After an in-depth analysis of the homonymous book on economic policy that established the free market guidelines implemented in Chile during the military dictatorship, El Ladrillo (The Brick) questions the eco-political model imposed by Augusto Pinochet and reflects on its cultural and social impact in subsequent years. In the exhibited works, there are references to social and economic history, collective memory and artistic movements such as Russian Constructivism, Neoplasticism, Latin American conceptual art of the 1970s and 1980s, minimalism and Arte Povera.