Galleries

Casado Santapau programs El fin, el mar (The End, The Sea), which is Diango Hernández’s (Sancti Spíritus, Cuba, 1970) fourth exhibition at the gallery, presents a new body of work that expands and evolves his artistic practice. The exhibition features several works using different techniques, all of which echo the sobriety of undulating lines. Within this theme, which forms the backbone of the exhibition, two acrylics on canvas are displayed alongside a group of pieces that emphasize the minimalism of the wave’s gesture.

Aiming to explore Natalia Castañeda’s (Manizales, Colombia, 1982) personal experience through her archival and emotional artistic practice, the Isabel Hurley Gallery in Málaga presents Piel de glaciar (Glacier Skin). In this exhibition, the Colombian artist displays her intimate body of work inspired by her relationship with the mountains—especially glaciers—and all their significance.

Leyla Cárdenas (Bogotá, Colombia, 1975) brings Posibles bifurcaciones (Possible Bifurcations) to Madrid's Max Estrella, a project consisting of various installations that revolve around the meanings and possibilities of the technique of unraveling. The concept for the exhibition originated during the artist's residency last year in Mallorca and her research into the origins of each of the islands that make up the Balearic archipelago.

Barcelona’s Bombon gallery and Lima’s CRISIS gallery have opened a collaborative exhibition space in Madrid. This new project will host alternating shows by artists represented by each gallery, while at certain times of the year, they will opt for joint proposals.

Mindy Solomon Gallery presents a collaborative exhibition with AppArt Paris to showcase the work of Eduardo Cardozo, the Uruguayan artist representing Uruguay at the 2025 Venice Biennale. Primero fue el gesto (First was the gesture) marks his first solo show in Miami, featuring seminal works produced between 2009 and 2024.

The Madrid-based gallery Ponce+Robles presents Ver por contacto (“Seeing by Contact”), an exhibition showcasing a selection of photograms from some of Roberto Huarcaya’s (Lima, Peru, 1959) most iconic series. Among them, particular emphasis is placed on works from Amazogramas (2014), a project carried out in the Peruvian Amazon, specifically in the Tambopata jungle. For this work, the photographer used large rolls of photosensitive paper to capture innovative images by making direct contact with the surrounding vegetation.

The gallery welcomes a key figure in Argentine and Latin American art since the 1960s. Her practice has unfolded between Buenos Aires, New York, and Paris, spanning painting, design, performance, and fashion, with a radical approach to the body, desire, and a bold, romantic vision of the female condition.

Casa Triângulo presents Joana Vasconcelos: Around the World, the Portuguese artist’s third solo exhibition at the gallery, featuring works –never before shown in Brazil– by one of the most influential voices in international contemporary art. 

On Sunday, June 1, 2025, ABRA gallery will inaugurate the exhibition Back on the Road by photographer Julio Iribarren in Warehouse 9 of the Los Galpones Art Center. The show brings together 26 photographs captured across Venezuelan territory between the mid-1970s and the early 1980s.

Through his show ThéâtrEErreuRDiego Bianchi (Buenos Aires, 1969) explores the dissection of a poetic form of the everyday, celebrating disorder, absurdity, and social entropy.

Galería Arteconsult presents Universos Paralelos, an exhibition that invites viewers to reconsider notions of belonging and territory through the lens of artistic experience.

The Panamanian gallery presents Greetings from Panama, an exhibition by Ana Elena Garuz that explores the links between the personal and the systematic. The show opens on May 24, 2025.

Laura De Bernardi, Gergana Mantscheva, and Laura Sánchez Filomeno transform Espace Muraille into an artistic herbarium where nature and identity intertwine.

Formatocómodo presents Nervio Blando (Soft Nerve), an exhibition by Rafaela Salgueiro (Mogi das Cruzes, Brazil, 1991) and Theo Firmo (São Paulo, Brazil, 1983), where the duo showcases their most recent joint work for the first time in Spain. The two artists, from different backgrounds, have been collaborating since 2023, united by a shared interest in the human body as a contemporary subject of research and reflection.

ABRA gallery has inaugurated TO TAIMA OR NOT TO TAIMA, the first solo exhibition in Venezuela by artist María Elena Pombo. Conceived as an interpretation of an archaeological site, the show brings together sculptures, objects, and archival gestures that explore the Venezuelan diaspora through a sensitive and material lens.

Galería Elvira González in Madrid presents Gego. Line, Form and Space, an exhibition dedicated to the work of Gego (born Gertrud Goldschmidt, Hamburg, Germany, 1912 – Caracas, Venezuela, 1994), featuring 45 works on paper and four sculptures that reflect her exploration of space, line, and structure. The show brings together pieces from different periods of the artist’s career, spanning from the 1950s—when she began her artistic journey and discovered her fascination with the line—to the early 1990s.

Max Estrella in Madrid presents Getsemaní. Prensa de olivo (Getsemaní. Olive Press), the second solo exhibition by Miler Lagos (Bogotá, Colombia, 1973) at the gallery. The show features a series of engravings in which both the techniques used and the material supports become essential elements of the final result.

The Lima gallery presents NON (Nuevos Órganos Naturales), the exhibition by Oscar Santillán (Ecuador, 1980), which vindicates man's capacity to imagine new relationships with the world.

The exhibition Amo el hinojo (I Love Fennel) weaves together art, nature, and healing. Curated by Cristina Schiavi, it emerges from an artistic practice deeply rooted in the everyday life of the artist, far from the city and devoted to the cultivation of her garden.

The Jorge López Gallery in Valencia is currently presenting Tierra de Nadie, a project by Candela Bado (Montevideo, Uruguay, 1991), curated by Agustina Bornhoffer. The exhibition is the result of Bado's participation in the first edition of the Petrona Program, which she won. The artist developed her proposal during a one-month residency at Miguel Hernández University, as part of the gallery’s second artist-in-residence initiative.

Patricia Domínguez (Santiago, Chile, 1984) presents Lactómeda in her first solo exhibition at The Ryder Projects in Madrid. The title, a fusion of Vía Láctea (Spanish for Milky Way) and Andromeda, alludes to a portal—a space related to physics where the artist brings together her videos, sculptures, photographs, and paintings. Thus, the Chilean artist explores how different worlds interact to shape the spaces where we exist and act.

La Galería presents La forma resignificada (The Redefined Form), a solo painting exhibition by Peruvian visual artist. The show brings together a remarkable selection of 14 recent medium- and large-format works created using mixed media on canvas.

The Barcelona gallery Load presents Visions, the first solo exhibition in continental Europe by multimedia artist Pilar Zeta (Buenos Aires, Argentina, 1986). This project, conceived specifically for the gallery’s space, reaffirms her commitment to installations and monumentality.

Egogenesis is the title of the solo exhibition that Travesía Cuatro presents at its Madrid headquarters for Manuel Solano (Ciudad Satélite, Mexico, 1987), exploring the origins of the ego through personal experience. The exhibition consists entirely of self-portraits that pictorially express different manifestations of the “I” and the emergence of self-perception.