A FALSE CONTEXT FOR THE POLITICAL MESSAGE: MARTINAT AT FORMATO CÓMODO

From 01/07/2026 to 01/29/2026
Madrid, Spain

By Álvaro de Benito

Martinat presents Pintas at Formato Cómodo, an analysis of political semiotics and the spread of propaganda in public space. Through the extraction of layers from urban political graffiti, these decontextualized remnants are re-signified, functioning as ephemeral records of power tensions, memory, and the urban landscape.

A FALSE CONTEXT FOR THE POLITICAL MESSAGE: MARTINAT AT FORMATO CÓMODO

José Carlos Martinat (Lima, Peru, 1974) presents his series Pintas at the Madrid-based gallery Formato Cómodo, a body of work that, as is characteristic of his practice, revolves around political semiotics and the ways in which political messages impact and reproduce themselves in public space. Almost as a continuation of Sueño Bolivariano I, his previous exhibition at the same gallery, the artist proposes a critical analysis of these relationships, capturing propaganda materialized on walls and, quite literally, extracting it in order to rethink its meaning through decontextualization.

 

Martinat carries out his preliminary studies and research using a technique that allows him to extract fragments and layers of paint from political graffiti on walls—elements that are sometimes torn away and detached from their original surroundings. The presentation of these remnants offers a dual perspective: the preservation of the visual memory of these political discourses and, at the same time, the reinterpretation of their messages through decontextualization.

The works grouped in Pintas take shape as ephemeral records of everything that lies beneath the message itself, from struggles for power to their influence on the construction of urban space and landscapes. They are bearers of memory and of promised messages, seemingly caught in a dual tension between the physical and the conceptual, becoming instruments for an examination that analyzes the collective experience of public space in its most theoretically charged framework of expression.

 

José Carlos Martinat. Pintas can be seen until January 29 at Formato Cómodo, Lope de Vega 5, Madrid (Spain).

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