Galleries

At a time marked by persistent inequalities, ecological urgencies, and identity-based disputes, this space conceives of art as a field of action for imagining and constructing alternative futures.

The artist and Olympic swimmer will present her first solo photography exhibition. The series, created with synchronized swimmers, required strict coordination to achieve precision and visual coherence.

The American artist constructs a “cartography of return” based on a new series of tapestries that dialogue with previous projects, intertwining memories of migration, collective work, and belonging.

The Argentine curator, artist, and gallerist will lead a platform committed to positioning Latin American art within international conversations “without diluting its specificity.”

Igartua presents a pictorial practice that investigates the relationship between the human and the natural through surfaces conceived as organic membranes. Within them, beauty and disorder are set in tension to reveal nature as an enveloping and transformative organism.

The Colombian artist presents El pozo de agua in Mexico City, a series of marks, traces, and impressions that explore social exchange and questions of identity and belonging.

The gallery presents the work of Constanza Alarcón Tennen, which deactivates the hierarchies between viewer and object, thus focusing on intimacy and the connection between bodies and materials.

THIRD BORN presents a show featuring Rey Akdogan, Simon Callery, Ladji Diaby, Rachel Fäth, Emanuel Juárez, David L. Johnson, Devin T. Mays, and María Naidich.

Nebraska Flores transforms discarded books into organic installations inspired by natural forms of organization. Her intervention at Ponce+Robles proposes a rereading of language as a space for affective cohabitation between matter, body, and knowledge.

El plano inestable (The Unstable Plane) upholds Carlos Cruz‑Diez’s investigative legacy in an exhibition that delves into the exploration of chromatic autonomy and dynamism while incorporating the visitor’s perception and experience.

Alberto Baraya brings together his projects Vento and Camelias Expedition, developed in Galicia, in an exhibition that combines video and installation as records of artistic and scientific action and research, reflecting on landscape, botany, and methods of exploration.

By Álvaro de Benito

The group exhibition features the participation of Cecilia Paredes and Luis González Palma, offering a necessary perspective from Latin America on the golden as a sign of wealth and temporal transcendence.

The Colombian artist presents at kurimanzutto a body of works focused on the sedimentation of time and on painting understood as a process.

By Álvaro de Benito

Martinat presents Pintas at Formato Cómodo, an analysis of political semiotics and the spread of propaganda in public space. Through the extraction of layers from urban political graffiti, these decontextualized remnants are re-signified, functioning as ephemeral records of power tensions, memory, and the urban landscape.

By Álvaro de Benito

MEMORIA gallery presents cedemequis, a solo exhibition offering a journey through the photographic production of Yolanda Andrade (Mexico DF, Mexico, 1950). The show focuses on her record and observation of the urban and the everyday in Mexico City, emphasizing the tension between the ordinary and the extraordinary, and acknowledging the individual value of what stands apart within the collective.

By Álvaro de Benito

Gonzalo Lebrija and Jorge Méndez Blake transform the lighthouse into a structuring axis at the boundary between worlds in Finisterre. Moving away from the documentary, the exhibition seeks to create a poetic and sensory experience that invites the viewer to reflect on perception and limits.

The Polish artist makes her debut on the Latin American art scene with a proposal that reveals the material anatomy of Lima.

Por Álvaro de Benito

The Peruvian artist’s practice stems from her conviction that territory must be understood as something beyond the geographic or artificial limits of a place, elevating space into a site where sensory dynamics and movement converge.

Álvaro de Benito 

Memoria vegetal brings together previously unseen works that form landscapes describing processes and absences. Monsalve uses fossil residue as pigment, inserting it into his work both as a technique and as a symbol to reflect on how humanity transforms its environment and its own history.

By Álvaro de Benito 

These canvases, in a variety of formats, use color and geometry as catalysts for exploring the expressive potential of the line, shaping simple, elemental forms such as squares and rectangles in the construction of a distinctly aesthetic language.

By Álvaro de Benito

Becerra explores, in two parallel solo exhibitions, the power of painting to connect memory, emotion, and digital record—crafting through pictorial language an instrumental balance between the everyday and the virtual.

By Álvaro de Benito

Antes de todo (Before All Things) is the solo exhibition by Matías Ercole (Buenos Aires, Argentina, 1986) presented at the Madrid venue of La Cometa. The show centers on the exploration of luminosity and obscurity as elements that, although seemingly opposed, become fundamental to the construction of the image. Drawing on the conceptual dimension of the physical principle, the artist materializes the tension between concealment and revelation through techniques such as sgraffito, scraping, and stripping.

By Álvaro de Benito 

Bombon + CRISIS presents 12 Carnavales, the first solo exhibition by Gala Berger (Villa Gesell, Argentina, 1983) in its space. The show takes shape as a critical, anthropologically tinged study of festive and performative practices that take place during carnivals in various South American capitals. Drawing from digital archives and textile compositions, the artist explores the role of the image in shaping identities and collectives within community-based celebrations.

By Álvaro de Benito

Max Estrella Gallery presents The Life of the Nonliving, the first solo exhibition by Alba Triana (Bogotá, Colombia, 1969) at its space. The Colombian artist’s work is the result of a long-standing dedication to exploring the capacities of sound and its physics, transforming her research into creative languages that bring together science, technology, and art to sublimate the invisibility of everyday forces that sustain the symbiosis between life and matter.