News
TWO GARDENS TO REMEMBER HOME: HIBA SCHAHBAZ AND DIANA EUSEBIO AT MOCA
From the ancestral to the mythical, two parallel exhibitions explore how memory, identity, and nature shape the symbolic territories where migrant communities imagine —and reinvent— their roots.
TARA LONG AT LOCUST PROJECTS: A SWEET, DARK, AND SURREAL UNIVERSE
The artist unfolds an all-encompassing installation that invites viewers to move through scenes in constant tension between allure and ruin.
LAWRENCE LEK'S WORLD IN MIAMI, WHERE MACHINES SEEK MEANING
The Bass presents an immersive expansion of the artist's fictional universe, where sentient vehicles confront questions of memory, purpose, and control inside a corporate system designed to repair—and restrain—them.
CARLOS CRUZ-DIEZ: LIGHT AS A LIVED EXPERIENCE AT PAMM
The museum invites visitors to immerse themselves in a field of pure, perceptual color.
GUGGENHEIM BILBAO RECLAIMS THE FIGURE OF VIEIRA DA SILVA
By Álvaro de Benito
The Guggenheim Museum in Bilbao presents Anatomy of Space, an extensive exhibition dedicated to Maria Helena Vieira da Silva (Lisbon, Portugal, 1908 – Paris, France, 1992), which primarily encompasses her production from the 1930s through the 1980s. The exhibition is structured around two fundamental axes: architecture and the architectural landscape as compositional frameworks, and memory as the generator of the image.
A HISTORIC LYGIA CLARK RETROSPECTIVE ARRIVES IN ZURICH
Kunsthaus Zürich brings together more than 120 historical works and 50 participatory pieces that reveal the Brazilian artist’s profound transformation of modern art.
PINTA MIAMI RETURNS TO COCONUT GROVE FOR ITS 19th EDITION
A leading platform for Ibero and Latin American art, the fair brings together galleries, curators, and emerging talents for a dynamic edition shaped by new voices and cross-regional perspectives.
MARCELLE, BASUALDO, AND PRIETO INCLUDED IN CONCEPTUAL EXHIBITION AT COLLEGIUM
By Álvaro de Benito
Collegium is hosting at its headquarters in the Castilian town of Arévalo the exhibition Jaque. Poder, tiempo e imagen en estado de juego (Check. Power, Time, and Image in a State of Play), a conceptual show that stems from the relationship between chess and the Torre de los Ajedreces, part of the Romanesque-Mudejar style Church of San Martín, which currently serves as the institution’s main headquarters. The building, dating from the 11th and 12th centuries, features an unusual brick frieze in a checkerboard pattern that evokes the chessboard and the strategic dimension of the game.
VÁSQUEZ DE LA HORRA IN GERMANY: SPACE, BODY AND THE SACRED
The exhibition sketches an intimate map where rituals, organic materials, and personal narratives intertwine to question the social norms that shape our identities.
VELVET CLUB: A CLICHÉD DREAM AT THE MODERNO
Daniel Basso presents new works that reinterpret nocturnal aesthetics, consumer objects, and urban memories to create an immersive space between fantasy and exaggeration.
RUTH BENZACAR: SIX DECADES ON, STILL CELEBRATING RISK AND FREEDOM
By Violeta Méndez
The gallery marks sixty years of history with Energy and Optimism for Life, a vibrant look at its legacy and its present.
TEMPO AT MAM CHILOÉ: PAINTING MEMORY IN THE HOUSES OF THE SOUTH
Painting is presented here not only as an aesthetic language, but as a symbolic, intimate, and reflective tool that invites us to view the everyday from new perspectives.
THE LATEST EVOLUTION OF BLACK MIRROR / ESPEJO NEGRO BY LASCH, AT CASA DE MÉXICO
By Álvaro de Benito
The Fundación Casa de México in Spain hosts Re/Generación, a new installation from the Black Mirror / Espejo Negro series produced by Pedro Lasch (Mexico City, Mexico, 1975) and curated by the National Institute of Anthropology and History of Mexico (INAH). Originating from an initiative originally produced by the Nasher Museum of Art in Durham, North Carolina, in 2007, the series has been transformed through various techniques, evolving its language toward a narrative that makes it impossible to separate past and present, as well as spectator and proposal.
RAUSCHENBERG’S PHOTOGRAPHIC APPROACH AND LATIN AMERICAN ROCI SERIES, AT JUAN MARCH FOUNDATION
By Álvaro de Benito
The Juan March Foundation in Madrid presents an extensive and analytical exhibition on Robert Rauschenberg (Port Arthur, USA, 1925–Captiva, USA, 2008), focusing on the use of image and photography in his work. The exhibition, structured from a novel curatorial perspective, reinterprets the production of one of the great masters of contemporary art, highlighting it as the outcome of an essentially photographic practice.
RE-FILMING HISTORY: SU HUI-YU BETWEEN COLOMBIA AND TAIWAN
The Museum of Modern Art of Bogotá presents A Total Story, an exhibition that reinterprets historical archives and collective fictions to intertwine the memories of both territories.
REDISCOVER SAN TELMO AND LA BOCA WITH GALLERY
The event presents its final 2025 edition: an invitation to enjoy contemporary art tours across the neighborhoods of San Telmo and La Boca.
THROUGH DESIGN AND IMAGINATION, ANOTHER WORLD IS POSSIBLE
ArtScience Museum in Singapore presents an exhibition that invites society to co-create the future from hope and creativity.
DEMOCRATIC AND OPEN MAIL ART: TRANSGRESSORS IN CALIFORNIA
An exhibition tracing how generations of artists transformed the postal system into a space for creative freedom and political action, challenging censorship and borders.
IRAN DO ESPÍRITO SANTO IN ITALY: ARCHITECTURE, LIGHT AND SCALE
Mazzoleni presents in Turin a survey of more than two decades of the Brazilian artist’s work.
MATÍAS DUVILLE TO REPRESENT ARGENTINA AT THE 2026 VENICE BIENNALE
Curated by Josefina Barcia, the project was selected among 69 submissions and will occupy the Argentine Pavilion from May 9 to November 22, 2026.
BIENALSUR ARRIVES AT JOHANNESBURG WITH NEW EXHIBITIONS
For the first time, the world’s most far-reaching contemporary art biennial lands in South Africa. Four projects —by Jasmina Cibic, Marcela Cabutti, Sally Gutiérrez Dewar, and Diego Masera— explore memory, history, and the notion of home from diverse perspectives.
REMEMORY 2026: SYDNEY BIENNALE UNVEILS ARTISTS AND WORKS ILLUMINATING SUPPRESSED HISTORIES
The 25th edition, curated by Hoor Al Qasimi, announced new projects which will explore memory and history through works from around the world.
AN “ANTI-ARCHIVE” MADE HOME: ANGIE SAIZ AT THE BIENNIAL OF MEDIA ARTS
What turns a place into a home? Chilean artist presents the immersive installation Bemol, which through sound and visuality builds an intimate and subjective cartography of inhabiting again a familiar environment.
“HÊMBA” IN SÃO PAULO: LAYERS OF DISTANT MEMORIES
The exhibition by photographer Edgar Kanaykô Xakriabá reaffirms the strength of Indigenous art as a living, insurgent, and ancestral language.
CANADA’S LEADING ART FAIR INTRODUCES A SECTION FULLY DEVOTED LATIN AMERICAN ART
Curated by Karen Huber, Arte Sur brings together eleven galleries whose artists engage with memory, territory, craft, and identity.
LEANDRO ERLICH AT AMOS REX: ILLUSION, ARCHITECTURE AND PLAY
The Helsinki museum brings together ten emblematic installations by the Argentine artist that disrupt our perception of space and turn the viewer into a protagonist.
LIMITS AND METAMORPHOSES OF THE HUMAN EXPERIENCE AT MAMBO
Ambra Castagnetti: Ephemeral Panic explores the mutability of the body and its link to the political and the poetic through sculpture, video, and performance.
“CELINA ECEIZA: OFFERING” TRAVELS TO AUSTRIA
The ambitious immersive project, produced entirely by the Museo Moderno and previously exhibited at the museum, will open at HALLE FÜR KUNST Steiermark.
PINTA BAphoto 2025 AND THE MANY WAYS OF INHABITING THE IMAGE
By Violeta Méndez
The fair opened its 21st edition with a program that celebrates photography in all its forms — from the sensitive “skins” of Marina De Caro to the gazes of those who inhabit the streets, and the trajectory of the FotoGalería at Teatro San Martín.
BRAZIL ANNOUNCES ROSANA PAULINO AND ADRIANA VAREJÃO FOR ITS PAVILION AT THE 2026 VENICE BIENNALE
Curated by Diane Lima, the project Comigo ninguém pode will bring together two of the most powerful voices in contemporary Brazilian art around themes of colonial memory, resilience, and poetic imagination in Brazil’s Pavilion.
ANTIOQUIA BECOMES A GLOBAL HUB FOR CONTEMPORARY ART WITH BIAM 2025
The International Art Biennial returns after 44 years, bringing together over 120 artists from 25 countries, 300 artworks, and a free program spanning 15 municipalities.
DEBORAH CASTILLO AND A CLOSING PERFORMANCE IN MEXICO CITY
As part of the exhibition Gran Basamento at the Chapel of Laboratorio Arte Alameda in Mexico City, artist Deborah Castillo and composer Lanza present on October 10 the nano-opera Discursos para las masas (Speeches for the Masses) as the closing act of the show.
PINTA BAphoto 2025: THE PHOTOGRAPHY FAIR RETURNS TO LA RURAL WITH NEW PERSPECTIVES
The event celebrates its 21st edition with a diverse program that spans photography through curatorial, performative, and editorial approaches, intertwining “the material with the immaterial, the intimate with the collective.”
