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Within the framework Buenos Aires Art Week, on Friday, April 12, in Seeber Park, the well-known Spanish art critic Estrella Diego spoke with the Argentine historian Diana Wechsler about gender theory within the international art scene. We tell you the details of one of the many talks that Art Basel Cities scheduled for the most important week in the city of Buenos Aires.

The Art Week in Buenos Aires does not stop surprising. Activities, donations, installations and outdoor screenings are part of the most important week of the Argentine scene. Find out everything there is to do here!

In the framework of the annual Congress of the International Association of Curators (IKT), which is being held for the first time in the United States, a series of public activities are held throughout the city of Miami. With the participation of more than a hundred curators from around the world, artists and personalities linked to the art scene in Miami, the conference takes place between April 11 and 14. The focus of the conversations is on the Miami-Dade artists and the cultural producers that address sustainability issues in South Florida.

At 6:30 p.m. yesterday inaugurated the 28^th edition of arteBA, the most important international art fair in Argentina. With the participation of more than eighty local and international galleries, the inauguration of arteBA 2019 was celebrated within the framework of Art Week and Art Basel Buenos Aires.

In the framework of Buenos Aires Art Week, a group of collectors donated this morning to the Mariano Moreno National Library (Buenos Aires, Argentina) Leandro Katz 'Lunar Alphabet’. Conceived in September of last year as a site-specific piece for the emblematic brutalist building designed by Clorindo Testa, the moons of Leandro Katz are now part of the south American city.

In the middle of Buenos Aires Art Week, the programming of the Seeber Park for today, Wednesday 10, goes from a guided tour directed by the Art Historian Daniela Rez, to a screening of the film Método Livingston (Livingston Method), a documentary that makes the production and thought of one of the most questioned architects of Argentina. In addition, it inaugurates the 28^th edition of arteBA fair and the guided tours coordinated by the critic and curator Laura Batkis. Discover all the cultural activities!

Espacio Ftalo Contemporary Art Gallery in Buenos Aires inaugurated El tiempo habitado (Inhabited Time) exhibition. The plastic artists Paula Cecchi and Pablo Noce make a journey through their own cosmovision through painting.

In the Peruvian-Northamerican Cultural Institute (ICPNA for its name in spanish) inaugurates Sísmica, fotografía y video chileno reciente (Síscmica, recent Chilean video and photography) exhibition. Addressing political and economic issues related to gender and identity and the urban and natural environments in Chile, the visual arts platform Sísmica proposes an expansion of artistic lines that respond to contemporary issues. Aesthetics, politics, ecology and society are the main axes that this exhibition aims to introduce into the Chilean agenda through photographic production.

After a conference directed by George Yudice in which Marcus Faustini, Marcos García and Osvaldo Sánchez participated in the Miami Museum of Art and Design (MOAD) at Miami Dade College (MDC), a workshop for urban transformation through cultural production is developed. Thus, City Lab: Transforming Cities through Innovative Cultural Action joins a series of activities established in the Miami museum to improve the life quality in cities through multidisciplinary projects.

Located in San Telmo neighborhood (637 Carlos Calvo street), the physical space of LANZALLAMAS is only the tip of the iceberg. What from the street seems to be an art gallery, is an ambitious self-management platform that proposes to introduce within the contemporary scene a network of relationships between artists, curators, residences, galleries and cultural institutions throughout Latin America. Created by Colombian curator Jen Zapata García and colombian visual artist Andrés Matías Pinilla, the space based in Buenos Aires (Argentina) and with a collaborative work-team in Bogotá (Colombia) seeks to decentralize from a collaborative work philosophy the art exhibition and distribution processes.

Buenos Aires is preparing for the most exciting week of the year. From April 8 to 14, the Argentine capital becomes the cultural epicenter of the country. Within the framework of the 28^th edition of arteBA, the largest international art fair held in Argentina, and the arrival of Art Basel Cities to Buenos Aires, the Ministry of Culture of the City has arranged everything for Buenos Aires Semana del Arte/ Art Week (SDA). In confluence with these two important events, the SDA encourages institutions, artists, collectors, galleries and spaces to activate the city through the development of cultural activities and public interventions. A proposal to bring local and international artistic production to the general public.

Two months ago, a phone call from Grupo Patio organization to Sofía Edwards and Francisco Yavar, creators of 13 Jardines -platform that aims to bring contemporary art to new audiences-, put at their disposal a space of 500 square meter at Vitacura neighborhood of Santiago de Chile (Alonso de Córdova 3788). The proposal was simple: during three months Edwards and Yavar would have absolute freedom to make a cultural activation within the space. This gift produced a greater one: Patio de Luz Contemporary Art.

At Pinacoteca de São Paulo inaugurates Ernesto Neto: Sopro (Ernesto Neto: Blow) exhibition. Under the curatorship of the director and curator of the Brazilian museum, Jochen Volz and Valéria Piccoli, the retrospective brings together 60 works by one of the most outstanding artists of the contemporary Latin American scene. Master of space and sculptor by nature, Ernesto Neto (1964, Rio de Janeiro) intervenes with his work in the Pina Luz, located in the Jardim da Luz.

The Fondazione Carriero (Milan, Italy) inaugurates an individual exhibition of the Brazilian artist Lygia Pape. Under the curatorship of Francesco Stocchi, Lygia Pape is the first large-scale individual exhibition in an Italian institution. The exhibition, produced in collaboration with Estate Projeto Lygia Pape, will remain in the foundation until July 21^st.

In the framework of SUPERFLEX: We Are All in the Same Boat exhibition at the Museum of Art and Design (MOAD) at Miami Dade College (MDC), a series of public activities under the title The Speculative Machine is held. Two of the activities were executed on February 21 and 28 and other two will take place on Thursday, April 4 and Saturday, April 6.

Few weeks last for the 58^th Venice Biennial and little by little the projects of each pavilion are known. Among the most expected we could mention the Chilean Pavilion represented by the outstanding artist Voluspa Jarpa (Rancagua, Chile, 1971) and the renowned curator Agustín Pérez Rubio (Valencia, Spain 1972). With a prolific career, each one in his field, Jarpa and Pérez Rubio will present Altered Views, a project of historical revision in relation to the hegemonic discourses and colonialism that have shaped Western culture from its origins to the present.

The Museum of Latin American Art of Buenos Aires (MALBA) inaugurates one of the most ambitious exhibitions regarding the beginnings of modern photography in Argentina, mainly in Buenos Aires city. With a selection of more than 250 works, the second floor of the museum is a tribute to the artists who photographed, for the first time, the Latin-American country from a none merely documentary perspective. Mundo Propio: Fotografía Moderna Argentina 1927 – 1962 (Own World: Argentinian Modern Photography 1927 – 1962) exhibits the photographs of the great masters that shaped what is now known as Argentine photography.

At the New York space of the emblematic gallery Kurimanzutto, Mariana Castillo Deball (Mexico, 1975) presents Point. Gathering her most recent productions, the Latin American artist uses artworks developed on paper and prints on other materials to illustrate the similarities between skin and paper.

On Friday, March 22, the Argentinian National Fund for the Arts inaugurates Universos Cercanos (Near Universes) exhibition at the National House of the Bicentenary. Product of the Visual Arts Contest 2018, on the day of its inauguration the exhibition will announce the twenty winning artists of the competition.

Promoted by Rosario’s Ministry Culture and Education, Microferia de Rosario (Rosario Micro-fair) new edition was attended by thirteen galleries, institutional spaces and a large agenda of activities.

The Tropical Pharmacy inaugurated in room 103 of the Guggenheim Museum in Bilbao. Exploring artistic production based on topics such as ecology, cultural and ethnic diversity and the geopolitical conflicts of the global society artists Jennifer Allora (Philadelphia, 1974) and Guillermo Calzadilla (Havana, 1971) present an exhibition especially designed for the gallery of the Spanish museum.

São Paulo’s Art Museum adjunct curator Rodrigo Moura, was appointed as the new Chief Curator by El Museo del Barrio, in New York. Because of his experience according to Patrick Charpenel, director of the New York museum, the Brazilian art specialist integration is a key to enhance the values ​​of integrity and diversity of El Museo.

Since 2012 the Reina Sofía Museum (Madrid, Spain) has significantly increased its collection of modern and contemporary Latin American art. This time, it was the renowned Venezuelan collector Patricia Phelps de Cisneros who has donated 45 works by 33 Latin American artists to the museum's collection. It should be noted that she had already donated 39 artworks to Spanish museum a few months ago.

Since March 20, in Galería del Paseo / Lima, Peruvian artist Lorena Noblecilla presents Geografías del Tiempo (Time Geographies). Using landscape, its construction and destruction processes, the artist brings to the exhibition room a critical reading regarding the environment.

On May 17, the Whitney Museum of American Art celebrates the Whitney Biennial 2019. Destined for the visibility of contemporary American production, from May to September the New York museum hosts the works of 75 artists residing in the United States. Under Jane Panetta and Rujeko Hockley curatorship, the new edition of this biennial founded almost a century ago brings a novelty: after a decade without representation Miami will have two of its artists at the Whitney Biennial.

The Armory Show 2019, one of the most important fairs within the international scene of modern and contemporary art inaugurated yesterda. In tribute to the International Exhibition of Modern Art held in New York City in 1913, the Armory Show has been bringing together artists from around the world since 1994. With an eclectic program involving hundreds of galleries, the Platform section, curated by Sally Tallan cannot be overlooked. Andreas Angelidakis, Siah Armajani, Iris Häussler, Tania Candiani, Ryan Gander, Xavier Simmons, Jessica Stockholder, Pascale Marthine Tayou and Super Taus arte the artists reunited at Tallan’s curatorial project.

On March 14th, at the AMA | Art Museum of the Americas, the Organization of American States (OAS) -institution in charge of the museum- together with the CINTAS Foundation present A Gaze through the CINTAS Fellowship Program: a Selection of Works from the CINTAS Foundation and the Art Museum of the Americas Collections. Locating Cuban art as the main character, the exhibition aims to illustrate the effort that CINTAS has placed for more than 55 years in the visualization and promotion of Caribbean artistic production.

With a free opening to the public on March 7^th, the Modern Museum of Buenos Aires (MAMBA) presents El Salón de los Carpichos (The Hall of Caprices), an anthological exhibition of the Buenos Aires artist Max Gómez Canle (Buenos Aires 1972). Conceived, not as a retrospective, but as a linear journey through the formal and narrative influences that Gómez Canle reveals in his works, the exhibition immerses itself in the history of art from its own production and establishes a dialogue with the trade of creating images and the reminiscence of these in the unconscious.

The Art Museum of Lima (MALI) is looking for a new Director. Focused, mainly, on the search for new audiences and visitors, the new Director must be a person with the ability to make a contribution to the organizational culture of the museum, forged two decades ago and constituted as one of the most prestigious art institutions in Latin America. As communicated from the MALI, the Director will be in charge of the daily management of the museum and, together with the General Manager and the Sub Director, will be responsible for the vision and strategy, reporting directly to the MALI Board of Directors. The call closes on March 15.

For the first time in 45 years, the annual congress of the International Association of Contemporary Art Curators IKT will be held in the city of Miami. The conference will take place from April 11 to 14. In addition to being the main opera of the congress in the United States, the new edition will hold a Post-Congress in Havana, Cuba, from April 15 to 18.