Notes related to Installation

The Museo Moderno de Buenos Aires inaugurated Celina Eceiza: Ofrenda, the artist's first solo museum exhibition. It is an immersive project that was produced by the museum in its entirety. The exhibition is curated by Jimena Ferreiro.

Pamen Pereira (Ferrol, Spain, 1963) unfolds her project Don't give up at Artizar gallery in Tenerife, a show made up of fourteen pieces that make up a total, but that must be seen from the prism of combination and language. However, the artist advocates for observing what is hidden behind the relationship of her works, the selection and the dialogue that the tour offers us.

Stefan Brüggemann (Mexico City, Mexico, 1975) disembarks at Casa de México with Dos líneas (fe), a series that is understood as an installation and that starts from the impact and the apparent simplicity exposed to develop the concept of inheritance and its satellites. The Mexican conceptual artist uses the power reflected by symbols, religion and history, an element that he deploys, sometimes explicitly, in his large-format works.

As part of Open House Festival, an event that celebrates architecture, history and culture, four Argentine artists - Martín Cordiano, Sara Sahores, Ignacio Unrrein and Mariela Vita - intervened the space of the Argentine Ambassador's Residence in London, addressing themes such as transition, domesticity and barriers. Curated by Federika Chaimowicz, Carolina Orlando, Mora Pranteda and Pilar Seivane.

The Mexico Pavilion at the Venice Biennale 2024 proposes an immersive experience that invites the viewer to reflect on the act of migrating and its impact on identity and sense of belonging. As we marched away, we were always coming back is Erick Meyenberg's project curated by Tania Ragasol. It includes elements created in Mexico, Italy and Albania.

Rolf Art Gallery presents Arquitectura de la imagen en tiempo real (Real Time Image Architecture) by artist Vivian Galban at the Centro Cultural San Martín. The proposal consists of an interactive installation that creates a large-format camera obscura, where the process of image creation is carried out in real time. Curated by Máximo Jacoby. It was previously exhibited at Rolf Art (2019), BAphoto (2019) and Paris Photo (2023).

The Patio Herreriano Museum hosts the recent proposal by Sandra Gamboa (Bogota, Colombia) in which she outlines the necessary arguments to be able to analyse mental health, especially anxiety and depression. In Encapsulados, the Colombian-Spanish artist invites us to carry out this exercise of understanding, rapprochement and empathy with those who suffer from one of the great plagues of this century through the different related iconography that fills the exhibition hall of the Castilian institution.

Luciérnagas humanas al ras de la tierra (Human fireflies at ground level) is a video-installation that the artist Marcos Benítez presents at the Paraguayan-German Cultural Institute. It is curated by Adriana Almada and will be part of the art week of Asunción Pinta Sud | ASU 2024.

The Centro Atlántico de Arte Moderno (CAAM), located in Las Palmas de Gran Canaria, is hosting the exhibition Toda utopía pasa por la barriga, a tour through the work of Carlos Garaicoa (Havana, Cuba, 1967) curated by Lillebit Fabraga that best connects with architecture, the natural order and the location of the human being in the system.

There is something structural in the Museo La Neomudéjar that allows plastic initiatives such as those of Heriberto Nieves (Vega Alta, Puerto Rico, 1957) to acquire greater meaning thanks to the dialogue with the space offered by this Madrid institution.

Life(s) of Webs, arachnophobias, arachnophilias, and other stories is a permanent installation at Chiesa della Madonna del Carmine, Palazzo Lanfranchi by Tomás Saraceno, arrived in Matera, Italy with a project of the Matera Basilicata 2019 Foundation in collaboration with the National Museum of Matera.

Extravagances is Portuguese artist Joava Vasconcelos’ largest solo show at Brazil in the Oscar Niemeyer Museum (MON). Curated by Marc Pottier, the exhibition invites the audience to an immersion into the magical world of the artist.

MIAMI

Locust Projects presents Waterbirds: Migratory Sound Flow, by Mexican artist Tania Candiani.

MIAMI

Amazonia is a Pinta Miami project curated by Félix Suazo that proposes a visual expedition through the Amazon, crossing countries, cultures and ecological identities. As a Special Project, Amazonia emphasizes Pinta's commitment as an international platform for Latin American art.

US Pavilion selected queer and indigenous artist Jeffrey Gibson for the Venice Biennale 2024. Presented by Portland Art Museum and SITE Santa Fe. 

The 35th São Paulo Biennale, Choreographies of the Impossible, gathered more than 1100 works by 121 participants focused on exploring new perspectives of the world.

The exhibition Marta Minujín: Vive at the Pinacoteca de São Paulo is the first panoramic exhibition in Brazil of one of the most important Latin American artists of her generation.

Within the framework of Pinta Sud ASU 2023 in Asunción, Paraguay, Casa M becomes for a few days the perfect setting for the site-specific intervention by artist Joaquín Sánchez, entitled The architecture of the body. Poetics of space and other fictions.

For the exhibition Reassembling Split Light at Sarasota Art Museum, Carlos Bunga will create a temporary cardboard structure in the 30-foot-high Koski Gallery located on the Museum’s third floor. Beginning and ending as a dialogue with the existing architecture, this installation will transform the gallery’s spatial configuration for the duration of the exhibition. By deploying light as his primary conceptual basis, just as James Turrell has done before him, Bunga explains that he will sculpt light, which cannot be touched, but only felt viscerally.

Tomás Saraceno launched in Serpentine South Gallery a living collaborative and multi-species exhibition that delves into how different life forms, technologies and energy systems are connected in the climate emergency.

Caliban. Roberto Ochoa at the Medellín Modern Art Museum. 

The project Retorno Solar (Solar Return) by Luis Enrique Zela-Koort, winner of the MAC Lima Art and Innovation Award 2022, proposes to return to the Sun as the representation of all that exists and has existed, witness and creative agent of the facts of the history of the Earth and of the fragment that, in this case, represents the history of humanity.

The Museo de Arte Contemporáneo de Monterrey (MARCO) presents the exhibition Helen Escobedo: Ambientes totales (Total Environments), which offers a contemporary look at one of the pioneers of installation art in Mexico.

Miami Beach launches Elevate Española, a dedicated art presentation site that will commission installations suspended above the Española Way corridor, including Haitian-born artist Edouard Duval-Carrié’s installation.

The Museum of Modern Art of Buenos Aires presents the first solo exhibition of the young Argentine artist Florencia Sadir.

In a large-scale installation, the Foundation Beyeler presents Palimpsest by internationally acclaimed Colombian artist Doris Salcedo. The exhibition is dedicated to the refugees and migrants who over the past twenty years have died attempting dangerous journeys across the Mediterranean or the Atlantic in search of a better life in Europe.

Currently on view at La Casa Encendida, In the depth heat leaks is Prouvost's first solo show in Spain and traces the path of a 12-year period in which she has produced five audiovisual installations.

ArtYard inaugurated the new exhibition by Cuban artist Alexandre Arrechea. LANDSCAPE AND HIERARCHIES explores the relationship between the individual and the collective, and the domino effect that human actions may have on society and nature.