Galleries

Suave es la noche, by Silvana Muscio, and Trago Amargo, by Claudia Coca and Claudia Casarino, propose two distinct ways of inhabiting memory from Buenos Aires: one sensory and oneiric, the other historical and colonial.

The Salvadoran artist presents an exhibition in Madrid that connects Mesoamerican monuments with contemporary forms of power and propaganda through sculptures and installations that intertwine past and future to reflect on globalization, autocracy, and techno-feudalism.

The exhibition, curated by Camila Alegría Zenteno and Daniel Aguayo Mozó, brings together a new series of large-format paintings through October that explore transformation, death, and spiritual experience through contemporary painting practice.

Invited by Galería Gato to develop an in situ project, the Cuban conceptual art figure sets the immateriality of AI-generated synthetic images against the economic and social dimension of recycling in the South American context.

Curated by María Isabel Rueda, the exhibition at Casa Hoffmann (Bogotá) defends the right to opacity and secrecy as a form of resistance against a visual culture that exposes everything.

Detrás del Follaje brings together textile works and drawings by Alejandra Ortiz de Zevallos alongside paintings and ceramics by Fabiola Gonzáles.

The third edition of the curatorial cycle El amor puede funcionar brings together works by Jovita Kelmelmajer, Matías Jesús Funes, Romina Cruz, and guest artist Carla Fonseca.

Under the exhibition design by Japanese architect Hiroyuki Kimura, the Melas Martinos Gallery showcases the work of Vivian Suter—an artist who works with Guatemala’s natural elements—across two floors.

Off the Shelf, on view at Nina Johnson in Miami through November 14, will bring together two decades of the artist’s work.

Menorca brings together paper-based works and the video Generación by the Cuban artist, reflecting on the persistence of visual and ideological imaginaries linked to the Cuban revolutionary utopia.

Fernando Pradilla presents a group exhibition that highlights the strength of contemporary Latin American art through the work of five artists from Colombia, Peru, and Brazil, alongside three Spanish artists.

In the new location of De Sarmiento Galería, the Chilean artist presents Cuerpos Velados, a reflection on the male body.

In his latest exhibition in Madrid, the Dominican artist further develops his exploration of geometric abstraction from a Caribbean perspective, linking architecture, memory, and spirituality to examine the connections between history and Antillean identity.

In his solo exhibition at La Cometa in Madrid, the Colombian artist revisits the imagery of the landscape through a critical lens that interrogates memory, identity, and dominant historical narratives by appropriating and intervening images from the past.

Seven artists from the island come together at El Apartamento’s Madrid space to explore painting as an archive of memory, identity, and representation in contemporary culture.

The Mexican artist’s exhibition at N/F Nieves Fernández explores the relationship between the body, everyday objects, and geometric forms through a balance between the material and the immaterial, with a particular focus on the observation of the small as a trigger for experience, thought, and shifts in perception.

The exhibition by Mexican artist Fernanda del Barrio in Madrid explores the instability of territory through installation, photography, and archival practices, proposing ways of inhabiting space rooted in the body, the ephemeral, and its relationship with the surrounding environment.

Aninat Galería presents a group exhibition that, through ruptures, intuitions, and continuities, reveals a distinct way of inhabiting creative time and space.

The exhibition explores the tropical landscape as a space of memory, perception, and experience through the dialogue established between the works of María Ana Vasco Costa, Márcio Vilela, and Ariamna Contino.

The first exhibition by the Peruvian artist at carlier | gebauer brings together a series of paintings that explore the relationship between matter, symbolism, and Peruvian cosmology through hybrid figures and the integration of artisanal processes.

Between film and sculpture, the Brazilian artist erases the boundary between screen and real space at the gallery ISLA FLOTANTE to imagine forms of desire beyond the human.

The Miami gallery presents The Silent Paths, an exhibition placing fifty years of Venezuelan abstraction in dialogue, on view through August 7, 2026.

A Levitating Territory, which opened at Filet Space, brings together paintings and photographs by Argentine artists that explore the body and the invisible.

The Cuban artist approaches the Caribbean maritime imaginary as a space of transformation, memory, and instability in Submersus, his first solo exhibition at Casado Santapau. Bringing together paintings, sculptures, and installations, the exhibition invites reflection on the fragility of forms and on the shifting boundaries between the visible and the submerged.