Reviews

CANVASES THAT SPEAK

The exhibition Claro que sí (Of course it is) by Mariana Ferrari (1975, Tucumán, Argentina) is on display at Tomás Redrado Art.

By Ezequiel Alemián
Reviews

CANVASES THAT SPEAK

By Ezequiel Alemián

The exhibition Claro que sí (Of course it is) by Mariana Ferrari (1975, Tucumán, Argentina) is on display at Tomás Redrado Art.

May 23, 2023
GOLDEN PRISM. WEALTH AS A TRAP

Fundación PROA presented a reflection on the myth of "El Dorado" in the American continent, with a selection of works by artists from different countries and times to rethink the impact and meaning of one of the most influential legends in history.

By María Galarza
Reviews

GOLDEN PRISM. WEALTH AS A TRAP

By María Galarza

Fundación PROA presented a reflection on the myth of "El Dorado" in the American continent, with a selection of works by artists from different countries and times to rethink the impact and meaning of one of the most influential legends in history.

May 15, 2023
THE ARBITRARY CREATING THE NECESSARY

Mateo Lopez (b. 1978), a Colombian artist with an outstanding career, has his first solo exhibition in Lima. Pasado futurista (Futuristic Past) is the title of his exhibition, curated by Maria Wills and Julien Petit, and comes with the Miguel Urrutia Museum in Bogota's seal.

By Jorge Villacorta. Critic and art curator
Reviews

THE ARBITRARY CREATING THE NECESSARY

By Jorge Villacorta. Critic and art curator

Mateo Lopez (b. 1978), a Colombian artist with an outstanding career, has his first solo exhibition in Lima. Pasado futurista (Futuristic Past) is the title of his exhibition, curated by Maria Wills and Julien Petit, and comes with the Miguel Urrutia Museum in Bogota's seal.

May 05, 2023
SER PALLAY IN GALLERY ICPNA LIMA CENTER

Ser Pallay is a "collaborative textile project'' that bet on an artistic praxis that critically responds to the ambivalent valuation of the extraordinary Andean textile tradition in the art narratives of Peru's cultural history.

By Fabiola Arroyo.
Reviews

SER PALLAY IN GALLERY ICPNA LIMA CENTER

By Fabiola Arroyo.

Ser Pallay is a "collaborative textile project'' that bet on an artistic praxis that critically responds to the ambivalent valuation of the extraordinary Andean textile tradition in the art narratives of Peru's cultural history.

April 13, 2023
TO DRESS GODS: ABOUT PURPLE SPELL BY SANTIAGO PAREDES AND BRIGITTE HOFFMAN

In March 1985, a breakthrough in filmmaking was released in United States’ theaters. Signed by Woody Allen and titled "The Purple Rose of Cairo", the search for the purple rose is nothing more than a way of approaching the impossible.

By Federico Curutchet
Reviews

TO DRESS GODS: ABOUT PURPLE SPELL BY SANTIAGO PAREDES AND BRIGITTE HOFFMAN

By Federico Curutchet

In March 1985, a breakthrough in filmmaking was released in United States’ theaters. Signed by Woody Allen and titled "The Purple Rose of Cairo", the search for the purple rose is nothing more than a way of approaching the impossible.

April 12, 2023
BETWEEN LAYOUTS, COLORS AND VIBRATIONS – JUDITH LAUAND: CONCRETE DETOUR

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

By Mario Gioia, art critic and independent curator.
Reviews

BETWEEN LAYOUTS, COLORS AND VIBRATIONS – JUDITH LAUAND: CONCRETE DETOUR

By Mario Gioia, art critic and independent curator.

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

March 29, 2023
THE INFLUENCE AND CONTINUITY OF PRE-HISPANIC TEXTILE ART IN MODERN AND CONTEMPORARY ART

The first part of an essay by Adriana Herrera Téllez on the tradition and heritage of textiles in Latin America and its impact on contemporary art.

By Adriana Herrera Téllez, PhD.
Reviews

THE INFLUENCE AND CONTINUITY OF PRE-HISPANIC TEXTILE ART IN MODERN AND CONTEMPORARY ART

By Adriana Herrera Téllez, PhD.

The first part of an essay by Adriana Herrera Téllez on the tradition and heritage of textiles in Latin America and its impact on contemporary art.

February 28, 2023
HUMANS AND NATURE: ARE THEY PART OF THE SAME LANDSCAPE?

As a way of closing 2022 and give a way to 2023, Rolf Art, curated by Francisco Medail, presented Eso que estalla no es el sol, a group show in which several artists talk about the conjunction nature-humans.

By María Galarza
Reviews

HUMANS AND NATURE: ARE THEY PART OF THE SAME LANDSCAPE?

By María Galarza

As a way of closing 2022 and give a way to 2023, Rolf Art, curated by Francisco Medail, presented Eso que estalla no es el sol, a group show in which several artists talk about the conjunction nature-humans.

February 24, 2023
DESIRE, TRANCE AND SHAPPER – JONATHAS DE ANDRADE IN ‘THE WORLD IS THE THEATER OF MAN’ AND ‘POUNCE AND BOUNCE’

This is one of the unique moments of the most recent contemporary art in Brazil. The final tracking shot of Olho da Rua, a video by Jonathas de Andrade now on display at Inhotim, one of Brazil's leading visual arts centers, is one of those happy moments in which the artist manages to capture with such precision the zeitgeist of his country (in this case, on a continental scale).

By Mario Gioia, art critic and independent curator.
Reviews

DESIRE, TRANCE AND SHAPPER – JONATHAS DE ANDRADE IN ‘THE WORLD IS THE THEATER OF MAN’ AND ‘POUNCE AND BOUNCE’

By Mario Gioia, art critic and independent curator.

This is one of the unique moments of the most recent contemporary art in Brazil. The final tracking shot of Olho da Rua, a video by Jonathas de Andrade now on display at Inhotim, one of Brazil's leading visual arts centers, is one of those happy moments in which the artist manages to capture with such precision the zeitgeist of his country (in this case, on a continental scale).

February 23, 2023
ABALOS AUSTRALIS - 13TH MERCOSUR BIENNIAL - TRAUMA, DREAM AND ESCAPE

The 13th edition of the Mercosul Biennial, anchored in the Trauma, dream and flight tripod and finished last November, had encouraging developments, especially due to the outstanding presence of emerging artists, the strong contact with the public and the resumption of powerful spaces and traditional attractions of the event, such as the Cais do Porto. However, there were problems in the organization of the exhibition, the most serious episode of which was the '(dis)invitation' of names to exhibit works, and a certain frustration with pieces that would have a technological appeal.

By By Mario Gioia, art critic and independent curator.
Reviews

ABALOS AUSTRALIS - 13TH MERCOSUR BIENNIAL - TRAUMA, DREAM AND ESCAPE

By By Mario Gioia, art critic and independent curator.

The 13th edition of the Mercosul Biennial, anchored in the Trauma, dream and flight tripod and finished last November, had encouraging developments, especially due to the outstanding presence of emerging artists, the strong contact with the public and the resumption of powerful spaces and traditional attractions of the event, such as the Cais do Porto. However, there were problems in the organization of the exhibition, the most serious episode of which was the '(dis)invitation' of names to exhibit works, and a certain frustration with pieces that would have a technological appeal.

January 27, 2023
THE EPHEMERAL IN THINGS - MARTINA SERVIO OLAVIDE IN 1+1

In her first solo exhibition, the artist from Córdoba moves between and beyond the limits of what can be said, from words and beyond them, with curatorship by Agustina Rinaldi.

By Santiago López
Reviews

THE EPHEMERAL IN THINGS - MARTINA SERVIO OLAVIDE IN 1+1

By Santiago López

In her first solo exhibition, the artist from Córdoba moves between and beyond the limits of what can be said, from words and beyond them, with curatorship by Agustina Rinaldi.

December 21, 2022
ANTONIO SEGUÍ AT GALERIE CLAUDE BERNARD, PARIS

The Claude Bernard Gallery is dedicating an exhibition as a tribute to the master Antonio Seguí, who passed away in February at the age of 88 in Buenos Aires.

By Patricia Avena Navarro
Reviews

ANTONIO SEGUÍ AT GALERIE CLAUDE BERNARD, PARIS

By Patricia Avena Navarro

The Claude Bernard Gallery is dedicating an exhibition as a tribute to the master Antonio Seguí, who passed away in February at the age of 88 in Buenos Aires.

December 13, 2022
 THE GEOGRAPHY OF MEANINGS BY ANNA MARIA MAIOLINO

MALBA presents a panoramic exhibition by Anna Maria Maiolino (Scalea Italy, 1942) with more than fifty years of works that include paintings, drawings, woodcuts, sculptures, photographs, videos, sound pieces and installations in an attempt to capture the prismatic spirit of the artist.

By María Galarza
Reviews

THE GEOGRAPHY OF MEANINGS BY ANNA MARIA MAIOLINO

By María Galarza

MALBA presents a panoramic exhibition by Anna Maria Maiolino (Scalea Italy, 1942) with more than fifty years of works that include paintings, drawings, woodcuts, sculptures, photographs, videos, sound pieces and installations in an attempt to capture the prismatic spirit of the artist.

November 24, 2022
GABRIELA AYZA ASCHMANN: HER CALL TOWARDS WILD (LIGHT)

The Spanish-German artist Gabriela Ayza Aschmann (Cologne, Germany, 1991) presents in Tomas Redrado Art a series of paintings created in 2022, as an experience of inquiry into the expanded borders of portraiture that strengthens her. It is a sustained practice that she carries out advancing against the background of the history of the avant-garde, but above all she acts as if she were tearing pages from her own life, to add them to art.

By Adriana Herrera Téllez
Reviews

GABRIELA AYZA ASCHMANN: HER CALL TOWARDS WILD (LIGHT)

By Adriana Herrera Téllez

The Spanish-German artist Gabriela Ayza Aschmann (Cologne, Germany, 1991) presents in Tomas Redrado Art a series of paintings created in 2022, as an experience of inquiry into the expanded borders of portraiture that strengthens her. It is a sustained practice that she carries out advancing against the background of the history of the avant-garde, but above all she acts as if she were tearing pages from her own life, to add them to art.

November 15, 2022
NARRATIVES: FROM META-STORIES TO POSTART

The rise of the philosophy of language in the middle of the last century impacted all areas of humanistic culture, especially theoretical thought and the arts. The notions of discourse, story and narrative are part of that linguistic turn in which culture is perceived as a text. This approach has also influenced the conceptualization, appreciation and evaluation of the visual arts, even in the face of the programmatic reluctance of art-purism and its rejection of the anecdotal. Basically, the discursive subjects, the story and the narration displaced the old leading role of the "retinal" aesthetics. Since then, a large part of the artistic questions are aired in the verbal sphere and not in the strictly sensible plane.

By Félix Suazo
Reviews

NARRATIVES: FROM META-STORIES TO POSTART

By Félix Suazo

The rise of the philosophy of language in the middle of the last century impacted all areas of humanistic culture, especially theoretical thought and the arts. The notions of discourse, story and narrative are part of that linguistic turn in which culture is perceived as a text. This approach has also influenced the conceptualization, appreciation and evaluation of the visual arts, even in the face of the programmatic reluctance of art-purism and its rejection of the anecdotal. Basically, the discursive subjects, the story and the narration displaced the old leading role of the "retinal" aesthetics. Since then, a large part of the artistic questions are aired in the verbal sphere and not in the strictly sensible plane.

November 03, 2022
16TH BIENNIAL OF LYON - MANIFESTO OF FRAGILITY

Conceived between a pandemic and a war in Europe, the 16th edition of the Biennale de Lyon "Manifesto of fragility", affirms fragility as intrinsically linked to a form of resistance initiated in the past, in tune with the present and capable of facing the future.

By Patricia Avena Navarro
Reviews

16TH BIENNIAL OF LYON - MANIFESTO OF FRAGILITY

By Patricia Avena Navarro

Conceived between a pandemic and a war in Europe, the 16th edition of the Biennale de Lyon "Manifesto of fragility", affirms fragility as intrinsically linked to a form of resistance initiated in the past, in tune with the present and capable of facing the future.

October 26, 2022
SLEEPING EMBAR - 37TH PANORAMA OF BRAZILIAN ART

Somewhat fused forms, in a dismantling that seems continuous, signaling a kind of tired geometry. The banal brilliance of a chromatic automotive cover in what could have been the label of a crumbling and volatile language typical of large urban agglomerations, in a tenuous cross between street art and graffiti.

By By Mario Gioia, art critic and independent curator
Reviews

SLEEPING EMBAR - 37TH PANORAMA OF BRAZILIAN ART

By By Mario Gioia, art critic and independent curator

Somewhat fused forms, in a dismantling that seems continuous, signaling a kind of tired geometry. The banal brilliance of a chromatic automotive cover in what could have been the label of a crumbling and volatile language typical of large urban agglomerations, in a tenuous cross between street art and graffiti.

October 13, 2022
SKIN (NOTES ON THE DISAPPEARING PAINTING)

During the last years painting has continued its course in permanent metamorphosis, adapting to the times, reviving from its previous deaths, stripping itself of accessories, undressing and even disappearing. A part of this process has focused on the mechanisms of production; the other, has been accompanied by an intense reflection that goes beyond painting and meditates on the status of image.

By Félix Suazo
Reviews

SKIN (NOTES ON THE DISAPPEARING PAINTING)

By Félix Suazo

During the last years painting has continued its course in permanent metamorphosis, adapting to the times, reviving from its previous deaths, stripping itself of accessories, undressing and even disappearing. A part of this process has focused on the mechanisms of production; the other, has been accompanied by an intense reflection that goes beyond painting and meditates on the status of image.

September 30, 2022
RURAL INSTALLATIONS -  GUILLERMO SRODEK HART IN UNGALLERY

In his first exhibition since 2019, the photographer returns to deep Buenos Aires in search of reflections of our present through a documentary and poetic reading of the past.

By Santiago López
Reviews

RURAL INSTALLATIONS - GUILLERMO SRODEK HART IN UNGALLERY

By Santiago López

In his first exhibition since 2019, the photographer returns to deep Buenos Aires in search of reflections of our present through a documentary and poetic reading of the past.

September 08, 2022
THE INSEPARABILITY OF ART AND POLITICAL ACTION – LEÓN FERRARI AT THE POMPIDOU

The Centre Pompidou hosts for the first time the sculptures, collages, artist's books, drawings and assemblages by the artist León Ferrari (1920-2013), considered one of the most influential in Latin America.

By Patricia Avena Navarro
Reviews

THE INSEPARABILITY OF ART AND POLITICAL ACTION – LEÓN FERRARI AT THE POMPIDOU

By Patricia Avena Navarro

The Centre Pompidou hosts for the first time the sculptures, collages, artist's books, drawings and assemblages by the artist León Ferrari (1920-2013), considered one of the most influential in Latin America.

September 01, 2022
MEAT: NOTES ON SACRIFICE, POWER AND DESIRE

In 2010, the American singer, actress and producer Lady Gaga (New York, 1986) scandalized the audience at the MTV Awards by appearing at the gala in a dress made of beef, designed by Franc Fernández and styled by Nicola Formichetti. The press at the time reviewed the controversy triggered by the extravagant outfit, which for some was offensive and for others a declaration of creative freedom.

By Félix Suazo
Reviews

MEAT: NOTES ON SACRIFICE, POWER AND DESIRE

By Félix Suazo

In 2010, the American singer, actress and producer Lady Gaga (New York, 1986) scandalized the audience at the MTV Awards by appearing at the gala in a dress made of beef, designed by Franc Fernández and styled by Nicola Formichetti. The press at the time reviewed the controversy triggered by the extravagant outfit, which for some was offensive and for others a declaration of creative freedom.

August 26, 2022
'INHOTIM IS ABSOLUTELY UNIQUE,' SAYS JULIETA GONZÁLEZ

An institution that is more attentive and permeable to public debate, that has its own collection as a living witness to the changes. This could be one of the guiding axes of the work of the Venezuelan Julieta González at the head of the artistic direction of Inhotim, one of the main centers of contemporary art in Brazil and one of the most inspiring open-air museums in the world.

By Mario Gioia, art critic and independent curator
Reviews

'INHOTIM IS ABSOLUTELY UNIQUE,' SAYS JULIETA GONZÁLEZ

By Mario Gioia, art critic and independent curator

An institution that is more attentive and permeable to public debate, that has its own collection as a living witness to the changes. This could be one of the guiding axes of the work of the Venezuelan Julieta González at the head of the artistic direction of Inhotim, one of the main centers of contemporary art in Brazil and one of the most inspiring open-air museums in the world.

July 21, 2022
THE “BIENNIAL WITHOUT PUBLIC” (2020) IN SANTA CRUZ AND AN OUTLINED PATH (PART 2)

If the São Paulo Biennial in Brazil once had what was called the “Biennial of the Void” (2008), it could be said, bridging the gap, that Santa Cruz de la Sierra involuntarily experienced the “Biennial without public” (2020).

By Jorge Luna Ortuño – Philosopher and Researcher
Reviews

THE “BIENNIAL WITHOUT PUBLIC” (2020) IN SANTA CRUZ AND AN OUTLINED PATH (PART 2)

By Jorge Luna Ortuño – Philosopher and Researcher

If the São Paulo Biennial in Brazil once had what was called the “Biennial of the Void” (2008), it could be said, bridging the gap, that Santa Cruz de la Sierra involuntarily experienced the “Biennial without public” (2020).

July 18, 2022
THE “BIENNIAL WITHOUT PUBLIC” (2020) IN SANTA CRUZ AND AN OUTLINED PATH (PART 1)

If the São Paulo Biennial in Brazil once had what was called the “Biennial of the void” (2008), it could be said, bridging the gap, that Santa Cruz de la Sierra involuntarily experienced the “Biennial without an audience” (2020).

By Jorge Luna Ortuño – Philosopher and Researcher
Reviews

THE “BIENNIAL WITHOUT PUBLIC” (2020) IN SANTA CRUZ AND AN OUTLINED PATH (PART 1)

By Jorge Luna Ortuño – Philosopher and Researcher

If the São Paulo Biennial in Brazil once had what was called the “Biennial of the void” (2008), it could be said, bridging the gap, that Santa Cruz de la Sierra involuntarily experienced the “Biennial without an audience” (2020).

July 14, 2022
AL DÍA (WITH ART)

I ask myself what it means to be Al día (up to date) with art, when it has already been decreed that we live in posthistory and that the present is now postpresent. The question I propose is not theoretical, but of a practical nature, since many decisions depend on its answer: which exhibitions to visit? what works to see? which artists to recommend? With these initial questions come others, also important, although not easy to answer: how much information is needed to be up to date? where can you get up-to-date information? Who has the news of the day?

By Félix Suazo
Reviews

AL DÍA (WITH ART)

By Félix Suazo

I ask myself what it means to be Al día (up to date) with art, when it has already been decreed that we live in posthistory and that the present is now postpresent. The question I propose is not theoretical, but of a practical nature, since many decisions depend on its answer: which exhibitions to visit? what works to see? which artists to recommend? With these initial questions come others, also important, although not easy to answer: how much information is needed to be up to date? where can you get up-to-date information? Who has the news of the day?

July 07, 2022
NFTS AND METAVERSE: COLLECTORS OR INVESTORS? (PART II)

Although traditional art collecting includes an investment component and a business perspective, it still invokes a sort of romanticism aura that builds around an artist. A classic collector tends to follow an artist's trajectory, supporting his work. The new wave of NFT collectors stand out for not belonging to traditional art environments. Most of them are young aged and have never set foot in a museum or gallery, and therefore prioritize the finance aspect to NFT collecting to the emotional one. Generally, they are folks whose field of expertise is related to fin tech – they come from and drive the crypto world. And yes, they are mainly men.

By Isabel Englebert
Reviews

NFTS AND METAVERSE: COLLECTORS OR INVESTORS? (PART II)

By Isabel Englebert

Although traditional art collecting includes an investment component and a business perspective, it still invokes a sort of romanticism aura that builds around an artist. A classic collector tends to follow an artist's trajectory, supporting his work. The new wave of NFT collectors stand out for not belonging to traditional art environments. Most of them are young aged and have never set foot in a museum or gallery, and therefore prioritize the finance aspect to NFT collecting to the emotional one. Generally, they are folks whose field of expertise is related to fin tech – they come from and drive the crypto world. And yes, they are mainly men.

June 30, 2022
NFTS AND METAVERSE: A CUBIST VIEW ON THE NEW DIGITAL ECOSYSTEM (PART 1)

As a conceptual artist working in the crossroads of art, science, and technology, with a corporate past and a social communications baseline, I am deeply interested in the new digital ecosystem raised by blockchain technology, NFTs and the Metaverse, from a perspective that addresses this realm as a sociological phenomenon, as a new business field, and as another one of the many mediums I utilize to express my ideas.

By Isabel Englebert
Reviews

NFTS AND METAVERSE: A CUBIST VIEW ON THE NEW DIGITAL ECOSYSTEM (PART 1)

By Isabel Englebert

As a conceptual artist working in the crossroads of art, science, and technology, with a corporate past and a social communications baseline, I am deeply interested in the new digital ecosystem raised by blockchain technology, NFTs and the Metaverse, from a perspective that addresses this realm as a sociological phenomenon, as a new business field, and as another one of the many mediums I utilize to express my ideas.

June 29, 2022
DEAD TREE IN THE FRONT YARD

The Thyssen-Bornemisza National Museum (Madrid, Spain) contains the world view of the American people. Almost four centuries of American painting are on display in rooms 46 to 55 on the first floor of the museum. To name but a few names: Peale, Cole, Heade, Church, Hopper, Burchfield, Shahn, Rothko, de Kooning, Pollock, Estes... Probably the most complete collection of American art in Europe, and a must-see exhibition for anyone who wants to understand the history and thougt of the Western country.

By Matías Helbig
Reviews

DEAD TREE IN THE FRONT YARD

By Matías Helbig

The Thyssen-Bornemisza National Museum (Madrid, Spain) contains the world view of the American people. Almost four centuries of American painting are on display in rooms 46 to 55 on the first floor of the museum. To name but a few names: Peale, Cole, Heade, Church, Hopper, Burchfield, Shahn, Rothko, de Kooning, Pollock, Estes... Probably the most complete collection of American art in Europe, and a must-see exhibition for anyone who wants to understand the history and thougt of the Western country.

June 08, 2022
PARIS - CINETIQUE! THE SCULPTURE IN MOVEMENT

Welcome to the fascinating world of kinetic art! The Espace Monte-Cristo, the Parisian headquarters of the Fondation Villa Datris-Isle-sur-la-Sorgue, presents to celebrate its fifth anniversary "Cinétique! La sculpture en mouvement" (Kinetic! Sculpture in movement). The staging of this exhibition allows us to discover the creations of 25 French and international artists; kinetic sculptures from the 60s to the present mixing historical and scientific references. Static, dynamic or mechanical, these works play with our perception and evolve according to our movements. A colorful, sonorous, rhythmic and moving journey opens up before us.

By Patricia Avena Navarro – Art Historian, Curator and Critic. Paris, France
Reviews

PARIS - CINETIQUE! THE SCULPTURE IN MOVEMENT

By Patricia Avena Navarro – Art Historian, Curator and Critic. Paris, France

Welcome to the fascinating world of kinetic art! The Espace Monte-Cristo, the Parisian headquarters of the Fondation Villa Datris-Isle-sur-la-Sorgue, presents to celebrate its fifth anniversary "Cinétique! La sculpture en mouvement" (Kinetic! Sculpture in movement). The staging of this exhibition allows us to discover the creations of 25 French and international artists; kinetic sculptures from the 60s to the present mixing historical and scientific references. Static, dynamic or mechanical, these works play with our perception and evolve according to our movements. A colorful, sonorous, rhythmic and moving journey opens up before us.

June 02, 2022
CLOSE ENCOUNTERS: ART AS A SOCIAL EXPERIMENT - BEATRIZ CHACHAMOVITS IN ART AND CULTURE CENTER, HOLLYWOOD, FLORIDA

Review about the exhibition Into the Great Dying: (The Steps We Take), on view until June 2022

By Amalia Caputo - Artist/Art Writer
Reviews

CLOSE ENCOUNTERS: ART AS A SOCIAL EXPERIMENT - BEATRIZ CHACHAMOVITS IN ART AND CULTURE CENTER, HOLLYWOOD, FLORIDA

By Amalia Caputo - Artist/Art Writer

Review about the exhibition Into the Great Dying: (The Steps We Take), on view until June 2022

May 24, 2022
AN AVANT-GARDE IN LOCAL COLORS - ONCE UPON A MODERN TIME

On the occasion of the centenary anniversary of the 1922 Modern Art Week, a key event for the artistic avant-gardes in Brazil and which consolidated what would become known as modernism in the country, several exhibitions throughout the year (and also in 2021) revolved around, discussed, explained, replaced and 'cancelled' such an initiative. Considered a milestone in the cultural renewal of Brazilian art, the week was about to turn around in its already canonical grave.

By Mario Gioia, art critic and independent curator
Reviews

AN AVANT-GARDE IN LOCAL COLORS - ONCE UPON A MODERN TIME

By Mario Gioia, art critic and independent curator

On the occasion of the centenary anniversary of the 1922 Modern Art Week, a key event for the artistic avant-gardes in Brazil and which consolidated what would become known as modernism in the country, several exhibitions throughout the year (and also in 2021) revolved around, discussed, explained, replaced and 'cancelled' such an initiative. Considered a milestone in the cultural renewal of Brazilian art, the week was about to turn around in its already canonical grave.

May 21, 2022