Notas relacionadas con: Painting

CASA TRIÂNGULO ANNOUNCES O BASTARDO’S PRETOS DE GRIFFE

O Bastardo’s first solo exhibition at the gallery points to the urgent need for a historical revisionism that will enable black people to increasingly believe they are what they have always wanted to be: free to enjoy life in all its fullness.

Galleries

CASA TRIÂNGULO ANNOUNCES O BASTARDO’S PRETOS DE GRIFFE

ES BALUARD MUSEU PRESENTS ITS NEW COLLECTION EXHIBITION "PERSONAE. MASKS AGAINST BARBARITY"

The project, curated by Imma Prieto, structures and defines the Collection from a line of research focused on the human body, understood as a reflection of socio-political situations in different contexts. In addition, it brings us closer to the construction of identity from the relationship between body, subject and image. The exhibition can be visited in Space C of the Museum until November 13, 2022.

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ES BALUARD MUSEU PRESENTS ITS NEW COLLECTION EXHIBITION "PERSONAE. MASKS AGAINST BARBARITY"

NSU ART MUSEUM FORT LAUDERDALE EXHIBITS WORKS BY MARGARITA CANO

Celebrating the occasion of her 90th birthday, the exhibition will be on display until February 13, 2022. The aim is to celebrate the life and work of Cuban-born, Miami-based artist Margarita Cano.

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NSU ART MUSEUM FORT LAUDERDALE EXHIBITS WORKS BY MARGARITA CANO

JOSÉ CAEROLS NOMINATED IN Ch.ACO FOR THE EFG LATIN AMERICAN ART AWARD

The EFG Latin America Art Award, in partnership with ArtNexus, announces José Caerols, from OMA Galeria, Santiago de Chile, as the nominated artist for its annual acquisition award. The list of selected artists is now finallyy complete, and the winner will be announced at Pinta Miami this week.

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JOSÉ CAEROLS NOMINATED IN Ch.ACO FOR THE EFG LATIN AMERICAN ART AWARD

THE SELF-PORTRAIT THAT BROKE RECORDS FOR FRIDA KAHLO AND EDUARDO COSTANTINI

At a Sotheby’s auction, the Argentine businessman and collector acquired Diego y yo (1949) for $ 34.8 million. Thus, the oil painting became the most expensive work in the history of Frida Kahlo, in the history of Latin American art, Mexican art and by a woman artist from the region.

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THE SELF-PORTRAIT THAT BROKE RECORDS FOR FRIDA KAHLO AND EDUARDO COSTANTINI

FTALO GALLERY EXHIBITS "TANTO TIEMPO" BY PAZ BARDI

The exhibition is the reflection of a series of paintings by Paz Bardi under a theme that is, at the same time, method. Taking time as a place, as a tool, and as a subject, the exhibition and its curatorship (by felisa) display a type of creation that can be summarized as: 1. Complicity 2. Fantastic architecture 3. Filtering and editing 4. Mediation

Galleries

FTALO GALLERY EXHIBITS "TANTO TIEMPO" BY PAZ BARDI

ON THE MEANING OF INTERSECTION – EAMON ORE-GIRON’S EXHIBITION IN GENEVA

Geneva-based gallery Espace Muraille presents Eamon Ore-Giron: Auto-Tune, the first-ever show of the Los Angeles-based artist in continental Europe. Curated by Valentina Locatelli and developed in close collaboration with the artist, the exhibition gathers eighteen paintings from his ongoing series Infinite Regress, conceived especially for the exhibition in Geneva, and two loom-woven tapestries created in collaboration with the Taller Mexicano de Gobelinos in Guadalajara, Mexico

Galleries

ON THE MEANING OF INTERSECTION – EAMON ORE-GIRON’S EXHIBITION IN GENEVA

LYDIA RUBIO: THE ARTIST IN ARCADIA

Lydia Rubio was born in Havana, Cuba, with art in her bones. She comes from three generations of women painters, to be precise. "My grandmother painted every day, whenever she could," Lydia recalls. "She worked at an office but painted in the living room. The whole family lived together, so I used to see her painting there and was trained visually. My cousin, everybody was drawing and painting, but I was the only one that took it to another level of development and commitment."

By Kristin Knox
Reviews

LYDIA RUBIO: THE ARTIST IN ARCADIA

By Kristin Knox
September 30, 2021
INTIMATE, URBAN AND HUMAN - YAMADÚ CANOSA EXHIBITS IN BARCELONA

Galería Zielinsky presents Yamandú Canosa's exhibition "Entre ramas” (Between Branches) as an epilogue — a coda — to "El árbol de los frutos diferentes", the project that the artist presented in 2011 at the Fundació Suñol in Barcelona. “Entre ramas” is Yamandú Canosa's first solo exhibition for the Zielinsky Gallery, in which the artist revisits works from different periods that interweave different formal preferences and thematic subjects.

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INTIMATE, URBAN AND HUMAN - YAMADÚ CANOSA EXHIBITS IN BARCELONA

RAQUEL RABINOVICH EXHIBITS “PORTALS” IN NEW YORK

Presented by Hutchinson Modern & Contemporary, the exhibition features a selection of the artist’s work from the 1960s to the present. Over the course of a seventy-year-long career, New York-based Argentinian-American artist Raquel Rabinovich (b. 1929, Buenos Aires) has been concerned with the paradox of making the invisible visible. Her interest in mythology, existence, poetry, nature, and transcendence is reflected in her monochromatic paintings and drawings, as well as in her sculptural practice that encompasses large-scale glass environments and site-specific stone installations along the shores of the Hudson River.

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RAQUEL RABINOVICH EXHIBITS “PORTALS” IN NEW YORK

NOHRA HAIME GALLERY EXHIBITS JULIO LARRAZ: MAJOR WORKS FROM PRIVATE COLLECTIONS

The exhibition comprises fourteen key works from major collections, including most of Larraz’ notorious themes.

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NOHRA HAIME GALLERY EXHIBITS JULIO LARRAZ: MAJOR WORKS FROM PRIVATE COLLECTIONS

“ANTONIO HERNIQUE AMARAL: INSIDE OUT” IN CASA TRIÂNGULO

Casa Triângulo exhibits Antonio Henrique Amaral: Pelo Avesso, Antonio Henrique Amaral's first exhibition at the gallery, curated by Pollyana Quintella and Raphael Fonseca. Multiple and polyphonic, Antonio Henrique Amaral (1935 - 2015) endeavored to create a body of work that would resist univocal meanings. His more than six decades of production have drawn a multifaceted path that has been the subject of recent revisions through essays and monographic exhibitions that place the artist beyond his iconic and emblematic Bananas, made between 1968 and 1975.

Galleries

“ANTONIO HERNIQUE AMARAL: INSIDE OUT” IN CASA TRIÂNGULO

VARIATIONS ON A THEME - THE McMULLEN MUSEUM OF ART IN BOSTON EXHIBITS MARIANO RODRÍGUEZ’ RETROSPECTIVE

The first major exhibition on Cuban artist Mariano Rodríguez (1912–90) in the United States, this retrospective features over 140 oil paintings, watercolors, and drawings from leading museum and private collections, including the artist's estate, which has provided unprecedented access to rarely seen works and archives.

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VARIATIONS ON A THEME - THE McMULLEN MUSEUM OF ART IN BOSTON EXHIBITS MARIANO RODRÍGUEZ’ RETROSPECTIVE

PRODUCTION / REPRODUCTION - SANDRA GAMARRA’S INDIVIDUAL EXHIBITION AT MALI

The Museum of Art of Lima - MALI presents this exhibition of the outstanding Peruvian artist curated by the historian and art critic Luis Eduardo Wuffarden. Based on the so-called mixed race paintings commissioned by Viceroy Manuel de Amat y Junyent and sent to the King of Spain Carlos III in 1770, Sandra Gamarra commissioned their reproduction to a copyists' workshop in China. On these she added quotes from different contemporary feminist thinkers. In response to the absence of original works in Peru, this series, made up of twenty paintings, has been donated by LiMac to the MALI collection of contemporary art.

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PRODUCTION / REPRODUCTION - SANDRA GAMARRA’S INDIVIDUAL EXHIBITION AT MALI

“POEMS BY TWO | BURNT LETTERS” AT FONTE ART RESIDENCY

Drawing from possibilities of artistic creation through affectations, the artists Marcelo Amorim and Nino Cais present a joint exhibition at FONTE, an independent art and residency space they founded in 2013. With curatorship by Ana Roman, "Poemas a Dois e Cartas Queimadas" (Poems by Two and Burnt Letters) investigates the male body and its relations of nearness and distance with violence and love.

Residences

“POEMS BY TWO | BURNT LETTERS” AT FONTE ART RESIDENCY

“EL ATAJO”. A DISPLACEMENT IN THE AUTHOR

José Luis Landet has been searching for the image of the Latin American landscape for years. And in El Atajo (The Shortcut), the exhibition that he presents in Marco, he finds some ways of approaching that idea. He builds ramps, connects vestiges, shreds colors, traces identikits, joins random images, creates an alphabet ... and ends up building a total idea of ​​our landscape, but above all of another subject that also haunts him: the painting. There is a large installation, a physical shortcut, and a set of 467 works that point to something that is clear in the subtitle: a displacement in the author.

By Maria Paula Zacharías
Reviews

“EL ATAJO”. A DISPLACEMENT IN THE AUTHOR

By Maria Paula Zacharías
August 31, 2021
VOLVAMOS, PAINTINGS IN A CYCLE TO BE UNVEILED

The Galería del Paseo Lima presents Volvamos (Let’s Return), the solo show by Sylvia Fernández under the curatorship of Nicolás Gómez Echeverri.

Galleries

VOLVAMOS, PAINTINGS IN A CYCLE TO BE UNVEILED

OTHER POSSIBLE WORLDS

Is a visual manifesto possible? How to show the possible dialogues between art and education? How many images are within each image? How many words are in each word? What's in between? With these questions, the Argentine artist Marina De Caro introduces us to her exhibition Tierra de las emociones perdidas (Land of Lost Emotions), at the Ruth Benzacar gallery in the city of Buenos Aires, which brings together her most recent production.

By Laura Casanovas - Art critic and independent curator
Reviews

OTHER POSSIBLE WORLDS

By Laura Casanovas - Art critic and independent curator
August 09, 2021
MEXICO - LANAO EXHIBITS "TO EAT ONE’S EYE, TO METABOLIZE PAINTING"

The group show runs until August 26 at the laNao space in La Condesa, Mexico City. Curated by Manuel Sentíes, COMERSE EL OJO (TO EAT ONE’S EYE) revolves around painting. The artists Anaís Vasconcelos, Luis Figueroa, Lucas Lugarinho and Enrique López Llamas participate.

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MEXICO - LANAO EXHIBITS "TO EAT ONE’S EYE, TO METABOLIZE PAINTING"

SPECIAL DEFECTS - FERNANDO UHÍA IN NUEVEOCHENTA GALLERY

It is inevitable to mention the history of painting when we refer to the work of Fernando Uhía, since it seems in the first instance to allude to the theories of color, the purism of the medium and the ruptures of the mimetic representation that occurred during the emergence of the artistic avant-gardes in the first decades of the 20th century. However, Special Defects departs from such assumptions and invites the viewer to an aesthetic experience of color through a unique treatment of paint. The above, from a global language that is expressed through the construction of shapes and colors, which today are not only present in fine arts but also in design and advertising. " Luciana Rizo introduces in the curatorial text.

Galleries

SPECIAL DEFECTS - FERNANDO UHÍA IN NUEVEOCHENTA GALLERY

EVELATED MATTER GALLERY EXHIBITS LYDIA RUBIO’S FORBIDDEN LANDSCAPES

The exhibition PROHIBIDO (Forbidden) showcases selection of 13 paintings and an oversized travel journal completed from 1992 to 2014 by artist Lydia Rubio, who represents her environment in a naturalistic style reminiscent of the Hudson River School. For four decades, she has painted highly technical oils on panel, using the traditions of the old masters with a systematic conceptual approach; the traditional style transformed through her subversive allegorical and poetic play.

Galleries

EVELATED MATTER GALLERY EXHIBITS LYDIA RUBIO’S FORBIDDEN LANDSCAPES

ESPEJO QUEMADA – DONNA HUANCA’S EXPERIMENTAL INSTALLATION AT BALLROOM MARFA

The artworks draw on visual, cultural, and mythological cues informed by feminism, decolonialism and the artist’s personal and familial histories, while simultaneously engaging with the biodiversity, geology, and dark skies of Far West Texas. The sky was particularly striking for Huanca–animated with cosmic and extraterrestrial forces while also revealing the natural rhythms of the sun and moon. ESPEJO QUEMADA is curated by Daisy Nam, Ballroom Marfa curator.

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ESPEJO QUEMADA – DONNA HUANCA’S EXPERIMENTAL INSTALLATION AT BALLROOM MARFA

DANIEL ORTEGA CREATES AN IMAGINARY OF FUTURE ARCHEOLOGY IN HIS EXHIBITION "ABRAXAS"

Exhibited at Galería Zielinsky, this solo exhibition will take place until September 10, 2021 in Barcelona. It gives an account of the recent production of the artist, who bases his research on envisioning a new perspective of the landscape: extracting the layers of the environment he inhabits and discovering the synergies that arise between fragments of everyday ruins with materials of great symbolic charge.

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DANIEL ORTEGA CREATES AN IMAGINARY OF FUTURE ARCHEOLOGY IN HIS EXHIBITION "ABRAXAS"

BENJAMÍN CIEZA HURTADO EXHIBITS “SUBYUGADO” IN VIGIL GONZALES GALLERY

Set in Valle Sagrado de los Incas (Peru), the works are exhibited along with a made-for-the-occasion text written by Rafael Mayu Nolte. Taking its elements from banking, advertising and finance, the show aims to expose the ways in which a generation was manipulated and even suffocated by monetary schemes. Through metonimias and the deliberate invisibility of all identities but the white male, Cieza Hurtado speaks to the middle-class consciense of Lima.

Galleries

BENJAMÍN CIEZA HURTADO EXHIBITS “SUBYUGADO” IN VIGIL GONZALES GALLERY

ADRIANA VAREJÃO EXPLORES COLONIALISM THROUGH AESTHETIC SYNCRETISM AT GAGOSIAN NEW YORK

Varejão’s rich and diverse artistic oeuvre embodies the mythic pluralism of Brazilian identity and the fraught social, cultural, and aesthetic interactions that engendered it. Living and working in Rio de Janeiro, she draws upon the potent visual legacy of colonial histories and transnational exchange, creating confluent forms that expose the multivalent nature of memory and representation.

Galleries

ADRIANA VAREJÃO EXPLORES COLONIALISM THROUGH AESTHETIC SYNCRETISM AT GAGOSIAN NEW YORK

ABRA GALLERY EXHIBITS PAINTINGS BY JUAN CARLOS PORTILLO IN 'IT WILL BE BETTER THAN YESTERDAY'

It is an individual exhibition by the Venezuelan artist Juan Carlos Portillo made up of a set of 23 works that unfold in the room as a journey towards memory, where the flight of birds and a translucent atmosphere on the canvas trace a network that introduces the viewer in an anachronic album, the artist's personal blog, according to the gallery representatives.

Galleries

ABRA GALLERY EXHIBITS PAINTINGS BY JUAN CARLOS PORTILLO IN 'IT WILL BE BETTER THAN YESTERDAY'

LAST DAYS OF "ACTOS PREPARATIVOS: NEW LATIN AMERICAN FIGURATION"

The Chilean artist Pablo Linsambarth (Santiago de Chile, 1989) exhibits in VIGIL GONZALES’ Online Viewing Room (Peru). The exhibition aims to account for a new figurative aesthetic in development in the American continent. Taking into consideration the historical and social framework that surrounds Linsambarth's artistic impulses, the paintings on display are part of an equally interesting dialogue on an aesthetic, conceptual and political level.

Galleries

LAST DAYS OF "ACTOS PREPARATIVOS: NEW LATIN AMERICAN FIGURATION"