Notas relacionadas con: Architecture

A BRIDGE BETWEEN PAINTING AND ARCHITECTURE

The Sala Alcalá 31 of the Community of Madrid presents the exhibition "A bridge to stay" in which the artist Guillermo Mora dialogues with the architecture of the room and influences how this space is perceived and transited. A questioning of hierarchies and pre-established orders that leads to new ways of traveling, looking at and experiencing space and painting.

Architecture

A BRIDGE BETWEEN PAINTING AND ARCHITECTURE

SPANISH PAVILION AT THE VENICE BIENNALE

Correction is the project presented by artist Ignasi Aballí (Barcelona, 1958) for the Pavilion of Spain at the 59th International Venice Biennale, curated by Bea Espejo. Aballí's proposal consists of two actions: a 1:1 scale architectural intervention of the pavilion and the publication of six guides.

News

SPANISH PAVILION AT THE VENICE BIENNALE

ART & ARCHITECTURE BETWEEN STUTTGART AND CARACAS

With “Gego. The Architecture of an Artist” the Kunstmuseum Stuttgart is dedicating a second exhibition to the artist Gertrud Goldschmidt (Hamburg 1912–1994 Caracas).

Architecture

ART & ARCHITECTURE BETWEEN STUTTGART AND CARACAS

MoMA: ARCHITECTURE AND DESIGN EXHIBITION PROGRAM

MoMA presents newly conceptualized installations and reveals major new presentations to bring artwork together in different combinations, exploring new artists and ideas, specifically for architecture and design.

Architecture

MoMA: ARCHITECTURE AND DESIGN EXHIBITION PROGRAM

NO WALLS, BUT TRANSPARENCIES

"The ruins in their singularity are the most living thing in history, since only what has survived its destruction, what has remained in ruins, lives historically," says María Zambrano. Jorge Scrimaglio, Argentine architect, is a builder who appeals to that spirit that Kahn defined in the same sense: “you have to surround buildings with ruins”. And a building that appeals to be a ruin, with walls that are not such, that house emptiness and serve as support to a sense that extends triumphant; as a way of survival, not from what it was, but from what it did not become. Empty as absence. Making concrete a possibility not yet realized, like the life of the ruins that are indefinite and more than any other spectacle awakens in the mind of those who contemplate them the impression of an infinity.

By Ar. Alejandro Vaca Bononato
Architecture

NO WALLS, BUT TRANSPARENCIES

By Ar. Alejandro Vaca Bononato
LESLEY LOKKO APPOINTED CURATOR OF THE VENICE ARCHITECTURE BIENNALE 2023

The Board of the Venice Biennale, upon the recommendation of President Roberto Cicutto, appointed Lesley Lokko as Director of the Architecture Sector, with the specific task of curating the 18th International Architecture Exhibition to be held in 2023. The Exhibition will be held from Saturday, May 20 to Sunday, November 26, 2023.

Architecture

LESLEY LOKKO APPOINTED CURATOR OF THE VENICE ARCHITECTURE BIENNALE 2023

PINTA NAMES DANIEL FISCHER AS NEW ARCHITECT

With its new location and wider horizons, Pinta introduces architect and curator Daniel Fischer to its production team.

By Mercedes Abella
Architecture

PINTA NAMES DANIEL FISCHER AS NEW ARCHITECT

By Mercedes Abella
AMAZE ME AND I AMAZE YOU – FRIEDEBERG AT DOT FIFTYONE GALLERY, MIAMI

Dot Fiftyone presents the first solo show of the celebrated Mexican artist Pedro Friedeberg in the gallery. With a career spanning more than six decades, Friedeberg is considered an outstanding and emblematic cultural figure. Born in 1936, he was first recognized as a Surrealist artist alongside Leonora Carrington and Remedios Varo. He originally trained as an architect and rejected modernism, turning to art with his mentor and friend Mathias Goeritz. In the early 1960s he was part of the interdisciplinary group Los Hartos (The Fed-Ups), always opposing the canon as well as visual and conceptual trends. The irony and absurdity that has characterized his broader artistic practice is embodied in the Mano-Silla (Hand Chair), which has elevated him to the global sphere since 1962. He remains prolific and is significant for new generations.

Galleries

AMAZE ME AND I AMAZE YOU – FRIEDEBERG AT DOT FIFTYONE GALLERY, MIAMI

COLUMNS AS TEXTS: READING ARCHITECTURE

In 1985, Josefina Ludmer gave a set of classes in the form of a seminar at the University of Buenos Aires. These classes marked a turning point in the way we read literary theory. In dialogue with the book Ways of Seeing by John Berger, Ludmer will raise the question about ways of reading literature. Ricardo Piglia dictates in 1990 a seminar composed of 11 classes that will later be known as the seminar of "The three vanguards"; This will become a point of reference to account - among other problems - for how certain authors build their own tradition by confronting it with others.

By Martín A. Cohen, Arq.
Architecture

COLUMNS AS TEXTS: READING ARCHITECTURE

By Martín A. Cohen, Arq.
PHOTOGRAPHY AS A CONSTRUCTION OF ARCHITECTURAL SENSE

Gonzalo Maggi, in his photography, provides entity to a space that, although occupied, emanates a certain feeling of emptiness. By introducing a subject, an individual but metonymic form of existence, he gives architecture a meaning that exceeds its own ontology.

By Mercedes Abella
Architecture

PHOTOGRAPHY AS A CONSTRUCTION OF ARCHITECTURAL SENSE

By Mercedes Abella
EXTEND THE WHITE OF THE STATUES TO THE WALLS AND CUT THE BLUE OF THE SKY

Carlo Scarpa designed the Gipsoteca - plaster museum - for Antonio Canova in Possagno between 1955 and 1957. An expansion of the museum that houses the molds of the great Italian neoclassical sculptor, we keep a copy of his Three Graces in front of the Sarmiento Historical Museum in Buenos Aires.

By Arch. Alejandro Vaca Bononato
Architecture

EXTEND THE WHITE OF THE STATUES TO THE WALLS AND CUT THE BLUE OF THE SKY

By Arch. Alejandro Vaca Bononato
ARTISTIC CORRESPONDENCE BETWEEN BRAZIL AND PORTUGAL

Curated by Isabella Lenzi, and running until November 20th, Só é possível se formos 2 [It is only possible if there are 2 of us] is exhibited in the Sala Fernando Pessoa of the Consulate General of Portugal in São Paulo. The exhibition proposes a dialogue between the Brazilian Anna Costa e Silva and the Portuguese Fernanda Fragateiro, two artists from different generations, practices and trajectories, who converge in their desires to think beyond the limits of the individual.

News

ARTISTIC CORRESPONDENCE BETWEEN BRAZIL AND PORTUGAL

TRANSMODERNISMOS, CONCEPTUALITIES OF THE HABITAT AND THE BODY

Fabiana Barreda's work, exhibited at BAphoto 2021 at the OdA Arte stand, amalgamates different cases and concepts within the idea of ​​space and the politics of feminism. With references to the great architectures, and to the female body as habitable and inhabiting, subjectivities are called into question and once again photography plays a catalytic role of simultaneous approach and estrangement.

By Mercedes Abella
Architecture

TRANSMODERNISMOS, CONCEPTUALITIES OF THE HABITAT AND THE BODY

By Mercedes Abella
BUENOS AIRES GALLERY, THE IDEAL PLAN FOR THIS SATURDAY

Gallery is the artistic circuit in Buenos Aires with the longest trajectory and with the greatest coverage, including the neighborhoods of La Boca (District of the Arts), Recoleta, Retiro, Palermo and Villa Crespo. Developed by Arte al Día, the Gallery circuit has been promoting its commitment to the local art scene for more than forty years.

News

BUENOS AIRES GALLERY, THE IDEAL PLAN FOR THIS SATURDAY

CARLO SCARPA, VENICE, THE ENIGMA IN THE POETIC

"Venice, nenuphar city" ... says the poet Paul Morand in his magnificent book Venises, plural. Venice, in addition to being host of the most famous biennials, today on its seventeenth edition in architecture, is in its plurality the land of one of the great masters of 20th century architecture, Carlo Scarpa.

By Alejandro Vaca Bononato, Architect
Architecture

CARLO SCARPA, VENICE, THE ENIGMA IN THE POETIC

By Alejandro Vaca Bononato, Architect
LOCUS AND LANGUAGE OF BAphoto 2021 - ‘FUERA DE FOCO’ SECTION

Since 2015, Fuera de Foco (Out of Focus) is a solo projects section destined to the exploration of the different procedures, languages ​​and materialities that the photographic medium makes possible. With the aim of providing visibility to new generations of artists, Fuera de Foco invites three Argentine galleries to present an individual proposal, of an installation and experimental nature, promoting a territory open to dialogue with other disciplines that can enrich and generate new experiences aesthetic.

News

LOCUS AND LANGUAGE OF BAphoto 2021 - ‘FUERA DE FOCO’ SECTION

NEW HORIZONS - ARCHITECTURE SECTION IN ARTE AL DÍA

Arte al Día is pleased to present a new editorial section. With a more holistic view of art, the new Architecture section is proposed as a platform for expansion. It will be carried out under the curatorship of the Argentine architect Alejandro Vaca Bononato.

Architecture

NEW HORIZONS - ARCHITECTURE SECTION IN ARTE AL DÍA

ARTIFICIAL PARADISES - RÓMMULO VIEIRA CONCEIÇÃO, LUCIA KOCH AND ALEKSANDRA MIR

The flows of architecture and circulation in continuous movement set the tone for the new commissioned and individual works that are exhibited now at the Inhotim Institute. There are three projects as the result of almost two years of inactivity, without openings, in the immense space of the cultural center located in Brumadinho, in Greater Belo Horizonte, capital of Minas Gerais. It is a mix between a botanical garden and a refuge for contemporary art works specially developed for the institution or that have been reformatted in this special exhibition context that extends over an old estate, now with 140 hectares of visitation.

By Mario Gioia, art critic and independent curator
Reviews

ARTIFICIAL PARADISES - RÓMMULO VIEIRA CONCEIÇÃO, LUCIA KOCH AND ALEKSANDRA MIR

By Mario Gioia, art critic and independent curator
October 05, 2021
“VANISHING POINT” – BIENALSUR’S EXHIBITION EXPLORES MIGRATORY ISSUES

BIENALSUR, the contemporary art international biennial that was crafted in the Universidad Nacional de Tres de Febrero, in Argentina, has recently disembarked with “Punto de Fuga” (Vanishing Point), a collective exhibition set in another university, the Universidad Nacional de La Plata, on Thursday, September 9th. The display features artists from countries as diverse as Argentina, Germany, Ecuador, Iran and Switzerland, and is set in the university’s Art Center.

BIENALSUR

“VANISHING POINT” – BIENALSUR’S EXHIBITION EXPLORES MIGRATORY ISSUES

MAGDALENA FERNÁNDEZ WINS INTERNATIONAL CODAawards

When artists, designers, industry resources, and clients work together, common places are transformed into spectacular spaces. CODAworx, the hub of the commissioned art economy, has announced the winners of the ninth annual international CODAawards: Collaboration of Design + Art. The CODAawards recognize collaborations that result in outstanding projects which successfully integrate commissioned art into interior, architectural, or public spaces.

Architecture

MAGDALENA FERNÁNDEZ WINS INTERNATIONAL CODAawards

TO THE BIENNALE’S QUESTION “HOW WILL WE LIVE TOGETHER?” THE DANISH ANSWER WITH “CONNECTEDNESS”

Con-nect-ed-ness: The Danish Pavilion at the 17th International Venice Architecture Biennale focuses on people’s connection with each other and with nature, in a total installation consisting of a giant cyclic system of water collected locally in Venice.

Architecture

TO THE BIENNALE’S QUESTION “HOW WILL WE LIVE TOGETHER?” THE DANISH ANSWER WITH “CONNECTEDNESS”

AMERICAN FRAMING – UNITED STATES PAVILION AT THE VENICE ARCHITECTURE BIENNALE

To the question proposed by Hashim Sarkis (curator of the 17th International Architecture Exhibition) How will we live together?, the United States project team alludes to the democratic nature of wood framing.

Architecture

AMERICAN FRAMING – UNITED STATES PAVILION AT THE VENICE ARCHITECTURE BIENNALE

TERENCE GOWER ON MEXICAN MODERNISM THROUGH ARCHITECTURE, INSTALLATION AND VIDEO

The Good Neighbour, the Canadian artist’s solo show in Americas Society, is focused on his relationship with Mexico since the early 1990s. The exhibition offers an overview of his work from his arrival in Mexico City in 1993 to his involvement with the city’s bustling international art scene, dubbed the “multinational Mexican underground” by Olivier Debroise.

News

TERENCE GOWER ON MEXICAN MODERNISM THROUGH ARCHITECTURE, INSTALLATION AND VIDEO

ARGENTINA - OPEN CALL FOR AZCUY AWARD’S 3rd EDITION

The renowned art contest, again organized in partnership with the Museum of Modern Art of Buenos Aires, will select and award $1,200,000 to an unpublished work to permanently inhabit one of the company's developments. Application deadline: August 26, 2021

Closed
Open Calls

ARGENTINA - OPEN CALL FOR AZCUY AWARD’S 3rd EDITION

IN MEMORIAM. TERENCE RILEY

American architect Terence Riley has passed away at the age of 66. He was a founding partner of Keenen/Riley Architects and held numerous high-profile positions at well-renowned museums and institutions. He is most remembered by his innovation and strong commitment to the arts.

News

IN MEMORIAM. TERENCE RILEY

MEXTRÓPOLI 2021 – MAY ACTIVITIES

Like every year, MEXTRÓPOLI is an idea detonator that seeks to include voices that come from various disciplines and practices. Architects, urban planners, designers, but also writers, artists, and public officials are invited to a reflection that becomes much more necessary in current conditions. Cities are still inhabited and designed: the construction of culture through architecture cannot stop.

News

MEXTRÓPOLI 2021 – MAY ACTIVITIES