PINTA LIMA: TWO CURATORIAL PROJECTS THAT NARRATE THE EVERYDAY ENVIRONMENT
In its 2025 edition, the Latin American contemporary art fair presents, through RADAR and Video Project, a selection of works that engage with key issues of the present—both within the artistic field and beyond it: from questions surrounding the re-signification of ancestral knowledge to reflections on the idiosyncrasies of human nature.

RADAR
Curated by Florencia Portocarrero and organized into solos, duos, and trios, RADAR brings together five projects that delve into urgent issues of the present while also contributing to some of the most relevant conversations in contemporary Latin American art.
The selected proposals explore, among other themes, the recovery of ancestral knowledge through artisanal techniques; a critical revision of art history by tracing links and legacies among women artists; and a perspective on extractivism reimagined through the lens of multispecies interdependence as a vital foundation.
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Sergio Murga Rossel. S/T XII, 2024. Cerámica, 22 x 29 x 54 cm
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Ivet Salazar, 2025. Tinta sobre papel de algodón de 180 gr 21 x 29.7 cm
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Ana De Orbegoso. Detalle de instalación “La Ofrenda”, 2024. Instalación de 7 manos de resina, sábila con raíces, tiras de quipus y cabello trenzado
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Sergio Murga Rossel. S/T XII, 2024. Cerámica, 22 x 29 x 54 cm
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Luz Maritha Rodríguez. Sin título, 2024. Tintes naturales sobre algodón, 150 x 142 centímetros
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Gala Berger. Transcorporeal, 2020. Acuarela, tinta y lápiz sobre tela con transfer digital, 70 x 100 cm
Through painting, drawing, sculpture, textile, photography, and installation, the participating artists present visual chronicles of our time. Their works show how art can serve both as a form of engagement with the present and as a tool for building collective memory and critical thought.
Participating galleries and artists include: Arróniz (Mexico City, Mexico) with Ishmael Randall Weeks; BLOC Art Gallery (Lima, Peru) with Ivet Salazar and Ana De Orbegoso; Crisis (Lima, Peru) with Gala Berger, Sergio Murga, and Luz Maritha Rodríguez; NAC (Santiago, Chile) with Claudio Correa, Colomba Fontaine, and Diego Terán; and Paseolab (Lima, Peru) with Claudia Coca and Nicole Echevarría.
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Claudio Correa. La frontera entre una nutria y un maíz, 2024. Intervención escultórica, impresión 3D en PLA, pan de oro en aluminio y corte a muro, 88 cm x 60 cm de alto x 3,5 cm
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Diego Teran. Felino, 2025. Bronce plegado y pulido, 30x30x7
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Claudio Correa. La frontera entre una nutria y un maíz, 2024. Intervención escultórica, impresión 3D en PLA, pan de oro en aluminio y corte a muro, 88 cm x 60 cm de alto x 3,5 cm
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Colomba Fontaine. ESTANCADA II, 2024. Cerámica gres y pigmentos,1O2 x 95 cm
Video Project – Archaeology of the Everyday
The artists selected for this new edition of Video Project, curated by Irene Gelfman, are known for creating works that uncover the complexities of everyday life and expose the contradictions and consequences of contemporary lifestyles.
Andrea Canepa’s work reflects on how institutions support bodies, and how bodies, in turn, uphold institutions. Enrique Pezo, meanwhile, covers his body in rubber to highlight symbols laden with ambiguity.
In her video installation, Gianine Tabja positions the body as an interlocutor between memory and territory. In his video performance, Adrián Sosa delivers a powerful declaration on social inequality in his region, using a deliberately simple aesthetic.
Through a socio-archaeological inquiry into her surroundings, Donna Conlon presents three pieces that reveal the distinctive idiosyncrasies of human behavior, resulting in a work that is both beautiful and unsettling.
The 12th edition of Pinta Lima will take place from April 24 to 27, 2025, at Casa Prado in Lima, Peru.
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After four days of intense activity, during which key figures from the international and regional contemporary art scenes came together, the twelfth edition of Pinta Lima concluded at Casa Prado, reaffirming itself as one of the main events for contemporary art in Peru. This edition, directed by Irene Gelfman, celebrated cultural legacy and projected the future of Latin American art at a time when the Peruvian ecosystem —with the international rise of its artists, the strengthening of its gallery circuit, and the growth of local collecting— is advancing strongly toward consolidation.
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This was my first visit to Lima (and I hope it’s the first of many), and I came to take part in Pinta Lima 2025—an incredibly enriching experience. From the opening to the close, the fair was full of life: buzzing rooms, lively conversations, and unexpected encounters. There was an unmistakable energy in the air, the kind that comes from a city that takes seriously its place on the Latin American contemporary art map.
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Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
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A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.
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A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.

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Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.
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After four days of intense activity, during which key figures from the international and regional contemporary art scenes came together, the twelfth edition of Pinta Lima concluded at Casa Prado, reaffirming itself as one of the main events for contemporary art in Peru. This edition, directed by Irene Gelfman, celebrated cultural legacy and projected the future of Latin American art at a time when the Peruvian ecosystem —with the international rise of its artists, the strengthening of its gallery circuit, and the growth of local collecting— is advancing strongly toward consolidation.
LEGACY, ESTABLISHED ART, AND THE EMERGING: A CONVERSATION AT PINTA LIMA 2025
After four days of intense activity, during which key figures from the international and regional contemporary art scenes came together, the twelfth edition of Pinta Lima concluded at Casa Prado, reaffirming itself as one of the main events for contemporary art in Peru. This edition, directed by Irene Gelfman, celebrated cultural legacy and projected the future of Latin American art at a time when the Peruvian ecosystem —with the international rise of its artists, the strengthening of its gallery circuit, and the growth of local collecting— is advancing strongly toward consolidation.

This was my first visit to Lima (and I hope it’s the first of many), and I came to take part in Pinta Lima 2025—an incredibly enriching experience. From the opening to the close, the fair was full of life: buzzing rooms, lively conversations, and unexpected encounters. There was an unmistakable energy in the air, the kind that comes from a city that takes seriously its place on the Latin American contemporary art map.
PINTA LIMA 2025: ENTHUSIASM, QUALITY AND A SCENE GAINING GLOBAL MOMENTUM
This was my first visit to Lima (and I hope it’s the first of many), and I came to take part in Pinta Lima 2025—an incredibly enriching experience. From the opening to the close, the fair was full of life: buzzing rooms, lively conversations, and unexpected encounters. There was an unmistakable energy in the air, the kind that comes from a city that takes seriously its place on the Latin American contemporary art map.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.
FORO PINTA LIMA 2025: REFLECTIONS ABOUT THE MARKET OF A REGION
The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

This 2025, the EFG Latin America Art Award celebrates its 15th anniversary, consolidated as one of the most relevant recognitions of contemporary creation in the region. Within the framework of Pinta Lima, one of the fairs where the selection of nominated artists takes place, the impact this award has had on the visibility of Latin American visual arts is highlighted.
EFG LATIN AMERICA ART AWARD: FIFTEEN YEARS CELEBRATING THE ART OF A REGION
This 2025, the EFG Latin America Art Award celebrates its 15th anniversary, consolidated as one of the most relevant recognitions of contemporary creation in the region. Within the framework of Pinta Lima, one of the fairs where the selection of nominated artists takes place, the impact this award has had on the visibility of Latin American visual arts is highlighted.

Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”
ALEJANDRA MONTEVERDE AND CRISIS GALERÍA: MEMORY, BODY, AND TERRITORY
Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”

Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
A PROJECT THAT “ACTIVATES THE PAST AS POSSIBILITY” AT PINTA LIMA
Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.

Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.
COLOMBIAN PRESENCE AT PINTA LIMA: THREE PROPOSALS FROM BOGOTÁ
Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.

The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.
BRUNO ZEPPILLI: IMAGES OF A SILENCED HISTORY
The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.

The enduring legacy of Teresa Burga (Iquitos, 1935 – Lima, 2021) is celebrated at the Latin American art fair Pinta Lima, where she was selected as the tribute artist for the Special Project, curated by Miguel A. López. The exhibition brings together, for the first time, various moments of her production between 1966 and 2020, showcasing the intelligence, boldness, and versatility of an artist who was not always recognized or understood in her time.
FOUR ARTWORKS THAT TRACE TERESA BURGA'S REVOLUTIONARY JOURNEY
The enduring legacy of Teresa Burga (Iquitos, 1935 – Lima, 2021) is celebrated at the Latin American art fair Pinta Lima, where she was selected as the tribute artist for the Special Project, curated by Miguel A. López. The exhibition brings together, for the first time, various moments of her production between 1966 and 2020, showcasing the intelligence, boldness, and versatility of an artist who was not always recognized or understood in her time.

A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.
YESTERDAY AND TOMORROW, INSIDE AND OUTSIDE: SPECIAL PROJECT AT PINTA LIMA
A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.

Three proposals that explore the relationships between art, environment and society from unique perspectives. Although the artists come from different practices, communities and perspectives, their works dialogue with each other, offering an enriching and diverse experience.
BEDOYA, BRUGUERA AND VÁZQUES YUI AT PROYECTOAMIL
Three proposals that explore the relationships between art, environment and society from unique perspectives. Although the artists come from different practices, communities and perspectives, their works dialogue with each other, offering an enriching and diverse experience.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.
ALBERTO REBAZA: COLLECTING AND ARTIST RESIDENCIES IN PERU
Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

After four days of intense activity, during which key figures from the international and regional contemporary art scenes came together, the twelfth edition of Pinta Lima concluded at Casa Prado, reaffirming itself as one of the main events for contemporary art in Peru. This edition, directed by Irene Gelfman, celebrated cultural legacy and projected the future of Latin American art at a time when the Peruvian ecosystem —with the international rise of its artists, the strengthening of its gallery circuit, and the growth of local collecting— is advancing strongly toward consolidation.
LEGACY, ESTABLISHED ART, AND THE EMERGING: A CONVERSATION AT PINTA LIMA 2025
After four days of intense activity, during which key figures from the international and regional contemporary art scenes came together, the twelfth edition of Pinta Lima concluded at Casa Prado, reaffirming itself as one of the main events for contemporary art in Peru. This edition, directed by Irene Gelfman, celebrated cultural legacy and projected the future of Latin American art at a time when the Peruvian ecosystem —with the international rise of its artists, the strengthening of its gallery circuit, and the growth of local collecting— is advancing strongly toward consolidation.

This was my first visit to Lima (and I hope it’s the first of many), and I came to take part in Pinta Lima 2025—an incredibly enriching experience. From the opening to the close, the fair was full of life: buzzing rooms, lively conversations, and unexpected encounters. There was an unmistakable energy in the air, the kind that comes from a city that takes seriously its place on the Latin American contemporary art map.
PINTA LIMA 2025: ENTHUSIASM, QUALITY AND A SCENE GAINING GLOBAL MOMENTUM
This was my first visit to Lima (and I hope it’s the first of many), and I came to take part in Pinta Lima 2025—an incredibly enriching experience. From the opening to the close, the fair was full of life: buzzing rooms, lively conversations, and unexpected encounters. There was an unmistakable energy in the air, the kind that comes from a city that takes seriously its place on the Latin American contemporary art map.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.
FORO PINTA LIMA 2025: REFLECTIONS ABOUT THE MARKET OF A REGION
The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

This 2025, the EFG Latin America Art Award celebrates its 15th anniversary, consolidated as one of the most relevant recognitions of contemporary creation in the region. Within the framework of Pinta Lima, one of the fairs where the selection of nominated artists takes place, the impact this award has had on the visibility of Latin American visual arts is highlighted.
EFG LATIN AMERICA ART AWARD: FIFTEEN YEARS CELEBRATING THE ART OF A REGION
This 2025, the EFG Latin America Art Award celebrates its 15th anniversary, consolidated as one of the most relevant recognitions of contemporary creation in the region. Within the framework of Pinta Lima, one of the fairs where the selection of nominated artists takes place, the impact this award has had on the visibility of Latin American visual arts is highlighted.

Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”
ALEJANDRA MONTEVERDE AND CRISIS GALERÍA: MEMORY, BODY, AND TERRITORY
Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”

Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
A PROJECT THAT “ACTIVATES THE PAST AS POSSIBILITY” AT PINTA LIMA
Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.

Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.
COLOMBIAN PRESENCE AT PINTA LIMA: THREE PROPOSALS FROM BOGOTÁ
Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.

The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.
BRUNO ZEPPILLI: IMAGES OF A SILENCED HISTORY
The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.

The enduring legacy of Teresa Burga (Iquitos, 1935 – Lima, 2021) is celebrated at the Latin American art fair Pinta Lima, where she was selected as the tribute artist for the Special Project, curated by Miguel A. López. The exhibition brings together, for the first time, various moments of her production between 1966 and 2020, showcasing the intelligence, boldness, and versatility of an artist who was not always recognized or understood in her time.
FOUR ARTWORKS THAT TRACE TERESA BURGA'S REVOLUTIONARY JOURNEY
The enduring legacy of Teresa Burga (Iquitos, 1935 – Lima, 2021) is celebrated at the Latin American art fair Pinta Lima, where she was selected as the tribute artist for the Special Project, curated by Miguel A. López. The exhibition brings together, for the first time, various moments of her production between 1966 and 2020, showcasing the intelligence, boldness, and versatility of an artist who was not always recognized or understood in her time.

A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.
YESTERDAY AND TOMORROW, INSIDE AND OUTSIDE: SPECIAL PROJECT AT PINTA LIMA
A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.

Three proposals that explore the relationships between art, environment and society from unique perspectives. Although the artists come from different practices, communities and perspectives, their works dialogue with each other, offering an enriching and diverse experience.
BEDOYA, BRUGUERA AND VÁZQUES YUI AT PROYECTOAMIL
Three proposals that explore the relationships between art, environment and society from unique perspectives. Although the artists come from different practices, communities and perspectives, their works dialogue with each other, offering an enriching and diverse experience.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.
ALBERTO REBAZA: COLLECTING AND ARTIST RESIDENCIES IN PERU
Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

After four days of intense activity, during which key figures from the international and regional contemporary art scenes came together, the twelfth edition of Pinta Lima concluded at Casa Prado, reaffirming itself as one of the main events for contemporary art in Peru. This edition, directed by Irene Gelfman, celebrated cultural legacy and projected the future of Latin American art at a time when the Peruvian ecosystem —with the international rise of its artists, the strengthening of its gallery circuit, and the growth of local collecting— is advancing strongly toward consolidation.
LEGACY, ESTABLISHED ART, AND THE EMERGING: A CONVERSATION AT PINTA LIMA 2025
After four days of intense activity, during which key figures from the international and regional contemporary art scenes came together, the twelfth edition of Pinta Lima concluded at Casa Prado, reaffirming itself as one of the main events for contemporary art in Peru. This edition, directed by Irene Gelfman, celebrated cultural legacy and projected the future of Latin American art at a time when the Peruvian ecosystem —with the international rise of its artists, the strengthening of its gallery circuit, and the growth of local collecting— is advancing strongly toward consolidation.

This was my first visit to Lima (and I hope it’s the first of many), and I came to take part in Pinta Lima 2025—an incredibly enriching experience. From the opening to the close, the fair was full of life: buzzing rooms, lively conversations, and unexpected encounters. There was an unmistakable energy in the air, the kind that comes from a city that takes seriously its place on the Latin American contemporary art map.
PINTA LIMA 2025: ENTHUSIASM, QUALITY AND A SCENE GAINING GLOBAL MOMENTUM
This was my first visit to Lima (and I hope it’s the first of many), and I came to take part in Pinta Lima 2025—an incredibly enriching experience. From the opening to the close, the fair was full of life: buzzing rooms, lively conversations, and unexpected encounters. There was an unmistakable energy in the air, the kind that comes from a city that takes seriously its place on the Latin American contemporary art map.