Galleries

Gabriel Orozco’s latest exhibition at kurimanzutto presents recent drawings, paintings and sculptures intricately connected to the places where he lives.

Karen Huber gallery presents artist Andrew Holmquist’s first solo exhibition in Mexico, Looking in all the wrong places.

Querer e não querer, desejar e temer (Wanting and not wanting, desiring and fearing) is Anna Maria Maiolino's third solo exhibition at Galleria Luisa Strina.

Vermelho presents, in collaboration with Mendes Wood DM, It is the way home that moves us away, an exhibition by Carla Zaccagnini and Runo Lagomarsino, with text by Julieta González.

Four Minutes of Darkness, Eduardo Sarabia's inaugural solo exhibition at OMR, unfolds as a cartography of the artist's intricate visual language and marks the second in a trilogy of exhibitions dedicated to the total eclipse of the sun.

Playing with closed eyes, 100 years of surrealism is an exhibition at RGR Gallery that invites visitors to review through a non-historicist approach of the movement. Curated by Gabriela Rangel and guest curator Verónica Rossi.

Frederic Snitzer Gallery presents MIMAMI POP, a solo exhibition featuring new paintings by Cuban artist Tomás Esson. This exhibition marks over 30 years since the artist first showed at the gallery in the early 1990s. 

Cais is the group show at Galatea gallery, curated by Alana Silveira and Tomás Toleto, presenting works by 60 artists from the Northeast Brazil.

Eyes Wide Open is Gallery Sicardi | Ayers | Bacino’s second solo exhibition featuring the work of Fanny Sanín. Curated by Lawrence Rinder.

+ARTE gallery inaugurated the exhibition Está bien no pensar en todas las cosas (It's okay not to think about all the things), by David Jarrin (Davartis). Curated by Santiago Ávila.

Shulamit Nazarian presented Telar Terrenal / Earthly Loom, a solo exhibition of new textiles by artist Tanya Aguiñiga. This is her first showing with the gallery.

Luis De Jesús Los Ángeles gallery presented Héctor Dionicio Mendoza’s exhibition Buscando Futuro (Searching for a Future). This is the artist’s first solo show at the gallery.

Karen Huber gallery features the exhibition The past, the present, the future. It is like indigo, lilac and magenta by artist Kristi Kongi.

The exhibition Todo empezó amaneciendo (Everything Began Dawning) by Ecuadorian artist José Luis Macas at Casa del Barrio gallery includes seven projects created between 2013 and 2023 that revolve around the landscape during solstices and equinoxes with performative interventions and a video and photographic record.

The unprecedented sound installation País con futuro (Country with Future) by José Luis Martinat at Vigil Gonzales gallery uses fragments of the homonymous vinyl, a collaboration with the Peruvian publishing house Meier Ramirez.

First developed in 1974, Environnement Chromointerférent by artist Carlos Cruz-Diez challenges the notion of artwork and viewer as separate entities. The work is presented in RGR Gallery.

The Zielinsky Gallery in Barcelona presented nada, todo (nothing, everything), an exhibition of Brazilian artist Antonio Luiz Morais de Andrade, also known as Almandrade.

Sense of self is Jessica Trosman's exhibition at the Tomás Redrado Art Gallery.

Elsewhere is a major commission and the first solo exhibition in the UK by Alia Farid. Working in film, sculpture, and textile, Farid traces histories often marginalized or obscured by the Global North.

As a way of closing the year, Rolf Art Gallery inaugurated the group exhibition Nada tan explícito (Nothing so explicit), an annual exhibition of Vivian Galban's clinic.

Sargent’s Daughters presented Restraint, an exhibition featuring the work of Wynnie Mynerva, Sarah Slappey and Rachel Youn.

The exhibition at Kurimanzutto Reverence in blue showcases surrealism-infused paintings by Roberto Gil de Montes exploring themes of belonging and perception, drawing from a rich tapestry of pre-Columbian and Huichol iconography, everyday life experiences, and contemporary art references.

MIAMI

Sociograms is artists Hamlet Lavastida and Juan Miguel Pozo’s exhibition at Dot Fiftyone Gallery. As resident artists in Berlin, Lavastida and Pozo have meticulously crafted a body of work that delves into the realm of powerful political discourse, skillfully examining and demystifying the tools of propaganda.

MIAMI

White: A Telling Shroud, Recent Paintings 2019-2023 is Enrique Martínez Celaya’s fourth exhibition at Frederic Snitzer Gallery.