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The most relevant art fair specialized in photography in Latin America Pinta BAphoto celebrates its twenty years of trajectory between October 24 and 27, 2024. Based in the city of Buenos Aires, it has established itself as an undisputed point of reference for photography.

The Museo Moderno de Buenos Aires inaugurates the exhibition Martín Legón: Solo las piedras recuerdan (Only Stones Remember), in which the artist interrogates the present of human experience and wonders how human beings relate to images, how we construct knowledge, and in what remote place the mark of the human as it is known to the present will remain.

It takes an Island to Feel this Good is Darja Bajagić’s exhibition for the Montenegro pavilion at Venice Biennale 2024. Curated by Ana Simona Zelenović and organized by the Museum of Contemporary Art of Montenegro at the initiative of commissioner Vladislav Šćepanović, the exhibition will present a critical consideration of the culture of collective memory and the relationship to shared historical heritage.

Malba announces the eagerly awaited arrival of Leonora Carrington's The Distractions of Dagoberto (1945), one of the most significant works by the celebrated surrealist artist, which was acquired in May by Eduardo F. Costantini at Sotheby's at a record price.

The monumental commission by British artist John Akomfrah RA for the 2024 Venice Biennale is a multi-layered exhibition which encourages visitors to experience the British Pavilion’s 19th century neoclassical building in a new way.

La Panera Art Center of Lleida presents in its exhibition Descolonicemos el mundo(Decolonize the World) a conceptual tour through the production of Regina Jose Galindo (Guatemala City, Guatemala, 1974) in which a decolonizing approach prevails. Although in some cases of her work this process is not so evident, this view can be traced from the geographical experience of the artist's country of origin and its process of colonization and independence.

Fondazione Donnaregina per le arti contemporanee – museo Madre present Vai, vai, Saudade, a collective exhibition which offers a poetic pathway, exploring a series of stories related to the art produced in Brazil since WWII. Curated by Cristiano Raimondi.

The trajectory of Barbara Brändli (Schaffhousen, Switzerland 1932 - Caracas, Venezuela, 2011) in photography requires a conscientious analysis of several points. Without stopping at them, it is very likely to miss the reason for her approach, her vision that transcends the documentary as a simple objective or her contributions to that world that she began to consolidate in that Venezuela of welcome on her arrival in South America from her native Switzerland.

Engaging with the theme of Adriano Pedrosa’s main exhibition for the Venice Biennale, Stranieri Ovunque—Foreigners Everywhere, Vlatka Horvat’s project for the Croatian Pavilion by the Means at Hand, curated by Antonia Majaca, exists as an accumulative exhibition of artworks by a wide-ranging group of international artists living as “foreigners,” reflecting on questions and urgencies of the diasporic experience.

The Jewish Museum of Buenos Aires | Templo Libertad presented Falta compartida (Shared Absence), an exhibition that took place at the Rolf Gallery in 2019 as part of the commemoration of the 25th anniversary of the attack on the AMIA (Asociación Mutual Israelita Argentina), which itinerates on the occasion of the 30th anniversary, presenting itself as a reflection on the post-memory of recurring traumatic events in Argentine history.

Cronotopías at the Museo de Arte Moderno de Bogotá (MAMBO) is the first institutional retrospective in Colombia dedicated to the visionary work of Argentinean artist Silvia Rivas. Since the late 1990s, Rivas has explored the expressive possibilities of expanded cinema, pushing the boundaries of video as a medium and creating multimedia and immersive environments. The exhibition is curated by Eugenio Viola.

Marisol: a retrospective is an itinerant exhibition on view at the Buffalo AKG Art Museum, featuring the collection of artworks Marisol kept in her personal possession and left to the museum.

Banco Macro presented El Oro de los sueños (The Gold of Dreams), the exhibition by Andrés Paredes which is part of a new artistic program within its agenda at the Corporate Tower. The program is called Macro Federal, an initiative to present artists from all the provinces of Argentina, starting with Misiones. It is curated by Patricia Rizzo.

Liliana Porter: The Task is the artist’s exhibition at Dia Bridgehampton. The exhibition comprises a new commission alongside a selection of works from the 1970s and video documentation of a recent play by Porter and collaborator Ana Tiscornia.

The third edition of Pinta Sud | ASU 2024 came to an end after a day of ceramic workshop in Itá with the renowned ceramist Julia Isídrez.

The Mongolian Pavilion at the Venice Biennale presents artist Ochirbold Ayurzana with the exhibition Discovering the Present from the Future. The proposal is curated by Oyuntuya Oyunjargal, the Cultural Envoy of Mongolia to Germany, and co-curated by Gregor Jansen, director of the Kunsthalle Düsseldorf in Germany.

Within the framework of Pinta Sud | ASU 2024 FORO conversatory, Ticio Escobar - moderated by Irene Gelfman - participated in the exclusive presentation of the book "Colección Mendonca. Paraguay and the art system", by Adriana Almada. The book was presented at CAF - Development Bank of Latin America and the Caribbean.

El Centro Botín presenta Partitura, la primera exposición en España de la artista suiza Silvia Bächli.

Luciérnagas humanas al ras de la tierra (Human fireflies at ground level) is a video-installation that the artist Marcos Benítez presents at the Paraguayan-German Cultural Institute. It is curated by Adriana Almada and will be part of the art week of Asunción Pinta Sud | ASU 2024.

The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.

The 14th Mercosur Biennial will be held between May 27 and June 1, 2025. The exhibition, which was originally planned to be held this year in Porto Alegre, was rescheduled as a result of the climatic catastrophes that affected southern Brazil.

Manifesta, the European nomadic biennial, as it is defined, returns to Spain after past editions in San Sebastian (2004) and Murcia (2010) and will hold its 15th edition in the Metropolitan Area of Barcelona from September 8 to November 24. The multidisciplinary program of actions and exhibitions will be developed around the concept of place and time, focusing, through the exhibition venues chosen in the twelve participating municipalities, on the past, present and future of this region.

In the next edition of Pinta Sud | ASU 2024 -to be held from August 5 to 11, 2024 in Asuncion, Paraguay- the FORO lecture series will be one of the key spaces to delve into Latin American curatorial practice. Curated by Adriana Almada and Irene Gelfman, FORO will feature international guests such as Inés Katzenstein, Isabella Lenzi, Raphael Fonseca, among others.

The Panama Pavilion at the 2024 Venice Art Biennale arises as a profound reflection on the enduring traces that migration leaves on individuals and their surroundings. Entitled Traces: On the Body and on the Land, this exhibition echoes the current migration crisis with a particular focus on the Panamanian context, interpreted by four artists through drawings, paintings, collages, glass sculptures, and installations.

The exhibition Lia D Castro: Everywhere and Nowhere, at MASP – Museu de Arte de São Paulo Assis Chateaubriand is the artist’s first solo show in a museum, and brings together 36 works, most of which are figurative paintings. The selected works explore scenarios where affection, dialogue and imagination become important tools for social transformation.

The Museo del Barro will present, in the context of Pinta Sud | ASU 2024, the exhibition The Colors of Resistance by artist Marcelo Brodsky. It is under the curatorship of Ticio Escobar.

The Museum of Contemporary Art of the Americas presented the exhibition Women Who I Could’ve Been, featuring the latest work of renowned artist Ana Albertina Delgado.

The next Pompidou Museum project in Foz do Iguaçu will be presented by Luciana Pereira, Secretary of Culture of the State of Paraná, Brazil, at the Pinta Sud | ASU conference, to be held at the Casa de la Integración (CAF) on August 8, 2024. This will be the first Pompidou Center in Latin America.

Concrete Wounds/Herida concreta is the exhibition that the Canary Islands' Centro Atlántico de Arte Moderno (CAAM) is dedicating to Karlo Andrei Ibarra (San Juan, Puerto Rico, 1982), one of the most promising and internationally renowned names of the Puerto Rican art scene.

The Mexican Cultural Institute in Spain hosts the group exhibition En el interior del cielo, a show that gathers some of the most prestigious Mexican artists from the collection of Lorena Pérez-Jácome and Javier Lumbreras.