Between the exposed Misiones jungle and the revealed basin of the Río de la Plata, the museum proposes a journey through the work of Florencia Böhtlingk this summer.

In its new edition, Pinta Miami reaffirms its role as a vital anchor of Miami Art Week. Curated by Irene Gelfman, the fair presents three projects that explore—through distinct approaches—the shifting relationships between landscape, identity, and collective experience.

In its 2025 edition, the fair unfolds a terrain of questions and encounters. Curated by Juan Canela, NEXT proposes pairings of artists and galleries that explore how we inhabit, name, and imagine the region, articulating new ways of thinking about the contemporary from Latin America and the Caribbean.

Among jaguars, giant flowers, and living ceramics, Nicola Costantino unfolds a universe where technique and concept seek each other out. From initial rawness to a beauty guided by nature, her work continues to evolve like an expanding jungle.

The gallery marks sixty years of history with Energy and Optimism for Life, a vibrant look at its legacy and its present.

At the Argentine gallery, Pariente by Hans Petersen and Redondita by Juana Cravero engage in dialogue: two exhibitions that explore what we have turned into habit, and the desire that never fades away.

The fair opened its 21st edition with a program that celebrates photography in all its forms — from the sensitive “skins” of Marina De Caro to the gazes of those who inhabit the streets, and the trajectory of the FotoGalería at Teatro San Martín.

Blurring the boundaries between image, performance, and experimentation, projects by Gustavo Nieto, Nicola Costantino, and Donna Conlon stand out in a new edition of Pinta BAphoto, returning to La Rural with proposals that expand the scope of photography today.

Both the exhibited and the stored works draw attention in Matilde Marín’s studio. On the walls, her emblematic photographs steal the gaze, but so do the wrapped and labeled folders on her tables, the boxes full of books on the floor, and the stacks of files on her shelves. The image completes itself with her voice, the one that explains why the archive, too, is a protagonist.

Simple, yet with complex movement, the artist managed to capture what his sensitive eyes perceived, and today his name is part of the local art history as a reference in photographic portraiture.

In this interview, the artist from Tucumán talks about her inspirations, goals, and connections with the public. About beauty, chance, and irony. About materials and words. About community.

Youth, performance, and permanence: Argentina’s most important art fair has opened at Centro Costa Salguero and will run until August 31.

Just steps from the door, I heard the echoes of Tramoya. Curiosity guided my body toward the gallery, stealing from me the chance to prepare for the detours and fragmentations the works would provoke—and for the attempts to piece together those fragments within my own body.

A show that reveals the archaeology of the everyday through archives, images, and excess.

If there were no way to create something new—believing everything has already been done—if every form of creative intelligence were exhausted, then it would be time to unearth hidden worlds.

The Chilean gallery Casa Varas hosts Lincura’s provocative proposal: a new way of looking at the “exotic” —and a new way of looking into the mirror.

As part of Pinta Panamá Art Week, Lo que sueña toda vida takes place—an exhibition project that reflects on ways of living in the Central American country. Curated by Juan Canela and Emiliano Valdés, the program features a series of artistic actions by Felipe Gómez and Jonathan Harker, the Enlaces Program, Libertad Rojo, and Humberto Vélez.

Two spaces that have sought to foster the growth of local art since their inception are part of Pinta Panamá Art Week, where creative energy is palpable. With proposals that combine exhibition, reflection, and audience development, both galleries present themselves as driving forces in an expanding scene shaped by collective work, experimentation, and a shared desire to strengthen the cultural fabric.

From White Plaster to Colorful Textiles, Dalila Puzzovio (1942, Buenos Aires) has always known how to appreciate broken bodies and dress the living. While some destroy, others build is the title of one of her photographs—a phrase that runs through her remarkable artistic career.

The enduring legacy of Teresa Burga (Iquitos, 1935 – Lima, 2021) is celebrated at the Latin American art fair Pinta Lima, where she was selected as the tribute artist for the Special Project, curated by Miguel A. López. The exhibition brings together, for the first time, various moments of her production between 1966 and 2020, showcasing the intelligence, boldness, and versatility of an artist who was not always recognized or understood in her time.

Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”

Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.

Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.

The sincere fiction crafted by the Argentine artist captivates and steals the voice of those who come to see it. Honest and raw, it reveals the indelible traces of history.