News
MIET WARLOP’S “ROCK ‘N’ ROLL” SPIRIT WILL REPRESENT BELGIUM AT THE 61ST VENICE BIENNALE
The artist will present a performative work that addresses the chaotic state of the world and the need for human connection in the face of today’s turbulent context.
THE AESTHETIC TRANSFORMATION OF FUNCTIONALITY: REINOSO AT MNAD
La vida se mueve delves into Pablo Reinoso’s most recognizable artistic practice: the transformation of everyday objects into sculptural works that explore existential fragility in dialogue with space and surrealism.
LIVING ARCHIVE: AN INITIATIVE THAT HIGHLIGHTS LATIN AMERICAN ART IN THE UNITED KINGDOM
The project seeks to promote encounters, exchange, and the creation of networks within the British art ecosystem.
THE REINA SOFÍA STRENGTHENS THE FIGURE OF MARUJA MALLO
Máscara y compás underscores the importance of Maruja Mallo’s Latin American exile as a key stage in her artistic renewal, during which her avant-garde language expanded through the integration of the cultural and symbolic realities of Latin America.
FIRST INDIGENOUS ART BIENNIAL IN BUENOS AIRES
The event will bring together 46 Indigenous artists from different regions of Argentina and neighboring countries, with exhibitions and activities taking place between February and April.
FINAL WEEKS TO VISIT FERNANDO SAMPIETRO’S CRITICAL RETROSPECTIVE AT MUSEO CABAÑAS
The exhibition Antenas al vacío revisits the work of the Mexican artist and expands into a book that addresses contemporary art, experimental cinema, and Latin American visual thought.
THE GLACIER AND ITS ANDEAN GUARDIANS: ÁNGELA PONCE IN NEW YORK
The photographic work of the Peruvian artist reveals the lived realities of Andean communities in the face of climate change.
THE CENSORSHIP OF MOURNING: SOUTH AFRICA AND THE 2026 VENICE BIENNALE
The exclusion of Gabrielle Goliath’s work due to its reference to Gaza exposes the tensions between memory, mourning, and political power in contemporary art.
ANTONIO PAUCAR'S ANDEAN POETICS RECOGNIZED BY ARTES MUNDI
The AM11 international prize brings visibility to a practice rooted in collective experience and a sensitive engagement with the landscape.
MALBA ANNOUNCES RODRIGO MOURA’S DEPARTURE AS ARTISTIC DIRECTOR
The museum prepares for a new institutional phase ahead of its 25th anniversary.
EIGHT KEY LATIN AMERICAN ART EXHIBITIONS TO SEE ACROSS EUROPE IN 2026
From historical retrospectives to immersive installations and new commissions, museums across the continent will host the work of seminal artists.
LINETT, ZEVALLOS VILLEGAS AND SARAVIA: LATIN AMERICAN PRESENCE IN VISIÓN Y PRESENCIA 2026
The three artists will bring their unique Latin American perspectives to reflect on the global themes addressed by the cycle: feminism, historical memory and power relations.
WEAVING THE INVISIBLE: MORENO AND ENRÍQUEZ IN DIALOGUE AT LA TERCERA NAVE
La Tercera Nave brings together the practices of Linarejos Moreno and Vanessa Enríquez in a dialogue centered on the material and symbolic remnants of memory. Through the concepts of textiles and weaving, both artists address fragmentation from industrial and technological perspectives.
FROM MINUJÍN TO DE ANDRADE: A LUDIC INTERACTION WITH THE MNAD COLLECTION
Let’s Play. Juguemos en la colección, a BIENALSUR project, engages with the permanent collection of the Museo Nacional de Artes Decorativas through the conceptual lens of play, featuring the work of ten artists, mostly from Latin America, including Marta Minujín, Glenda León, and Silvia Rivas.
DONNA HUANCA INTERVENES IN THE CAAC WITH HER SENSORIAL LANGUAGE
The installation is constructed using the artist's usual practices, where sand, pigments, and translucent curtains come together with cosmology and contemporary languages.
THE EARTH AS A FEMININE DIVINITY: DELCY MORELOS IN MEXICO
Within the framework of Mexico City Art Week 2026, MUAC continues to present the Colombian artist's exhibition, a proposal that invites visitors to inhabit the ritual.
PINTA PANAMÁ ART WEEK 2026 OFFERS NEW DIALOGUE BETWEEN VISUAL ARTS AND CINEMA
This March, the event will once again take place in Panama City, opening new spaces for exchange to celebrate regional diversity.
ANDREA CANEPA: THE PALACIO DE CRISTAL AS A SYMBOLIC BODY
Andrea Canepa intervenes in the Palacio de Cristal at the Museo Reina Sofía with Fardo, an installation consisting of a large tarp inspired by pre-Columbian funerary bundles that transforms the building into a symbolic body, inviting reflection on what is visible and displayed, as well as on preservation and transformation.
ALIVE AND PRESENT: INDIGENOUS ART THAT “DOES NOT FOCUS SOLELY ON OBJECTS” AT THE PRE-COLUMBIAN MUSEUM
The Chilean museum unveils a temporary exhibition that foregrounds the living traditions and creative persistence of the Atacameño/Lickanantay, Mapuche, and Rapanui peoples through an extensive process of research and collaboration with Indigenous communities.
FAREWELL TO COLOMBIAN MASTER BEATRIZ GONZÁLEZ
One of the most prominent figures of contemporary Latin American art passed away this Friday at the age of 93.
ROBERTO HUARCAYA’S PHOTOGRAMS AT MARCO VIGO
The exhibition brings together a decade of technical and poetic experimentation that transcends the traditional boundaries of photography and places visual experience at the center of reflection.
LATIN AMERICAN HISTORIES: MASP PRESENTS ITS 2026 PROGRAM
The museum explores the construction of the region’s identity through a major group exhibition and solo presentations by Jesús Soto, Damián Ortega, Sandra Gamarra, La Chola Poblete, among other artists.
GINA ARIZPE AND THE INVISIBILIZED AT MEIAC
The exhibition traces different moments and formal strategies in her practice, marked by a critical reflection on violence, denial, and the tensions that permeate the female experience in contemporary society.
A XAVANTE HEALING RITUAL CLOSES THE 36TH SÃO PAULO BIENNIAL
Chief Cipassé Xavante leads this unprecedented performance, which combines ritual, music, and public dialogue to reflect on climate, territory, and indigenous knowledge.
THREE PINK ART BOOKS RELEASED IN 2025
Antena by Silvia Gurfein, Huir del mundo by Rosa Chancho, and Important Artifacts by Leanne Shapton are three art books published in Spanish during 2025. All three have pink covers. But contrary to the saying, it’s not all roses in these books. Or perhaps it is, but not in an obvious way: they narrate and engage with art through themes of isolation, fragmentation, rupture, and imagination.
ARTE LAGUNA PRIZE 2025 ANNOUNCES THE SPECIAL PRIZE WINNERS
The international award expands its network of partners and recognizes 43 artists through prizes that include residencies, exhibitions, creative commissions, and collaborations with cultural institutions and companies from eight countries.
WHITNEY BIENNIAL 2026: LATIN AMERICAN IMAGINARIES IN A TIME OF TRANSITION
The 82nd edition brings together 56 artists and collectives in an exhibition that privileges atmosphere, sensibility, and contemporary forms of coexistence. Within this framework, Latin American artists play a key role, weaving together memory, technology, body, and territory.
ANA MAZZEI: ACQUISITION OF THE EFG LATIN AMERICA ART AWARD ON ITS 15TH ANNIVERSARY
The award recognizes a sculptural practice in which the geometric and the organic are articulated in suspended scenes, shaped by fable, theater, and memory.
THE IMPOSSIBLE ORDER OF THE WORLD AT FUNDACIÓN PROA
In an image-saturated present, Francisco Lemus proposes new relationships through a selection of works that appropriate space to assert their presence in the face of contemporary volatility.
MASP INAUGURATES AN EXHIBITION BY MINERVA CUEVAS ON SOCIAL ECOLOGY
The multidisciplinary exhibition by the Mexican artist, featuring installation, sculpture, painting, posters, and video, closes the Histories of Ecology cycle and highlights the environmental crisis as a social issue.
FOOTBALL AS A GLOBAL CULTURAL AND ARTISTIC PHENOMENON AT JUMEX
At a moment when the world unites around the ball, Football and Art. That Same Emotion invites us to reflect on the sport’s power to bring communities together, build imaginaries, and transcend borders.
AWARDS AND ACQUISITIONS THAT SHAPED PINTA MIAMI 2025’S CLOSING MOMENT
The 2025 edition of Pinta Miami concluded by reaffirming its commitment to elevating Latin American art, celebrating artists, galleries and institutions through its awards program and key acquisitions that strengthened regional collecting.
THE CINEMATIC GAZE OF ANA SEGOVIA AT C3A
The Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba is presenting Me duelen los ojos de mirar sin verte, the first solo exhibition in Spain by Ana Segovia (Mexico City, Mexico, 1991), on view until January. Curated by Jimena Blázquez Abascal, the show features thirteen oil paintings on canvas and one work on wood, all created expressly for the occasion.
VIDEO COLLECTIONS FROM CA2M, MAC PANAMÁ AND BIENALSUR JOIN IN MÓSTOLES
Un visionado a tres voces (A three-voiced screening frames) is the conversation between three video art collections that draw from the languages and dynamics of different Southern contexts. The selections prepared for the occasion by the Centro de Arte Dos de Mayo Museum (CA2M Museum) in Móstoles —which hosts the initiative—, MAC Panamá and BIENALSUR, carried out through MUNTREF in Buenos Aires, also aim to establish synergies among the institutions.
