Notas relacionadas con: Painting

BETWEEN LAYOUTS, COLORS AND VIBRATIONS – JUDITH LAUAND: CONCRETE DEVIATION

"Judith Lauand/Walking into the future". In that way Profilograma Judith (2000), by Augusto de Campos, one of the main names of concrete poetry in Brazil, celebrates the art of Judith Lauand (1922-2022).  The São Paulo artist, a female figure almost isolated in the country, was given a long retrospective with 124 works and extensive documentation, opened before her death at the end of last year, at São Paulo Museum of Art (MASP).

By By Mario Gioia, art critic and independent curator.
Reviews

BETWEEN LAYOUTS, COLORS AND VIBRATIONS – JUDITH LAUAND: CONCRETE DEVIATION

By By Mario Gioia, art critic and independent curator.
March 29, 2023
LUCIAN FREUD. NEW PERSPECTIVES IN LONDON AND MADRID

The Museo Nacional Thyssen-Bornemisza, in collaboration with the National Gallery of London, presents a retrospective dedicated to the British painter Lucian Freud (1922-2011), on the occasion of the centenary of his birth.

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LUCIAN FREUD. NEW PERSPECTIVES IN LONDON AND MADRID

MARIO GIACOYA AT THE NATIONAL MUSEUM OF VISUAL ARTS OF URUGUAY

"Giacoya" is the first solo exhibition of Floridian artist Mario Giacoya (1951) at the National Museum of Visual Arts (MNAV).

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MARIO GIACOYA AT THE NATIONAL MUSEUM OF VISUAL ARTS OF URUGUAY

THE EPHEMERAL IN THINGS - MARTINA SERVIO OLAVIDE IN 1+1

In her first solo exhibition, the artist from Córdoba moves between and beyond the limits of what can be said, from words and beyond them, with curatorship by Agustina Rinaldi.

By Santiago López
Reviews

THE EPHEMERAL IN THINGS - MARTINA SERVIO OLAVIDE IN 1+1

By Santiago López
December 21, 2022
ANTONIO SEGUÍ AT GALERIE CLAUDE BERNARD, PARIS

The Claude Bernard Gallery is dedicating an exhibition as a tribute to the master Antonio Seguí, who passed away in February at the age of 88 in Buenos Aires.

By Patricia Avena Navarro
Reviews

ANTONIO SEGUÍ AT GALERIE CLAUDE BERNARD, PARIS

By Patricia Avena Navarro
December 13, 2022
RAQUEL FORNER AND HER SPATIAL WORKS TAKE THE BELLAS ARTES MUSEUM

Raquel Forner. Spatial Revelations. 1957-1987 at Museo de Bellas Artes de Buenos Aires exhibits the series of paintings, drawings and engravings of the Argentine artist, dedicated to exploring the conquest of the cosmos.

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RAQUEL FORNER AND HER SPATIAL WORKS TAKE THE BELLAS ARTES MUSEUM

GABRIELA AYZA ASCHMANN: HER CALL TOWARDS WILD (LIGHT)

The Spanish-German artist Gabriela Ayza Aschmann (Cologne, Germany, 1991) presents in Tomas Redrado Art a series of paintings created in 2022, as an experience of inquiry into the expanded borders of portraiture that strengthens her. It is a sustained practice that she carries out advancing against the background of the history of the avant-garde, but above all she acts as if she were tearing pages from her own life, to add them to art.

By Adriana Herrera Téllez
Reviews

GABRIELA AYZA ASCHMANN: HER CALL TOWARDS WILD (LIGHT)

By Adriana Herrera Téllez
November 15, 2022
FLORENCIA BÖHTLINGK NOMINATED IN arteBA FOR THE EFG LATIN AMERICAN ART AWARD

The EFG Latin America Art Award, in partnership with ArtNexus, presented the nominated artist for its annual acquisition award. Florencia Böhtlingk, from HACHE Gallery, Buenos Aires, adds up to the list of selected artists. The winner will be announced at Pinta Miami during Art Week in Miami.

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FLORENCIA BÖHTLINGK NOMINATED IN arteBA FOR THE EFG LATIN AMERICAN ART AWARD

A LEONORA CARRINGTON RETROSPECTIVE IN ARKEN MUSEUM OF MODERN ART

ARKEN Museum of Modern Art opens the first major Leonora Carrington exhibition in Scandinavia. The artist was one of Surrealism’s key figures, rebelling against power hierarchies and conventions with a magical universe filled with humor, witchcraft and spirit.

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A LEONORA CARRINGTON RETROSPECTIVE IN ARKEN MUSEUM OF MODERN ART

KAREN LAMASSONNE’S DESIRING LANDSCAPES IN RUIDO / NOISE, THE EXHIBITION AT SWISS INSTITUE

Ruido / Noise is the first international survey of the work of Colombian American artist Karen Lamassone. Spanning from her early years to today, the exhibit at Swiss Institute shows the artist’s commitment to portraying women as desiring subjects.

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KAREN LAMASSONNE’S DESIRING LANDSCAPES IN RUIDO / NOISE, THE EXHIBITION AT SWISS INSTITUE

SKIN (NOTES ON THE DISAPPEARING PAINTING)

During the last years painting has continued its course in permanent metamorphosis, adapting to the times, reviving from its previous deaths, stripping itself of accessories, undressing and even disappearing. A part of this process has focused on the mechanisms of production; the other, has been accompanied by an intense reflection that goes beyond painting and meditates on the status of image.

By Félix Suazo
Reviews

SKIN (NOTES ON THE DISAPPEARING PAINTING)

By Félix Suazo
September 30, 2022
THE OSWALDO VIGAS FOUNDATION LAUNCHES THE ARTIST'S ONLINE CATALOG RAISONNÉ

The new catalog raisonné of Oswaldo Vigas is now available online, thanks to the artist's foundation. This is the first Venezuelan artist to have a complete catalog of this kind.

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THE OSWALDO VIGAS FOUNDATION LAUNCHES THE ARTIST'S ONLINE CATALOG RAISONNÉ

ISLAA PRESENTS “EROS RISING: VISIONS OF THE EROTIC IN LATIN AMERICAN ART”

Exhibited by The Institute for Studies on Latin American Art (ISLAA) and curated by Mariano López Seoane and Bernardo Mosqueira, Eros Rising presents drawings, paintings, and photographs by Artur Barrio, Oscar Bony, Carmelo Carrá, Feliciano Centurión, David Lamelas, Castiel Vitorino Brasileiro, Carlos Motta, Wynnie Mynerva, La Chola Poblete, and Tadáskía that seek to give form to the intangible experience of eroticism.

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ISLAA PRESENTS “EROS RISING: VISIONS OF THE EROTIC IN LATIN AMERICAN ART”

A BRIDGE BETWEEN PAINTING AND ARCHITECTURE

The Sala Alcalá 31 of the Community of Madrid presents the exhibition "A bridge to stay" in which the artist Guillermo Mora dialogues with the architecture of the room and influences how this space is perceived and transited. A questioning of hierarchies and pre-established orders that leads to new ways of traveling, looking at and experiencing space and painting.

Architecture

A BRIDGE BETWEEN PAINTING AND ARCHITECTURE

DEAD TREE IN THE FRONT YARD

The Thyssen-Bornemisza National Museum (Madrid, Spain) contains the world view of the American people. Almost four centuries of American painting are on display in rooms 46 to 55 on the first floor of the museum. To name but a few names: Peale, Cole, Heade, Church, Hopper, Burchfield, Shahn, Rothko, de Kooning, Pollock, Estes... Probably the most complete collection of American art in Europe, and a must-see exhibition for anyone who wants to understand the history and thougt of the Western country.

By Matías Helbig
Reviews

DEAD TREE IN THE FRONT YARD

By Matías Helbig
June 08, 2022
AN AVANT-GARDE IN LOCAL COLORS - ONCE UPON A MODERN TIME

On the occasion of the centenary anniversary of the 1922 Modern Art Week, a key event for the artistic avant-gardes in Brazil and which consolidated what would become known as modernism in the country, several exhibitions throughout the year (and also in 2021) revolved around, discussed, explained, replaced and 'cancelled' such an initiative. Considered a milestone in the cultural renewal of Brazilian art, the week was about to turn around in its already canonical grave.

By Mario Gioia, art critic and independent curator
Reviews

AN AVANT-GARDE IN LOCAL COLORS - ONCE UPON A MODERN TIME

By Mario Gioia, art critic and independent curator
May 21, 2022
CUBAN LEGACY GALLERY PRESENTS BARUJ SALINAS: 1972–2022

Miami Dade College’s (MDC) Cuban Legacy Gallery, in collaboration with the American Museum of the Cuban Diaspora, presents Baruj Salinas: 1972–2022, a thematic survey of the acclaimed Miami-based Cuban American painter’s abstract work. Curated by Adriana Herrera, the show spans a half century of Salinas’ artistic career and features 40 works and includes paintings, works on paper, glazed ceramics, and an artist’s book. The works are borrowed from Miami collections, including that of the Cintas Foundation. The exhibition will be on view until August 14, 2022.

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CUBAN LEGACY GALLERY PRESENTS BARUJ SALINAS: 1972–2022

ADRIANA VAREJÃO: SUTURES, FISSURES, RUINS

Pinacoteca de São Paulo presents Adriana Varejão: Sutures, Fissures, Ruins, a retrospective exhibition by Adriana Varejão (Rio de Janeiro, 1964). Curated by Jochen Volz, the museum’s general director, the show proposes a narrative that highlights the diversity and complexity of her production.

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ADRIANA VAREJÃO: SUTURES, FISSURES, RUINS

RAPHAEL MONTAÑEZ ORTIZ AT MUSEO DEL BARRIO

El Museo del Barrio presents Raphael Montañez Ortiz: A Contextual Retrospective, from April 14th to September 11th, 2022, the first large-scale exhibition dedicated to the artist, activist, educator and founder of El Museo del Barrio, since 1988. Curated by El Museo’s chief curator, Rodrigo Moura, and guest curator Julieta González, the exhibition spans several decades of his production, from the 1950s to the early 2020s, in different media such as film, painting, photography, video installations, documents, and assemblages. This is the largest exhibition-to-date dedicated to the artist.

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RAPHAEL MONTAÑEZ ORTIZ AT MUSEO DEL BARRIO

The Face of Leviathan, 2021 - oil and acrylic on canvas, 108 x 240 inches

LnS GALLERY announces the inclusion of The Face of Leviathan (2021) by William Osorio into the permanent collection of El Espacio 23. This work, which is inspired by the protests that erupted in Cuba throughout the summer while compositionally quoting Picasso's Guernica (1937), was acquired by the private collection and is set to debut early this year.

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WILLIAM OSORIO IN EL ESPACIO 23

ES BALUARD MUSEU PRESENTS ITS NEW COLLECTION EXHIBITION "PERSONAE. MASKS AGAINST BARBARITY"

The project, curated by Imma Prieto, structures and defines the Collection from a line of research focused on the human body, understood as a reflection of socio-political situations in different contexts. In addition, it brings us closer to the construction of identity from the relationship between body, subject and image. The exhibition can be visited in Space C of the Museum until November 13, 2022.

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ES BALUARD MUSEU PRESENTS ITS NEW COLLECTION EXHIBITION "PERSONAE. MASKS AGAINST BARBARITY"

NSU ART MUSEUM FORT LAUDERDALE EXHIBITS WORKS BY MARGARITA CANO

Celebrating the occasion of her 90th birthday, the exhibition will be on display until February 13, 2022. The aim is to celebrate the life and work of Cuban-born, Miami-based artist Margarita Cano.

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NSU ART MUSEUM FORT LAUDERDALE EXHIBITS WORKS BY MARGARITA CANO

JOSÉ CAEROLS NOMINATED IN Ch.ACO FOR THE EFG LATIN AMERICAN ART AWARD

The EFG Latin America Art Award, in partnership with ArtNexus, announces José Caerols, from OMA Galeria, Santiago de Chile, as the nominated artist for its annual acquisition award. The list of selected artists is now finallyy complete, and the winner will be announced at Pinta Miami this week.

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JOSÉ CAEROLS NOMINATED IN Ch.ACO FOR THE EFG LATIN AMERICAN ART AWARD

THE SELF-PORTRAIT THAT BROKE RECORDS FOR FRIDA KAHLO AND EDUARDO COSTANTINI

At a Sotheby’s auction, the Argentine businessman and collector acquired Diego y yo (1949) for $ 34.8 million. Thus, the oil painting became the most expensive work in the history of Frida Kahlo, in the history of Latin American art, Mexican art and by a woman artist from the region.

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THE SELF-PORTRAIT THAT BROKE RECORDS FOR FRIDA KAHLO AND EDUARDO COSTANTINI

FTALO GALLERY EXHIBITS "TANTO TIEMPO" BY PAZ BARDI

The exhibition is the reflection of a series of paintings by Paz Bardi under a theme that is, at the same time, method. Taking time as a place, as a tool, and as a subject, the exhibition and its curatorship (by felisa) display a type of creation that can be summarized as: 1. Complicity 2. Fantastic architecture 3. Filtering and editing 4. Mediation

Galleries

FTALO GALLERY EXHIBITS "TANTO TIEMPO" BY PAZ BARDI

ON THE MEANING OF INTERSECTION – EAMON ORE-GIRON’S EXHIBITION IN GENEVA

Geneva-based gallery Espace Muraille presents Eamon Ore-Giron: Auto-Tune, the first-ever show of the Los Angeles-based artist in continental Europe. Curated by Valentina Locatelli and developed in close collaboration with the artist, the exhibition gathers eighteen paintings from his ongoing series Infinite Regress, conceived especially for the exhibition in Geneva, and two loom-woven tapestries created in collaboration with the Taller Mexicano de Gobelinos in Guadalajara, Mexico

Galleries

ON THE MEANING OF INTERSECTION – EAMON ORE-GIRON’S EXHIBITION IN GENEVA

LYDIA RUBIO: THE ARTIST IN ARCADIA

Lydia Rubio was born in Havana, Cuba, with art in her bones. She comes from three generations of women painters, to be precise. "My grandmother painted every day, whenever she could," Lydia recalls. "She worked at an office but painted in the living room. The whole family lived together, so I used to see her painting there and was trained visually. My cousin, everybody was drawing and painting, but I was the only one that took it to another level of development and commitment."

By Kristin Knox
Reviews

LYDIA RUBIO: THE ARTIST IN ARCADIA

By Kristin Knox
September 30, 2021
INTIMATE, URBAN AND HUMAN - YAMADÚ CANOSA EXHIBITS IN BARCELONA

Galería Zielinsky presents Yamandú Canosa's exhibition "Entre ramas” (Between Branches) as an epilogue — a coda — to "El árbol de los frutos diferentes", the project that the artist presented in 2011 at the Fundació Suñol in Barcelona. “Entre ramas” is Yamandú Canosa's first solo exhibition for the Zielinsky Gallery, in which the artist revisits works from different periods that interweave different formal preferences and thematic subjects.

Galleries

INTIMATE, URBAN AND HUMAN - YAMADÚ CANOSA EXHIBITS IN BARCELONA

RAQUEL RABINOVICH EXHIBITS “PORTALS” IN NEW YORK

Presented by Hutchinson Modern & Contemporary, the exhibition features a selection of the artist’s work from the 1960s to the present. Over the course of a seventy-year-long career, New York-based Argentinian-American artist Raquel Rabinovich (b. 1929, Buenos Aires) has been concerned with the paradox of making the invisible visible. Her interest in mythology, existence, poetry, nature, and transcendence is reflected in her monochromatic paintings and drawings, as well as in her sculptural practice that encompasses large-scale glass environments and site-specific stone installations along the shores of the Hudson River.

Galleries

RAQUEL RABINOVICH EXHIBITS “PORTALS” IN NEW YORK

NOHRA HAIME GALLERY EXHIBITS JULIO LARRAZ: MAJOR WORKS FROM PRIVATE COLLECTIONS

The exhibition comprises fourteen key works from major collections, including most of Larraz’ notorious themes.

Galleries

NOHRA HAIME GALLERY EXHIBITS JULIO LARRAZ: MAJOR WORKS FROM PRIVATE COLLECTIONS