Notes related to Museos

On the Amador Causeway, right at the entrance to the Panama Canal of the Pacific Ocean, the Museum of Biodiversity takes place, with a structure that does not go unnoticed both for its shapes and for its color. It is an avant-garde building that coexists with the natural  environment.

Inspired by the Amazon rainforest and the Florida Everglades, the project commissioned for the 2026 Whitney Biennial invites players to explore the interconnections between natural ecosystems and technological systems.

The museum seeks to reaffirm its leadership as a cultural institution and its commitment to a more sustainable, inclusive, and creative future for the country and the region. Application deadline: March 29, 2026.

The museum presents the artist’s trajectory in relation to her contexts, documenting her artistic networks, her interventions in architecture, and her pioneering role in the development of textile practice in the Americas.

The American museum shows a major retrospective of the Chicana artist’s work—an oeuvre that “embodies the power of art to preserve memory and culture.”

An ocean-centered research project and a historical retrospective dedicated to Trixie Briceño shape MAC Panamá’s current program.

With references to Baroque, Pop Art, Andean cosmology, music, fashion, and political protest, the exhibition at MASP encourages reflection on gender, colonialism, and the Chola identity.

Over 80 artists will be selected to exhibit at Benaki Museum / Pireos 138. Deadline: 9 March.

The North American country presents a strong presence of Latin American art on its agenda this year, highlighting both historical and contemporary figures.

With the aim of safeguarding and promoting Peru’s artistic heritage, the museum unveils a catalogue that brings together both historical and contemporary works.

Mario Dávalos' retrospective challenges inherited notions of the static landscape; working across multiple disciplines, it rethinks the histories of bodies and cultural representation.

La vida se mueve delves into Pablo Reinoso’s most recognizable artistic practice: the transformation of everyday objects into sculptural works that explore existential fragility in dialogue with space and surrealism.

The exhibition Antenas al vacío revisits the work of the Mexican artist and expands into a book that addresses contemporary art, experimental cinema, and Latin American visual thought.

The museum prepares for a new institutional phase ahead of its 25th anniversary.

From historical retrospectives to immersive installations and new commissions, museums across the continent will host the work of seminal artists.

Let’s Play. Juguemos en la colección, a BIENALSUR project, engages with the permanent collection of the Museo Nacional de Artes Decorativas through the conceptual lens of play, featuring the work of ten artists, mostly from Latin America, including Marta Minujín, Glenda León, and Silvia Rivas.

Within the framework of Mexico City Art Week 2026,  MUAC continues to present the Colombian artist's exhibition, a proposal that invites visitors to inhabit the ritual.

The Chilean museum unveils a temporary exhibition that foregrounds the living traditions and creative persistence of the Atacameño/Lickanantay, Mapuche, and Rapanui peoples through an extensive process of research and collaboration with Indigenous communities.

The exhibition brings together a decade of technical and poetic experimentation that transcends the traditional boundaries of photography and places visual experience at the center of reflection. 

The museum explores the construction of the region’s identity through a major group exhibition and solo presentations by Jesús Soto, Damián Ortega, Sandra Gamarra, La Chola Poblete, among other artists.

The exhibition traces different moments and formal strategies in her practice, marked by a critical reflection on violence, denial, and the tensions that permeate the female experience in contemporary society.

In a historic operation that nearly doubles its holdings of modern and contemporary Latin American art, the museum moves forward with the expansion of its headquarters and consolidates its position as one of the region’s leading international institutions.

The multidisciplinary exhibition by the Mexican artist, featuring installation, sculpture, painting, posters, and video, closes the Histories of Ecology cycle and highlights the environmental crisis as a social issue.

At a moment when the world unites around the ball, Football and Art. That Same Emotion invites us to reflect on the sport’s power to bring communities together, build imaginaries, and transcend borders.

Over 120 groundbreaking works arrive in Argentina in the most extensive exhibition to date on this defining artistic era.

From the ancestral to the mythical, two parallel exhibitions explore how memory, identity, and nature shape the symbolic territories where migrant communities imagine —and reinvent— their roots.

The Bass presents an immersive expansion of the artist's fictional universe, where sentient vehicles confront questions of memory, purpose, and control inside a corporate system designed to repair—and restrain—them.

The museum invites visitors to immerse themselves in a field of pure, perceptual color.

The Guggenheim Museum in Bilbao presents Anatomy of Space, an extensive exhibition dedicated to Maria Helena Vieira da Silva (Lisbon, Portugal, 1908 – Paris, France, 1992), which primarily encompasses her production from the 1930s through the 1980s. The exhibition is structured around two fundamental axes: architecture and the architectural landscape as compositional frameworks, and memory as the generator of the image.

Daniel Basso presents new works that reinterpret nocturnal aesthetics, consumer objects, and urban memories to create an immersive space between fantasy and exaggeration.