Galleries

Lehmann Maupin presents To Name the Light, the London debut of Miami-based, Venezuelan-born artist Loriel Beltrán. Featuring five new paintings, including the monumental work Total Collapse (Miami / Seoul), 2024, the exhibition foregrounds the artist’s engagement with time––geological, biological, historical, linguistic––as a conceptual framework to explore the phenomenological effects of light, color, and materiality.

Eight Decades of Cuban Figuration and Neo Figuration, the exhibition at Latin Art Core curated by Dennys Matos, reviews more than eight decades of Cuban figurative and neo-figurative works through a selection of emblematic paintings and sculptures by 18 artists from different generations.

Lehmann Maupin presents Soil Horizon, an exhibition of new work by New York based artist Teresita Fernández. Over the course of her decades-long career, Fernández’s practice has been characterized by an expansive reimagining of what constitutes a landscape: from the subterranean to the cosmic, to contentious borderlines and borderlands.

La Mancha Galería presented the first solo exhibition of Benjamín Aitala. Ritmos Visuales (Visual Rhythms) presents paintings produced in the last three years that provide the iconic subject matter and style of the Argentine artist.

Galería del Paseo presented Screen II, the solo exhibition of Uruguayan artist Guillermo García Cruz. It is curated by Max Hernández Calvo.

Alberto Baraya (Bogota, Colombia, 1968) lands through El Naturalista Artificial, his alter ego for the occasion, his working method to research and search, in an almost expeditionary way, the knowledge and exotic objects of the world in Fábulas Goyescas, recently inaugurated at Fernando Pradilla in Madrid.

_VIGILGONZALES presented Clase media (Middle Class), a solo exhibition in Cusco featuring the work of Argentine artist Alfredo Dufour, born in the city of San Juan and living in Buenos Aires. The exhibition is accompanied by a text by Argentine artist and critic Alberto Passolini.

Mateo Cabrera presents at LA GALERÍA the exhibition La Comunión de los Reinos (The Communion of Kingdoms), with nine recent works of medium and large format in oil on canvas and a set of small format works in mixed media.

Sargent’s Daughters is presenting the exhibition Inverso Mundus: Chimeras, the New York debut exhibition of internationally acclaimed Russian artist collective AES+F. 

Zielinsky presents Trampantojo, a group exhibition formed by artists Nicolás Consuegra, Yamandú Canosa, Vera Chaves Barcellos, Martín Lanezan, Hudnilson Jr and Shirley Paes Leme.

Piero Atchugarry Gallery is pleased to present Embodied Echoes: Stories of the Foreign Soul, an exhibition featuring the powerful and interconnected works of internationally acclaimed artists mounir fatmi (b.1970) and Dagoberto Rodríguez (b.1969).

Galería Enlace presented the exhibition ¿Y si la forma no fuera un límite? by Argentinean artist Jorge Miño, with works produced in Lima and conceived to be exhibited for the first time in the city.

Encuentro de ríos (Encounter of Rivers) is the exhibition of the Shipibo Conibo de Cantagallo Soi Noma collective, led by Olinda Silvado. It is curated by Giulinana Vidarte.

The group exhibition at the SLG, organized in collaboration with V&A, brings together works by international artists and collectives who are using the camera to challenge and move beyond traditional protest photography.

EIELSON quipucamayoc is Jorge Eielson's exhibition at Travesía Cuatro gallery.

Marli Matsumoto Arte Contemporânea announced the exhibition LUA NOVA (New Moon), with a presentation and critical text by Daniela Avellar, which brings together works by Amelia Toledo, Anna Maria Maiolino, Elvis Almeida, Juan Casemiro, Julien Bismuth, Kuenan Tikuna, Leka Mendes, Lygia Pape, Magdalena Jitrik, Natalie Braido, Raphaela Melsohn, Rosário Lopez and Tunga.

The Elba Benítez gallery presented Carlos Garaicoa's exhibition, entitled π=3,1416. The show is made up of a body of unpublished works born from the artist's desire to delve into the pictorial tradition of Latin American geometric abstraction, this time on wood.

Quiebramales commemorates the twentieth anniversary of the conception of the David Quiebramales project. The exhibition at La Cometa gallery revisits the biopolitics that traverse the bodies affected by war, the structures that build (and destroy) a society, and education as a path to social justice.

The exhibition volcanic asterisk fruit avatar by the collective assume vivid astro focus (avaf) at Marlborough features Peruvian alpaca wool tapestries, anodized aluminum curtains, and acrylic paintings on double sheets of corrugated kraft paper.

Casa Hoffmann gallery presented the group exhibition OBSESIÓN, to explore artistic practices crossed by the repetition of a theme developed over time.

Carlier | Gebauer, Berlin, presented the group exhibition I opened the Curtain to See What Lays Behind, including works by Juliana Cerqueira Leite, Asta Gröting, Lexia Hachtmann, Pakui Hardware, Laura Lima, Lúcia Koch, Joanna Piotrowska, Guga Szabzon, Tiago Tebet and Ian Waelder.

ISLA FLOTANTE presented the exhibition Ronda, the second artists' dialogue of its program with masters: Rosario Zorraquin will dialogue with works by Noemí Gerstein and Cecilia Marcovich.

Sobre cómo poner el cuerpo (On how to put the body) is Karen Huber’s gallery group exhibition. Artists included: Kanako Namura Valdes, Alejandro García Contreras, Yann Leto, Keke Vilabelda, Manuel Forte, Marc Breslin, Endy Hupperich, and Miguel Ángel Ríos.

La cápsula presents el ombligo del mundo (The belly-button of the world), a group exhibition with works by Antonio Pichillá, Benvenuto Chavajay, Extinto x Geoide, Felipe Castelblanco, Frédéric Bron & Judith Weidmann and Mazenett Quiroga.