The Colombian artist's exhibition at CRAC Alsace constructs a universe in perpetual transformation, where the reuse of materials, the hybridization of disciplines, and underlying tensions invite viewers to reflect on the social, economic, and symbolic structures that shape our experience of the world.

The Dominican-Mexican photographer explores the social and territorial transformations of Mexico through a critical and serial photographic practice in a major exhibition presented as part of PhotoEspaña.

In his latest exhibition in Madrid, the Dominican artist further develops his exploration of geometric abstraction from a Caribbean perspective, linking architecture, memory, and spirituality to examine the connections between history and Antillean identity.

In his solo exhibition at La Cometa in Madrid, the Colombian artist revisits the imagery of the landscape through a critical lens that interrogates memory, identity, and dominant historical narratives by appropriating and intervening images from the past.

The Galician institution presents a proposal that connects the practices of Macchi, Ježik and Hernández with those of Alberto Ardid, bringing together critical strategies that engage with the construction of contemporaneity through media language and visual culture.

The Paraguayan artist and researcher Fernando Allen engages with the rock art of his home country in La piedra y la luz, an exhibition that combines photography, academic inquiry, and contemporary artistic practice while reflecting on cultural heritage and memory.

Seven artists from the island come together at El Apartamento’s Madrid space to explore painting as an archive of memory, identity, and representation in contemporary culture.

The exhibition at the Bilbao centre presents a broad selection of Glenda León’s multidisciplinary practice, articulated around “sensitive conceptualism”, in which sound, silence and perception interweave emotional experience with conceptual reflection.

The Mexican artist’s exhibition at N/F Nieves Fernández explores the relationship between the body, everyday objects, and geometric forms through a balance between the material and the immaterial, with a particular focus on the observation of the small as a trigger for experience, thought, and shifts in perception.

The exhibition by Mexican artist Fernanda del Barrio in Madrid explores the instability of territory through installation, photography, and archival practices, proposing ways of inhabiting space rooted in the body, the ephemeral, and its relationship with the surrounding environment.

The exhibition explores the tropical landscape as a space of memory, perception, and experience through the dialogue established between the works of María Ana Vasco Costa, Márcio Vilela, and Ariamna Contino.

The first exhibition by the Peruvian artist at carlier | gebauer brings together a series of paintings that explore the relationship between matter, symbolism, and Peruvian cosmology through hybrid figures and the integration of artisanal processes.

The Brazilian artist links climate crisis, history, and extractivism in her solo exhibition in Bern, reflecting on the social, political, and environmental consequences of a model whose patterns continue to reproduce colonial logics.

The Cuban artist approaches the Caribbean maritime imaginary as a space of transformation, memory, and instability in Submersus, his first solo exhibition at Casado Santapau. Bringing together paintings, sculptures, and installations, the exhibition invites reflection on the fragility of forms and on the shifting boundaries between the visible and the submerged.

The exhibition by the Panamanian photographer at Memoria gallery reframes domestic labor as a transformative space of power and resistance.

Interview with Nuria Enguita, Artistic Director, MAC/CCB – Museum of Contemporary Art and Architecture Centre (Museu de Arte Contemporânea e Centro de Arquitetura), Lisbon.

The Mexican artist explores the relationship between memory and identity in her exhibition in Seville through more than thirty large-scale paintings in which the visual language of pop culture invites viewers to recognize themselves and question socially constructed roles.

An extensive exhibition in Bonn featuring more than 400 works and objects presents Amazonia through the perspectives of its Indigenous peoples, exploring their cosmologies through a dialogue between contemporary artistic practices and historical artefacts. 

The Mexican artist departs, at Travesía Cuatro, from his established use of popular culture to embrace a more sensitive imaginary that explores tenderness, childhood, and reconciliation as forms of resistance against the contemporary world.

The Argentine artist returns to carlier | gebauer to explore, through the creation of a suggestive environment, how we perceive and destabilize time and its interruptions.

Tania Candiani arrives in Valencia with an immersive installation that reimagines the subsoil as a living, speculative organism, where nature, technology, and memory converge to configure a hybrid ecosystem.

The exhibition by the Peruvian artist in Madrid examines, through mobile sculptures and mosaics, the ways in which movement and memory function as structuring forces of cultural resistance and continuity.

The two Colombian artists approach the exploration of painting’s zero point through separate solo exhibitions at La Cometa, responding from positions shaped by contemporary visual saturation and the suspended pictorial gesture.

The exhibition by Peruvian artist at Galería Maisterra examines memory, identity, and belonging through a literary narrative articulated across video and sculpture, interrogating systems of social classification and the cultural hierarchies that sustain mechanisms of exclusion.