CÚMULUS: TEN YEARS OF ECOLOGY AND COLLABORATION IN PANAMA

In the heart of Casco Antiguo, the Museum of Contemporary Art of Panama (MAC) embarks on a new chapter with the opening of its Sala Satélite, a space dedicated to showcasing projects developed from its Permanent Collection. The inaugural exhibition, 60+1 el pequeño gran museo de Ancón (60+1 The Little Big Museum of Ancón), serves as a tribute, a reflection, and an exploration of the museum’s history.

The Museum of Contemporary Art of Panama has opened applications for a prize aimed at supporting the careers of emerging artists in the country through professional training, curatorial guidance, and institutional visibility. The application period will remain open until May 25.

Pinta Lima is the most important contemporary art fair in Peru, presenting in its 12th edition a solid program that celebrates the diversity of the Latin American artistic and cultural scene. Located at Casa Prado in Miraflores, Lima, the fair is an essential event where a network of artists, galleries, curators, and collectors from the region connect with the international scene.

Panama is preparing to become the epicenter of regional art with the first edition of Pinta Panama, May 21-25, 2025. At an effervescence moment for the local artistic ecosystem, the fair seeks to consolidate the Panamanian scene, promote the circulation of artists and create a meeting space for the artistic currents of Central and South America. Emiliano Valdes, general curator of the project, shares his vision of Panama's potential as a cultural connection point.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

The Museum of the Mola inaugurated the photographic exhibition Portraits of Struggle: 100 Years of the Dule Revolution by renowned Guna photographer Lois Iglesias.

Artist Lorena Torres presents Nada es distinto, a series of paintings that explore personal emotions through a direct relationship between lived experience and gesture. The work functions as an intimate record, where painting operates more as testimony than as aesthetic object.

Despite its rich, diverse artistic production with deep historical roots, Panama's art market remains limited. With fewer than ten active galleries and no fully established art fair to date, the country’s artistic ecosystem is still in an early stage of development. However, creative energy is clearly present, and 2025 could mark a turning point.

MAC Panamá's Chief Curator Juan Canela, reflects on the challenges of curating in Central America, the value of collaborative practices, and the context of Panamanian art. He is participating in the inaugural Pinta Panamá Art Week, running May 21–25 with activities centered on the local art scene.

In the heart of Casco Antiguo, the Museum of Contemporary Art of Panama (MAC) embarks on a new chapter with the opening of its Sala Satélite, a space dedicated to showcasing projects developed from its Permanent Collection. The inaugural exhibition, 60+1 el pequeño gran museo de Ancón (60+1 The Little Big Museum of Ancón), serves as a tribute, a reflection, and an exploration of the museum’s history.

The Museum of Contemporary Art of Panama has opened applications for a prize aimed at supporting the careers of emerging artists in the country through professional training, curatorial guidance, and institutional visibility. The application period will remain open until May 25.

Pinta Lima is the most important contemporary art fair in Peru, presenting in its 12th edition a solid program that celebrates the diversity of the Latin American artistic and cultural scene. Located at Casa Prado in Miraflores, Lima, the fair is an essential event where a network of artists, galleries, curators, and collectors from the region connect with the international scene.

Panama is preparing to become the epicenter of regional art with the first edition of Pinta Panama, May 21-25, 2025. At an effervescence moment for the local artistic ecosystem, the fair seeks to consolidate the Panamanian scene, promote the circulation of artists and create a meeting space for the artistic currents of Central and South America. Emiliano Valdes, general curator of the project, shares his vision of Panama's potential as a cultural connection point.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

The Museum of the Mola inaugurated the photographic exhibition Portraits of Struggle: 100 Years of the Dule Revolution by renowned Guna photographer Lois Iglesias.

Artist Lorena Torres presents Nada es distinto, a series of paintings that explore personal emotions through a direct relationship between lived experience and gesture. The work functions as an intimate record, where painting operates more as testimony than as aesthetic object.

Despite its rich, diverse artistic production with deep historical roots, Panama's art market remains limited. With fewer than ten active galleries and no fully established art fair to date, the country’s artistic ecosystem is still in an early stage of development. However, creative energy is clearly present, and 2025 could mark a turning point.

MAC Panamá's Chief Curator Juan Canela, reflects on the challenges of curating in Central America, the value of collaborative practices, and the context of Panamanian art. He is participating in the inaugural Pinta Panamá Art Week, running May 21–25 with activities centered on the local art scene.

The Museum of Contemporary Art of Panama has opened applications for a prize aimed at supporting the careers of emerging artists in the country through professional training, curatorial guidance, and institutional visibility. The application period will remain open until May 25.

Pinta Lima is the most important contemporary art fair in Peru, presenting in its 12th edition a solid program that celebrates the diversity of the Latin American artistic and cultural scene. Located at Casa Prado in Miraflores, Lima, the fair is an essential event where a network of artists, galleries, curators, and collectors from the region connect with the international scene.

Panama is preparing to become the epicenter of regional art with the first edition of Pinta Panama, May 21-25, 2025. At an effervescence moment for the local artistic ecosystem, the fair seeks to consolidate the Panamanian scene, promote the circulation of artists and create a meeting space for the artistic currents of Central and South America. Emiliano Valdes, general curator of the project, shares his vision of Panama's potential as a cultural connection point.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

The Museum of the Mola inaugurated the photographic exhibition Portraits of Struggle: 100 Years of the Dule Revolution by renowned Guna photographer Lois Iglesias.

Artist Lorena Torres presents Nada es distinto, a series of paintings that explore personal emotions through a direct relationship between lived experience and gesture. The work functions as an intimate record, where painting operates more as testimony than as aesthetic object.

Despite its rich, diverse artistic production with deep historical roots, Panama's art market remains limited. With fewer than ten active galleries and no fully established art fair to date, the country’s artistic ecosystem is still in an early stage of development. However, creative energy is clearly present, and 2025 could mark a turning point.

MAC Panamá's Chief Curator Juan Canela, reflects on the challenges of curating in Central America, the value of collaborative practices, and the context of Panamanian art. He is participating in the inaugural Pinta Panamá Art Week, running May 21–25 with activities centered on the local art scene.

In the heart of Casco Antiguo, the Museum of Contemporary Art of Panama (MAC) embarks on a new chapter with the opening of its Sala Satélite, a space dedicated to showcasing projects developed from its Permanent Collection. The inaugural exhibition, 60+1 el pequeño gran museo de Ancón (60+1 The Little Big Museum of Ancón), serves as a tribute, a reflection, and an exploration of the museum’s history.

The Museum of Contemporary Art of Panama has opened applications for a prize aimed at supporting the careers of emerging artists in the country through professional training, curatorial guidance, and institutional visibility. The application period will remain open until May 25.

Pinta Lima is the most important contemporary art fair in Peru, presenting in its 12th edition a solid program that celebrates the diversity of the Latin American artistic and cultural scene. Located at Casa Prado in Miraflores, Lima, the fair is an essential event where a network of artists, galleries, curators, and collectors from the region connect with the international scene.

Panama is preparing to become the epicenter of regional art with the first edition of Pinta Panama, May 21-25, 2025. At an effervescence moment for the local artistic ecosystem, the fair seeks to consolidate the Panamanian scene, promote the circulation of artists and create a meeting space for the artistic currents of Central and South America. Emiliano Valdes, general curator of the project, shares his vision of Panama's potential as a cultural connection point.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

The Museum of the Mola inaugurated the photographic exhibition Portraits of Struggle: 100 Years of the Dule Revolution by renowned Guna photographer Lois Iglesias.

Artist Lorena Torres presents Nada es distinto, a series of paintings that explore personal emotions through a direct relationship between lived experience and gesture. The work functions as an intimate record, where painting operates more as testimony than as aesthetic object.

Despite its rich, diverse artistic production with deep historical roots, Panama's art market remains limited. With fewer than ten active galleries and no fully established art fair to date, the country’s artistic ecosystem is still in an early stage of development. However, creative energy is clearly present, and 2025 could mark a turning point.

MAC Panamá's Chief Curator Juan Canela, reflects on the challenges of curating in Central America, the value of collaborative practices, and the context of Panamanian art. He is participating in the inaugural Pinta Panamá Art Week, running May 21–25 with activities centered on the local art scene.

In the heart of Casco Antiguo, the Museum of Contemporary Art of Panama (MAC) embarks on a new chapter with the opening of its Sala Satélite, a space dedicated to showcasing projects developed from its Permanent Collection. The inaugural exhibition, 60+1 el pequeño gran museo de Ancón (60+1 The Little Big Museum of Ancón), serves as a tribute, a reflection, and an exploration of the museum’s history.

The Museum of Contemporary Art of Panama has opened applications for a prize aimed at supporting the careers of emerging artists in the country through professional training, curatorial guidance, and institutional visibility. The application period will remain open until May 25.

Pinta Lima is the most important contemporary art fair in Peru, presenting in its 12th edition a solid program that celebrates the diversity of the Latin American artistic and cultural scene. Located at Casa Prado in Miraflores, Lima, the fair is an essential event where a network of artists, galleries, curators, and collectors from the region connect with the international scene.

Panama is preparing to become the epicenter of regional art with the first edition of Pinta Panama, May 21-25, 2025. At an effervescence moment for the local artistic ecosystem, the fair seeks to consolidate the Panamanian scene, promote the circulation of artists and create a meeting space for the artistic currents of Central and South America. Emiliano Valdes, general curator of the project, shares his vision of Panama's potential as a cultural connection point.

Pinta is launching Panamá Art Week in 2025 –May 21 to 25–, an initiative created to foster the integration of the art scene and strengthen and consolidate best practices within the sector.

The Museum of the Mola inaugurated the photographic exhibition Portraits of Struggle: 100 Years of the Dule Revolution by renowned Guna photographer Lois Iglesias.

Artist Lorena Torres presents Nada es distinto, a series of paintings that explore personal emotions through a direct relationship between lived experience and gesture. The work functions as an intimate record, where painting operates more as testimony than as aesthetic object.

Despite its rich, diverse artistic production with deep historical roots, Panama's art market remains limited. With fewer than ten active galleries and no fully established art fair to date, the country’s artistic ecosystem is still in an early stage of development. However, creative energy is clearly present, and 2025 could mark a turning point.

MAC Panamá's Chief Curator Juan Canela, reflects on the challenges of curating in Central America, the value of collaborative practices, and the context of Panamanian art. He is participating in the inaugural Pinta Panamá Art Week, running May 21–25 with activities centered on the local art scene.