Joaquín Sánchez is a multidisciplinary artist whose work has been nurtured by the knowledge and skills of indigenous and popular communities in Bolivia and Paraguay, with whom he has been developing collaborative processes for more than two decades. His proposals, although they cover a wide spectrum of languages and discourses, recognize precise axes linked to the history and ancestral culture of the peoples that have long inhabited the territory that both countries disputed almost a century ago, as well as to his own history, in a sort of personal ethnography made of fragments of memory.