Notas relacionadas con: Sculpture

Aranya Art Center presented the first museum exhibition in China by Gabriel Kuri, the Mexican-born and Brussels-based artist. The exhibition assembles nearly thirty works made between 1999-2023.

Art and childhood meet in many points. One of them is the ability to transform reality into something else by reformulating it, questioning it, expanding it. This is shown in the work of Argentine artist María Silvia Corcuera Terán (Buenos Aires, 1955), which includes paintings, sculptures, textiles and reliefs, with a preeminence of objects and collage.

The first solo exhibition in the United States of the afro-brazilian artist Arthur Bispo. Co-curated by Aimé Iglesias Lukin, Ricardo Resende, and Javier Téllez, with Tie Jojima.

The Museo de Arte Moderno in Bogota presents Jim Amaral: Etcétera, an exhibition dedicated to honour the extensive career of the eclectic artist, whose practice combines drawing, painting, sculpture, collage, assemblages and printmaking.

The Museum of Art and Design (MOAD) at Miami Dade College (MDC) presents Estuary [Pavilion for MOAD], a work by Cuban American artist Rafael Domenech.

Espace Meyer Zafra announced the public book signing on December 17,2022 at their gallery. From 2 pm to 6 pm, Manuel Mérida presents his first monograph, a special limited-edition with an original work integrated within the cover.

The Bass presents El fin de la imaginación (The end of imagination), an exhibition that combines Adrián Villar Rojas work with two sculptures of Mariana Telleria.

Memory of a Telluric Movement is the title of this exhibition at Museum Haus Konstruktiv. It presents a comprehensive solo exhibition to Mexican artist Jose Dávila (b. 1974 in Guadalajara, Mexico, where he lives and works). Curated by Sabine Schaschl and on view until September 11^th.

The exhibition presents on several locations of the city of Lucca, 45 sculptures in marble, bronze and wood. The works in the streets, 16th century walls, churches and two interior spaces, can be visited until September 4.

[NAME] Publications inaugurated their new space in West Miami with the exhibition Rafael Domenech: An Oracle on a Tomato, Ubiquitous Rectangles. The exhibition includes a series of newly-commissioned objects that activate the hidden potentials in the traditional book form by unfolding it as multi-media painting-like structures.

This is the first solo exhibition in the United States dedicated to Geles Cabrera, who is one of the most prominent female sculptors of her country. Geles Cabrera: Museo Escultórico will feature artwork created over 40 years of her career and will be on view from June 8 through July 30, 2022.

Welcome to the fascinating world of kinetic art! The Espace Monte-Cristo, the Parisian headquarters of the Fondation Villa Datris-Isle-sur-la-Sorgue, presents to celebrate its fifth anniversary "Cinétique! La sculpture en mouvement" (Kinetic! Sculpture in movement). The staging of this exhibition allows us to discover the creations of 25 French and international artists; kinetic sculptures from the 60s to the present mixing historical and scientific references. Static, dynamic or mechanical, these works play with our perception and evolve according to our movements. A colorful, sonorous, rhythmic and moving journey opens up before us.

Review about the exhibition Into the Great Dying: (The Steps We Take), on view until June 2022

In Maluf's exhibition project, the language of three-dimensional works is combined with the installation format. With this in mind, and the characteristic spatial layout of Gallery 5 of the Emilio Caraffa Museum with its great heights, the works participate from their immanence in a dialogue with the circumstance.

The National Pavilion UAE exhibitis Mohamed Ahmed Ibrahim: Between Sunrise and Sunset at the Biennale Arte 2022 (Venice Biennale). Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presents an installation of human-sized, abstract and organic sculptural forms.

The EFG Latin America Art Award, in partnership with ArtNexus, announced Ximena Garrido-Lecca, from the gallery 80m2 Livia Benavides, Lima, as the artist nominated for its annual acquisition award. The work was selected at the Pinta PArC fair with the  collaboration of Magali Arriola, art critic and independent curator, jointly with Celia Sredni de Birbragher, Director and Editor of ArtNexus.

Reluctantly classified, with increasing complexity and interest, the work of Maria Martins (1894-1973) has yet to gain recognition in her native country. But a selection of some 50 pieces, on display in Rio de Janeiro through June, should help reposition the sculptor, draftswoman and engraver in the pantheon of leading Brazilian artists.

Trophallaxis (2008–17) encapsulates Leigh’s emphasis on the female body—particularly the Black female body—as a culturally loaded signifier. The presentation marks the first time this work is shown since it was acquired for the museum in 2018 with funds provided by PAMM’s Collectors Council.

Located on km 4.5 of Route 104 in Manantiales, where today the Pablo Atchugarry Foundation is located, the new MACA - Atchugarry Contemporary Art Museum - will seek to position Uruguay on the map of major international exhibitions. In a building project of more than 5,000 sq meters designed by the Uruguayan architect Carlos Ott, the MACA and the Sculpture Park that surrounds it will be an attractive tourist and cultural destination throughout the year.

The project, curated by Imma Prieto, structures and defines the Collection from a line of research focused on the human body, understood as a reflection of socio-political situations in different contexts. In addition, it brings us closer to the construction of identity from the relationship between body, subject and image. The exhibition can be visited in Space C of the Museum until November 13, 2022.

Designed as an immersive dining experiment in Miami, A Fire Offering is curated by Sofia Bastidas. This installation and performative object art is part of the Collective62’s interest in creating a collective space that foments creative reflection among its residents.

“Moving with great fluidity between spirituality, the production of visuality, academic reflection and political action, Heráclito is explicit when he says that he wants to ‘act, in a symbolic way, on the devastating consequences of racism and social inequality that affect the black populations'." In this way, the curator and researcher Solange Farkas (Videobrasil and ex-MAM Bahía) summarizes the approach to the production of Ayrson Heráclito, a Bahian artist who won a retrospective at the MAR (Museu de Arte do Rio) and who had an important recent solo show at the Simões de Assis Gallery, in São Paulo.

Carlo Scarpa designed the Gipsoteca - plaster museum - for Antonio Canova in Possagno between 1955 and 1957. An expansion of the museum that houses the molds of the great Italian neoclassical sculptor, we keep a copy of his Three Graces in front of the Sarmiento Historical Museum in Buenos Aires.

The echoes of the bells from the Church of San Ignacio of Loyola, in Buenos Aires, resound on the stones of the old Manzana de las Luces historical complex, one of the last buildings from the colonial era that survive in the city’s historic center. The place, which through the centuries has been a convent, a Museum of Natural Sciences and even a Faculty, transpires hispanic barroqueness. It is now a museum without a permanent exhibition; it is, in its way, a monument of its own. In the courtyard, the spectator looks upwards and there stand the balconies of the old cloisters, higher up the glass and steel walls of the skyscrapers of the financial district and, poised on the museum’s ceiling, observing this ancient patio, an unwinged angel that looks out of place. And it is. Or maybe not.

Until January 30^th, 2022, a monographic exhibition of Pablo Atchugarry is on display at the Palazzo Reale in Milan. Vida de la materia (Life of Matter) is the name given to this large exhibition that includes a set of 40 works and the curatorship of art critic Marco Meneguzzo.

BIENALSUR 2021, the third edition of the International Biennial of Contemporary Art of the South, opens in Cuenca, Ecuador, the exhibition Juliana Vidal. The Silence of Forms in the Municipal Museum of Modern Art. Vidal (Cuenca, Ecuador, 1993) has been developing a subtle poetics of the imprint - intimately linked to time and memory - using alginate, a chemical substance sensitive to the impression of physical signals. The renowned writer and curator Cristóbal Zapata, who directed the Cuenca Art Biennial, joins BIENALSUR to curate this necessary and intelligent exhibition.

It’ll be the third time that BIENALSUR comes to the Brazilian embassy in Buenos Aires, in the imposing Pereda Palace. Starting September 8th, Paula Parisot, the Rio-born artist, will be presenting her exhibition Literatura del yo (“Literature of the self”), curated by Argentinian María José Herrera.

Drawing from possibilities of artistic creation through affectations, the artists Marcelo Amorim and Nino Cais present a joint exhibition at FONTE, an independent art and residency space they founded in 2013. With curatorship by Ana Roman, "Poemas a Dois e Cartas Queimadas" (Poems by Two and Burnt Letters) investigates the male body and its relations of nearness and distance with violence and love.

The Museum will be the first institution in the Argentine capital to inaugurate an exhibition within BIENALSUR 2021 on August 27. The artists Luciana Lamothe (Argentina), Gabriel Baggio (Argentina), Emil Finnerud (Norway) and Mehryl Levisse (France) exhibit under the curatorship of Leandro Martínez Depietri. The exhibition, on the curatorial axis Politics of art, will be open until October 24.

This is the first solo exhibition held in a Brazilian museum dedicated to the work of Erika Verzutti (São Paulo, 1971). Verzutti’s work is essential to an understanding of sculpture as it is practiced today, in Brazil and internationally. Her thought-provoking forms explore new possibilities for the medium, to the origin and materiality of sculpture, as well as its formal intelligence.