Reviews

Serie Pantone Agua. Ph: OdA, Galería de Arte.

Argentine artist Constanza Oxenford presents Dimensions of the same, her second solo show at OdA, Art Gallery

Reviews

DIMENSIONS OF THE SAME

Argentine artist Constanza Oxenford presents Dimensions of the same, her second solo show at OdA, Art Gallery

August 14, 2019
"Homage to Goya", 1961, Nela Arias-Misson.

“I don’t paint to live, I live to paint.” — Nela Arias-Misson when asked about her refusal to sell her work.

 

By Jorge Luis Gutiérrez
Reviews

THE UNEARTHLY ENCHANTMENTS OF NELA ARIAS-MISSON

By Jorge Luis Gutiérrez

“I don’t paint to live, I live to paint.” — Nela Arias-Misson when asked about her refusal to sell her work.

 

August 06, 2019
"La Ausencia", 2001-2002, Santiago Porter.

The Rolf Art gallery exhibits Falta compartida (Shared Absence). Conceived as a collective exhibition in collaboration with Mon Charpentier, eleven Latin American artists approach memory from diverse languages.

By Matías Helbig
Reviews

SHARED ABSENCE, A DIALOGUE ON MEMORY

By Matías Helbig

The Rolf Art gallery exhibits Falta compartida (Shared Absence). Conceived as a collective exhibition in collaboration with Mon Charpentier, eleven Latin American artists approach memory from diverse languages.

July 31, 2019
Julio Le Parc, Ondas 110 Nº8, 1974. Ph: Cortesía Atelier Julio Le Parc.

At his 90, the Kirchner Cultural Center presents the most important retrospective of Julio Le Parc. Main figure of optical art and international avant-garde, Julio Le Parc. A visionary will accompany the exhibition that is being set up by the National Museum of Fine Arts of Buenos Aires.

By Laura Casanovas
Reviews

JULIO LE PARC, A VISIONARY

By Laura Casanovas

At his 90, the Kirchner Cultural Center presents the most important retrospective of Julio Le Parc. Main figure of optical art and international avant-garde, Julio Le Parc. A visionary will accompany the exhibition that is being set up by the National Museum of Fine Arts of Buenos Aires.

July 30, 2019
WHO'S THAT GIRL?: FLAVIA DA RIN IN THE MODERN ART MUSEUM OF BUENOS AIRES

On exhibition at the Modern Art Museum of Buenos Aires until September 29, ¿Quién es esa chica? (Who's that girl ?), by Flavia Da Rin, is the first retrospective in a museum of one of the most relevant figures of the Argentine contemporary scene.

By Laura Casanovas
Reviews

WHO'S THAT GIRL?: FLAVIA DA RIN IN THE MODERN ART MUSEUM OF BUENOS AIRES

By Laura Casanovas

On exhibition at the Modern Art Museum of Buenos Aires until September 29, ¿Quién es esa chica? (Who's that girl ?), by Flavia Da Rin, is the first retrospective in a museum of one of the most relevant figures of the Argentine contemporary scene.

July 23, 2019
Próximamente (Coming Soon), Ruth Benzacar 2019, registro de sala. Ph: Nacho Iasparra.

"The Scottish artist Andy Goldsworthy said that his art school was not the academy but the beach. Mine was the VCR," wrote Leandro Erlich in the framework of his exhibition Coming Soon, in Ruth Benzacar.

By Laura Casanovas
Reviews

LEANDRO ERLICH AT RUTH BENZACAR

By Laura Casanovas

"The Scottish artist Andy Goldsworthy said that his art school was not the academy but the beach. Mine was the VCR," wrote Leandro Erlich in the framework of his exhibition Coming Soon, in Ruth Benzacar.

July 12, 2019
Exhibition view, "Ver la diferencia", Gachi Rosati. Ph: Espacio Lanzallamas.

Problems between the genius artist myth and the woman sign. Review of Gachi Rosati's Ver la diferencia (See the difference) exhibition at Lanzallamas Art Space.

By Silvina Amighini
Reviews

RESONANCES OF PRESENT DAY RE-ELABORATED SELFPORTRAITS

By Silvina Amighini

Problems between the genius artist myth and the woman sign. Review of Gachi Rosati's Ver la diferencia (See the difference) exhibition at Lanzallamas Art Space.

June 27, 2019
PARIS: ANTONIO SEGUÍ AT FRANCE NATIONAL LIBRARY

At France National Library in Paris, a tribute is paid to the renowned Argentine artist, Antonio Seguí. From the pictorial to the narrative, the game of the exhibition reflects Seguí's search for a redefinition of mankind.

By Patricia Avena
Reviews

PARIS: ANTONIO SEGUÍ AT FRANCE NATIONAL LIBRARY

By Patricia Avena

At France National Library in Paris, a tribute is paid to the renowned Argentine artist, Antonio Seguí. From the pictorial to the narrative, the game of the exhibition reflects Seguí's search for a redefinition of mankind.

June 25, 2019
Maison Fond, 2015. Ph: Maffini.

Leandro Erlich, the artist who questions the look. A profile made by Victoria Verlichak.

By Victoria Verlichak (Buenos Aires)
Reviews

WHAT DO WE SEE WHEN WE LOOK?

By Victoria Verlichak (Buenos Aires)

Leandro Erlich, the artist who questions the look. A profile made by Victoria Verlichak.

June 11, 2019
Dolores Cáceres, Hecho en America Latina [Made in Latin America], 2013 10 mm. red neon, 65 cm. x 55 cm. x 5 cm. Private collection. / Neón rojo de 10 mm. 65 cm x 55 x 5 cm.

Margarita Sánchez Prieto illustrates the work and thought of the renowned Argentine artist, Dolores Cáceres.

By Margarita Sánchez Prieto (La Habana, Cuba)
Reviews

THE PRODUCTIVITY OF EMPTINESS

By Margarita Sánchez Prieto (La Habana, Cuba)

Margarita Sánchez Prieto illustrates the work and thought of the renowned Argentine artist, Dolores Cáceres.

May 30, 2019
LYDIA OKUMURA’S THOUSAND AND ONE EYES

The curator and art critic Adriana Herrera takes a tour of the prlifica career of the Brazilian artist Lydia Okumura.

 

By Adriana Herrera
Reviews

LYDIA OKUMURA’S THOUSAND AND ONE EYES

By Adriana Herrera

The curator and art critic Adriana Herrera takes a tour of the prlifica career of the Brazilian artist Lydia Okumura.

 

May 24, 2019
Two glass slides, rocks and rope. Baró Gallery (São Paulo). Photo: Diego Santovito Nadir.// Dos láminas de vidrio, piedras y cuerda. Baró Galería (Sao Paulo). Foto: Diego Santovito

Brazilian curator, art critic and  journalist Angélica de Moraes drew a portrait of the multimedia artist Túlio Pinto. Taking the substantial elements of the career of the artist born in Brasilia, de Moraes illustrates with her words the profile of one of the most interesting protagonists of the contemporary Latin American scene.

By Angélica de Moraes (São Paulo)
Reviews

TÚLIO PINTO: A CONJUGATION OF FORCES

By Angélica de Moraes (São Paulo)

Brazilian curator, art critic and  journalist Angélica de Moraes drew a portrait of the multimedia artist Túlio Pinto. Taking the substantial elements of the career of the artist born in Brasilia, de Moraes illustrates with her words the profile of one of the most interesting protagonists of the contemporary Latin American scene.

May 23, 2019
“Lunar Writing 1 (1001)”, 1974, 16 blue toned black and white photographs mounted on museum board, 6.25 x 9.25 inches each. Courtesy of the artist and Henrique Faria New York & Buenos Aires. / “Lunar Writing 1 (1001)”, 1974, 16 fotografías blanco y negro viradas al azul montadas sobre cartón de museo, de 16 x 24 centímetros cada una. Cortesía del artista y de Henrique Faria, Nueva York y Buenos Aires.

The visual artist, writer, and filmmaker spoke with Julia P. Herzberg for Arte al Día about his work process, his interest in photography and its boundaries.

By Julia P. Herzberg
Reviews

IN CONVERSATION: LEANDRO KATZ

By Julia P. Herzberg

The visual artist, writer, and filmmaker spoke with Julia P. Herzberg for Arte al Día about his work process, his interest in photography and its boundaries.

May 21, 2019
Obra de Tulio Pinto.

Art Paris 2019!

By Patricia Avena Navarro
Reviews

ART PARIS: THE 21st EDITION UNDER THE SIGN OF WOMEN AND LATIN AMERICA

By Patricia Avena Navarro

Art Paris 2019!

April 30, 2019
THE LATIN AMERICAN PRESENCE IN THE ARAB EMIRATES
By Sonia Becce, Curadora Independiente (Independent Curator).
Reviews

THE LATIN AMERICAN PRESENCE IN THE ARAB EMIRATES

By Sonia Becce, Curadora Independiente (Independent Curator).
April 26, 2019
Obras de Lael Servicentro y Julien Antoine. Ph: Fiorella Di Biase

Curated by Joaquín Barrera, Las cosas que Crecen is the second exhibition of the young project led by the pair Jen Zapata and Andrés Matías Pinilla located in the neighborhood of San Telmo. On this occasion, and as a strong bet during the ArteBA art fair weekend, Lanzallamas attacked with a solid collective proposal.

By Fiorella Di Biase
Reviews

A FLAMETHROWER MANIFESTO

By Fiorella Di Biase

Curated by Joaquín Barrera, Las cosas que Crecen is the second exhibition of the young project led by the pair Jen Zapata and Andrés Matías Pinilla located in the neighborhood of San Telmo. On this occasion, and as a strong bet during the ArteBA art fair weekend, Lanzallamas attacked with a solid collective proposal.

April 17, 2019
Alejandro Otero entre sus "Coloritmos", 1960. Ph: Joseph Fabry.

The reasoned catalog of the Coloritmos by Alejandro Otero is published in Caracas, a volume with more than three hundred pages that delves for the first time into a chapter little studied and of great value for the Venezuelan and Latin American art of the XX century.

By Ernesto J. Guevara
Reviews

ALEJANDRO OTERO'S COLORITMOS ARE SHOWN COMPLETELY

By Ernesto J. Guevara

The reasoned catalog of the Coloritmos by Alejandro Otero is published in Caracas, a volume with more than three hundred pages that delves for the first time into a chapter little studied and of great value for the Venezuelan and Latin American art of the XX century.

December 26, 2018
Narciso de mataderos, Pablo Suárez

Narciso plebeyo is the title chosen for the Pablo Suárez (1937-2006) exhibition curated by Jimena Ferreiro and Rafael Cippolini at the Museum of Latin American Art of Buenos Aires (MALBA). From the part towards the whole, the sculptural installation Narciso de Mataderos (1984-1985) projects as a key to look at the whole of the portrait of a subjectivity, which in each work is imbricated with the folds of a social history. In these folds the plebeian appears as a program of intervention in the art system and as a torsion of the artistic canon. The biographical effect of the exhibition reflects a work of collective memory carried out by those who knew it and contributed to the historical thickness of the exhibition.

By Juan Cruz Pedroni
Reviews

NARCISO PLEBEYO: PABLO SUÁREZ AT THE MUSEUM OF LATIN AMERICAN ART OF BUENOS AIRES

By Juan Cruz Pedroni

Narciso plebeyo is the title chosen for the Pablo Suárez (1937-2006) exhibition curated by Jimena Ferreiro and Rafael Cippolini at the Museum of Latin American Art of Buenos Aires (MALBA). From the part towards the whole, the sculptural installation Narciso de Mataderos (1984-1985) projects as a key to look at the whole of the portrait of a subjectivity, which in each work is imbricated with the folds of a social history. In these folds the plebeian appears as a program of intervention in the art system and as a torsion of the artistic canon. The biographical effect of the exhibition reflects a work of collective memory carried out by those who knew it and contributed to the historical thickness of the exhibition.

December 21, 2018
Boleto Para Viajar, 1965, de Delia Cancela y Pablo Mesejean.

Entering Delia Cancela. Reina de corazones (Delia Cancela. Queen of hearts), exhibition curated by Carla Barbero at Buenos Aires Museum of Modern Art, we are greeted by a painting with curved contours. Inward, large planes of primary colors oppress a face with absorbed eyes; outward, those planes push against the edges like a cloud in the instant before losing its contour. In Mujer y nubes (Woman and Clouds), of 1965, the formal synthesis of a pin-up figure and the effects of reverie annotated, with stereotypical signs, by a camp consciousness converge. The piece realized in co-authorship with Pablo Mesejean was, perhaps, chosen for the position it occupies by knotting three tenacious lines in Cancela’s production: visual mass culture, representations of femininity and visualized fantasy as an expanding force.

By Juan Cruz Pedroni
Reviews

DELIA CANCELA AT BUENOS AIRES MUSEUM OF MODERN ART

By Juan Cruz Pedroni

Entering Delia Cancela. Reina de corazones (Delia Cancela. Queen of hearts), exhibition curated by Carla Barbero at Buenos Aires Museum of Modern Art, we are greeted by a painting with curved contours. Inward, large planes of primary colors oppress a face with absorbed eyes; outward, those planes push against the edges like a cloud in the instant before losing its contour. In Mujer y nubes (Woman and Clouds), of 1965, the formal synthesis of a pin-up figure and the effects of reverie annotated, with stereotypical signs, by a camp consciousness converge. The piece realized in co-authorship with Pablo Mesejean was, perhaps, chosen for the position it occupies by knotting three tenacious lines in Cancela’s production: visual mass culture, representations of femininity and visualized fantasy as an expanding force.

December 18, 2018
Ph: Daiel Avena

On Air is the fourth edition of the carte blanche exhibition series that offers selected artists the opportunity to appropriate all the exhibition spaces of the Palais de Tokyo, in Paris. For the occasion, Tomás Saraceno has made his greatest project to date which brings together some of his main works, installations and unpublished creations. An interactive project that links art and science and that makes the Palais de Tokyo a place of unique sensory experience. This multidisciplinary purpose continues the artist's research on the relationship between humans and non-humans. A collaborative and evolutionary project designed to imagine new ways of inhabiting the world.

By Patricia Avena
Reviews

CARTE BLANCHE: TOMÁS SARACENO AT PALAIS DE TOKYO

By Patricia Avena

On Air is the fourth edition of the carte blanche exhibition series that offers selected artists the opportunity to appropriate all the exhibition spaces of the Palais de Tokyo, in Paris. For the occasion, Tomás Saraceno has made his greatest project to date which brings together some of his main works, installations and unpublished creations. An interactive project that links art and science and that makes the Palais de Tokyo a place of unique sensory experience. This multidisciplinary purpose continues the artist's research on the relationship between humans and non-humans. A collaborative and evolutionary project designed to imagine new ways of inhabiting the world.

December 13, 2018
Sint Título, de la serie 'Looming'.

Filled with artworks and prototypes for his next individual exhibition in La Boca neighborhood, Gonzalo Maggi’s studio-house in Villa General Miter remains hidden like a small museum. Behind two monitors, in front of the library, the young Argentinean artist takes a review over the works he has been doing throughout his career. Graduated from the Universidad del Cine almost a decade ago, Maggi changed cinema for the photography, but his production processes have more cinematographic filming than anything else.

By Matías Helbig
Reviews

GONZALO MAGGI: FROM CINEMA TO PHOTOGRAPHY AND ART MANAGEMENT

By Matías Helbig

Filled with artworks and prototypes for his next individual exhibition in La Boca neighborhood, Gonzalo Maggi’s studio-house in Villa General Miter remains hidden like a small museum. Behind two monitors, in front of the library, the young Argentinean artist takes a review over the works he has been doing throughout his career. Graduated from the Universidad del Cine almost a decade ago, Maggi changed cinema for the photography, but his production processes have more cinematographic filming than anything else.

November 23, 2018
Ph: Daniel Avena

The Fondation Cartier explores the diversity of Latin America modern art through Géométries Sud, du Mexique à la Terre de Feu, enhancing the richness and variety of ornaments, colors and figures in southern continent art. Gathering about 250 works from pre-Columbian period to the most contemporary productions, including popular art, abstract art, ceramics, sculpture, architecture and basketry, the exposition investigates the multiple forms of geometric abstraction in Latin America, which are inspired in pre-Columbian art, European avant-garde’s or in indigenous cultures still alive.

By Patricia Avena Navarro
Reviews

FONDATION CARTIER: GÉOMÉTRIES SUD, DU MEXIQUE À LA TERRE DE FEU

By Patricia Avena Navarro

The Fondation Cartier explores the diversity of Latin America modern art through Géométries Sud, du Mexique à la Terre de Feu, enhancing the richness and variety of ornaments, colors and figures in southern continent art. Gathering about 250 works from pre-Columbian period to the most contemporary productions, including popular art, abstract art, ceramics, sculpture, architecture and basketry, the exposition investigates the multiple forms of geometric abstraction in Latin America, which are inspired in pre-Columbian art, European avant-garde’s or in indigenous cultures still alive.

November 21, 2018
LE LE LEND, AN EXHIBITION WITHOUT INTERMEDIARIES

Until November 25, on the sixth floor of a business building in Buenos Aires City (928 Lenado N. Alem street), a sui generis collective exhibition within the Argentine contemporary scene opened. With the participation of ten of the most outstanding plastic artists since 2000 -Juan Becú, Florencia Bohtlingk, Laura Codega, Max Gómez Canle, Vicente Grondona, Máximo Pedraza, Tiziana Pierri, Déborah Pruden, Nahuel Vecino and Lorena Ventimiglia-, Le Le Lend inaugurated two weeks ago as a self-curated show.

By Matías Helbig
Reviews

LE LE LEND, AN EXHIBITION WITHOUT INTERMEDIARIES

By Matías Helbig

Until November 25, on the sixth floor of a business building in Buenos Aires City (928 Lenado N. Alem street), a sui generis collective exhibition within the Argentine contemporary scene opened. With the participation of ten of the most outstanding plastic artists since 2000 -Juan Becú, Florencia Bohtlingk, Laura Codega, Max Gómez Canle, Vicente Grondona, Máximo Pedraza, Tiziana Pierri, Déborah Pruden, Nahuel Vecino and Lorena Ventimiglia-, Le Le Lend inaugurated two weeks ago as a self-curated show.

November 12, 2018
Corde à noedus, Lilian Bourgeat. Ph: Daniel Avena.

Since immemorial times, the thread has fascinated and inspired artists and poets, and mythology has developed incessantly its mysteries: The Ariadne thread, the Moebius ribbon ...

By Patricia Avena Navarro
Reviews

TISSAGE-TRESSAGE AT VILLA DARTIS FOUNDATION

By Patricia Avena Navarro

Since immemorial times, the thread has fascinated and inspired artists and poets, and mythology has developed incessantly its mysteries: The Ariadne thread, the Moebius ribbon ...

November 02, 2018
A TALE OF TWO WORLDS,  AN INVERSION OVER THE HISTORICAL PERSPECTIVE?

After a significant remodeling the Museum of Modern Art of Buenos Aires (MAMBA) reopened its doors this July with an exhibition held jointly with the Museum für Moderne Kunst Frankfurt with the aim of reviewing the modern collections facing a global art history.

By María Lucía Nielsen
Reviews

A TALE OF TWO WORLDS, AN INVERSION OVER THE HISTORICAL PERSPECTIVE?

By María Lucía Nielsen

After a significant remodeling the Museum of Modern Art of Buenos Aires (MAMBA) reopened its doors this July with an exhibition held jointly with the Museum für Moderne Kunst Frankfurt with the aim of reviewing the modern collections facing a global art history.

October 19, 2018
SINAPSIS, BY COTTY OXENFORD

To judge an artistic expression is not an easy thing. It is about judging the subjectivity of another within one's sensitivity. Therefore, the text is nothing more than an opinion of another opinion. And reading this is only the multiplication of that process. This is how this review should be read, because that is what the solo exhibition Sinapsis, that takes place in OdA Espacio de Arte (Buenos Aires, Argentina), is all about.
 

By Matías Helbig
Reviews

SINAPSIS, BY COTTY OXENFORD

By Matías Helbig

To judge an artistic expression is not an easy thing. It is about judging the subjectivity of another within one's sensitivity. Therefore, the text is nothing more than an opinion of another opinion. And reading this is only the multiplication of that process. This is how this review should be read, because that is what the solo exhibition Sinapsis, that takes place in OdA Espacio de Arte (Buenos Aires, Argentina), is all about.
 

October 03, 2018
STRANGE THNIGS IN CÓRDOBA

It wanders satisfied around the borders of the global mainstream fairs circuit, Mercado de Arte Contemporáneo – Córdoba, an annual event that brings together a set of galleries, collectives and collections in the second most important city in Argentina.

By Francisco Marchiaro
Reviews

STRANGE THNIGS IN CÓRDOBA

By Francisco Marchiaro

It wanders satisfied around the borders of the global mainstream fairs circuit, Mercado de Arte Contemporáneo – Córdoba, an annual event that brings together a set of galleries, collectives and collections in the second most important city in Argentina.

September 18, 2018
DIASPORA, AN EXHIBITION THAT EXPLORES CITIZEN CONSTRUCTION

During yesterday afternoon at Quimera Gallery, located in Güemes 4474 (Buenos Aires), Eric Markowski appropriates the gallery space with a can of meat monument. Like a great alphabet soup, the exhibition curated by Sebastián Vidal Mackinson seeks to reconstruct history and understand citizen construction processes that materialize history.

By Matías Helbig
Reviews

DIASPORA, AN EXHIBITION THAT EXPLORES CITIZEN CONSTRUCTION

By Matías Helbig

During yesterday afternoon at Quimera Gallery, located in Güemes 4474 (Buenos Aires), Eric Markowski appropriates the gallery space with a can of meat monument. Like a great alphabet soup, the exhibition curated by Sebastián Vidal Mackinson seeks to reconstruct history and understand citizen construction processes that materialize history.

September 14, 2018
Pablo Masino en BAphoto 2018. Ph: Francisa Etchegaray.

The fourteenth edition of the specialized fair in Latin American photography Baphoto has an international and diverse selection emphasized on the different ways of approaching artistic exploration through the medium. At the Buenos Aires Fairground La Rural, Dr. Emilio Solanet’s pavilion is divided into eight sections, each one curated by a specific curator: Ana Luiza Fonseca for Photobook Tijuana, Alfredo Aracil for Fuera de Foco, Francisco Medail for Artista Homenaje, Florencia Portocarrero for Special Rooms, Mercedes Claus for Links Projects and Rodrigo Alonso for Videoprojects.

By Matías Helbig
Reviews

BAPHOTO 2018: FOUR ARTISTS WHO SHOULD NOT PASS UP

By Matías Helbig

The fourteenth edition of the specialized fair in Latin American photography Baphoto has an international and diverse selection emphasized on the different ways of approaching artistic exploration through the medium. At the Buenos Aires Fairground La Rural, Dr. Emilio Solanet’s pavilion is divided into eight sections, each one curated by a specific curator: Ana Luiza Fonseca for Photobook Tijuana, Alfredo Aracil for Fuera de Foco, Francisco Medail for Artista Homenaje, Florencia Portocarrero for Special Rooms, Mercedes Claus for Links Projects and Rodrigo Alonso for Videoprojects.

September 08, 2018
Ph: Francisca Etchegaray.

The fourteenth edition of the specialized fair in Latin American photography Baphoto has an international and diverse selection emphasized on the different ways of approaching artistic exploration through the medium. At the Buenos Aires Fairground La Rural, Dr. Emilio Solanet’s pavilion is divided into eight sections, each one curated by a specific curator: Ana Luiza Fonseca for Photobook Tijuana, Alfredo Aracil for Fuera de Foco, Francisco Medail for Artista Homenaje, Florencia Portocarrero for Special Rooms, Mercedes Claus for Links Projects and Rodrigo Alonso for Videoprojects

By Matías Helbig
Reviews

BAPHOTO 2018: FOUR ARTISTS WHO SHOULD NOT PASS UP

By Matías Helbig

The fourteenth edition of the specialized fair in Latin American photography Baphoto has an international and diverse selection emphasized on the different ways of approaching artistic exploration through the medium. At the Buenos Aires Fairground La Rural, Dr. Emilio Solanet’s pavilion is divided into eight sections, each one curated by a specific curator: Ana Luiza Fonseca for Photobook Tijuana, Alfredo Aracil for Fuera de Foco, Francisco Medail for Artista Homenaje, Florencia Portocarrero for Special Rooms, Mercedes Claus for Links Projects and Rodrigo Alonso for Videoprojects

September 07, 2018
Ph: Gustavo Lagarde

In the spaces of Cerquone Projects, Caracas, more than twenty works in medium and large format made by the Venezuelan artist Yoshi during the last seven years make up the exhibition Superficies Alteradas (Altered Surfaces), under the curatorship of Lorena González Inneco and the museography of Jean Nouel.

By Manuel Vásquez Ortega
Reviews

YOSHI'S ALTERED SURFACES

By Manuel Vásquez Ortega

In the spaces of Cerquone Projects, Caracas, more than twenty works in medium and large format made by the Venezuelan artist Yoshi during the last seven years make up the exhibition Superficies Alteradas (Altered Surfaces), under the curatorship of Lorena González Inneco and the museography of Jean Nouel.

August 16, 2018
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