Notes related to Museums
BETWEEN EXTINCTION AND LEGACY: ADRIÁN VILLAR ROJAS IN KOREA
For his first solo exhibition in Korea, Adrián Villar Rojas reimagines Art Sonje Center as a sculptural experiment in time and space.
AGUSTIN DI LUCIANO'S CHRONOTOPIC REALITY AT MARCO MUSEUM
Last few weeks to enjoy a unique experience at the Museum of Contemporary Art in La Boca: an immersive exhibition that combines art, technology, and audience participation.
SOFT RESISTANCE
By Daniela Arroyo
On Atardecer en un bosque (Sunset in a Forest), the latest solo exhibition by Tadeo Muleiro at the Luis Perlotti Sculpture Museum in Buenos Aires, curated by Jen Zapata.
THE AMERICAN DREAM, REIMAGINED BY DIMITHRY VICTOR
By Violeta Lozada
What does the “American Dream” really mean? For some, it’s white houses with new furniture and success stories. For others, especially immigrants from Latin America and the Caribbean, it’s a more complicated mix of hopes, struggles, and reinvention. That’s exactly the conversation Haitian-American artist Dimithry Victor brings to the table in his exhibition The American Dream at the NSU Art Museum in Fort Lauderdale.
CIRCLES, SPOKES, ZIGZAGS, RIVERS: CONTEMPORARY ABSTRACTION AT WHITNEY MUSEUM
Artist Grace Rosario Perkins’s solo exhibition reveals a dynamic process of layering, erasure, and renewal, where personal and collective histories converge.specifically for this exhibition.
FROM FIELD TO FABRIC: THE ECOLOGICAL JOURNEY OF AMERICAN QUILTS
The American Folk Art Museum presents an innovative exhibition examining the natural history of quilts and their connections to agricultural production, industrial manufacturing, and international trade, revealing the environmental and social impact of this quintessentially American art form.
A TECHNOLOGICAL GAZE AT THE PARIETAL ART BY SOFÍA CRESPO
By Álvaro de Benito
Sofía Crespo (Buenos Aires, Argentina, 1991) often centers her work on the use of biology-inspired technology. In her exploration of the common ground between artificial intelligence and the way it generates images, on the one hand, and human perception of the environment, on the other, there is a turning point in the Argentine artist's practice.
BEAUTY, MEMORY, AND ENVIRONMENTAL COLLAPSE AT BALTIMORE MUSEUM
Black Earth Rising brings together artists from the African diaspora, Latin America, and Indigenous communities to explore the links between environmental devastation, colonial legacy, and the possibility of imagining alternative futures.
CHAOS AND TECHNOLOGY BY SANTOSCOY, AT THE MUSEUM OF AMERICA
By Álvaro de Benito
The Museum of America is hosting an exhibition of paintings by Juan Carlos Santoscoy (Guadalajara, Mexico, 1973) in its La Tapada gallery, open until the end of the month. Titled Algoritmos del caos (Algorithms of Chaos), the show features a selection of the artist’s most recent large-scale works, which engage with pressing themes in contemporary art such as global warming and the overexploitation of natural resources.
THE INFLUENCE OF AN ACTIVE PHOTOGRAPHY: TINA MODOTTI AT JUMEX
The exhibition The Tiger’s Coat explores the many facets of the Italo-Mexican artist—photographer, militant, and enigmatic figure—through a constellation of historical documents and contemporary artworks.
MOTHERHOOD AND INTERGENERATIONAL BONDS AT MUCEN: A WORK BY ARIANA MACEDO DOMÍNGUEZ
The visual artist, winner of the 2023 BCRP National Painting Prize, presents her latest solo exhibition—an interdisciplinary proposal that weaves together painting, textiles, and performance.
WHITNEY MUSEUM UNVEILS A NEW INSTALLATION OF ITS PERMANENT COLLECTION
The museum draws on the thinking of Felix Gonzalez-Torres as a starting point to celebrate the past, present, and future of its collection, which spans works from 1900 to 1980.
MARCO HOSTS THE POETICS OF LAURA LIO
By Álvaro de Benito
MARCO, the Museum of Contemporary Art in Vigo, presents Savia y sangre (Sap and Blood), a solo exhibition by Laura Lio (Buenos Aires, Argentina, 1967), which reveals the artist’s social vision and commitment through her work. Lio's practice involves a meticulous observation of certain organic and natural processes in search of a kind of internal order. With a poetic approach, the Argentine artist based in Spain challenges this natural structure through visual language and words.
FIVE NATIVE ARTISTS CHOSEN FOR EITELJORG CONTEMPORARY ART FELLOWSHIP
The artists will be featured in Emerging Current, an exhibition opening in November at the Eiteljorg Museum in Indianapolis, showcasing bold and experimental works that reflect diverse contemporary Indigenous perspectives.
MÓNICA KUPFER: “IT’S NOT ENOUGH TO EXHIBIT ART, WE NEED TO WRITE ITS HISTORY”
By María Galarza
For over four decades, Mónica Kupfer has been researching, writing, and curating exhibitions that seek to tell a story of Panamanian and Central American Art that is still under construction. She played a key role in the first edition of Pinta Panamá Art Week, where she coordinated FORO—a regional discussion platform that brought together artists, curators, collectors, and institutions.
THREE EXHIBITIONS AT MAMBO: BETWEEN SHADOW, DREAMS, AND MEMORY
The second exhibition cycle of the Museo de Arte Moderno de Bogotá (MAMBO) in 2025 invites visitors to explore multiple ways of engaging with the visible and the invisible, the intimate and the collective. Through various disciplines, the exhibitions examine the relationships between image, memory, time, and sensory experience. Curated by Eugenio Viola and Juaniko Moreno, each show offers a distinct approach to the limits of representation and the role of memory as a form of knowledge.
ART, COMMUNITY, AND ECOLOGY IN THE MYSTICISM OF THE JAGUAR, AT THE MUSEUM OF AMERICA
By Álvaro de Benito
The Museum of America in Madrid is hosting El sueño del jaguar (The Dream of the Jaguar), an exhibition curated by visual artist Fredi Casco (Asunción, Paraguay, 1967) and photographer Fernando Allen (Asunción, Paraguay, 1957), which brings together artistic, ethnographic, and scientific perspectives on the jaguar and its symbolic and ecological significance.
BEN SHAHN, ON NONCONFORMITY
By Julia P. Herzberg, Ph.D.
Ben Shahn, On Nonconformity is the artist’s first retrospective in the United States in almost fifty years. Impeccably curated and designed, the exhibition aims to bring renewed critical attention to one of America’s most consequential modernists.
100 YEARS OF A MODERN LEGACY: SZYSZLO AT MAC LIMA
The museum recalls the artist’s deep commitment to Peruvian art as a founding member of the Instituto de Arte Contemporáneo, which celebrates its 70th anniversary this year.
STORIES BEYOND THE HUMAN AT THE NATIONAL MUSEUM THYSSEN-BORNEMISZA
Terraphilia—a term combining terra (earth) with philia (love and friendship)—evokes a deep-rooted connection of affect, care, and responsibility toward the earth and its multitudes of inhabitants. In a time of planetary unmaking and gaping inequalities, the exhibition turns to art to orient us toward transformative ways of being—mobilizing interspecies kinship, new forms of collectivity, and practices of planetary love.
PINTA PANAMA ART WEEK: AN INSTITUTION, A GALLERY, AN ACTIVATION AND A CONVERSATION
A selection of events, activities and cultural proposals bring together artists, curators, collectors and specialists in different parts of Panama City. Pinta Panama Art Week proposes an ambitious agenda from May 21 to 25 with the best of contemporary art in the region.
HULDA GUZMÁN AT MASP: A CONTEMPORARY LOOK AT LANDSCAPE
Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents Hulda Guzmán: Miracle Fruits, the first solo museum exhibition of Dominican artist.
DA-LI-LA: THE MALLEABILITY OF THE FIXED
From White Plaster to Colorful Textiles, Dalila Puzzovio (1942, Buenos Aires) has always known how to appreciate broken bodies and dress the living. While some destroy, others build is the title of one of her photographs—a phrase that runs through her remarkable artistic career.
CÚMULUS: TEN YEARS OF ECOLOGY AND COLLABORATION IN PANAMA
The Panarte gallery at the Museum of Contemporary Art of Panama hosts Cúmulus: 10+ Years of Estudio Nuboso, an exhibition celebrating over a decade of collaborative practices at the crossroads of art, science, and ecology.
TWO NEW EXHIBITIONS AT THE MUSEUM OF MODERN ART OF BUENOS AIRES
Valentina Quintero: A Day in the Life, the first institutional exhibition in Buenos Aires of the young artist from Mendoza, and Jorge Miño: The Fourth Wall, a proposal that redefines the relationship between photography and space, are exhibited at the Museo Moderno under the curatorship of Raúl Flores.
THE STORY OF MAC PANAMÁ: WORKS, MEMORIES, AND AFFECTIONS
In the heart of Casco Antiguo, the Museum of Contemporary Art of Panama (MAC) embarks on a new chapter with the opening of its Sala Satélite, a space dedicated to showcasing projects developed from its Permanent Collection. The inaugural exhibition, 60+1 el pequeño gran museo de Ancón (60+1 The Little Big Museum of Ancón), serves as a tribute, a reflection, and an exploration of the museum’s history.
A HUMANISTIC VIEW OF HOW THE WORLD IS INHABITED AT KUNSTHAUS HAMBURG
The group show Over Land and Sea, curated by Anna Nowak, tells of the migrant history of humanity, its present and future. In a tension between the tangible and the mythical, the animate and the industrial world, the works on display point to the vulnerability of human beings and, simultaneously, their inherent ability to change and transform.
THE ENERGETICALLY CHARGED EXHIBITION OF NEW YORK
SculptureCenter presents Luana Vitra: Amulets, the first institutional exhibition in the United States of the Brazilian artist, which invites visitors to look beyond materiality and imagine another dimension to which the works belong.
BRUNO ZEPPILLI: IMAGES OF A SILENCED HISTORY
The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.
