In conversation with Ilaria Conti, curator of the fair's Radar section, we learn how to adjust our gaze when encountering the Guatemalan work of Angélica Serech, presented by La Galería Rebelde.

Vásquez, Rodrigo, Másquez, Verovcha, and Yone Makino transform the space into a living organism. A Special Project that questions what it means to make art in Peru today.

Malba presents the most comprehensive survey of the Argentine artist’s work, featuring nearly 200 paintings, drawings, collages, embroideries, sculptures, installations, and videos; an exhibition that invites making without fear.

The Puerto Rican–American artist explores the relationship between geology, memory, and vital energy in an exhibition spanning more than three decades of work.

The artist’s organic minimalism reveals the intertwining of ecological phenomena, personal and ancestral memory, and the relationship between cultural anthropology and the natural world.

During the Central American country’s art week, works that study histories, recreate them, and bring them into reflection will be presented. From the play with materials to the manipulation of space, Lulu Molinares, Cisco Merel, Arístides Ureña Ramos, and Isabel de Obaldía create pieces that propose alternative readings of memory, territory, and everyday life.

Jun Martínez uses artistic practice as a space for reflection; the Mexican gallery adhesivo hosts one of them.

The voice of a conceptual artist from the last century resonates as if his agenda were the same as today’s. Among works and sketches, the exhibition reminds us that “there is nothing more real than a potato.”

The North American country presents a strong presence of Latin American art on its agenda this year, highlighting both historical and contemporary figures.

The event will bring together 46 Indigenous artists from different regions of Argentina and neighboring countries, with exhibitions and activities taking place between February and April.

The exclusion of Gabrielle Goliath’s work due to its reference to Gaza exposes the tensions between memory, mourning, and political power in contemporary art.

From historical retrospectives to immersive installations and new commissions, museums across the continent will host the work of seminal artists.

Between the exposed Misiones jungle and the revealed basin of the Río de la Plata, the museum proposes a journey through the work of Florencia Böhtlingk this summer.

In its new edition, Pinta Miami reaffirms its role as a vital anchor of Miami Art Week. Curated by Irene Gelfman, the fair presents three projects that explore—through distinct approaches—the shifting relationships between landscape, identity, and collective experience.

In its 2025 edition, the fair unfolds a terrain of questions and encounters. Curated by Juan Canela, NEXT proposes pairings of artists and galleries that explore how we inhabit, name, and imagine the region, articulating new ways of thinking about the contemporary from Latin America and the Caribbean.

Among jaguars, giant flowers, and living ceramics, Nicola Costantino unfolds a universe where technique and concept seek each other out. From initial rawness to a beauty guided by nature, her work continues to evolve like an expanding jungle.

The gallery marks sixty years of history with Energy and Optimism for Life, a vibrant look at its legacy and its present.

At the Argentine gallery, Pariente by Hans Petersen and Redondita by Juana Cravero engage in dialogue: two exhibitions that explore what we have turned into habit, and the desire that never fades away.

The fair opened its 21st edition with a program that celebrates photography in all its forms — from the sensitive “skins” of Marina De Caro to the gazes of those who inhabit the streets, and the trajectory of the FotoGalería at Teatro San Martín.

Blurring the boundaries between image, performance, and experimentation, projects by Gustavo Nieto, Nicola Costantino, and Donna Conlon stand out in a new edition of Pinta BAphoto, returning to La Rural with proposals that expand the scope of photography today.

Both the exhibited and the stored works draw attention in Matilde Marín’s studio. On the walls, her emblematic photographs steal the gaze, but so do the wrapped and labeled folders on her tables, the boxes full of books on the floor, and the stacks of files on her shelves. The image completes itself with her voice, the one that explains why the archive, too, is a protagonist.

Simple, yet with complex movement, the artist managed to capture what his sensitive eyes perceived, and today his name is part of the local art history as a reference in photographic portraiture.

In this interview, the artist from Tucumán talks about her inspirations, goals, and connections with the public. About beauty, chance, and irony. About materials and words. About community.

Youth, performance, and permanence: Argentina’s most important art fair has opened at Centro Costa Salguero and will run until August 31.