EFG LATIN AMERICA ART AWARD: FIFTEEN YEARS CELEBRATING THE ART OF A REGION

Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”

Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.

Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.

La Galería presents La forma resignificada (The Redefined Form), a solo painting exhibition by Peruvian visual artist. The show brings together a remarkable selection of 14 recent medium- and large-format works created using mixed media on canvas.

As part of the artistic and technological innovation of the #12 edition of Pinta Lima, the winning proposal for the artistic intervention of the Audi Q6 e-tron, a 100% electric vehicle of the Audi company, was announced. The work entitled “Aurora Mar” by artist Gabriela María Ganoza Tacchino was selected for its powerful environmental message and its innovative use of sustainable materials.

Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

In its 2025 edition, the Latin American contemporary art fair presents, through RADAR and Video Project, a selection of works that engage with key issues of the present—both within the artistic field and beyond it: from questions surrounding the re-signification of ancestral knowledge to reflections on the idiosyncrasies of human nature.

The Spanish artist known for challenging socio-cultural conventions and exploring the power relations embedded in urban imagery and text presents the exhibition Muntadas Lugar Público in Brazil.

The Museo de Arte Moderno de Buenos Aires announces the national open call for the 2025–2026 cycle of its Casa Alberto Heredia Residency Program, aimed at artists and professionals in the fields of art, culture, and education from across the country. Applications will be accepted until May 31, 2025.

The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.

The first large-scale exhibition of Latin American art in the West Asia and North Africa region has opened: LATINOAMERICANO. Modern and Contemporary Art from Malba and Eduardo Costantini Collections.

The enduring legacy of Teresa Burga (Iquitos, 1935 – Lima, 2021) is celebrated at the Latin American art fair Pinta Lima, where she was selected as the tribute artist for the Special Project, curated by Miguel A. López. The exhibition brings together, for the first time, various moments of her production between 1966 and 2020, showcasing the intelligence, boldness, and versatility of an artist who was not always recognized or understood in her time.

A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

 The EFG Latin America Art Award, in association with ArtNexus, announced Marilyn Boror Bor from San Juan Sacatepéquez (Guatemala), represented by Judas Galería from Valparaíso (Chile), as the nominated artist for its annual acquisition award.

The Institute for Studies on Latin American Art (ISLAA) presents Magali Lara: Stitched to the Body, an exhibition that examines a key moment in the career of pioneering Mexican artist.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents Hulda Guzmán: Miracle Fruits, the first solo museum exhibition of Dominican artist.

The EFG Latin America Art Award, in partnership with ArtNexus, is pleased to announce Ishmael Randall-Weeks from Cusco, (Peru), represented by Arróniz Arte Contemporáneo, from Mexico City, (Mexico), as the artist nominated for EFG's annual acquisition award.

Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”

Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.

Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.

La Galería presents La forma resignificada (The Redefined Form), a solo painting exhibition by Peruvian visual artist. The show brings together a remarkable selection of 14 recent medium- and large-format works created using mixed media on canvas.

As part of the artistic and technological innovation of the #12 edition of Pinta Lima, the winning proposal for the artistic intervention of the Audi Q6 e-tron, a 100% electric vehicle of the Audi company, was announced. The work entitled “Aurora Mar” by artist Gabriela María Ganoza Tacchino was selected for its powerful environmental message and its innovative use of sustainable materials.

Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

In its 2025 edition, the Latin American contemporary art fair presents, through RADAR and Video Project, a selection of works that engage with key issues of the present—both within the artistic field and beyond it: from questions surrounding the re-signification of ancestral knowledge to reflections on the idiosyncrasies of human nature.

The Spanish artist known for challenging socio-cultural conventions and exploring the power relations embedded in urban imagery and text presents the exhibition Muntadas Lugar Público in Brazil.

The Museo de Arte Moderno de Buenos Aires announces the national open call for the 2025–2026 cycle of its Casa Alberto Heredia Residency Program, aimed at artists and professionals in the fields of art, culture, and education from across the country. Applications will be accepted until May 31, 2025.

The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.

The first large-scale exhibition of Latin American art in the West Asia and North Africa region has opened: LATINOAMERICANO. Modern and Contemporary Art from Malba and Eduardo Costantini Collections.

The enduring legacy of Teresa Burga (Iquitos, 1935 – Lima, 2021) is celebrated at the Latin American art fair Pinta Lima, where she was selected as the tribute artist for the Special Project, curated by Miguel A. López. The exhibition brings together, for the first time, various moments of her production between 1966 and 2020, showcasing the intelligence, boldness, and versatility of an artist who was not always recognized or understood in her time.

A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

 The EFG Latin America Art Award, in association with ArtNexus, announced Marilyn Boror Bor from San Juan Sacatepéquez (Guatemala), represented by Judas Galería from Valparaíso (Chile), as the nominated artist for its annual acquisition award.

The Institute for Studies on Latin American Art (ISLAA) presents Magali Lara: Stitched to the Body, an exhibition that examines a key moment in the career of pioneering Mexican artist.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents Hulda Guzmán: Miracle Fruits, the first solo museum exhibition of Dominican artist.

The EFG Latin America Art Award, in partnership with ArtNexus, is pleased to announce Ishmael Randall-Weeks from Cusco, (Peru), represented by Arróniz Arte Contemporáneo, from Mexico City, (Mexico), as the artist nominated for EFG's annual acquisition award.

Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.

Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.

La Galería presents La forma resignificada (The Redefined Form), a solo painting exhibition by Peruvian visual artist. The show brings together a remarkable selection of 14 recent medium- and large-format works created using mixed media on canvas.

As part of the artistic and technological innovation of the #12 edition of Pinta Lima, the winning proposal for the artistic intervention of the Audi Q6 e-tron, a 100% electric vehicle of the Audi company, was announced. The work entitled “Aurora Mar” by artist Gabriela María Ganoza Tacchino was selected for its powerful environmental message and its innovative use of sustainable materials.

Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

In its 2025 edition, the Latin American contemporary art fair presents, through RADAR and Video Project, a selection of works that engage with key issues of the present—both within the artistic field and beyond it: from questions surrounding the re-signification of ancestral knowledge to reflections on the idiosyncrasies of human nature.

The Spanish artist known for challenging socio-cultural conventions and exploring the power relations embedded in urban imagery and text presents the exhibition Muntadas Lugar Público in Brazil.

The Museo de Arte Moderno de Buenos Aires announces the national open call for the 2025–2026 cycle of its Casa Alberto Heredia Residency Program, aimed at artists and professionals in the fields of art, culture, and education from across the country. Applications will be accepted until May 31, 2025.

The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.

The first large-scale exhibition of Latin American art in the West Asia and North Africa region has opened: LATINOAMERICANO. Modern and Contemporary Art from Malba and Eduardo Costantini Collections.

The enduring legacy of Teresa Burga (Iquitos, 1935 – Lima, 2021) is celebrated at the Latin American art fair Pinta Lima, where she was selected as the tribute artist for the Special Project, curated by Miguel A. López. The exhibition brings together, for the first time, various moments of her production between 1966 and 2020, showcasing the intelligence, boldness, and versatility of an artist who was not always recognized or understood in her time.

A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

 The EFG Latin America Art Award, in association with ArtNexus, announced Marilyn Boror Bor from San Juan Sacatepéquez (Guatemala), represented by Judas Galería from Valparaíso (Chile), as the nominated artist for its annual acquisition award.

The Institute for Studies on Latin American Art (ISLAA) presents Magali Lara: Stitched to the Body, an exhibition that examines a key moment in the career of pioneering Mexican artist.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents Hulda Guzmán: Miracle Fruits, the first solo museum exhibition of Dominican artist.

The EFG Latin America Art Award, in partnership with ArtNexus, is pleased to announce Ishmael Randall-Weeks from Cusco, (Peru), represented by Arróniz Arte Contemporáneo, from Mexico City, (Mexico), as the artist nominated for EFG's annual acquisition award.

Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”

Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.

Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.

La Galería presents La forma resignificada (The Redefined Form), a solo painting exhibition by Peruvian visual artist. The show brings together a remarkable selection of 14 recent medium- and large-format works created using mixed media on canvas.

As part of the artistic and technological innovation of the #12 edition of Pinta Lima, the winning proposal for the artistic intervention of the Audi Q6 e-tron, a 100% electric vehicle of the Audi company, was announced. The work entitled “Aurora Mar” by artist Gabriela María Ganoza Tacchino was selected for its powerful environmental message and its innovative use of sustainable materials.

Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

In its 2025 edition, the Latin American contemporary art fair presents, through RADAR and Video Project, a selection of works that engage with key issues of the present—both within the artistic field and beyond it: from questions surrounding the re-signification of ancestral knowledge to reflections on the idiosyncrasies of human nature.

The Spanish artist known for challenging socio-cultural conventions and exploring the power relations embedded in urban imagery and text presents the exhibition Muntadas Lugar Público in Brazil.

The Museo de Arte Moderno de Buenos Aires announces the national open call for the 2025–2026 cycle of its Casa Alberto Heredia Residency Program, aimed at artists and professionals in the fields of art, culture, and education from across the country. Applications will be accepted until May 31, 2025.

The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.

The first large-scale exhibition of Latin American art in the West Asia and North Africa region has opened: LATINOAMERICANO. Modern and Contemporary Art from Malba and Eduardo Costantini Collections.

The enduring legacy of Teresa Burga (Iquitos, 1935 – Lima, 2021) is celebrated at the Latin American art fair Pinta Lima, where she was selected as the tribute artist for the Special Project, curated by Miguel A. López. The exhibition brings together, for the first time, various moments of her production between 1966 and 2020, showcasing the intelligence, boldness, and versatility of an artist who was not always recognized or understood in her time.

A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

 The EFG Latin America Art Award, in association with ArtNexus, announced Marilyn Boror Bor from San Juan Sacatepéquez (Guatemala), represented by Judas Galería from Valparaíso (Chile), as the nominated artist for its annual acquisition award.

The Institute for Studies on Latin American Art (ISLAA) presents Magali Lara: Stitched to the Body, an exhibition that examines a key moment in the career of pioneering Mexican artist.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents Hulda Guzmán: Miracle Fruits, the first solo museum exhibition of Dominican artist.

The EFG Latin America Art Award, in partnership with ArtNexus, is pleased to announce Ishmael Randall-Weeks from Cusco, (Peru), represented by Arróniz Arte Contemporáneo, from Mexico City, (Mexico), as the artist nominated for EFG's annual acquisition award.

Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”

Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.

Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.

La Galería presents La forma resignificada (The Redefined Form), a solo painting exhibition by Peruvian visual artist. The show brings together a remarkable selection of 14 recent medium- and large-format works created using mixed media on canvas.

As part of the artistic and technological innovation of the #12 edition of Pinta Lima, the winning proposal for the artistic intervention of the Audi Q6 e-tron, a 100% electric vehicle of the Audi company, was announced. The work entitled “Aurora Mar” by artist Gabriela María Ganoza Tacchino was selected for its powerful environmental message and its innovative use of sustainable materials.

Peruvian contemporary art is experiencing a vibrant moment. Over the past decade, its art ecosystem has begun to consolidate, with a growing local collector base, a more professional gallery scene, and an increasing number of artists gaining international visibility. However, it remains an early stage, with a small and fragile market that requires stronger structures to support its development. Unlike other countries in the region, Peru lacks strong institutional support for contemporary art.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

In its 2025 edition, the Latin American contemporary art fair presents, through RADAR and Video Project, a selection of works that engage with key issues of the present—both within the artistic field and beyond it: from questions surrounding the re-signification of ancestral knowledge to reflections on the idiosyncrasies of human nature.

The Spanish artist known for challenging socio-cultural conventions and exploring the power relations embedded in urban imagery and text presents the exhibition Muntadas Lugar Público in Brazil.

The Museo de Arte Moderno de Buenos Aires announces the national open call for the 2025–2026 cycle of its Casa Alberto Heredia Residency Program, aimed at artists and professionals in the fields of art, culture, and education from across the country. Applications will be accepted until May 31, 2025.

The Museo de Arte de Lima (MALI) presents Transformaciones visuales, an exhibition dedicated to the work of Peruvian artist Bruno Zeppilli. The show offers a provocative reading of how certain images persist in Peru’s collective memory.

The first large-scale exhibition of Latin American art in the West Asia and North Africa region has opened: LATINOAMERICANO. Modern and Contemporary Art from Malba and Eduardo Costantini Collections.

The enduring legacy of Teresa Burga (Iquitos, 1935 – Lima, 2021) is celebrated at the Latin American art fair Pinta Lima, where she was selected as the tribute artist for the Special Project, curated by Miguel A. López. The exhibition brings together, for the first time, various moments of her production between 1966 and 2020, showcasing the intelligence, boldness, and versatility of an artist who was not always recognized or understood in her time.

A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.

Alberto Rebaza is one of the most influential collectors in Peru. He began collecting in the late 1990s, driven by the rebirth of contemporary Peruvian art. Alongside his wife, Ginette Lumbroso, he has expanded the Rebaza Collection to include Latin American and European artists, with a keen eye for the connections between art and culture. They also lead an artist residency program that promotes exchange between international creators and the local scene. In conversation with Arte al Día, he shares his perspective on collecting, the value of residencies, and the role of art as a tool for connection.

 The EFG Latin America Art Award, in association with ArtNexus, announced Marilyn Boror Bor from San Juan Sacatepéquez (Guatemala), represented by Judas Galería from Valparaíso (Chile), as the nominated artist for its annual acquisition award.

The Institute for Studies on Latin American Art (ISLAA) presents Magali Lara: Stitched to the Body, an exhibition that examines a key moment in the career of pioneering Mexican artist.

Museu de Arte de São Paulo Assis Chateaubriand (MASP) presents Hulda Guzmán: Miracle Fruits, the first solo museum exhibition of Dominican artist.

The EFG Latin America Art Award, in partnership with ArtNexus, is pleased to announce Ishmael Randall-Weeks from Cusco, (Peru), represented by Arróniz Arte Contemporáneo, from Mexico City, (Mexico), as the artist nominated for EFG's annual acquisition award.