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Inaugurated on November 13^th, the New York gallery Kurimanzutto presents Signals: If You Like I Shall Grow (Part II), a collective exhibition that brings together the work of artists such as David Medal, Mira Schendel, Alejandro Otero, Jesus Rafael Soto, Sergio de Camargo , Lygia Clark and Liliane Lijn, among others. On exhibition until January 21^st, the show commemorates the innovative spirit of the consecrated Signals London gallery (1964-1966).

The Artbook Editions, Unlimited-Limited  # 6, print by Antoni Miralda, New World Foods lighting the Old World pays homage to the creative community that frequented El Internacional Tapas Bar & Restaurant, the now legendary postmodern restaurant which the artist launched in Tribeca with Chef Montse Guillén in 1984. El Internacional combined avant-garde artistry and food, becoming an iconic symbol of New York in the 1980s through its nightly explorations of cross-cultural, trans-disciplinary aesthetics.

The Chilean AMA Foundation, better known as FAMA, donated to New York’s Museum of Modern Art (MoMA) Ocean, 33 ° 02'47 "S / 51 ° 04'00" N, the Chilean artist Enrique Ramírez artwork. The reason for the donation is the celebration of the tenth anniversary of the foundation.

At Henrique Faria Gallery of Buenos Aires, the artist and curator Osvaldo Romberg (Buenos Aires, 1938) presents Estudios de color: Del análisis a la metáfora (Color Studies: From analysis to metaphor). Product of a formal search during a specific period of the Argentine artist, the exhibition exhibited at the gallery located in Retiro neighborhood joins together more than fifteen exceptional artworks of Romberg's career.

At the HACHE gallery in Buenos Aires, an individual exhibition by Diego Figueroa inaugurated. Mi Reina (My Queen) is the first exhibition of the Argentine artist exhibited in the gallery. From intertextualities with canonical works of art history, Figueroa wanders between the "legitimate" concept –introduced by the French thinker Pierre Bourdieu- and the popular.

Within the framework of the tenth SIART International Art Biennial, in Bolivia, which ends tomorrow, the artist Sonia Cunliffe represented Peru with the El Guerrillero Heroíco project. Through the archival photography and the appropriation of objects, the Peruvian artist reconstructs the revolutionary political scene in Latin America after the Cuban revolution.

Supported by Christopher Grimes Projects, large-scale artistic and architectural projects promoter organization, the artist Iñigo Manglano-Ovalle (Madrid, 1961) completed a site-specific installation at the Texas A&M College of Engineering at to inaugurate the new program of art in said institution.

At the Modern Art Museum of Buenos Aires (MAMBA), an individual exhibition of Argentine artist Mercedes Azpilicueta is exhibited until 3^rd of March. Through video installations and sound pieces, Cuerpos Pájaros (Birds Bodies) explores the hidden resources of expression: gestures, breathing and tone.

As a closing of what was Escuela Flora 2018 program, FLORA ars + natura opens its doors with The Cat is Killing the Birds, but I Love her Anyway collective exhibition. After a collective exchange carried out in the Bogota (Colombia) headquarters, more than twenty Latin American artists exhibit their work.

Under Ariel Jimenez curatorship, the Juan Carlos Maldonado Art Collection (JCMAC) presents Convergences / Divergences, Primitve Source of The Modern. The exhibition opens on Friday, November 30 - within the framework of  Miami’s art week - in the Miami Design District Center of the organization and will take place until May 4th, 2019.

With a collective exhibition titled This is Brazil, the prestigious Galeria Murilo Castro Gallery inaugurated its new space based in Miami. The expansion not only means an opening to the international market, but also as the positioning as a one of the most important galleries in Brazil.

This afternoon at the Museum of Latin American Art of Buenos Aires (MALBA) auditorium, under the exhibition curator Jimena Ferreiro’s and Rafael Cippolini’s tutelage inaugurates Pablo Suárez. Narciso Plebeyo. Constituted as a huge retrospective of the South American artist Pablo Suárez (Buenos Aires, 1937-2006), the exhibition will be exhibited in the museum until February 18^th.

Within the framework of the collective exhibition Lydia Cabrera and Édouard Glissant: Trembling Thinking opened in October at the America Society / Council of the Americas (ASCOA) gallery, the artists Tania Bruguera and Hans Ulrich Obrist will carry out a discussion that will revolve around it.

In the framework of the 2018 Ciudad Pantalla Festival, Die Ecke Arte Contemporáni Chilean gallery announces its participation with Nicolás Rupcich video art CHEPU. On exhibition until January 25^th, the festival inaugurates tomorrow as part of the LOOP Barcelona Fair.

Until March 10^th, at Buenos Aires Museum Modern Art,Nicolás Mastracchio’ssolo show Pulso is presented. With artworks hanging from the ceiling, the Argentine artist creates an ecosystem where the viewer turns his entire body to space.

Until December 10^th, at TEORéTica space, Ejercicios de Autonomía (Autonomy Exercises) collective exhibition of Costa Rican artists Priscilla Monge and Victoria Cabezas is presented. Under the curatorship of Miguel Ángel López the works of each one are opposed in a constant symbolic confrontation.

To close its 2018 program, Galería Leme presents an individual exhibition by Mauro Piva (Rio de Janeiro, 1977). Bringing together the most recent productions of the Brazilian artist, the space of the gallery is intervened by six paintings, eight sculptures and a large scale site-specific installation.

Until December 2^nd at the Jumex Museum in Mexico Los robots no lloran,(Robots don’t cry)  unprecedented exhibition produced by Mexican artist Pedro Reyes is presented. As a "puppet artwork", the play is a dialogue performed by puppets representing contemporary public figures such as Noam Chomsky, Karl Marx, Elon Mus, Ayn Ran and Donald Trump.

Tony Bechara, El Museo del Barrio's esteemed Chair Emeritus of the Board of Trustees, has made a gift of one million dollars to support the museum's growing curatorial and education programs, as well as its endowment.

At the Bombas Gens Centre d’Art in Valencia, inaugurates tomorrow a solo show by the Norwegian artist Anna-Eva Bergman (1909-1987). Under the curatorship of Nuria Enguita and Christine Lamonthe, Fom North to South, Rythmswill be open to the public until May 2019 in the Spanish cultural center.

Until January 13^th at Estancia FEMSA and Casa Luis Barragán an individual exhibition of the renowned Danish artist Danh Vo (Bà Rịa, Vietnam, 1975) is presented. Constructed by pieces and interventions created especially for this venue, Jardín con palomas al vuelo (Garden with pigeons) explores the architecture and the life of the objects and people who have inhabited Casa Luis Barragán a long it’s history.

I Don’t Wanna Wait for Our Lives to Be Over marks the first solo museum exhibition in the United States for Manuel Solano. Working across mediums, Solano explores issues of identity and its formation by drawing from their personal life, memories, and popular culture. The exhibition will be open until April 14^th.

For the second year in a row, the Fundo Las Cabras gardens(Requínoa, Chile) will host the Thirteen Gardens Art Encounte. With the participation of more than forty Latin American artists, including Alejandro Quiroga, Paula de Solminihac, Álvaro Muñoz Fátima Pecci, Catalina Andonie, Ignacio Gumucio, Esperanza Rojo, Hugo Leonello, Antonia Daiber, Bastián Arce and Amanda Hansen, the meeting will begin in November 10 and will remain until the 18th of the same month.

Until November 13th at Espacio El Dorado (Bogotá, Colombia), international collective exhibition Unidad Mínima (Minimum Unit) is exhibited. The exposition is formed by a wide range of Latin American artists and spaces from the region -UV Estudios (Buenos Aires), Sagrada Mercancía (Santiago de Chile), KM 0.2 (San Juan de Puerto Rico) and Espacio El Dorado-.

Under president of the Botín Visual Arts Advisory Committee Foundation Vicente Todolí's curatorship, Cristina Iglesias: Interspaces is exhibited as a large-scale individual exhibition of one of the most recognized Spanish artists on the international scene. Including her most recent works, the sample condenses a large part of Iglesias' career.

From an extreme dialogue with the physical space of the Museo MAR (Mar del Plata, Argentina), Cristián Segura presents three large scale photography and a documentary short film that illustrate the site-specific performance carried out during 2017 in the museum. X-Museum has been produced by the Tandil artist for the museum’s special request so to be exhibited for a whole year (from December 15^th, 2017, to December 15^th, 2018).

Con la promesa de traer productos importados al costo de origen, Moreno montó Miami Direct, una empresa fantasma dedicada a estafar a fotógrafos y quedarse con su dinero.

Until January 16, 2019, the KW Institute for Contemporary Art holds a large-scale retrospective of the world-renowned Colombian artist Beatriz González (Bucaramanga, 1938). The space located in Berlin exhibits more than sixty years of production housing 120 works of the Colombian artist during 1965-2017 period.

Yesterday at ROLF ART Gallery (Buenos Aires, Argentina) inaugurated Una memoria Tosca (A Rough Memory), RES individual exhibition with the collaboration of Guillermo Galíndez and Osvaldo Ruiz. Referring to the Cordobazo events on May 29, 1969, RES work questions the drained intervals of memory and memory in related to insurrectionary events.

The 11th Hiroshima Art Prize, awarded by the Japanese city since 1989, has selected the Chilean artist, architect and filmmaker Alfredo Jaar as the winner of 2019. Every three years, the award is given to an artist who has contributed throughout his career with peace construction.