THE ENERGETICALLY CHARGED EXHIBITION OF NEW YORK

The Lima gallery presents NON (Nuevos Órganos Naturales), the exhibition by Oscar Santillán (Ecuador, 1980), which vindicates man's capacity to imagine new relationships with the world.

The first large-scale exhibition of Latin American art in the West Asia and North Africa region has opened: LATINOAMERICANO. Modern and Contemporary Art from Malba and Eduardo Costantini Collections.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

For those of us who have followed the creative paths of Ana Tiscornia, we are very familiar with the many inventive forms and materials the artist has employed to refer to the architecture of place. The architecture of place may have been a building or a section of it; it may have been a street. Esquina / Corner of 2010, for example, is a complex paper collage of cut-out floor plans, densely layered to represent collapsed structures. This collage features a small red dot signaling the end of a street, a specific place no longer recognizable.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents Hulda Guzmán: Miracle Fruits, the first solo museum exhibition of Dominican artist.

The Lima gallery presents NON (Nuevos Órganos Naturales), the exhibition by Oscar Santillán (Ecuador, 1980), which vindicates man's capacity to imagine new relationships with the world.

The first large-scale exhibition of Latin American art in the West Asia and North Africa region has opened: LATINOAMERICANO. Modern and Contemporary Art from Malba and Eduardo Costantini Collections.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

For those of us who have followed the creative paths of Ana Tiscornia, we are very familiar with the many inventive forms and materials the artist has employed to refer to the architecture of place. The architecture of place may have been a building or a section of it; it may have been a street. Esquina / Corner of 2010, for example, is a complex paper collage of cut-out floor plans, densely layered to represent collapsed structures. This collage features a small red dot signaling the end of a street, a specific place no longer recognizable.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents Hulda Guzmán: Miracle Fruits, the first solo museum exhibition of Dominican artist.

The first large-scale exhibition of Latin American art in the West Asia and North Africa region has opened: LATINOAMERICANO. Modern and Contemporary Art from Malba and Eduardo Costantini Collections.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

For those of us who have followed the creative paths of Ana Tiscornia, we are very familiar with the many inventive forms and materials the artist has employed to refer to the architecture of place. The architecture of place may have been a building or a section of it; it may have been a street. Esquina / Corner of 2010, for example, is a complex paper collage of cut-out floor plans, densely layered to represent collapsed structures. This collage features a small red dot signaling the end of a street, a specific place no longer recognizable.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents Hulda Guzmán: Miracle Fruits, the first solo museum exhibition of Dominican artist.

The Lima gallery presents NON (Nuevos Órganos Naturales), the exhibition by Oscar Santillán (Ecuador, 1980), which vindicates man's capacity to imagine new relationships with the world.

The first large-scale exhibition of Latin American art in the West Asia and North Africa region has opened: LATINOAMERICANO. Modern and Contemporary Art from Malba and Eduardo Costantini Collections.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

For those of us who have followed the creative paths of Ana Tiscornia, we are very familiar with the many inventive forms and materials the artist has employed to refer to the architecture of place. The architecture of place may have been a building or a section of it; it may have been a street. Esquina / Corner of 2010, for example, is a complex paper collage of cut-out floor plans, densely layered to represent collapsed structures. This collage features a small red dot signaling the end of a street, a specific place no longer recognizable.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents Hulda Guzmán: Miracle Fruits, the first solo museum exhibition of Dominican artist.

The Lima gallery presents NON (Nuevos Órganos Naturales), the exhibition by Oscar Santillán (Ecuador, 1980), which vindicates man's capacity to imagine new relationships with the world.

The first large-scale exhibition of Latin American art in the West Asia and North Africa region has opened: LATINOAMERICANO. Modern and Contemporary Art from Malba and Eduardo Costantini Collections.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

For those of us who have followed the creative paths of Ana Tiscornia, we are very familiar with the many inventive forms and materials the artist has employed to refer to the architecture of place. The architecture of place may have been a building or a section of it; it may have been a street. Esquina / Corner of 2010, for example, is a complex paper collage of cut-out floor plans, densely layered to represent collapsed structures. This collage features a small red dot signaling the end of a street, a specific place no longer recognizable.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents Hulda Guzmán: Miracle Fruits, the first solo museum exhibition of Dominican artist.