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PAMM REINSCRIBES MARISOL ESCOBAR INTO AMERICAN POP ART

Pérez Art Museum Miami (PAMM) presents Marisol and Warhol Take New York, an exhibition featuring iconic artworks and ephemera by artists Marisol Escobar and Andy Warhol, opening on April 15, 2022. The exhibition not only offers a glimpse into Marisol and Warhol’s close bond as friends and artistic collaborators, but chronicles the development of both artists' careers over an eight-year span from 1960–1968, while highlighting their influence on each other, their parallel rises to success, and their savvy navigation of the highly competitive 1960’s gallery world.

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PAMM REINSCRIBES MARISOL ESCOBAR INTO AMERICAN POP ART

SPANISH PAVILION AT THE VENICE BIENNALE

Correction is the project presented by artist Ignasi Aballí (Barcelona, 1958) for the Pavilion of Spain at the 59th International Venice Biennale, curated by Bea Espejo. Aballí's proposal consists of two actions: a 1:1 scale architectural intervention of the pavilion and the publication of six guides.

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SPANISH PAVILION AT THE VENICE BIENNALE

RAPHAEL MONTAÑEZ ORTIZ AT MUSEO DEL BARRIO

El Museo del Barrio presents Raphael Montañez Ortiz: A Contextual Retrospective, from April 14th to September 11th, 2022, the first large-scale exhibition dedicated to the artist, activist, educator and founder of El Museo del Barrio, since 1988. Curated by El Museo’s chief curator, Rodrigo Moura, and guest curator Julieta González, the exhibition spans several decades of his production, from the 1950s to the early 2020s, in different media such as film, painting, photography, video installations, documents, and assemblages. This is the largest exhibition-to-date dedicated to the artist.

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RAPHAEL MONTAÑEZ ORTIZ AT MUSEO DEL BARRIO

JUMEX MUSEUM EXHIBITS URS FISCHER: LOVERS

Internationally recognized for creating works that are thoughtful, bewildering, and play­ful, Urs Fischer works across sculpture, photography, drawing, painting, and publishing, employing a variety of materials and processes that resist easy classification.

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JUMEX MUSEUM EXHIBITS URS FISCHER: LOVERS

AUSTRALIA EXHIBITS FUSINATO’S “DESASTRES” AT THE VENICE BIENNALE

The Australia Council for the Arts has announced the first details of Marco Fusinato’s presentation at the Venice Biennale 2022, curated by Alexie Glass-Kantor and titled ‘DESASTRES’.

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AUSTRALIA EXHIBITS FUSINATO’S “DESASTRES” AT THE VENICE BIENNALE

THE TRAVELER’S RHYTHM – PAULO NAZARETH EXHIBITS “VUADORA” AT PIVÔ

The exhibition VUADORA presents for the first time in a Brazilian institution a great overview of the work of Paulo Nazareth, one of the most important artists of his generation. The exhibition, curated by Fernanda Brenner and Diane Lima, includes a combination of approximately 180 iconic works from the last two decades - such as the series Cadernos de África and the collection Produtos do Genocídio - and works specially commissioned for the occasion.

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THE TRAVELER’S RHYTHM – PAULO NAZARETH EXHIBITS “VUADORA” AT PIVÔ

FRANCIS ALŸS WILL REPRESENT BELGIUM AT THE VENICE BIENNALE

For the 59th International Art Exhibition, La Biennale di Venezia, the Belgian Pavilion (Flemish Community) has invited curator Hilde Teerlinck and artist Francis Alÿs to develop an exhibition project. For the Belgian Pavilion, Alÿs will present The Nature of the Game, an exhibition featuring a selection of films and a series of paintings. Almost all of the films will be new productions.

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FRANCIS ALŸS WILL REPRESENT BELGIUM AT THE VENICE BIENNALE

MEDELLÍN - FIRST MUSEUM RETROSPECTIVE EXHIBITION OF MARÍA TERESA HINCAPIÉ

The Museum of Modern Art of Medellín (MAMM) exhibits María Teresa Hincapié. Si este fuera un principio de infinito (María Teresa Hincapié. If this were a principle of infinity), the first institutional exhibition dedicated to the practice of Colombian artist María Teresa Hincapié (Armenia, 1954 – Bogotá, 2008). A pioneer in Colombia and Latin America, Hincapié had a very particular definition of the performative discipline that she used to call “training” and which resisted any specific categorization; rather, it oscillated between life, creation in motion and the search for the sacred.

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MEDELLÍN - FIRST MUSEUM RETROSPECTIVE EXHIBITION OF MARÍA TERESA HINCAPIÉ

ES BALUARD MUSEU EXHIBITS "MOUNIR FATMI: WHILE THE STORM ARRIVES"

While the Storm Arrives is a project for our tumultuous times in which mounir fatmi assesses the sheer weight of accounts and commentaries we increasingly have to bear—physically and intellectually violent narratives that have marked our past and are now shaping our future.

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ES BALUARD MUSEU EXHIBITS "MOUNIR FATMI: WHILE THE STORM ARRIVES"

MARIA BONTA’S NEW APPOINTMENT AT THE NATIONAL GALLERY OF ART, WASHINGTON DC

The National Gallery of Art announced Maria Bonta de la Pezuela as new Deputy Director of Development, within the division of External Affairs and Audience Engagement. Maria brings deep expertise in Latin American and Contemporary Art as well as strong professional relationships throughout the Americas to the position.

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MARIA BONTA’S NEW APPOINTMENT AT THE NATIONAL GALLERY OF ART, WASHINGTON DC

ADOLF MAS: THE EYES OF BARCELONA

In collaboration with the Mas Archive of the Fundació Institut Amatller d'Art Hispànic, Fundacion MAPFRE presents Adolf Mas: The Eyes of Barcelona, a journey through the work of this Catalan photographer, recognized for his major contribution to the field of heritage photography, and a figure of paramount importance for understanding the social transformation of Barcelona during the early 20th century.

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ADOLF MAS: THE EYES OF BARCELONA

AUSTRIAN PAIVILION AT THE VENICE BIENNALE

For the Austrian Pavilion in Venice in 2022, Jakob Lena Knebl and Ashley Hans Scheirl have conceived stage-like installations, entitled Invitation of the Soft Machine and Her Angry Body Parts, in which they unfurl their entire artistic cosmos – from paintings, sculptures, textile works, photographs, text and video to a fashion collection and a publication in the form of a magazine. These “spaces of desire” upset conventional notions of museum presentations and subvert the hierarchies of art and design, of high and low.

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AUSTRIAN PAIVILION AT THE VENICE BIENNALE

RAGNAR KJARTANSSON: EMOTIONAL LANDSCAPES

Opening on February 22, 2022, Emotional Landscapes by Ragnar Kjartansson  features four monumental video installations from the TBA21 Collection, as well as some of his works on paper on loan from other collections, installed within the Museo Nacional Thyssen-Bornemisza’s foremost collections of 19th and 20th-century American Art.

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RAGNAR KJARTANSSON: EMOTIONAL LANDSCAPES

PINTA PArC ANNOUNCES ITS 2022 EDITION WITH ENTHUSIASM AND AMBITION

The ninth edition of PArC, Perú Arte Contemporáneo, will take place between April 20th and 24th, 2022. Integrated into the Pinta universe, the most relevant international art fair in Peru is characterized by an experimental program and a selection of galleries with diverse and contemporary proposals. Pinta PArC, positioned among the most relevant cultural exchange platforms in the region, can be visited at Casa Prado (Av. 28 de Julio 878, Miraflores). For more information: www.parc.pinta.art

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PINTA PArC ANNOUNCES ITS 2022 EDITION WITH ENTHUSIASM AND AMBITION

IGNASI ABALLÍ EXHIBITS AT THE MEADOWS MUSEUM IN DALLAS

The Meadows Museum, SMU, presents an exhibition by the Spanish conceptual artist Ignasi Aballí (b. 1958), ahead of his solo presentation at the Spanish Pavilion at the 59th Venice Biennale.

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IGNASI ABALLÍ EXHIBITS AT THE MEADOWS MUSEUM IN DALLAS

THE SHAPES OF COLOR AS PRESENTED BY FEDERICO HERRERO

Kunsthalle Lissabon presents Tactiles, the first solo show in Portugal by the Costa Rican artist Federico Herrero.

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THE SHAPES OF COLOR AS PRESENTED BY FEDERICO HERRERO

BLACK STAR – GHANA PAVILION AT THE VENICE BIENNALE

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.

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BLACK STAR – GHANA PAVILION AT THE VENICE BIENNALE

PAVÓN’S PHOTOGRAPHIC JOURNAL OF QUARANTINE AT THE MUSEUM OF THE AMERICAS

The Art Museum of the Americas presents Geandy Pavón: Quarantine: 40 Days and 40 Nights, a timely and imaginative photographic exploration of life under quarantine. Initially presented as an online exhibition during the early days of the COVID-19 pandemic, this long-awaited exhibition is now open for visitors in person at the museum.

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PAVÓN’S PHOTOGRAPHIC JOURNAL OF QUARANTINE AT THE MUSEUM OF THE AMERICAS

UNTIL THE SONGS SPRING - MEXICO AT THE VENICE BIENNALE 2022

Under the curatorship of Catalina Lozano and Mauricio Marcin, this proposal offers a collective approach, from a decolonial perspective, reflecting on worldviews, technologies, territories, and the reconfiguration of gender subjectivities. The artists Mariana Castillo Deball, Naomi Rincón Gallardo, Fernando Palma Rodríguez and Santiago Borja Charles offer allegories to imagine a coexistence based on complex relationships of reciprocity and respect. To construct a paradigm that addresses the mystery of regenerative coexistence of the most heterogeneous cultures, and not that of the exclusion of other living beings, both human and non-human.

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UNTIL THE SONGS SPRING - MEXICO AT THE VENICE BIENNALE 2022

THE BLANTON MUSEUM EXHIBITS “INVISIBILIA” BY OSCAR MUÑOZ

This exhibition, curated by Vanessa K. Davidson, Ph.D. and co-organized by the Phoenix Art Museum and the Blanton Museum of Art, is the first retrospective of Colombian artist Oscar Muñoz's work in the United States

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THE BLANTON MUSEUM EXHIBITS “INVISIBILIA” BY OSCAR MUÑOZ

FANTASTIC INTERIOR AT THE CASA ENCENDIDA – MONTEMADRID FOUNDATION

Fantastic Interior is made up of four scenes, interventions that take place throughout the year by four different artists, whose common thread is issues such as intimacy, self-care and the construction of subjectivity. Through the practice of these artists -Ad Minoliti, Marina González Guerreiro, Eva Kot'átková and Korakrit Arunanondchai-, the curator Rafa Barber Cortell invites us to think about the imaginary that has been created around the "inner world".

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FANTASTIC INTERIOR AT THE CASA ENCENDIDA – MONTEMADRID FOUNDATION

MARCELO BRODSKY EXHIBITS “STAND FOR DEMOCRACY: MYANMAR”

Organized by Human Rights Art Initiative and art+château, this photographic exhibition in Zurich features artist and human rights activist Marcelo Brodsky (b. 1954, Buenos Aires, Argentina) along with video works and a performance by Ko Latt, Yadanar Win, Lily and Zoncy, who represent the new generation of Burmese artists and whose work reveal elements of Myanmar’s social, political, and cultural narrative. Curated by Giulia Busetti and Dr. Valentina Locatelli.

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MARCELO BRODSKY EXHIBITS “STAND FOR DEMOCRACY: MYANMAR”

GERMAN PAVILION AT THE 59TH VENICE BIENNALE: A QUESTION ON PAVILIONS THEMSELVES

The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.

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GERMAN PAVILION AT THE 59TH VENICE BIENNALE: A QUESTION ON PAVILIONS THEMSELVES

THE PERIPHERY OF THE AGONY: TERESA MARGOLLES

Mexican artist, Teresa Margolles, transfers the space of death to the sphere of art, a metaphor par excellence of the border, of a limit that paradoxically is reached only when we are no longer and, therefore, we will no longer be able to tell it. An attempt to counter addiction and impotence in the face of daily tragedies such as gender violence or the exploitation of illegal immigration, caused by the inaction of governments and by a melodramatic or sensationalistic media exploitation.

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THE PERIPHERY OF THE AGONY: TERESA MARGOLLES

CHILE AT THE VENICE BIENNALE – “TURBA TOL” BY CAMILA MARAMBIO

The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.

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CHILE AT THE VENICE BIENNALE – “TURBA TOL” BY CAMILA MARAMBIO

MUAC EXHIBITS “MOTHERING. BETWEEN STOCKHOLM SYNDROME AND ACTS OF PRODUCTION”

Stockholm syndrome occurs when a victim establishes an emotional bond with their captors. With motherhood many women feel like this: their life is no longer theirs and escaping is impossible. However, the kidnappers are not the daughters or the sons. The perpetrator is the patriarchal system that, under the story of love, hides the tasks that sustain life while exploiting them. The works exhibited here reveal motherhood as a disputed concept. On one side is the violence of labor and legal demands; on the other, the struggles that intertwine like a tide around the need for reproductive rights and care strategies that escape capitalist accumulation. This is an example of the enormous political power of motherhood.

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MUAC EXHIBITS “MOTHERING. BETWEEN STOCKHOLM SYNDROME AND ACTS OF PRODUCTION”

BORN OF INFORMALISMO: MARTA MINUJÍN AND THE NASCENT BODY OF PERFORMANCE

The Institute for Studies on Latin American Art (ISLAA) announced the opening of Born of Informalismo: Marta Minujín and the Nascent Body of Performance, curated by Michaëla de Lacaze Mohrmann. The third in a series of exhibitions on Latin American modernism and its legacies, this show examines the early work of trailblazing Argentine artist Marta Minujín (b. 1943), tracing her trajectory from informalist painting and sculpture to performance.

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BORN OF INFORMALISMO: MARTA MINUJÍN AND THE NASCENT BODY OF PERFORMANCE

rīvus - 23RD BIENNALE OF SYDNEY

From March 12th to June 13th 2022, the Biennale of Sydney will present over 330 artworks by 89 participants and 400 events. The Biennale, titled rīvus, meaning “stream” in Latin, will feature new work and commissions responding to water ecology and relationships with the natural world. 

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rīvus - 23RD BIENNALE OF SYDNEY

FÉLIX SUAZO – NEW COLLABORATION WITH ARTE AL DÍA

Arte al Día presents renowned curator Félix Suazo as a writer and editorial collaborator.

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FÉLIX SUAZO – NEW COLLABORATION WITH ARTE AL DÍA

PERU AT THE VENICE BIENNALE – “PEACE IS A CORROSIVE PROMISE” BY HERBERT RODRÍGUEZ

Herbert Rodríguez (Lima, 1959), artist from Herlitzka + Faria, will participate in the 59 International Art Exhibition in the Venice Biennale: The Milk of Dreams. The exhibition at the Peruvian pavilion La paz es una promesa corrosiva (Peace is a corrosive promise) gathers 30 works and a projection of handcrafted slides. Among the works, there will be pieces of agit-prop (a mixture of photomontage, collage, stencil, silkscreen, and painting) and his mural newspapers Arte – Vida (Art – Life) made in 1989.

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PERU AT THE VENICE BIENNALE – “PEACE IS A CORROSIVE PROMISE” BY HERBERT RODRÍGUEZ

CECILIA VICUÑA. SEEHEARING THE ENLIGHTENED FAILURE

The Miguel Urrutia Art Museum of the Banco de la República presents the exhibition Veroír el fracaso iluminado (Seehearing the Enlightened Failure), a retrospective that brings together more than 100 works by the Chilean artist Cecilia Vicuña, whose work addresses issues such as the environment, feminism, human rights humans, decolonization and the relationship between art and politics. The exhibition, curated by Miguel López, one of the most outstanding curators on the current Latin American art scene, arrives in Colombia thanks to the collaboration between the Kunstinstituut Melly (Rotterdam) and the Banco de la República.

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CECILIA VICUÑA. SEEHEARING THE ENLIGHTENED FAILURE