Galleries

This exhibition will feature a new series of monumental sculptures and installations that unapologetically visualize the enduring violence and devastation ignited by colonization. Focusing on the Caribbean archipelago, the first point of colonial contact in the Americas, Fernández challenges us to consider a more nuanced reading of people and place, one that looks beyond dominant, continental narratives and instead considers the region as emblematic of an expansive and decentralized state of mind.

This is a solo exhibition by the world-renowned Ecuadorian artist based in New York, Karina Skvirsky, in the recently opened space of the VIGIL GONZALES gallery in the Valle Sagrado de los Incas.

Impresiones sobre la actualidad (Impressions about Today) is a project of collective creation by the artist José Ruiz Díaz in which, through open printing sessions and with 7000 sheets of paper, he uses the word "TODAY" as a conceptual support to speculate on the concept of actuality, and intervene in the Espacio El Dorado building.

After an in-depth analysis of the homonymous book on economic policy that established the free market guidelines implemented in Chile during the military dictatorship, El Ladrillo (The Brick) questions the eco-political model imposed by Augusto Pinochet and reflects on its cultural and social impact in subsequent years. In the exhibited works, there are references to social and economic history, collective memory and artistic movements such as Russian Constructivism, Neoplasticism, Latin American conceptual art of the 1970s and 1980s, minimalism and Arte Povera.

In a conceptual game between exhibited and exhibiting artwork, the Uruguayan artist presents his this exposition which will be the first solo one in the new RECOLETO gallery in Jávea, Valencia.

Opening tomorrow, December 3rd, the fourth solo exhibition of Fuenmayor at the Miami-based gallery features a selection of small and monumental works in charcoal produced during 2020. “Palindromes” represents Fuenmayor’s “latest investigations into how images can speak to the dynamics of performing identity, negotiating cultural expectations, address histories of colonial exploitation and unpack tropical self-exotification. These reoccurring interests are particularly addressed in his practice to a pan-Latin American and U.S. Latinx context” according to curator Tobias Ostrander’s text.

Curated by Eliana Otta, Dejo este cuerpo aquí (I leave this body here) is a public space intervention and an exhibition divided into three parts.

It is a solo exhibition where Monsalve exhibits works in painting, drawing, collage, photography, objects and video art.

Godoy is an artist with a multidisciplinary practice. His work takes the form of videos, photographs, performances, sculptures, and zines.

In the context of the exhibition Beatriz González: Una Retrospectiva at the Museo de Arte Miguel Urrutia, Casas Riegner presents this show which gathers unpublished paintings and drawings that emerge from the work with the same name.

Until December 14, the Lima gallery presents the exhibition of artists Santiago Yahuarcani and Harry Pinedo / Inin Metsa, curated by Rember Yahuarcani and Giuliana Borea. It is a real-time reflection by indigenous artists and thinkers on how Covid-19 has impacted the lives of native and urban Amazonian populations, evaluating the responses of the State, civil society and survival strategies.

Titled Nos sentamos, escuchamos, discutimos, this is the second solo exhibition of the Mexican artist Jorge Méndez Blake (Guadalajara, 1974). In the midst of a global emergency, just below the great health crisis there are two other crises: the democratic crisis and the poetic crisis. Through different amphitheater projects, Méndez Blake tries to reconstruct the original place of the poet, as the creator of comedy and tragedy, of the community and therefore of democracy, using the amphitheater as a symbol of the possibility of listening, to discuss and live in community.

From November 18 to December 20, the exhibition (The Devil’s Fable) appeals to different visual languages, resources and expressive variants to offer in its images a disturbing atmosphere, that which is explicit but also remains undisclosed.

Conceived from a recurring theme in the artist’s production, the body as the matrix of everything that exists in the world, the exposition explores the relationships between body and space.

Opening in mid-November and continuing through February 2021, the space will serve as a bridge between their global programming and community of longtime collectors, curators, and institutions in Palm Beach and South Florida.

Buenos Aires recovers its cultural rhythm; of course, adapted to the new times, but with its museums and art galleries open, and with the auction rooms offering temptations through its online platforms.

La imagen fotográfica y la fotografía (The photographic image and photography) and Figuraciones ›modernas‹ en recurrencia (>Modern<Figurations in Recurrence) are titled the exhibitions, which include works in various media by local and international artists. Both will open to the public this coming Saturday, November 7 at Hacienda La Trinidad Parque Cultural.

Vickie Pierre’s first solo exhibition with the Miami-based gallery presents an ongoing investigation into explorations of self-identity, ethnicity, and spirituality. With references to her Haitian heritage, as well as the larger Caribbean culture and cultural mythologies throughout the world, Pierre considers and challenges feminine and historic tropes relative to contemporary cultural politics.

From November 3 to December 31, three art galleries in Buenos Aires pay tribute to Luis Felipe “Yuyo” Noé and address different creative stages of his prolific visual production. His works will be exhibited simultaneously in the Rubbers, Gachi Prieto and Jacques Martínez galleries; in an unprecedented project and during a very particular year.

VISION ACUITY is titled after a term homonymous with 20/20 vision, indicating sharpness of vision at a certain distance. The concept is being summoned through curatorial inflection for the purpose of inviting the viewers to rethink topics such as identity, memory, and sense of time and space in a year that has become a reference for contemporary history.

Mala Hierba / Yerba Mala is a bi-personal of Claudia Coca (Peru) and Claudia Casarino (Paraguay), presented at the Galería del Paseo Lima. The exhibition brings together a series of works marked by decolonial thought. Both artists coincide, briefly but intensely, in the use of American botanical iconography by chroniclers of the 18th and 19th centuries.

Hutchinson Modern & Contemporary, a new art gallery specializing in Latin American, Latinx and Caribbean art, holds its inaugural exhibition Freddy Rodríguez: Early Paintings 1970-1990. Spanning the first two decades of the sixty-year decade-long artistic career of the New York-based Dominican-born artist, the exhibition will be on view from October 22, 2020 to January 8, 2021.

New works by Paradela will be featured in their upcoming fair presentations and several large-scale paintings will be exhibited in a group-show at the gallery in November, titled New Beginnings.

Sicardi | Ayers | Bacino presents their new exhibition Nature, on view through December 19, 2020. This exhibition highlights artists Alberto Baraya, Claudio Bravo, Aldo Bonadei, Maria Fernanda Cardoso, Magdalena Fernández, Thomas Glassford, Gabriel de la Mora, Marie Orensanz, Alejandro Otero, Miguel Angel Ríos, Melanie Smith, and Ana Maria Tavares. All of these artists use close observation of nature as a starting point, whether conceptually or in terms of materials used, to create this diverse body of work dating from 1950 to today.