Galleries

The contemporary art gallery Arsenal exhibits works by Simões (Brazilian) and Lasserre (Canadian) that borrow Schklovsky’s concept of ‘estrangement’ to question the ideas of object, material and function.

Art Code Space, gallery focused on Cuban artists, presents a collective exhibition curated by Yudinela Ortega that delves in universalityat the same time it highlights each of the artists’ individual creation.

Highlighting contemporary art from the port, the show seeks to decentralize the art of Santiago, presenting a selection of contemporary artists from the Valparaíso region.

Titled “Selections of Daily Practice: 2018-2021”, this solo exhibition by the Peruvian artist based in Miami features a selection of 18 paintings from the Yupo Series, where the artist explores and uses drawing as a medium, addressing concepts such as the everyday life of existence, experiences and the success/failure binomial.

On The Nature of Daylight embodies two interests of Tarazona: geometric figures and landscape. The former as part of the collage compositions and intervened photographs and the latter as part of his study of nature.

Baldwin Gallery presents an exhibition of new work by acclaimed contemporary Cuban artist Enrique Martínez Celaya. His work in painting, sculpture, photography, poetry, and prose directly engages with the interior life and delves into his background in literature, philosophy, science, and religion. His imagery is steeped in his refugee childhood, his background in physics, and a deeply personal dream-state visual iconography: using figures in emotive landscapes to address the universalities of the human experience with time, memory, identity, and displacement.

1MiraMadrid gallery, in collaboration with the Luhring Augustine gallery, presents the first solo exhibition of the legendary photographer and film director Larry Clark (Tulsa, USA, 1943) in Madrid.

Casa Triângulo presents Paul Setúbal's first solo exhibition at the gallery.

Galería Ginsberg presents Conducción Neumática, the winning project of Economic Stimuli for Culture 2019 by the Ministry of Culture of Peru.

The artist experiments in her work with the reconfiguration of objects that speak metaphorically about time. 

The art gallery prepares the festivities with a unique project that will be distributed throughout the year in four parts.

Running through February 5th, 2021, “Human Dimensions” features works from nearly thirty Latin American artists spanning the entirety of MIFA Gallery’s expansive exhibition space. The group exhibition highlights a mixture of emerging and highly-recognized Latin American artists for whom the human figure plays an integral role.

Founded in November 2015,Side Gallery works with international design of the twentieth century, as well as contemporary design. Its exhibitions and collection have a predominant Latin American focus.

From January 15 to April 30, Este Arte offers Este Journal: the fair’s channel for the dissemination of its exhibitors and cultural programs, delving into the work and creative process of each artist. Black Gallery exhibits work by María Freire, Pati Fernández Graña, Fede Ruiz Santebastian and Meram Sáa.

Braquenier’s solo exhibition takes its name from an influential volume on one of the most extreme conspiracy theories, claiming the earth’s surface to be flat rather than spherical. Substantiated by Samuel Birley Rowbotham at the end of the nineteenth century, this theory has since brought together a large community of devotees who continue to spread the word virally.

The exhibition will be De la Mora's (b. 1968, Mexico) fifth solo show at the gallery and features thirteen works made of pigmented feathers of turkeys native to Mexico. The exhibition is accompanied by a curatorial text written by Gabriela Rangel, writer, curator, and Artistic Director for MALBA (Museo de Arte Latinoamericano de Buenos Aires) in Buenos Aires, Argentina.

The exposition complements the artist's exhibition in Vilafranca del Penedés in the Sala dels Trinitaris, which opened last October 2020. In this way, the artist proposes a macro exhibition with the same concept: the abuse of power.

With the work of the artists Andrea Canepa, Alberto Casari, Jimena Chávez Delion, Daniel Jacoby, Pierina Másquez, Andrés Pereira Paz, Sarah Zapata and curatorship by Julia Moro.

Pan American Art Projects announces their ARGENTINE ART AUCTION, a charity sale to support Asociación Mutual Israelita Argentina (AMIA) with a donation of 25% of the sales.

LÍQUIDO is a new traveling gallery that promotes the work of young and emerging artists from Latin America with international projection. On this occasion, the exhibition features works by Elián Stolarsky at the Posada Ayana of José Ignacio.

For the first time in more than 40 years, the visual work of Cristiani and Suárez is presented together. This anthological exhibition addresses in an original way all the western and local avant-gardes of three decades of production linked to realism, such as the new figuration, pop art and drawing.

Atávico is a solo show of Guerra that ventures, among other things, into mystery, the linking of generations and the creation of a language based on personal experiences which belong to all too.

This exhibition will feature a new series of monumental sculptures and installations that unapologetically visualize the enduring violence and devastation ignited by colonization. Focusing on the Caribbean archipelago, the first point of colonial contact in the Americas, Fernández challenges us to consider a more nuanced reading of people and place, one that looks beyond dominant, continental narratives and instead considers the region as emblematic of an expansive and decentralized state of mind.

This is a solo exhibition by the world-renowned Ecuadorian artist based in New York, Karina Skvirsky, in the recently opened space of the VIGIL GONZALES gallery in the Valle Sagrado de los Incas.

Impresiones sobre la actualidad (Impressions about Today) is a project of collective creation by the artist José Ruiz Díaz in which, through open printing sessions and with 7000 sheets of paper, he uses the word "TODAY" as a conceptual support to speculate on the concept of actuality, and intervene in the Espacio El Dorado building.

After an in-depth analysis of the homonymous book on economic policy that established the free market guidelines implemented in Chile during the military dictatorship, El Ladrillo (The Brick) questions the eco-political model imposed by Augusto Pinochet and reflects on its cultural and social impact in subsequent years. In the exhibited works, there are references to social and economic history, collective memory and artistic movements such as Russian Constructivism, Neoplasticism, Latin American conceptual art of the 1970s and 1980s, minimalism and Arte Povera.

In a conceptual game between exhibited and exhibiting artwork, the Uruguayan artist presents his this exposition which will be the first solo one in the new RECOLETO gallery in Jávea, Valencia.

Opening tomorrow, December 3rd, the fourth solo exhibition of Fuenmayor at the Miami-based gallery features a selection of small and monumental works in charcoal produced during 2020. “Palindromes” represents Fuenmayor’s “latest investigations into how images can speak to the dynamics of performing identity, negotiating cultural expectations, address histories of colonial exploitation and unpack tropical self-exotification. These reoccurring interests are particularly addressed in his practice to a pan-Latin American and U.S. Latinx context” according to curator Tobias Ostrander’s text.

Curated by Eliana Otta, Dejo este cuerpo aquí (I leave this body here) is a public space intervention and an exhibition divided into three parts.

It is a solo exhibition where Monsalve exhibits works in painting, drawing, collage, photography, objects and video art.