Galleries

Galería del Paseo opens two exhibitions at its Lima venue: Red Shift: Perú by Martín Peleneur and Inconsciente by Azul Caverna.

Whitechapel Gallery presents Action, Gesture, Paint: Women Artists and Global Abstraction 1940-70, a major exhibition of 150 paintings from an overlooked generation of 81 international women artists.

Quimera Galería presents Canopo the exhibition of Valentina Ansaldi together with guest artist Marcela Olivera.

Edgard de Souza is showing a selection of works made during the least three years, including two in pandemic seclusion, in his third solo show at Vermelho. In the exhibition, the artist presents a set of four new sculptures in bronze, one in carved mahogany, and a series of new embroideries.

Chorros is Agustina Woodgate's exhibition at Barro Gallery in Buenos Aires, Argentina. The title of the show refers to the water purification and distribution system that penetrates the city's infrastructure, and precisely, the gallery. 

The Chilean gallery Aninat inaugurated two exhibitions: Matta-verso, by one of the country's most relevant artists Roberto Matta and Todo final es el principio de otra cosa (Every end is the beginning of something else) by Tomasa Wormull.

Gallery Marli Matsumoto presents two new exhibitions: uma casa feita de chão by Raphaela Melsohn; and as a member of CONDO São Paulo 2023, it receives in its space, the Cosmocosa gallery from Buenos Aires that brings a solo exhibition by Argentinian artist Luis Frangella.

Zielinsky presents the exhibition Ramos by Brazilian artist Julio Bittencourt. It is the first exhibition of the artist in Spain, with photographs developed during four summers in a neighborhood on the outskirts of Rio de Janeiro between 2009 and 2012.

The exhibition at Galería del Paseo summarizes the work that the artist Sebastián Baudrand developed in Lima between 2021 and 2023.

Dot Fiftyone presented The resonance of dreams, Graciela Hasper’s second show at the gallery. It comprises a selection of new works that include paintings, watercolors, ceramics, and site-specific installations.

PROXYCO presents Heuristic Ecologies, featuring thew work of artists Diana Sofia Lozano and Françoise Bagot. Curated by Paulina Ascencio Fuentes.

Pasto Galería presents Tronca, the exhibition of artist Federico Cantini, where through six sculptures, wood is mixed with materials such as chains, paints, acrylics or marker.

Tudo é a forma que fala (Everything is the form that speaks) is the first solo exhibition in Casa Triângulo, and opens with one of the artist’s public interventions in Rio de Janeiro.

This exhibition commemorates the centenary of the birth of Jesús Rafael Soto (Ciudad Bolívar, Venezuela, 1923 - Paris, France 2005), bringing together a selection of historical works from the artist’s Estate, which recall a search developed over five decades to propose a new aesthetic territory that incorporates time and space.

Kleur presents Venezuelan artist Juvenal Ravelo in an exhibition at the Casa Grau Museum. It features the participation of artists Omar Rayo, Carla Effa and Roberto Arráiz.

The artist Miguel Ángel Ríos presents his exhibition at the Mexican gallery Karen-Huber with a series of self-portraits that reveal constant movement.

The Perú based gallery Ginsberg presents Hacer toser mi alma (Make mi soul cough) by the artist Antonio Paucar. It is curated by Miguel A. López.

The exhibition Dreams of Male Power: A Fabrication narrative by artist Marcelo Amorim launches on the website of the Arrièrre-Garde Gallery. The show takes place in the metaverse through the Spatial platform.

The exhibition Bando o Hic Sunt by artist Cadu is on display at Galeria Vermelho along with the collaboration of other artists.

En torno a los problemas ecológicos contemporáneos -en particular la escasez de agua- la exposición Dessert Flood reúne a los artistas Claudia Comte (Suiza, 1983), Gabriel Rico (México, 1980) y SUPERFLEX (Dinamarca, fundada en 1993), no como una "llamada de atención", sino desde la perspectiva de un pensamiento ecológico en acción.

The collective exhibition The impossible measure points the paradoxes that exist around the notion of labor, and its value. The artists question how to measure labor’s value in a situation in which life and work have become one. For the exhibition’s closure, there will be a special projection of Cómo siendo peces podemos ver el agua, a video by Barbara Foulkes.

Movement and Displacement is a collective exhibition bringing together the works of kinetic artists from Europe and Latin America.

Iranian artist Nairy Baghramian exhibits her recent collection of sculptures Modèle Vivant at the Mexican gallery Kurimanzutto.

A proposal that reveals fragile bonds. Genetic inheritance tensions with material inheritance taking different nuances, testing possibilities of a familiar image of our time.