Notes related to Museos

More than 112 works by the Colombian master — several never shown before — arrive at the Hangaram Art Museum in an exhibition on view through August 30, 2026.

Director of the Museo Universitario del Chopo, Sol Henaro reflects on her role, the tensions within the institution, and the construction of communities from a curatorial perspective.

What is a Culturally Specific Institution? Director of El Museo del Barrio for over eight years, Patrick Charpenel reflects on the role of museums in the United States, the visibility of Latinx communities, and the challenges of thinking about art beyond fixed categories and market logics.

The show presents six decades of artistic and cultural work by Francesco Mariotti and María Luy, two artists who have intertwined technology, collectivity, nature, and social commitment in their work.

The museum is seeking a professional to lead the planning and coordination of its exhibition program, with applications open until May 5.

The Brazilian museum presents works by Santiago Yahuarcani and Oscar Muñoz, exploring ancestral knowledge and the fragility of images in Latin America.

The exhibition presented at the Irish institution showcases an artist who reflects on the interrelation between humanity and nature and advocates listening as a path toward transformation through memory and connection.

The first retrospective in Spain of Gabriela Bettini reflects on absence and the politics of forgetting through images that challenge official history.

The exhibition features more than 15 new commissions by artists such as Ryan Gander, Camille Henrot, Jamian Juliano-Villani, Wangechi Mutu, Hito Steyerl, Alice Wang, and Santiago Yahuarcani, among others.

The Kunsthaus Wiesbaden presents an exhibition surveying the work of the Argentine artist, where photography, archive, and activism intertwine to reflect on the traces of violence and human rights.

Into the Time Horizon, at the Nevada Museum of Art, unfolds as one of the most expansive surveys of environmental art in the United States, combining critical diagnosis with concrete proposals in the face of the climate crisis.

The Chilean artist Cecilia Vicuña unfolds an intervention connecting ancestral practices, ecology, and shared memory.

Two parallel exhibitions revisit dominant narratives through practices that interrogate archive, materiality, and community in Latin America.

Malba presents the most comprehensive survey of the Argentine artist’s work, featuring nearly 200 paintings, drawings, collages, embroideries, sculptures, installations, and videos; an exhibition that invites making without fear.

The Puerto Rican–American artist explores the relationship between geology, memory, and vital energy in an exhibition spanning more than three decades of work.

With a background shaped by humanities and a trajectory in cultural practice, Rafael Tamayo promotes a model of the museum that is conceived in relation to its social context. Director of the Museum of Modern Art of Medellín, he will take part in the FORO of Pinta Panamá, where he will engage in discussions on how institutions construct narratives, community, and debate in the region.

The Colombian gallery presents a reconsideration of visual traditions, reactivating them through a contemporary lens; works by Carlos Castro Arias, Fernando Uhía, Raúl Cristancho, Javier Vanegas, Juan Carlos Delgado, and Miler Lagos will be on view.

The photographic exhibition of the American Tova Katzman leads the viewer to question the limits that mark the territory we inhabit.

On the Amador Causeway, right at the entrance to the Panama Canal of the Pacific Ocean, the Museum of Biodiversity takes place, with a structure that does not go unnoticed both for its shapes and for its color. It is an avant-garde building that coexists with the natural  environment.

Inspired by the Amazon rainforest and the Florida Everglades, the project commissioned for the 2026 Whitney Biennial invites players to explore the interconnections between natural ecosystems and technological systems.

The museum seeks to reaffirm its leadership as a cultural institution and its commitment to a more sustainable, inclusive, and creative future for the country and the region. Application deadline: March 29, 2026.

The museum presents the artist’s trajectory in relation to her contexts, documenting her artistic networks, her interventions in architecture, and her pioneering role in the development of textile practice in the Americas.

The American museum shows a major retrospective of the Chicana artist’s work—an oeuvre that “embodies the power of art to preserve memory and culture.”

An ocean-centered research project and a historical retrospective dedicated to Trixie Briceño shape MAC Panamá’s current program.

With references to Baroque, Pop Art, Andean cosmology, music, fashion, and political protest, the exhibition at MASP encourages reflection on gender, colonialism, and the Chola identity.

Over 80 artists will be selected to exhibit at Benaki Museum / Pireos 138. Deadline: 9 March.

The North American country presents a strong presence of Latin American art on its agenda this year, highlighting both historical and contemporary figures.

With the aim of safeguarding and promoting Peru’s artistic heritage, the museum unveils a catalogue that brings together both historical and contemporary works.

Mario Dávalos' retrospective challenges inherited notions of the static landscape; working across multiple disciplines, it rethinks the histories of bodies and cultural representation.