PHYSICS AND SENSORIAL MATTER IN ALBA TRIANA, AT MAX ESTRELLA
By Álvaro de Benito
Max Estrella Gallery presents The Life of the Nonliving, the first solo exhibition by Alba Triana (Bogotá, Colombia, 1969) at its space. The Colombian artist’s work is the result of a long-standing dedication to exploring the capacities of sound and its physics, transforming her research into creative languages that bring together science, technology, and art to sublimate the invisibility of everyday forces that sustain the symbiosis between life and matter.
The exhibition revisits several of the research lines that have guided Triana’s artistic practice and shaped her corpus, exemplified by works such as her sound installation Harmonic Motion, awarded the Ars Electronica Prize in 2023 and presented here. Based on the premise that everything in nature is in motion, Triana draws on sound, light, and other physical elements to create energies that map out a universe in which the human being expresses itself as part of the whole.
Her language lends itself to this pursuit, combining sculpture, installation, and even performance to make the conceptual perceptible. The decoding of acts of creation, critical thought, and emotion serve as vehicles in the formation of her proposal, transforming the sensorial into knowledge —and vice versa.
Her works reveal the flows and tensions with which the viewer coexists while exploring space and environment, resulting in generative elements and oscillating objects that employ the kinetic to expose the interrelation and perception of nature as something almost conscious. The exhibition stands as a multisensory environment that must be experienced through the senses. Triana invites us to perceive the vastness of sensation itself, dissolving at times the boundary between the organic and the artificial, the living and the inert, to consolidate a whole built around energy.
Alba Triana. The Life of the Nonliving can be visited until January 18, 2026, at Max Estrella Gallery, Santo Tomé 6, Madrid, Spain.
May interest you
AN ANALYTICAL JOURNEY THROUGH THE HISTORY OF PERU, AT DANIEL CUEVAS
THE QUOTIDIAN GESTURE AS A POLITICAL ACT: ARGOTE AT ALBARRÁN BOURDAIS
GROUP EXHIBITION ON THE RESIGNIFICATION OF CRAFT IN ISABEL HURLEY
THE LATEST EVOLUTION OF BLACK MIRROR / ESPEJO NEGRO BY LASCH, AT CASA DE MÉXICO
By Álvaro de Benito
The Fundación Casa de México in Spain hosts Re/Generación, a new installation from the Black Mirror / Espejo Negro series produced by Pedro Lasch (Mexico City, Mexico, 1975) and curated by the National Institute of Anthropology and History of Mexico (INAH). Originating from an initiative originally produced by the Nasher Museum of Art in Durham, North Carolina, in 2007, the series has been transformed through various techniques, evolving its language toward a narrative that makes it impossible to separate past and present, as well as spectator and proposal.
RAUSCHENBERG’S PHOTOGRAPHIC APPROACH AND LATIN AMERICAN ROCI SERIES, AT JUAN MARCH FOUNDATION
By Álvaro de Benito
The Juan March Foundation in Madrid presents an extensive and analytical exhibition on Robert Rauschenberg (Port Arthur, USA, 1925–Captiva, USA, 2008), focusing on the use of image and photography in his work. The exhibition, structured from a novel curatorial perspective, reinterprets the production of one of the great masters of contemporary art, highlighting it as the outcome of an essentially photographic practice.
MARTIEL AND THE BODY AS ACTION AGAINST EXCLUSION, AT CENTRE DEL CARME
By Álvaro de Benito
The Valencian Centre del Carme presents South Body, a broad selection of recent performance documentation by Carlos Martiel (Havana, Cuba, 1989). Through photographs and videos, the exhibition explores the relationship between racism and xenophobia and the way the body becomes the materialization of exclusion. This corporeal object, or objectified body, is employed by the artist as a medium to express cries of resistance and to propose critical reflections on power structures and their influence on the construction of contemporary society.
VIDEO COLLECTIONS FROM CA2M, MAC PANAMÁ AND BIENALSUR JOIN IN MÓSTOLES
By Álvaro de Benito
Un visionado a tres voces (A three-voiced screening frames) is the conversation between three video art collections that draw from the languages and dynamics of different Southern contexts. The selections prepared for the occasion by the Centro de Arte Dos de Mayo Museum (CA2M Museum) in Móstoles —which hosts the initiative—, MAC Panamá and BIENALSUR, carried out through MUNTREF in Buenos Aires, also aim to establish synergies among the institutions.
THE CINEMATIC GAZE OF ANA SEGOVIA AT C3A
By Álvaro de Benito
The Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba is presenting Me duelen los ojos de mirar sin verte, the first solo exhibition in Spain by Ana Segovia (Mexico City, Mexico, 1991), on view until January. Curated by Jimena Blázquez Abascal, the show features thirteen oil paintings on canvas and one work on wood, all created expressly for the occasion.
