THE STORY OF MAC PANAMÁ: WORKS, MEMORIES, AND AFFECTIONS

The Museum of Contemporary Art of Panama has opened applications for a prize aimed at supporting the careers of emerging artists in the country through professional training, curatorial guidance, and institutional visibility. The application period will remain open until May 25.

The Panamanian gallery hosts the exhibition Life, Like Water, Never Forgets Its Path by artist Giana De Dier. This show immerses the viewer in a sensory and emotional exploration of the past, inviting them to imagine what they have not lived but remains present in the memory of the space.

Panama is preparing to become the epicenter of regional art with the first edition of Pinta Panama, May 21-25, 2025. At an effervescence moment for the local artistic ecosystem, the fair seeks to consolidate the Panamanian scene, promote the circulation of artists and create a meeting space for the artistic currents of Central and South America. Emiliano Valdes, general curator of the project, shares his vision of Panama's potential as a cultural connection point.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

The Panarte gallery at the Museum of Contemporary Art of Panama hosts Cúmulus: 10+ Years of Estudio Nuboso, an exhibition celebrating over a decade of collaborative practices at the crossroads of art, science, and ecology.

The Museum of the Mola inaugurated the photographic exhibition Portraits of Struggle: 100 Years of the Dule Revolution by renowned Guna photographer Lois Iglesias.

Artist Lorena Torres presents Nada es distinto, a series of paintings that explore personal emotions through a direct relationship between lived experience and gesture. The work functions as an intimate record, where painting operates more as testimony than as aesthetic object.

Despite its rich, diverse artistic production with deep historical roots, Panama's art market remains limited. With fewer than ten active galleries and no fully established art fair to date, the country’s artistic ecosystem is still in an early stage of development. However, creative energy is clearly present, and 2025 could mark a turning point.

The Museum of Contemporary Art of Panama has opened applications for a prize aimed at supporting the careers of emerging artists in the country through professional training, curatorial guidance, and institutional visibility. The application period will remain open until May 25.

The Panamanian gallery hosts the exhibition Life, Like Water, Never Forgets Its Path by artist Giana De Dier. This show immerses the viewer in a sensory and emotional exploration of the past, inviting them to imagine what they have not lived but remains present in the memory of the space.

Panama is preparing to become the epicenter of regional art with the first edition of Pinta Panama, May 21-25, 2025. At an effervescence moment for the local artistic ecosystem, the fair seeks to consolidate the Panamanian scene, promote the circulation of artists and create a meeting space for the artistic currents of Central and South America. Emiliano Valdes, general curator of the project, shares his vision of Panama's potential as a cultural connection point.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

The Panarte gallery at the Museum of Contemporary Art of Panama hosts Cúmulus: 10+ Years of Estudio Nuboso, an exhibition celebrating over a decade of collaborative practices at the crossroads of art, science, and ecology.

The Museum of the Mola inaugurated the photographic exhibition Portraits of Struggle: 100 Years of the Dule Revolution by renowned Guna photographer Lois Iglesias.

Artist Lorena Torres presents Nada es distinto, a series of paintings that explore personal emotions through a direct relationship between lived experience and gesture. The work functions as an intimate record, where painting operates more as testimony than as aesthetic object.

Despite its rich, diverse artistic production with deep historical roots, Panama's art market remains limited. With fewer than ten active galleries and no fully established art fair to date, the country’s artistic ecosystem is still in an early stage of development. However, creative energy is clearly present, and 2025 could mark a turning point.

The Panamanian gallery hosts the exhibition Life, Like Water, Never Forgets Its Path by artist Giana De Dier. This show immerses the viewer in a sensory and emotional exploration of the past, inviting them to imagine what they have not lived but remains present in the memory of the space.

Panama is preparing to become the epicenter of regional art with the first edition of Pinta Panama, May 21-25, 2025. At an effervescence moment for the local artistic ecosystem, the fair seeks to consolidate the Panamanian scene, promote the circulation of artists and create a meeting space for the artistic currents of Central and South America. Emiliano Valdes, general curator of the project, shares his vision of Panama's potential as a cultural connection point.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

The Panarte gallery at the Museum of Contemporary Art of Panama hosts Cúmulus: 10+ Years of Estudio Nuboso, an exhibition celebrating over a decade of collaborative practices at the crossroads of art, science, and ecology.

The Museum of the Mola inaugurated the photographic exhibition Portraits of Struggle: 100 Years of the Dule Revolution by renowned Guna photographer Lois Iglesias.

Artist Lorena Torres presents Nada es distinto, a series of paintings that explore personal emotions through a direct relationship between lived experience and gesture. The work functions as an intimate record, where painting operates more as testimony than as aesthetic object.

Despite its rich, diverse artistic production with deep historical roots, Panama's art market remains limited. With fewer than ten active galleries and no fully established art fair to date, the country’s artistic ecosystem is still in an early stage of development. However, creative energy is clearly present, and 2025 could mark a turning point.

The Museum of Contemporary Art of Panama has opened applications for a prize aimed at supporting the careers of emerging artists in the country through professional training, curatorial guidance, and institutional visibility. The application period will remain open until May 25.

The Panamanian gallery hosts the exhibition Life, Like Water, Never Forgets Its Path by artist Giana De Dier. This show immerses the viewer in a sensory and emotional exploration of the past, inviting them to imagine what they have not lived but remains present in the memory of the space.

Panama is preparing to become the epicenter of regional art with the first edition of Pinta Panama, May 21-25, 2025. At an effervescence moment for the local artistic ecosystem, the fair seeks to consolidate the Panamanian scene, promote the circulation of artists and create a meeting space for the artistic currents of Central and South America. Emiliano Valdes, general curator of the project, shares his vision of Panama's potential as a cultural connection point.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

The Panarte gallery at the Museum of Contemporary Art of Panama hosts Cúmulus: 10+ Years of Estudio Nuboso, an exhibition celebrating over a decade of collaborative practices at the crossroads of art, science, and ecology.

The Museum of the Mola inaugurated the photographic exhibition Portraits of Struggle: 100 Years of the Dule Revolution by renowned Guna photographer Lois Iglesias.

Artist Lorena Torres presents Nada es distinto, a series of paintings that explore personal emotions through a direct relationship between lived experience and gesture. The work functions as an intimate record, where painting operates more as testimony than as aesthetic object.

Despite its rich, diverse artistic production with deep historical roots, Panama's art market remains limited. With fewer than ten active galleries and no fully established art fair to date, the country’s artistic ecosystem is still in an early stage of development. However, creative energy is clearly present, and 2025 could mark a turning point.

The Museum of Contemporary Art of Panama has opened applications for a prize aimed at supporting the careers of emerging artists in the country through professional training, curatorial guidance, and institutional visibility. The application period will remain open until May 25.

The Panamanian gallery hosts the exhibition Life, Like Water, Never Forgets Its Path by artist Giana De Dier. This show immerses the viewer in a sensory and emotional exploration of the past, inviting them to imagine what they have not lived but remains present in the memory of the space.

Panama is preparing to become the epicenter of regional art with the first edition of Pinta Panama, May 21-25, 2025. At an effervescence moment for the local artistic ecosystem, the fair seeks to consolidate the Panamanian scene, promote the circulation of artists and create a meeting space for the artistic currents of Central and South America. Emiliano Valdes, general curator of the project, shares his vision of Panama's potential as a cultural connection point.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

The Panarte gallery at the Museum of Contemporary Art of Panama hosts Cúmulus: 10+ Years of Estudio Nuboso, an exhibition celebrating over a decade of collaborative practices at the crossroads of art, science, and ecology.

The Museum of the Mola inaugurated the photographic exhibition Portraits of Struggle: 100 Years of the Dule Revolution by renowned Guna photographer Lois Iglesias.

Artist Lorena Torres presents Nada es distinto, a series of paintings that explore personal emotions through a direct relationship between lived experience and gesture. The work functions as an intimate record, where painting operates more as testimony than as aesthetic object.

Despite its rich, diverse artistic production with deep historical roots, Panama's art market remains limited. With fewer than ten active galleries and no fully established art fair to date, the country’s artistic ecosystem is still in an early stage of development. However, creative energy is clearly present, and 2025 could mark a turning point.