Notas relacionadas con: Italy

DISECTING THE IDEA OF PROGESS. THE KOREAN PAVILION AT THE VENICE BIENNALE

2086: Together now? asks why there is so much isolation at an era where humans are supposed to be hyper-connected through globalization of information, finance, and event culture.

Architecture

DISECTING THE IDEA OF PROGESS. THE KOREAN PAVILION AT THE VENICE BIENNALE

HUMANITY IS NOT A COMPLETED PROJECT: JIMMIE DURHAM’S RETROSPECTIVE

The exhibition presented by the Madre Museum is the first retrospective after his death in late 2021, and features over 150 works, some never previously exhibited.

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HUMANITY IS NOT A COMPLETED PROJECT: JIMMIE DURHAM’S RETROSPECTIVE

BIENNALE ARCHITETTURA 2023: THE LABORATORY OF THE FUTURE

The 18th International Architecture Exhibition, titled The Laboratory of the Future, will be open to the public from Saturday May 20 to Sunday November 26, 2023 at the Giardini and the Arsenale, and at Forte Marghera; it will be curated by Lesley Lokko and organised by La Biennale di Venezia.

Architecture

BIENNALE ARCHITETTURA 2023: THE LABORATORY OF THE FUTURE

ADRIANO PEDROSA IS THE APPOINTED CURATOR OF THE VENEZIA BIENNALE ARTE 2024

The Board of La Biennale di Venezia appointed Adriano Pedrosa as Director of the Visual Arts Sector, with the specific task of curating the 60th International Art Exhibition to be held in 2024 (from April 20th to November 24th).

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ADRIANO PEDROSA IS THE APPOINTED CURATOR OF THE VENEZIA BIENNALE ARTE 2024

PEACE SYMBOLS AT ZERO ARMI NUCLEARI BY PEDRO REYES

Zero Armi Nucleari is Mexicam artist Pedro Reyes first solo exhibition in the Italian Museo Nivola, exposing through his work a strong message of nuclear disarmament.

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PEACE SYMBOLS AT ZERO ARMI NUCLEARI BY PEDRO REYES

KINGDOM OF THE ILL: THE GROUP EXHIBITION THAT TAKES MUSEION

An international group exhibition will occupy the entire building of the Italian museum Museion. Kingdom of the Ill seeks to respond to the current debate on health and illness, contamination and purity, care and neglect by asking how and by whom a body is defined as healthy or sick.

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KINGDOM OF THE ILL: THE GROUP EXHIBITION THAT TAKES MUSEION

“THE AWAKENING OF NATURE” - PUBLIC EXHIBITION OF PABLO ATCHUGARRY IN ITALY

The exhibition presents on several locations of the city of Lucca, 45 sculptures in marble, bronze and wood. The works in the streets, 16th century walls, churches and two interior spaces, can be visited until September 4.

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“THE AWAKENING OF NATURE” - PUBLIC EXHIBITION OF PABLO ATCHUGARRY IN ITALY

BETWEEN SUNRISE AND SUNSET - UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE

The National Pavilion UAE exhibitis Mohamed Ahmed Ibrahim: Between Sunrise and Sunset at the Biennale Arte 2022 (Venice Biennale). Curated by Maya Allison, Executive Director of The New York University Abu Dhabi Art Gallery, the exhibition presents an installation of human-sized, abstract and organic sculptural forms.

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BETWEEN SUNRISE AND SUNSET - UNITED ARAB EMIRATES PAVILION AT THE VENICE BIENNALE

CECILIA VICUÑA RECEIVES THE GOLDEN LION AT THE VENICE BIENNALE

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

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CECILIA VICUÑA RECEIVES THE GOLDEN LION AT THE VENICE BIENNALE

THE IMPORTANCE OF THE ORIGIN WILL BE IMPORTED BY THE ORIGIN OF THE SUBSTANCE – ARGENTINE PAVILION AT THE VENICE BIENNALE

In this 59th International Art Exhibition – La Biennale di Venezia, the largest contemporary art event in the world, the artist selected to represent Argentina is Mónica Heller, who will show in the Argentine pavilion the video installation entitled The Origin of Substance Will Matter the Importance of Origin. The project, which has the curatorship of Alejo Ponce de León, was chosen among the 40 proposals that were presented in a public and open call.

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THE IMPORTANCE OF THE ORIGIN WILL BE IMPORTED BY THE ORIGIN OF THE SUBSTANCE – ARGENTINE PAVILION AT THE VENICE BIENNALE

AUSTRALIA EXHIBITS FUSINATO’S “DESASTRES” AT THE VENICE BIENNALE

The Australia Council for the Arts has announced the first details of Marco Fusinato’s presentation at the Venice Biennale 2022, curated by Alexie Glass-Kantor and titled ‘DESASTRES’.

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AUSTRALIA EXHIBITS FUSINATO’S “DESASTRES” AT THE VENICE BIENNALE

BLACK STAR – GHANA PAVILION AT THE VENICE BIENNALE

Following its highly acclaimed debut at the 2019 Biennale, Ghana will present the exhibition Black Star—The Museum as Freedom for the Ghana Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022. With the patronage of Ghana’s President Nana Addo Dankwa Akufo-Addo and curatorship by Nana Oforiatta Ayim, the featured artists are Na Chainkua Reindorf, Afroscope and Diego Araúja.

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BLACK STAR – GHANA PAVILION AT THE VENICE BIENNALE

GERMAN PAVILION AT THE 59TH VENICE BIENNALE: A QUESTION ON PAVILIONS THEMSELVES

The German Pavilion at the 59th International Art Exhibition—la Biennale di Venezia in 2022 will feature the artist Maria Eichhorn. By choosing Eichhorn, who was born in Bamberg in 1962 and lives in Berlin, the curator Yilmaz Dziewior has decided in favor of an internationally highly recognized artist known as much for her conceptual approach as for her subtle sense of humor. With her visually minimal gestures, spatial interventions, and process-based works, Eichhorn critically examines institutional power structures and political and economic interrelationships.

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GERMAN PAVILION AT THE 59TH VENICE BIENNALE: A QUESTION ON PAVILIONS THEMSELVES

MÓNICA HELLER FOR THE ARGENTINE PAVILION AT THE 2022 VENICE BIENNIAL

Heller's proposal has been selected from more than 30 preliminary projects presented in an open call through the Argentine Foreign Ministry and consists of a multi-channel 3D animation video installation. The curator of the exhibition is Alejo Ponce de León.

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MÓNICA HELLER FOR THE ARGENTINE PAVILION AT THE 2022 VENICE BIENNIAL

EXTEND THE WHITE OF THE STATUES TO THE WALLS AND CUT THE BLUE OF THE SKY

Carlo Scarpa designed the Gipsoteca - plaster museum - for Antonio Canova in Possagno between 1955 and 1957. An expansion of the museum that houses the molds of the great Italian neoclassical sculptor, we keep a copy of his Three Graces in front of the Sarmiento Historical Museum in Buenos Aires.

By Arch. Alejandro Vaca Bononato
Architecture

EXTEND THE WHITE OF THE STATUES TO THE WALLS AND CUT THE BLUE OF THE SKY

By Arch. Alejandro Vaca Bononato
LIFE OF MATTER - PABLO ATCHUGARRY EXHIBITS AT THE PALAZZO REALE IN MILAN

Until January 30th, 2022, a monographic exhibition of Pablo Atchugarry is on display at the Palazzo Reale in Milan. Vida de la materia (Life of Matter) is the name given to this large exhibition that includes a set of 40 works and the curatorship of art critic Marco Meneguzzo.

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LIFE OF MATTER - PABLO ATCHUGARRY EXHIBITS AT THE PALAZZO REALE IN MILAN

CARLO SCARPA, VENICE, THE ENIGMA IN THE POETIC

"Venice, nenuphar city" ... says the poet Paul Morand in his magnificent book Venises, plural. Venice, in addition to being host of the most famous biennials, today on its seventeenth edition in architecture, is in its plurality the land of one of the great masters of 20th century architecture, Carlo Scarpa.

By Alejandro Vaca Bononato, Architect
Architecture

CARLO SCARPA, VENICE, THE ENIGMA IN THE POETIC

By Alejandro Vaca Bononato, Architect
LA BIENNALE DI VENEZIA – OPEN CALL FOR EMERGING ARTISTS

Artists under 30 and from all over the world may apply for the call, which starts with a workshop and includes the possibility to obtain a 25,000 euro grant and the chance to exhibit in the context of the 59th International Art Exhibition of La Biennale di Venezia, Il latte dei sogni / The Milk of Dreams, curated by Cecilia Alemani.

Application deadline: July, 26th

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Open Calls

LA BIENNALE DI VENEZIA – OPEN CALL FOR EMERGING ARTISTS

“STOP PAINTING” -  PETER FISCHLI EXHIBITS A PANORAMA ABOUT RUPTURE AT FONDAZIONE PRADA VENICE

Described by Peter Fischli as “a kaleidoscope of repudiated gestures”, the project explores a series of specific ruptures within the history of painting in the last 150 years, intertwined with the emergence of new social factors and cultural values. The exhibition also intends to understand if the current digital revolution can also cause a new crisis of painting or, on the contrary, contribute to its renewal. Stop Painting is conceived by artist Peter Fischli with more than 110 artworks by international artists on view at the historic palazzo of Ca’ Corner della Regina, Fondazione Prada’s Venetian venue, from 22 May to 21 November 2021.

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“STOP PAINTING” - PETER FISCHLI EXHIBITS A PANORAMA ABOUT RUPTURE AT FONDAZIONE PRADA VENICE