Contemporary art publications about Museums

The San Juan museum devotes an exhibition to abstraction as a fissure in a narrative built on an uneven struggle between assertions and certainties.

MOLAA honored her at its gala marking the museum’s 30th anniversary, citing her work at the intersection of cultural patronage and humanitarian action.

Schirn Kunsthalle Frankfurt gathers around 100 paintings, drawings, photographs, costumes and masks this October.

The Fukushima control room, Snowden's refuge in Moscow, and Bill Gates's dorm room: built in cardboard, photographed, and destroyed.

The Brazilian artist arrives at the Museo Patio Herreriano with a proposal that brings together the political, the spiritual, and humor to reclaim memory and pay tribute to mothers.

Experienced arts executive brings more than 15 years of leadership across major museums and performing arts institutions to the Guggenheim.

Pietrolina borrows the rhythm of a Carnival parade, brought to life in 33 acrylic shades.

La noche y las palabras brings together the artist's installations, photographs, films, and drawings, curated by Francisco Lemus and Mariana Marchesi.

The exhibition spans three decades of works addressing disappearances, femicides, and forced displacement, with a focus on the border between Mexico and the United States.

The exhibition spans sixty years of a career and more than one hundred solo shows by a pioneer of modern art in Colombia.

Spanning seven decades of painting, sculpture, and immersive installation, the show features a newly created work alongside pieces never before exhibited in Europe.

The Danish institution explores the highly distinctive pictorial universe of the Spanish-Mexican artist, examining her creativity, thematic concerns, and meticulous technique at the intersection of Surrealism, mysticism, and science.

Growing Deep Roots, curated by Meredith Malone, brings together sculpture, drawings, and video, tracing water stewardship, ecofeminism, and just energy transition.

The institution is reinforcing its commitment to Latin American art with three exhibitions that, like the thematic lines underpinning this season, will explore the body, memory, and participation.

The exhibition at the museum in St. Louis features how exile, exchange, and collaboration in Buenos Aires shaped modern art.

The show occupies seven rooms on the first floor of Pina Luz and revisits the work of one of the most distinctive figures of Brazilian modernism, averse to nationalism and in pursuit of eternity.

With a career spanning more than two decades, Hernández Chong Cuy joins the museum tasked with developing a critical curatorial vision for its permanent collection.

Spanning five floors of the Pietro Maria Bardi Building, the exhibition brings together works by 148 artists, including previously unseen works, to examine how the idea of Latin America was constructed and continues to be contested today.

Construction of Events brings together Andean ceramics, archival appropriation, and clay mural painting at the Museo de Arte Contemporáneo de Lima, tracing an arc of over four centuries of Peruvian history.

The Museo de Arte Contemporáneo de Buenos Aires (MACBA) presented the work of two women artists. In ¿Cómo suenan las lágrimas antes de secarse? (What Do Tears Sound Like Before They Dry?), Ivana de Vivanco builds a warning. Snakes, with their capacity to sense catastrophe. In Curada de espanto (Cured of Fright), Ornella Pocetti brings together scenes that hold a story that never fully reveals itself. Both artists hold the abyss steady through anticipation and the suspicion of an estrangement. All you have to do is pay attention.

The Bahamian artist’s most significant institutional presentation in the United States to date transforms the museum’s waterfront gallery into a protective landscape of woven clay, bottle trees, and shells.

On Saturday, July 4, the exhibition biformes bicoloreadas bitremendas bilejanas lejanas lejanas opened at Museo MAR in Mar del Plata, featuring artists Elba Bairon and Paola Vega, curated by Sofía Dourron.

The exhibition brings together works by Wifredo Lam, Amelia Peláez, and Mario Carreño, preserved by private collectors for more than 80 years.

First Gods, Lost Animals, curated by Claude Adjil, traces the symbolic systems humans built to navigate a universe that exceeds their cognitive scale.

The Argentine artist's Guadalupe Miles book, edited by Julieta Escardó, documents her bond with the Wichí Santa Victoria II community.

Emilio Fuentes Traverso imagines, in his new exhibition in Chile, possible encounters between the natural, the anthropic and the cosmic through sculptures in unstable equilibrium that compress millions of years of transformation into suspended objects.

The Colombian artist presents Sentir tu peso, a participatory installation on the terrace of the Museo de Arte Moderno de Medellín, his first appearance in the city.

Luz, color y espacio, the exhibition presented by the Museum of Latin American Art of Buenos Aires in collaboration with Dia Art Foundation, offers an experience in which color and space envelop the viewer. It will be open to the public through August 17.

Interview with Nuria Enguita, Artistic Director, MAC/CCB – Museum of Contemporary Art and Architecture Centre (Museu de Arte Contemporânea e Centro de Arquitetura), Lisbon.