Galleries

By Violeta Lozada

By Álvaro de Benito

The Fernando Pradilla Gallery presents The Multiplication of Paintings, the second solo exhibition of Álvaro Barrios (Cartagena de Indias, Colombia, 1945) at the space. The project gathers a selection of canvases made between 2013 and 2025, highlighting the artist’s interest in the possibilities of mass reproduction of images and in appropriation.

By Álvaro de Benito

Pan American Art Projects presents Idos de revoluciones as part of the opening of Madrid’s gallery season, a two-person exhibition curated by Nayr López that brings into dialogue the visions and works of Lorena Gutiérrez Camejo (Havana, Cuba, 1987) and Maikel Sotomayor (Havana, Cuba, 1989). Both members of the Cuban diaspora in Madrid, the artists engage in questioning official discourses through the restoration of the primordial, the revaluation of perceptions shaped from a distance, and social critique.

By Álvaro de Benito

Carlos Castro (Bogotá, Colombia, 1981) arrives at La Cometa’s Madrid venue with Mythstories, an exhibition that delves into the validity of mythography as an active structuring force in contemporary societies. Employing a medieval aesthetic in the composition of the tapestries that materialize his work, the Colombian artist reinforces the idea that the genesis and support of myths remain present, just as they have always been, as constitutive narratives of history and historiography.

The artist presents a project that combines hand-painted photographs from the 1940s with contemporary paintings, reflecting on identity and incongruent family ties.

As part of Pinta Asunción Art Week, the exhibition takes inspiration from lichens to explore the intersections between artistic languages, cultural memory, and nature.

Christian Ceuppens and Carolina Noguera present at Viedma Galería de Arte an exhibition that merges tradition and design, exploring the connection between Tobatí’s ancestral ceramic knowledge and a modern architectural vision.

Vivir en arte brings together a selection of historical and recent works that testify to her global impact on art and her persistent desire to prove that artistic practice can infiltrate the spaces of everyday life.

Through small and medium-format works—new visual narratives from the Americas, Europe, and Asia—the exhibition explores the concept of landscape in a present defined by constant change.

The exhibition brings together fifty works by the Brazilian artist, created over more than five decades of artistic production.

For his first solo exhibition in Korea, Adrián Villar Rojas reimagines Art Sonje Center as a sculptural experiment in time and space.

By César Sasson Pinto

Galería Habitante, in Panama City, will open on August 21 Invitados (Guests), the latest exhibition by artist Enrique Jaramillo Barnes. This show, through geometries, nostalgia, and chromatic play, invites us into scenes that are at once intimate and universal—a space where each visitor may rediscover their own memories.

The gallery presents a journey through the Argentine artist’s 1960s production, where pop language intertwines with occult symbols, esoteric imagery, and an alternative spirituality that defined his career.

The sculptures of the Peruvian artist reveal the movement of the natural world, from the monumental to the fragmentary.

By Álvaro de Benito

The Madrid-based gallery Monte Esquinza 36 presents El Dorado, an exhibition curated by Karen García and Juliette Deschamps centered around action art, featuring photographic works by Fernanda del Barrio (Mexico, 1995), accompanied on this occasion by Marine Lanier (Valence, France, 1981) and Chen Qiulin (Wanxian, China, 1975).

Liquid Horizon offers a resonant meditation on land and water. Viewers are invited to immerse themselves in layered environments where boundaries between past and present, self and world, and memory and perception dissolve.

By Álvaro de Benito

The Piramidón Contemporary Art Center in Barcelona presents the exhibition La Forma del Vacío (The Shape of the Void) by Sandra Sanseverino (Buenos Aires, Argentina, 1971). The artist is a regular resident of the center, and her most recent residency lasted until May of this year, during which she continued to focus on her research into painting, art as a practice, and spirituality.

Caudal is an intimate journey that connects the Argentine Patagonia with the Canadian winter. The exhibition brings together previously unseen works that explore notions of belonging, distance, and memory through watercolors, sculptures, and a video installation.

By Álvaro de Benito

The Bibi + Reus gallery presents I Have Been to the Mountain, an exhibition dedicated to the recent work of Fausto Amundarain (Caracas, Venezuela, 1992), in which the ongoing relationship between sculpture and painting in his practice can be observed. Without dwelling on absence, the artist seeks to highlight negative space as an essential environment for the emergence of all that is possible.

By Álvaro de Benito

The Albarrán Bourdais gallery presents Ensayo de permanencia (Essay on Permanence) at Menorca, a solo exhibition by José Dávila (Guadalajara, Mexico, 1974), which also marks the Mexican artist's first collaboration with the gallery. For the occasion, the artist has conceived most of the exhibition with newly created sculptures and paintings, some of which were made using local materials from the island.

Following its acclaimed debut at Art Basel Miami Beach 2024, Julieta Tarraubella’s The Secret Life of Flowers is now on view at Tomás Redrado Art (Miami), reactivating and reimagining the original proposal. Presented in collaboration with Rolf Art, the exhibition takes the form of an immersive audiovisual installation that merges technology and nature in a unique sensorial experience.

Lucy García Gallery presents Contra todo pronóstico (Against All Odds), an exhibition by Dominican artist Franz Caba that explores the boundaries between body and spirit, the mythical and the everyday, the real and fantasy.

Bakish Mai presents recent work by Peruvian artist and activist Sara Flores: a new film and a series of abstract, patterned paintings, which offer conceptual representations of Shipibo-Konibo ancestral knowledge—stories made visible on painted surfaces.

Curated by Tania Tovar Torres and based on research by Erika Loana and Kim Förster, Ecologies of the Machine: Landscapes of Cement and Power presents material from the Atlas Materia Prima project—an investigation into the social, territorial, and environmental impact of the cement industry in Mexico.