La Chola Poblete (Guaymallén, Argentina, 1989) has established herself as one of the major names to watch in Latin American art. Her practice, visually striking in its simplicity and impact, draws us into a body of work that emerges from a dialogue between the body, the street, the everyday, and a persistent idea that art should be understood as action. Emerging from the underground and popular culture, her visual language takes shape through painting, drawing, and materials capable of extending the performative activity through the artist’s own process of transformation.

The institution is reinforcing its commitment to Latin American art with three exhibitions that, like the thematic lines underpinning this season, will explore the body, memory, and participation.

The new center opens its doors with exhibitions devoted to the Gelman Collection and Mexican art, another exploring Leonora Carrington’s connection with Santander, and a third featuring a selection of masterpieces from the Banco Santander Collection.

The second edition of Contemporary Visions at the Salamanca museum revisits colonial memory and its impact on the present through the recent work of the Spanish-Cuban artist.

The Puerto Rican artist explores in Madrid the historical, cultural, and political tensions that define the relationship between Puerto Rico and the United States through a highly symbolic visual language.

The 24th Cerveira International Art Biennial consolidates its commitment to contemporary art as a site of critical inquiry through a significant Latin American presence that interrogates territory, memory, and identity from decolonial and transnational perspectives.

The Portuguese artist concludes his exhibition trilogy at MACE with a solo exhibition in which children's drawings, cognitive development and representation intersect with references drawn from art, science and philosophy.

A Madrid exhibition brings together Trini Energici's material research, in which her work explores the transformation of materials as a metaphor for memory, territory, and change. 

A solo exhibition in Málaga traces the career of the Chilean photographer and her ability to transform the portrayal of society's margins into an exercise in memory, dignity, and resistance.

Menorca brings together paper-based works and the video Generación by the Cuban artist, reflecting on the persistence of visual and ideological imaginaries linked to the Cuban revolutionary utopia.

Fernando Pradilla presents a group exhibition that highlights the strength of contemporary Latin American art through the work of five artists from Colombia, Peru, and Brazil, alongside three Spanish artists.

The CAAM presents an exhibition dedicated to Sandra Ramos that positions art as a tool for imagining possible futures in the face of an unstable world. Through her work, the artist addresses themes such as identity, migration, and displacement from a critical and poetic perspective.

The renowned installation by the Mexican artist transforms the exhibition space into an immersive experience through the unsettling arrangement of thousands of black paper butterflies, exploring the tension between beauty, collectivity, and perception.

The Colombian artist's exhibition at CRAC Alsace constructs a universe in perpetual transformation, where the reuse of materials, the hybridization of disciplines, and underlying tensions invite viewers to reflect on the social, economic, and symbolic structures that shape our experience of the world.

The Dominican-Mexican photographer explores the social and territorial transformations of Mexico through a critical and serial photographic practice in a major exhibition presented as part of PhotoEspaña.

In his latest exhibition in Madrid, the Dominican artist further develops his exploration of geometric abstraction from a Caribbean perspective, linking architecture, memory, and spirituality to examine the connections between history and Antillean identity.

In his solo exhibition at La Cometa in Madrid, the Colombian artist revisits the imagery of the landscape through a critical lens that interrogates memory, identity, and dominant historical narratives by appropriating and intervening images from the past.

The Galician institution presents a proposal that connects the practices of Macchi, Ježik and Hernández with those of Alberto Ardid, bringing together critical strategies that engage with the construction of contemporaneity through media language and visual culture.

The Paraguayan artist and researcher Fernando Allen engages with the rock art of his home country in La piedra y la luz, an exhibition that combines photography, academic inquiry, and contemporary artistic practice while reflecting on cultural heritage and memory.

Seven artists from the island come together at El Apartamento’s Madrid space to explore painting as an archive of memory, identity, and representation in contemporary culture.

The exhibition at the Bilbao centre presents a broad selection of Glenda León’s multidisciplinary practice, articulated around “sensitive conceptualism”, in which sound, silence and perception interweave emotional experience with conceptual reflection.

The Mexican artist’s exhibition at N/F Nieves Fernández explores the relationship between the body, everyday objects, and geometric forms through a balance between the material and the immaterial, with a particular focus on the observation of the small as a trigger for experience, thought, and shifts in perception.

The exhibition by Mexican artist Fernanda del Barrio in Madrid explores the instability of territory through installation, photography, and archival practices, proposing ways of inhabiting space rooted in the body, the ephemeral, and its relationship with the surrounding environment.

The exhibition explores the tropical landscape as a space of memory, perception, and experience through the dialogue established between the works of María Ana Vasco Costa, Márcio Vilela, and Ariamna Contino.