Galleries

Crisis Galería presents the solo exhibition Amuleto by artist Ana Navas. This marks her second solo show at the gallery. For the Peruvian artist, each "glass organism" emerges from the metabolization of her fascination with the connection between the pioneers of modern abstraction and spirituality.

Zielinsky Barcelona presents Una breve quemadura (A Brief Burn), a solo exhibition by Pedro Torres (Glória de Dourados, Brazil, 1982), where the artist invites viewers to explore, both visually and conceptually, the present and our relationship with the world and environment. Through his work, the Brazilian artist explores the etymology of "the present," presence, and temporality, attempting to resolve certain uncertainties while challenging the linearity of physical temporality.

The art gallery located in downtown Lima presents its second exhibition, featuring renowned artists from Peru, Kyrgyzstan, and China. This new showcase transforms the space into a meeting point between the material and the transient, inviting viewers to immerse themselves in an experience that evolves with every new glance.

A double exhibition brings together the artistic approaches of Majd Abdel Hamid (b. 1988 in Damascus/SY, lives and works in Paris and Beirut) and Sofía Salazar Rosales (b. 1999 in Quito, lives and works in Amsterdam). Both artists share a poetic focus on themes of identity, time, fragility, and materiality. Additionally, both Salazar Rosales and Hamid have created new works for their presentation at Kunst Halle Sankt Gallen, each finding their own references to resonate with in the local context.

The Latin Art Core Gallery presents a historic exhibition dedicated to Eduardo Abela, one of the great exponents of Cuba’s First Vanguard movement. This showcase marks the first exhibition of his work in forty years, offering the public the opportunity to rediscover his artistic legacy.

Metanarratives by Ariel Cabrera is a pictorial exploration that challenges the linearity of time and history, weaving fragmented narratives where past, present, and future converge on the same stage.

Copperfield presents Rebeca Romero's first solo show with the gallery. The exhibition is accompanied by a text written by Gisselle Girón Casas, curator at the ESCALA Collection. 

Ana González (Bogotá, Colombia, 1974) explores the significance of water as a medium, an environment, and a sacred entity in Llovizna, her solo exhibition at La Cometa’s Madrid venue. Rooted in the Muisca culture’s reverence for water as an integral part of sacred land, this element becomes the symbolic core of her exhibition. Through it, the artist reflects on its spiritual value while also exposing the harsh reality of the Bogotá River, using symbolism to prompt a deeper awareness of environmental degradation.

Luis De Jesus Los Angeles presents Hugo Crosthwaite: Ex-voto, the artist’s sixth solo exhibition with the gallery. It brings together a new series of large-scale paintings and multi-panel mural on canvas—a prolific endeavor that continues his commitment to visualizing the many myths, narratives, and dynamics of his native Tijuana, Mexico.

Piero Atchugarry Gallery announces Gravitas Act I & II by artist Tulio Pinto in collaboration with photographer Eduardo Rezende, curated by Jennifer Inacio; the exhibition highlights the continuous exploration of balance as both a formal and existential condition.

Huxley-Parlour presented Adua, an exhibition of works by Colombian artist Karen Paulina Biswell and Colombian Embera-Chami artist and cultural guardian Maria Amilbia Siagama Siagama at the Swallow Street gallery in March 2025.

ICPNA Cultural presents La piel de mi reino, a retrospective of the Peruvian artist Claudia Coca (Lima, 1970). This exhibition brings together works created from the mid-1990s to the present, reflecting the artist's unwavering commitment to researching, deconstructing, and reconstituting historical systems of representation.

The institution commemorates six decades of trajectory reaffirming its commitment to Argentine artistic production and the continuous development of its scene. To kick off the great year, it presents Estudio para la restauración de un perfil (Study for the Restoration of a Profile) by Ana Gallardo and Alquimia para tiempos turbios (Alchemy for Turbulent Times) by Marina De Caro.

The ABRA gallery has inaugurated a show at warehouse 9 of the Centro de Arte Los Galpones (Los Chorros) that brings together 48 drawings by 48 artists from different generations of the Venezuelan art scene.

SKETCH  gallery presents Un todo con partes separadas, an exhibition by Colombian artist David Julián Cortés (1998) that delves into the relationship between painting and weaving, using materials with a strong symbolic and cultural charge.

The exhibitions Retroespectro (Retrospectrum) by Agustín González Goytía and Un amor y una promesa (A love and a promise) by Fabio Risso Pino, presented at the Linse gallery, invite visitors to explore different approaches to memory, the configuration of images, and artistic identity. While both shows come from distinct languages and concerns, they explore the relationship between past and present, the materiality of art, and its impact on the construction of subjectivities.

kurimanzutto presents Haegue Yang’s (1971, South Korea) exhibition Arcane Abstractions, featuring works that present a continuation of her deep engagement with abstraction. The show brings together diverse bodies of work alongside an archival display with pieces made by Mexican artisans and references to local materials.

The British gallery, in collaboration with Proyectos Ultravioleta, presents The Spirit of Science Fiction, the first solo exhibition of Felipe Mujica (Santiago, Chile, 1974) in the United Kingdom. The exhibition takes its title from a novel by Roberto Bolaño and brings together a variety of media, including textiles, screen prints, artist books, and a new series of works on paper titled Te regalaré un abismo.

Macarena Yáñez, Macay (Santiago, Chile, 1982) proceeds with meticulousness to the creative elaboration of textiles that hide numerous analyses. The scraps of clothing that left behind their main function, recover from the hand of the Chilean woman an ancient mandate as a record of oral tradition and become a tool of transmission, but also of reflection of the place of the human being within a vilified natural ecosystem.

The Ecuadorian art space presents Ánima Espina, an exhibition by Nicolás Aguirre (Quito, Ecuador, 1991) and Chloé Viton (Lyon, France, 1993), where the fusion of the human, the ancestral, and the mythical is reflected.

CORRESPONDENCES at Kurimanzutto, the ongoing collaboration between Soundwalk Collective and Patti Smith, marks the first time this body of work is exhibited in New York and in a gallery space; the exhibition explores diverse geographies, histories, and natural environments.

At Plaza Bolognesi, in the historic center of Lima, has opened GATO. Co-founded by Axier Villanueva and Oscar Flórit, this art platform seeks to sustain a dynamic, institutional-level program in a unique commercial environment.

The proposal of Día Muñoz (Guayaquil, Ecuador, 1989) goes through the materialized ideas of a posthumanist future from a speculative perspective in his recent exhibition “Creaturas” de la dimensión de lo inconsciente (Creatures from the dimension of the unconscious) at the Madrid-based Ponce+Robles. To this end, she concentrates on the scientific possibilities and the multiple options of resolution, starting from organic principles with which to operate and create those dimensions of biological character and fundamentally technical essence.

The VIGILGONZALES gallery presents Ansío lo que crece mientras cae (I Long for What Grows While Falling), an individual exhibition by Peruvian artist Natalia Iguiñiz Boggio; it highlights, both from a personal perspective and through historical reflection, the symbolic and epistemological aspects that uphold the vertical order of the patriarchal system.