PAULA VALENZUELA ANTÚNEZ PRESENTS WHAT DEATH DREAMS OF IN CHILE
The exhibition, curated by Camila Alegría Zenteno and Daniel Aguayo Mozó, brings together a new series of large-format paintings through October that explore transformation, death, and spiritual experience through contemporary painting practice.
As part of its 10th anniversary celebration, Galería CIMA, together with SPECIFIC, presents ¿Qué sueña la muerte?, a solo exhibition by Chilean artist Paula Valenzuela Antúnez (Santiago, 1988), marking a new appearance of her work on the Santiago scene after a period of travel and residencies between Buenos Aires, Berlin, Paris, Miami, and other cities.
Curated by Camila Alegría Zenteno and Daniel Aguayo Mozó, the exhibition brings together large-format abstract paintings in which color, gesture, and material come together as part of an intuitive and spiritual process. For Valenzuela, painting functions as a living language that must be listened to; intuition and the dissolution of the ego, as the artist puts it, are fundamental to the pictorial process: the image manages to open toward that which cannot be fully named.
In ¿Qué sueña la muerte?, the act of painting approaches a practice of attention and transformation. Rather than representing death, the exhibition proposes approaching it as passage, mystery, and impermanence: a force that runs through the very process of painting, where each gesture can imply a disappearance and, at the same time, the possibility of a new image. This approach deepens an inquiry the artist has developed around the poetic and spiritual dimension of art and its capacity to propose other ways of perceiving reality.
A graduate in Visual Arts with a concentration in Painting from Universidad Finis Terrae, Valenzuela has built her career across Chile, Argentina, Germany, and France. Milestones in her trajectory include her first solo exhibition, A qué velocidad, at Galerie Kastanien, Berlin (2020); a residency at Somos Art House, also in Berlin; A ojos cerrados, at Sobering Galerie, Paris (2021); and her participation in the Dijon Art Fair. Her work has also circulated through group exhibitions, spaces, residencies, and galleries in Santiago de Chile, Buenos Aires — where she lived for seven years — Berlin, and Miami. She is co-editor of the book Desbordar el cauce ("Overflowing the Riverbed"), a series of conversations with contemporary women artists in the context of the pandemic, published by Editorial Metales Pesados in 2025.
The exhibition runs through October 12 at Galería CIMA, Penthouse | Azotea—Merced 22, 11th Floor, 8320119 Santiago, Chile.

