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The 2025 edition of Pinta Miami concluded by reaffirming its commitment to elevating Latin American art, celebrating artists, galleries and institutions through its awards program and key acquisitions that strengthened regional collecting.

The Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba is presenting Me duelen los ojos de mirar sin verte, the first solo exhibition in Spain by Ana Segovia (Mexico City, Mexico, 1991), on view until January. Curated by Jimena Blázquez Abascal, the show features thirteen oil paintings on canvas and one work on wood, all created expressly for the occasion.

Un visionado a tres voces (A three-voiced screening frames) is the conversation between three video art collections that draw from the languages and dynamics of different Southern contexts. The selections prepared for the occasion by the Centro de Arte Dos de Mayo Museum (CA2M Museum) in Móstoles —which hosts the initiative—, MAC Panamá and BIENALSUR, carried out through MUNTREF in Buenos Aires, also aim to establish synergies among the institutions.

The Valencian Centre del Carme presents South Body, a broad selection of recent performance documentation by Carlos Martiel (Havana, Cuba, 1989). Through photographs and videos, the exhibition explores the relationship between racism and xenophobia and the way the body becomes the materialization of exclusion. This corporeal object, or objectified body, is employed by the artist as a medium to express cries of resistance and to propose critical reflections on power structures and their influence on the construction of contemporary society.

In its new edition, Pinta Miami reaffirms its role as a vital anchor of Miami Art Week. Curated by Irene Gelfman, the fair presents three projects that explore—through distinct approaches—the shifting relationships between landscape, identity, and collective experience.

With Special Projects, the Sculpture Garden, and the FORO program, the fair stands as the key meeting point for Latin American art during Miami Art Week.

In its 2025 edition, the fair unfolds a terrain of questions and encounters. Curated by Juan Canela, NEXT proposes pairings of artists and galleries that explore how we inhabit, name, and imagine the region, articulating new ways of thinking about the contemporary from Latin America and the Caribbean.

Over 120 groundbreaking works arrive in Argentina in the most extensive exhibition to date on this defining artistic era.

From the ancestral to the mythical, two parallel exhibitions explore how memory, identity, and nature shape the symbolic territories where migrant communities imagine —and reinvent— their roots.

The artist unfolds an all-encompassing installation that invites viewers to move through scenes in constant tension between allure and ruin.

The Bass presents an immersive expansion of the artist's fictional universe, where sentient vehicles confront questions of memory, purpose, and control inside a corporate system designed to repair—and restrain—them.

The museum invites visitors to immerse themselves in a field of pure, perceptual color.

The Guggenheim Museum in Bilbao presents Anatomy of Space, an extensive exhibition dedicated to Maria Helena Vieira da Silva (Lisbon, Portugal, 1908 – Paris, France, 1992), which primarily encompasses her production from the 1930s through the 1980s. The exhibition is structured around two fundamental axes: architecture and the architectural landscape as compositional frameworks, and memory as the generator of the image.

Kunsthaus Zürich brings together more than 120 historical works and 50 participatory pieces that reveal the Brazilian artist’s profound transformation of modern art.

A leading platform for Ibero and Latin American art, the fair brings together galleries, curators, and emerging talents for a dynamic edition shaped by new voices and cross-regional perspectives.

Collegium is hosting at its headquarters in the Castilian town of Arévalo the exhibition Jaque. Poder, tiempo e imagen en estado de juego (Check. Power, Time, and Image in a State of Play), a conceptual show that stems from the relationship between chess and the Torre de los Ajedreces, part of the Romanesque-Mudejar style Church of San Martín, which currently serves as the institution’s main headquarters. The building, dating from the 11th and 12th centuries, features an unusual brick frieze in a checkerboard pattern that evokes the chessboard and the strategic dimension of the game.

The exhibition sketches an intimate map where rituals, organic materials, and personal narratives intertwine to question the social norms that shape our identities.

Daniel Basso presents new works that reinterpret nocturnal aesthetics, consumer objects, and urban memories to create an immersive space between fantasy and exaggeration.

The gallery marks sixty years of history with Energy and Optimism for Life, a vibrant look at its legacy and its present.

Painting is presented here not only as an aesthetic language, but as a symbolic, intimate, and reflective tool that invites us to view the everyday from new perspectives.

The Fundación Casa de México in Spain hosts Re/Generación, a new installation from the Black Mirror / Espejo Negro series produced by Pedro Lasch (Mexico City, Mexico, 1975) and curated by the National Institute of Anthropology and History of Mexico (INAH). Originating from an initiative originally produced by the Nasher Museum of Art in Durham, North Carolina, in 2007, the series has been transformed through various techniques, evolving its language toward a narrative that makes it impossible to separate past and present, as well as spectator and proposal.

The Juan March Foundation in Madrid presents an extensive and analytical exhibition on Robert Rauschenberg (Port Arthur, USA, 1925–Captiva, USA, 2008), focusing on the use of image and photography in his work. The exhibition, structured from a novel curatorial perspective, reinterprets the production of one of the great masters of contemporary art, highlighting it as the outcome of an essentially photographic practice.

The Museum of Modern Art of Bogotá presents A Total Story, an exhibition that reinterprets historical archives and collective fictions to intertwine the memories of both territories.

The event presents its final 2025 edition: an invitation to enjoy contemporary art tours across the neighborhoods of San Telmo and La Boca.

ArtScience Museum in Singapore presents an exhibition that invites society to co-create the future from hope and creativity.

An exhibition tracing how generations of artists transformed the postal system into a space for creative freedom and political action, challenging censorship and borders.

Mazzoleni presents in Turin a survey of more than two decades of the Brazilian artist’s work.

Curated by Josefina Barcia, the project was selected among 69 submissions and will occupy the Argentine Pavilion from May 9 to November 22, 2026.

For the first time, the world’s most far-reaching contemporary art biennial lands in South Africa. Four projects —by Jasmina Cibic, Marcela Cabutti, Sally Gutiérrez Dewar, and Diego Masera— explore memory, history, and the notion of home from diverse perspectives.

The 25th edition, curated by Hoor Al Qasimi, announced new projects which will explore memory and history through works from around the world.

What turns a place into a home? Chilean artist presents the immersive installation Bemol, which through sound and visuality builds an intimate and subjective cartography of inhabiting again a familiar environment.

The exhibition by photographer Edgar Kanaykô Xakriabá reaffirms the strength of Indigenous art as a living, insurgent, and ancestral language.