The fair celebrates in Buenos Aires the expansion of the discipline and the way it blends with different materialities, taking shape in endless possibilities.

On photography’s 200th birthday, the fair presents images that problematize representations of the body, explore across media, and build collective images.

A tribute to Sandra Eleta, the work of Claudia Andujar, a solo show by Joaquín Sánchez, and a project that combines a bookstore and an exhibition chart a map that travels through Panama, Brazil, Paraguay, Mexico, Colombia, Chile, Argentina and Venezuela.

From October 22 to 25, La Rural hosts the 22nd edition of the only photography fair in Latin America: it celebrates two centuries of images with unique works, in-house curatorial projects, and an international presence.

The founders of the NN gallery talk about their curatorial approach, driven by intuition and the periphery: “When it finally articulates well, it’s not that interesting.”

In late October and early November, the city of Buenos Aires will host three fairs with three distinct identities in a single period of intense artistic activity.

Thirty works join the exhibition starting Saturday, September 19, including pieces from the Colección Daros Latinoamérica.

Suave es la noche, by Silvana Muscio, and Trago Amargo, by Claudia Coca and Claudia Casarino, propose two distinct ways of inhabiting memory from Buenos Aires: one sensory and oneiric, the other historical and colonial.

Just as Emilia de las Carreras (Buenos Aires, 1989) looks at the hermit crab and understands that leaving a mark means that life leaves marks on you too, engaging with her artistic practice inevitably means that little crusts of her narrative stick to us: the methodology she works with, her intuition as a collector, her thinking of the body as geology, her obsessions, her skeletal and exoskeletal sculptures. The artist's work explores bodies and their remains through a visual and sensory operation crossed with scientific research and self-knowledge, giving shape to pieces that evoke an intersection of the archaeological, the clinical, and the speculative. Her approach to art could easily fill dozens of pages; this is only one chapter.

The Museo de Arte Contemporáneo de Buenos Aires (MACBA) presented the work of two women artists. In ¿Cómo suenan las lágrimas antes de secarse? (What Do Tears Sound Like Before They Dry?), Ivana de Vivanco builds a warning. Snakes, with their capacity to sense catastrophe. In Curada de espanto (Cured of Fright), Ornella Pocetti brings together scenes that hold a story that never fully reveals itself. Both artists hold the abyss steady through anticipation and the suspicion of an estrangement. All you have to do is pay attention.

Álvaro Barrington and Jota Mombaça present architectural installations in the Netherlands that address the event's central theme.

An interview about Argentina and its institutions, about Argentina and photography, about Argentina and its contemporary art audience. About the Instituto de Estudios Artísticos, Francisco Medail's new space.

At Galería Ruth Benzacar in Buenos Aires, Argentina you'll find “EL ORIGEN DEL MUNDO” and “Futuro acontecer”; two exhibitions with artists building from distant temporalities that are, in their own way, entirely their own.

A 10-metre-long sculpture by the acclaimed Venezuelan artist is on view in Kensington Gardens, inviting visitors to experience art both physically and visually.

In line with the theme of the 61st edition, the duo Messengers of the Sun turns hyperstition into a tool for rewriting an untold story: that of the peoples displaced by a mythologized feat of engineering.

Luz, color y espacio, the exhibition presented by the Museum of Latin American Art of Buenos Aires in collaboration with Dia Art Foundation, offers an experience in which color and space envelop the viewer. It will be open to the public through August 17.

Meridiano's program brings together this weekend — June 4, 5 and 6 — a tour of galleries in San Telmo, Microcentro, La Boca, Villa Crespo and Retiro. The circuit offers an active reading of local contemporary art.

In RETOUR the Argentine artist builds a cartography of the city from discarded papers bearing writings that were never meant to be read; on view through August 9, 2026, at Museo Sívori, Buenos Aires.

No formal application, no galleries, and uncertain funding: the artist representing the United States in Venice explores the transformation of matter and the American landscape.

Guillermo Iuso and FlorenciaBöhtlingk next to Sebastián Gordin present two exhibitions at the Buenos Aires gallery where text and painting coexist without translating each other.

Between references to art history and spectacular visual statements, the 2026 Met Gala once again pushed the boundaries between aesthetic creation and performance.

The Central American country will bring Oscar Molina's work to the Biennale, paying tribute to displaced communities and the global diaspora.