Notes related to Museos

Over 120 groundbreaking works arrive in Argentina in the most extensive exhibition to date on this defining artistic era.

From the ancestral to the mythical, two parallel exhibitions explore how memory, identity, and nature shape the symbolic territories where migrant communities imagine —and reinvent— their roots.

The Bass presents an immersive expansion of the artist's fictional universe, where sentient vehicles confront questions of memory, purpose, and control inside a corporate system designed to repair—and restrain—them.

The museum invites visitors to immerse themselves in a field of pure, perceptual color.

By Álvaro de Benito

The Guggenheim Museum in Bilbao presents Anatomy of Space, an extensive exhibition dedicated to Maria Helena Vieira da Silva (Lisbon, Portugal, 1908 – Paris, France, 1992), which primarily encompasses her production from the 1930s through the 1980s. The exhibition is structured around two fundamental axes: architecture and the architectural landscape as compositional frameworks, and memory as the generator of the image.

Daniel Basso presents new works that reinterpret nocturnal aesthetics, consumer objects, and urban memories to create an immersive space between fantasy and exaggeration.

ArtScience Museum in Singapore presents an exhibition that invites society to co-create the future from hope and creativity.

An exhibition tracing how generations of artists transformed the postal system into a space for creative freedom and political action, challenging censorship and borders.

The Helsinki museum brings together ten emblematic installations by the Argentine artist that disrupt our perception of space and turn the viewer into a protagonist.

Ambra Castagnetti: Ephemeral Panic explores the mutability of the body and its link to the political and the poetic through sculpture, video, and performance.

The ambitious immersive project, produced entirely by the Museo Moderno and previously exhibited at the museum, will open at HALLE FÜR KUNST Steiermark.

By Álvaro de Benito

Es Baluard in Palma de Mallorca presents Preludio para el sol y las estrellas (Prelude for the Sun and the Stars), a project by Sandra Cinto (Santo André, Brazil, 1968) that transforms the museum space into a realm suspended between perception, time, and matter. The result envelops visitors in an expanded landscape that invites reflection through stillness and contemplation, where the sensory and the act of pausing become central to the experience.

With seven sessions and an extraordinary lot, the auction emphasizes this year three-dimensional and sculptural works.

The curator returns to the city where he began his career to take on the role of Senior Director of Curatorial Affairs & Chief Curator at the Pérez Art Museum Miami, with a vision focused on accessibility and intercultural dialogue.

Opening on September 25, 2025, the exhibition examines drive, loss, and material transformation in the artist’s work.

The show brings together 13 artists from Mexico City, Johannesburg, Kathmandu, and New Orleans to explore the power of connection across generations and geographies.

By Violeta Lozada

For the first time, twin brothers Elliot and Erick Jiménez step into a museum as an artistic duo, presenting a body of work that is both personal and deeply spiritual. Identical twins with identical passions, they work through photography to explore themes of memory, identity, and tradition, but with a profound layer of meaning rooted in their spiritual practice of Lucumí, a syncretic Afro-Caribbean religion born in late nineteenth-century Cuba. Emerging from the fusion of Yoruba, Catholicism, and Spiritism, Lucumí continues to shape lives across generations of the Cuban diaspora, and in the case of the Jiménez brothers, it has become both inspiration and guide.

The exhibition connects local and global issues by facilitating dialogue between Brazilian and international artists. Many of these artists are exhibiting their work in Latin America for the first time.

For his first solo exhibition in Korea, Adrián Villar Rojas reimagines Art Sonje Center as a sculptural experiment in time and space.

Last few weeks to enjoy a unique experience at the Museum of Contemporary Art in La Boca: an immersive exhibition that combines art, technology, and audience participation.

By Daniela Arroyo

On Atardecer en un bosque (Sunset in a Forest), the latest solo exhibition by Tadeo Muleiro at the Luis Perlotti Sculpture Museum in Buenos Aires, curated by Jen Zapata.

By Violeta Lozada

What does the “American Dream” really mean? For some, it’s white houses with new furniture and success stories. For others, especially immigrants from Latin America and the Caribbean, it’s a more complicated mix of hopes, struggles, and reinvention. That’s exactly the conversation Haitian-American artist Dimithry Victor brings to the table in his exhibition The American Dream at the NSU Art Museum in Fort Lauderdale.

Artist Grace Rosario Perkins’s solo exhibition reveals a dynamic process of layering, erasure, and renewal, where personal and collective histories converge.specifically for this exhibition.

The American Folk Art Museum presents an innovative exhibition examining the natural history of quilts and their connections to agricultural production, industrial manufacturing, and international trade, revealing the environmental and social impact of this quintessentially American art form.

By Álvaro de Benito

Sofía Crespo (Buenos Aires, Argentina, 1991) often centers her work on the use of biology-inspired technology. In her exploration of the common ground between artificial intelligence and the way it generates images, on the one hand, and human perception of the environment, on the other, there is a turning point in the Argentine artist's practice.

Black Earth Rising brings together artists from the African diaspora, Latin America, and Indigenous communities to explore the links between environmental devastation, colonial legacy, and the possibility of imagining alternative futures.

By Álvaro de Benito

Barcelona’s MACBA is hosting Plegarias de resistencia (Prayers of Resistance), the first major anthological exhibition of the work of Carlos Motta (Bogotá, Colombia, 1978) to be held at a European institution. The presentation spans more than twenty-five years of the artist’s production, practice, and activism.

The exhibition The Tiger’s Coat explores the many facets of the Italo-Mexican artist—photographer, militant, and enigmatic figure—through a constellation of historical documents and contemporary artworks.

The visual artist, winner of the 2023 BCRP National Painting Prize, presents her latest solo exhibition—an interdisciplinary proposal that weaves together painting, textiles, and performance.

The museum draws on the thinking of Felix Gonzalez-Torres as a starting point to celebrate the past, present, and future of its collection, which spans works from 1900 to 1980.