Notes related to Museos

The Argentine artist's Guadalupe Miles book, edited by Julieta Escardó, documents her bond with the Wichí Santa Victoria II community.

Emilio Fuentes Traverso imagines, in his new exhibition in Chile, possible encounters between the natural, the anthropic and the cosmic through sculptures in unstable equilibrium that compress millions of years of transformation into suspended objects.

The Colombian artist presents Sentir tu peso, a participatory installation on the terrace of the Museo de Arte Moderno de Medellín, his first appearance in the city.

Luz, color y espacio, the exhibition presented by the Museum of Latin American Art of Buenos Aires in collaboration with Dia Art Foundation, offers an experience in which color and space envelop the viewer. It will be open to the public through August 17.

Interview with Nuria Enguita, Artistic Director, MAC/CCB – Museum of Contemporary Art and Architecture Centre (Museu de Arte Contemporânea e Centro de Arquitetura), Lisbon.

In RETOUR the Argentine artist builds a cartography of the city from discarded papers bearing writings that were never meant to be read; on view through August 9, 2026, at Museo Sívori, Buenos Aires.

The exhibition will feature a groundbreaking feminist work by late German artist Marianne Wex alongside works by seven contemporary artists.

The Argentine artist connects memory and identity in a large-scale installation commissioned by Whitechapel Gallery, where adobe sculptures and collected objects examine the experience of displacement through a contemporary archaeological lens.

With more than 50 paintings and watercolors, the exhibition offers a journey through the metaphysical universe of the painter, marking the beginning of a national tour that will continue in Córdoba and Mendoza.

More than 112 works by the Colombian master — several never shown before — arrive at the Hangaram Art Museum in an exhibition on view through August 30, 2026.

Director of the Museo Universitario del Chopo, Sol Henaro reflects on her role, the tensions within the institution, and the construction of communities from a curatorial perspective.

What is a Culturally Specific Institution? Director of El Museo del Barrio for over eight years, Patrick Charpenel reflects on the role of museums in the United States, the visibility of Latinx communities, and the challenges of thinking about art beyond fixed categories and market logics.

The show presents six decades of artistic and cultural work by Francesco Mariotti and María Luy, two artists who have intertwined technology, collectivity, nature, and social commitment in their work.

The museum is seeking a professional to lead the planning and coordination of its exhibition program, with applications open until May 5.

The Brazilian museum presents works by Santiago Yahuarcani and Oscar Muñoz, exploring ancestral knowledge and the fragility of images in Latin America.

The exhibition presented at the Irish institution showcases an artist who reflects on the interrelation between humanity and nature and advocates listening as a path toward transformation through memory and connection.

The first retrospective in Spain of Gabriela Bettini reflects on absence and the politics of forgetting through images that challenge official history.

The exhibition features more than 15 new commissions by artists such as Ryan Gander, Camille Henrot, Jamian Juliano-Villani, Wangechi Mutu, Hito Steyerl, Alice Wang, and Santiago Yahuarcani, among others.

The Kunsthaus Wiesbaden presents an exhibition surveying the work of the Argentine artist, where photography, archive, and activism intertwine to reflect on the traces of violence and human rights.

Into the Time Horizon, at the Nevada Museum of Art, unfolds as one of the most expansive surveys of environmental art in the United States, combining critical diagnosis with concrete proposals in the face of the climate crisis.

The Chilean artist Cecilia Vicuña unfolds an intervention connecting ancestral practices, ecology, and shared memory.

Two parallel exhibitions revisit dominant narratives through practices that interrogate archive, materiality, and community in Latin America.

Malba presents the most comprehensive survey of the Argentine artist’s work, featuring nearly 200 paintings, drawings, collages, embroideries, sculptures, installations, and videos; an exhibition that invites making without fear.

The Puerto Rican–American artist explores the relationship between geology, memory, and vital energy in an exhibition spanning more than three decades of work.

With a background shaped by humanities and a trajectory in cultural practice, Rafael Tamayo promotes a model of the museum that is conceived in relation to its social context. Director of the Museum of Modern Art of Medellín, he will take part in the FORO of Pinta Panamá, where he will engage in discussions on how institutions construct narratives, community, and debate in the region.

The Colombian gallery presents a reconsideration of visual traditions, reactivating them through a contemporary lens; works by Carlos Castro Arias, Fernando Uhía, Raúl Cristancho, Javier Vanegas, Juan Carlos Delgado, and Miler Lagos will be on view.

The photographic exhibition of the American Tova Katzman leads the viewer to question the limits that mark the territory we inhabit.

On the Amador Causeway, right at the entrance to the Panama Canal of the Pacific Ocean, the Museum of Biodiversity takes place, with a structure that does not go unnoticed both for its shapes and for its color. It is an avant-garde building that coexists with the natural  environment.

Inspired by the Amazon rainforest and the Florida Everglades, the project commissioned for the 2026 Whitney Biennial invites players to explore the interconnections between natural ecosystems and technological systems.