPES

Art at Americas Society is presenting Interior with Landscapes, the first solo exhibition and mid-career survey of the Argentine artist Alejandra Seeber in New York. Many of Seeber's paintings explore the tension between representation and abstraction.

TANIA CANDIANI'S OFFERING AT MAMM

Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.

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TANIA CANDIANI'S OFFERING AT MAMM

Ofrenda is the first large-scale exhibition of Mexican artist Tania Candiani in the Museo de Arte Moderno de Medellín. It is curated by Emiliano Valdés.

ACCENTS, GESTURES AND PUNCTUATIONS: A GROUP EXHIBITION IN KADIST

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

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ACCENTS, GESTURES AND PUNCTUATIONS: A GROUP EXHIBITION IN KADIST

The exhibition Bastardie is built around the practices of slangs, jargons, and other language experiments as laboratories for aesthetic and social positions. The group exhibition at KADIST proposes the following question: how are ways of speaking in constant productive relationships with forms of doing as well as looking?

KISS AND DON’T TELL: TIMOR-LESTE IN THE VENICE BIENNALE

Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.

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KISS AND DON’T TELL: TIMOR-LESTE IN THE VENICE BIENNALE

Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale. Timor-Leste’s inaugural pavilion coincides with the country’s 25th anniversary of independence. Commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.

THE SWISS PAVILION’S VENICE BIENNALE EXHIBITION BY GUERREIRO DO DIVINO AMOR

The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.

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THE SWISS PAVILION’S VENICE BIENNALE EXHIBITION BY GUERREIRO DO DIVINO AMOR

The Venice Bienanale’s Swiss Pavilion presents Super Superior Civilizations: an exhibition with the sixth and seventh chapters of Guerreiro do Divino Amor’s monumental “Superfictional World Atlas” saga: The Miracle of Helvetia and Roma Talismano. Curated by: Andrea Bellini.

ATELIER, THE HALF-CENTURY ANTHOLOGY OF CABRITA REIS

Pedro Cabrita Reis (Lisbon, Portugal, 1956) celebrates his half century of artistic production in ATELIER, a complex and complete exhibition that covers what is, perhaps, one of the most relevant proposals of the last decades that has emerged from the Portuguese plastic arts. More than 1,500 works from his personal collection fill eight pavilions of Mitra, a space donated by the Santa Casa da Misericórdia de Lisboa, located in Marvila, the same town where the artist lives and works.

By Álvaro de Benito
News

ATELIER, THE HALF-CENTURY ANTHOLOGY OF CABRITA REIS

By Álvaro de Benito

Pedro Cabrita Reis (Lisbon, Portugal, 1956) celebrates his half century of artistic production in ATELIER, a complex and complete exhibition that covers what is, perhaps, one of the most relevant proposals of the last decades that has emerged from the Portuguese plastic arts. More than 1,500 works from his personal collection fill eight pavilions of Mitra, a space donated by the Santa Casa da Misericórdia de Lisboa, located in Marvila, the same town where the artist lives and works.

FIDEL FERNÁNDEZ WINS AICA PARAGUAY 2023 AWARD

The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.

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FIDEL FERNÁNDEZ WINS AICA PARAGUAY 2023 AWARD

The International Association of Art Critics in Paraguay (AICA-Py) awarded the AICA 2023 Prize to the exhibition Cuadernos de campo (Field Notebooks) by Fidel Fernández, curated by Adriana Almada and exhibited during Pinta Sud 2023 at the Arte Actual gallery in Asuncion.

“ECHO” BY NINCA KHEMCHYAN: ARMENIAN PAVILION IN THE VENICE BIENNALE

For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.

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“ECHO” BY NINCA KHEMCHYAN: ARMENIAN PAVILION IN THE VENICE BIENNALE

For the 60th Venice Biennale, the Republic of Armenia presents Echo, a multi-dimensional multi-media installation project by Paris-based Armenian artist Nina Khemchyan.

THE GERMINATION OF HISTORY ACCORDING TO DELCY MORELOS, IN SEVILLE

Delcy Morelos (Tierralta, Colombia, 1967) lands at the Centro Andaluz de Arte Contemporáneo (CAAC) in Seville with Profundis, an exhibition that gathers the spectacular intervention she has made ex profeso in the monumental areas of the Sevillian institution and that focuses on revitalizing the ancestral link of man with the earth, as well as capturing, through botany, the symbolism of the relations between Europe and America.

By Alvaro de Benito
News

THE GERMINATION OF HISTORY ACCORDING TO DELCY MORELOS, IN SEVILLE

By Alvaro de Benito

Delcy Morelos (Tierralta, Colombia, 1967) lands at the Centro Andaluz de Arte Contemporáneo (CAAC) in Seville with Profundis, an exhibition that gathers the spectacular intervention she has made ex profeso in the monumental areas of the Sevillian institution and that focuses on revitalizing the ancestral link of man with the earth, as well as capturing, through botany, the symbolism of the relations between Europe and America.

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