Notes related to Museums

Castello di Rivoli Museum of Contemporary Art opened applications for the position of Director. Deadline to participate on the selection process: July 15^th, 2023.

In line with the Carbon Neutral 2050 Plan that brings together the main cities of the world –including Buenos Aires– the Museo de Arte Moderno measured its carbon footprint as a first step to know its environmental impact and begin to take measures to reduce it.

León Ferrari. Recurrencias (León Ferrari. Recurrences) is the first solo exhibition that the Museo Nacional de Bellas Artes dedicates to the Argentinean artist.

Manuel Segade was elected as the new director of the Museo Reina Sofía, a position held by Manuel Borja-Villel between 2008 and 2023.

MoMA opened Chosen Memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond, an exhibition that brings together 65 works by Latin American artists who have a special interest in history.

It is the first museum in Spain to become an active member of the international community of art organizations working to reduce the environmental impact of the museum sector.

Fundación PROA presented a reflection on the myth of "El Dorado" in the American continent, with a selection of works by artists from different countries and times to rethink the impact and meaning of one of the most influential legends in history.

Mateo Lopez (b. 1978), a Colombian artist with an outstanding career, has his first solo exhibition in Lima. Pasado futurista (Futuristic Past) is the title of his exhibition, curated by Maria Wills and Julien Petit, and comes with the Miguel Urrutia Museum in Bogota's seal.

MAHKU (Movimento dos Artistas Huni Kuin, or Huni Kuin Artists Movement), founded in 2013, is a collective of artists based between the city of Jordão and the Chico Curumim village, in the Kaxinawá (Huni Kuin) Indigenous Land of the Jordão River, state of Acre. Currently, MAHKU is one of the main players in the Brazilian contemporary art scene in general and Indigenous art in particular.

The exhibition presented by the Madre Museum is the first retrospective after his death in late 2021, and features over 150 works, some never previously exhibited.

This exhibition illuminates how day jobs can spur creative growth by providing artists with unexpected new materials and methods, working knowledge of a specific industry that becomes an area of artistic interest or critique, or a predictable structure that opens space for unpredictable ideas.

Rolf Art announces the institutional acquisition by the MUSEO NACIONAL CENTRO DE ARTE REINA SOFIA (MNCARS) of the work La Clase, 1st year, 6th division, from the series Buena Memoria by Marcelo Brodsky (b.1954, Buenos Aires, Argentina).

Co-organized with IPEAFRO, Inhotim features Third act: Sortilege (Black Mystery) an exhibition with more than 180 works, including documents, books, and artworks by Abdias Nascimento.

MACBA presents the exhibition Line and Vibration by Josefina Robirosa. It is curated by Rodrigo Alonso.

Museo Jumex presents The Design of Cartier: A Living Legacy, an exhibition that traces the history of the Maison through a selection of its most iconic jewelry.

The Reina Sofia Museum of Art proposes an approach to the Susana and Ricardo Steinbruch Collection with the exhibition Un acto de ver que se despliega (An act of seeing that unfolds).

The Brooklyn Museum and Instagram, in collaboration with #BlackVisionaries Creative Chair Antwaun Sargent announced the ten recipients of the 2022 grant program.

The Bass presents El fin de la imaginación (The end of imagination), an exhibition that combines Adrián Villar Rojas work with two sculptures of Mariana Telleria.

The exhibition proposes a review of the concepts and imaginaries with which the territories of the Amazon have been represented and covered from a perspective that sought to defend property over it, in order to assert sovereignty for the exploitation of its resources and its inhabitants.

MALBA presents a panoramic exhibition by Anna Maria Maiolino (Scalea Italy, 1942) with more than fifty years of works that include paintings, drawings, woodcuts, sculptures, photographs, videos, sound pieces and installations in an attempt to capture the prismatic spirit of the artist.

Painting as the basis and as a problem, affective bonds and forms of unlearning. These are some of the themes that outline the exhibition "A Slow Coming - Chapter I", a new exhibition at the Museum of Contemporary Art (MAC) in Niterói, Brazil.

The exhibition explores how artists have responded to the transformative years since the hurricane by bringing together more than fifty artworks made over the last five years by an intergenerational group of more than fifteen artists from Puerto Rico and the diaspora. 

The Kendall Art Center (KAC) goes from art center to Museum of Contemporary Art of the Americas (MoCAA) and celebrates it with new exhibition.

The exhibition El nudo vertical, at Es Baluard Museum of Modern and Contemporary Art, is dedicated to the artist Jorge Eduardo Eielson and offers the opportunity to examine his artistic production from the late 1950s to his latest works.

The Museo de Arte de Zapopan presents designers from Liberal Youth Ministry and Dream Baby! in an exhibition that is part of the fifth edition of the museum's Contemporary Fashion and Design program.

Curated by El Museo curator Susanna V. Temkin, DOMESTICANX brings together seven intergenerational artists whose practices address the private sphere through works related to healing, spirituality, decoration, and the home.

The exhibition at the Museo de Arte Moderno de Bogotá (MAMBO) in conjunction with the Cinemateca de Bogotá presents works that highlight and manifest sociopolitical questions, identity politics, the representation and fragmentation of the body, performativity and performance, globalization and diaspora.

The Museum of Modern Art of Buenos Aires presents the first solo exhibition of the young Argentine artist Florencia Sadir.

The exhibition will feature works donated to the museum by the Colección Patricia Phelps de Cisneros, as well as news acquisitions, loans and commissions from the late 1980s to the present.

The Pérez Art Museum Miami (PAMM) presents, for the first time in the United States, a monographic exhibition of the work of Argentine artist Leandro Erlich. Curated by Dan Cameron, featuring sixteen works from more than two decades of production.