TECHNIQUE, CRAFT AND ICONOGRAPHY - SEBASTIÁN GORDÍN AT SICARDI

The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.

The Museum of Contemporary Art of the Americas presented the exhibition Women Who I Could’ve Been, featuring the latest work of renowned artist Ana Albertina Delgado.

Widline Cadet (Pétion-Ville, Haiti, 1992) brings together in her life experience several of the aspects and themes that, perhaps, have inspired more production among all those curatorial lines with more presence. Her biography, constructed through childhood memories, the environment of a generation and a country marked by its own strong culture or the phenomena of emigration, constitutes the framework in which the photographer develops the practical integrity of her work.

Kasmin gallery presented Mundo de Julia, an exhibition of ceramic sculpture by Julia Isídrez. This is the artist’s first solo exhibition in the United States and runs concurrently with Isídrez’s presentation in Stranieri Ovunque – Foreigners Everywhere, the 60th International Art Exhibition of La Biennale di Venezia curated by Adriano Pedrosa.

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and collectives grappling with many of today’s most pressing issues.

The Museo Moderno de Buenos Aires inaugurates the exhibition Martín Legón: Solo las piedras recuerdan (Only Stones Remember), in which the artist interrogates the present of human experience and wonders how human beings relate to images, how we construct knowledge, and in what remote place the mark of the human as it is known to the present will remain.

Rolf Art Gallery presents Arquitectura de la imagen en tiempo real (Real Time Image Architecture) by artist Vivian Galban at the Centro Cultural San Martín. The proposal consists of an interactive installation that creates a large-format camera obscura, where the process of image creation is carried out in real time. Curated by Máximo Jacoby. It was previously exhibited at Rolf Art (2019), BAphoto (2019) and Paris Photo (2023).

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.

The Museum of Contemporary Art of the Americas presented the exhibition Women Who I Could’ve Been, featuring the latest work of renowned artist Ana Albertina Delgado.

Widline Cadet (Pétion-Ville, Haiti, 1992) brings together in her life experience several of the aspects and themes that, perhaps, have inspired more production among all those curatorial lines with more presence. Her biography, constructed through childhood memories, the environment of a generation and a country marked by its own strong culture or the phenomena of emigration, constitutes the framework in which the photographer develops the practical integrity of her work.

Kasmin gallery presented Mundo de Julia, an exhibition of ceramic sculpture by Julia Isídrez. This is the artist’s first solo exhibition in the United States and runs concurrently with Isídrez’s presentation in Stranieri Ovunque – Foreigners Everywhere, the 60th International Art Exhibition of La Biennale di Venezia curated by Adriano Pedrosa.

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and collectives grappling with many of today’s most pressing issues.

The Museo Moderno de Buenos Aires inaugurates the exhibition Martín Legón: Solo las piedras recuerdan (Only Stones Remember), in which the artist interrogates the present of human experience and wonders how human beings relate to images, how we construct knowledge, and in what remote place the mark of the human as it is known to the present will remain.

Rolf Art Gallery presents Arquitectura de la imagen en tiempo real (Real Time Image Architecture) by artist Vivian Galban at the Centro Cultural San Martín. The proposal consists of an interactive installation that creates a large-format camera obscura, where the process of image creation is carried out in real time. Curated by Máximo Jacoby. It was previously exhibited at Rolf Art (2019), BAphoto (2019) and Paris Photo (2023).

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

The Museum of Contemporary Art of the Americas presented the exhibition Women Who I Could’ve Been, featuring the latest work of renowned artist Ana Albertina Delgado.

Widline Cadet (Pétion-Ville, Haiti, 1992) brings together in her life experience several of the aspects and themes that, perhaps, have inspired more production among all those curatorial lines with more presence. Her biography, constructed through childhood memories, the environment of a generation and a country marked by its own strong culture or the phenomena of emigration, constitutes the framework in which the photographer develops the practical integrity of her work.

Kasmin gallery presented Mundo de Julia, an exhibition of ceramic sculpture by Julia Isídrez. This is the artist’s first solo exhibition in the United States and runs concurrently with Isídrez’s presentation in Stranieri Ovunque – Foreigners Everywhere, the 60th International Art Exhibition of La Biennale di Venezia curated by Adriano Pedrosa.

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and collectives grappling with many of today’s most pressing issues.

The Museo Moderno de Buenos Aires inaugurates the exhibition Martín Legón: Solo las piedras recuerdan (Only Stones Remember), in which the artist interrogates the present of human experience and wonders how human beings relate to images, how we construct knowledge, and in what remote place the mark of the human as it is known to the present will remain.

Rolf Art Gallery presents Arquitectura de la imagen en tiempo real (Real Time Image Architecture) by artist Vivian Galban at the Centro Cultural San Martín. The proposal consists of an interactive installation that creates a large-format camera obscura, where the process of image creation is carried out in real time. Curated by Máximo Jacoby. It was previously exhibited at Rolf Art (2019), BAphoto (2019) and Paris Photo (2023).

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.

The Museum of Contemporary Art of the Americas presented the exhibition Women Who I Could’ve Been, featuring the latest work of renowned artist Ana Albertina Delgado.

Widline Cadet (Pétion-Ville, Haiti, 1992) brings together in her life experience several of the aspects and themes that, perhaps, have inspired more production among all those curatorial lines with more presence. Her biography, constructed through childhood memories, the environment of a generation and a country marked by its own strong culture or the phenomena of emigration, constitutes the framework in which the photographer develops the practical integrity of her work.

Kasmin gallery presented Mundo de Julia, an exhibition of ceramic sculpture by Julia Isídrez. This is the artist’s first solo exhibition in the United States and runs concurrently with Isídrez’s presentation in Stranieri Ovunque – Foreigners Everywhere, the 60th International Art Exhibition of La Biennale di Venezia curated by Adriano Pedrosa.

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and collectives grappling with many of today’s most pressing issues.

The Museo Moderno de Buenos Aires inaugurates the exhibition Martín Legón: Solo las piedras recuerdan (Only Stones Remember), in which the artist interrogates the present of human experience and wonders how human beings relate to images, how we construct knowledge, and in what remote place the mark of the human as it is known to the present will remain.

Rolf Art Gallery presents Arquitectura de la imagen en tiempo real (Real Time Image Architecture) by artist Vivian Galban at the Centro Cultural San Martín. The proposal consists of an interactive installation that creates a large-format camera obscura, where the process of image creation is carried out in real time. Curated by Máximo Jacoby. It was previously exhibited at Rolf Art (2019), BAphoto (2019) and Paris Photo (2023).

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.

The third and last edition of Art Week Asuncion presented by Pinta Sud | ASU starts today August 5 with an ambitious cultural program, curated by Adriana Almada and accompanied by Irene Gelfman, featuring exhibitions, curatorial programs, lecture series and events.

The Museum of Contemporary Art of the Americas presented the exhibition Women Who I Could’ve Been, featuring the latest work of renowned artist Ana Albertina Delgado.

Widline Cadet (Pétion-Ville, Haiti, 1992) brings together in her life experience several of the aspects and themes that, perhaps, have inspired more production among all those curatorial lines with more presence. Her biography, constructed through childhood memories, the environment of a generation and a country marked by its own strong culture or the phenomena of emigration, constitutes the framework in which the photographer develops the practical integrity of her work.

Kasmin gallery presented Mundo de Julia, an exhibition of ceramic sculpture by Julia Isídrez. This is the artist’s first solo exhibition in the United States and runs concurrently with Isídrez’s presentation in Stranieri Ovunque – Foreigners Everywhere, the 60th International Art Exhibition of La Biennale di Venezia curated by Adriano Pedrosa.

The eighty-first edition of the Whitney Biennial—the longest-running survey of contemporary art in the United States—features seventy-one artists and collectives grappling with many of today’s most pressing issues.

The Museo Moderno de Buenos Aires inaugurates the exhibition Martín Legón: Solo las piedras recuerdan (Only Stones Remember), in which the artist interrogates the present of human experience and wonders how human beings relate to images, how we construct knowledge, and in what remote place the mark of the human as it is known to the present will remain.

Rolf Art Gallery presents Arquitectura de la imagen en tiempo real (Real Time Image Architecture) by artist Vivian Galban at the Centro Cultural San Martín. The proposal consists of an interactive installation that creates a large-format camera obscura, where the process of image creation is carried out in real time. Curated by Máximo Jacoby. It was previously exhibited at Rolf Art (2019), BAphoto (2019) and Paris Photo (2023).

Cultural Programs of the National Academy of Sciences announces Xavier Cortada: Climate Science Art a solo exhibition at Washington, D.C. featuring Miami-based artist Xavier Cortada's climate change-focused artwork from Miami-Dade County, Florida, and the North and South Poles, spanning from 2007 to the present.