FOUR ARTWORKS THAT TRACE TERESA BURGA'S REVOLUTIONARY JOURNEY
The enduring legacy of Teresa Burga (Iquitos, 1935 – Lima, 2021) is celebrated at the Latin American art fair Pinta Lima, where she was selected as the tribute artist for the Special Project, curated by Miguel A. López. The exhibition brings together, for the first time, various moments of her production between 1966 and 2020, showcasing the intelligence, boldness, and versatility of an artist who was not always recognized or understood in her time.

Teresa Burga, a conceptual and multimedia artist, maintained a rebellious and innovative stance since the 1960s, one that led her to challenge traditional frameworks and experiment across multiple media and disciplines. Her practice encompassed drawings, prints, paintings, sculptures, ephemeral installations, diagrams, pieces incorporating sound, video, medical and scientific documentation, as well as numerous works that defy categorization.
Objetos (Objects), 1967
Working within the aesthetics of Pop art, the Peruvian artist developed, in the sixties, a body of work that reflected on women’s roles in society. Objetos, an installation she presented in 1967 at Galería Cultura y Libertad, is a clear example. Burga constructed a domestic interior within the gallery using wood, papier-mâché, and cardboard. One of the works featured a naked woman attached to a bed, rendered in a distinctly Pop style, confronting sexist stereotypes in representations of the female body. The piece also signals Burga’s pioneering role in Peru in moving away from the traditional art object, incorporating new creative strategies to develop conceptual art.
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Teresa Burga, 1967
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Teresa Burga, 1967
Autorretrato (Self-Portrait), 1972
Burga’s work gradually shifted focus, reflecting a growing interest in how information systems shape human behavior and subjectivity. Her piece Autorretrato (1972) was not only innovative in its questioning of personal identity and the impact of bureaucratic structures upon it, but also continued her disruptive line of inquiry into what could be considered art.
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Teresa Burga. Autorretrato, 1972
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Teresa Burga. Autorretrato, 1972
Perfil (Profile), 1980
Between 1980 and 1981, alongside Marie-France Cathelat and a multidisciplinary team, she developed Profile of the Peruvian Woman, a landmark project at the intersection of art and social research. The work examined the role of middle-class women in urban settings during Peru’s return to democracy, with a political approach aimed at influencing public discourse and making visible a range of underrepresented demands, such as abortion rights. Although she did not define herself as a feminist, the project anticipated critical and creative research methodologies. After this experience, Burga withdrew from institutional art spaces.
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Teresa Burga. Perfíl, 1980
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Teresa Burga. Perfíl, 1980
Mano mal dibujada (Poorly Drawn Hand), 2012
Nearly thirty years later, the artist returned to the art scene and reconnected with drawing as a means of expression. Mano mal dibujada, a 2012 piece, anticipated a series of metal sculptures depicting the artist’s hand in various positions. It reflects her characteristic Pop sensibility, offering a critical perspective that links femininity and childlikeness, in contrast to the traditionally masculine associations of authorship in art.
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Teresa Burga. Mano mal dibujada 2012
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Teresa Burga. Mano mal dibujada 2012
Miguel A. López (Lima, 1983), curator of the tribute to Burga, is a writer and currently chief curator at the Museo Universitario del Chopo in Mexico City. He was co-curator of the 2024 Toronto Biennial. Between 2015 and 2020, he was chief curator and later co-director of TEOR/éTica in Costa Rica. In 2019, he curated the retrospective Cecilia Vicuña. Seehearing the Enlightened Failure at Witte de With (now Kunstinstituut Melly), Rotterdam, which traveled to Mexico City, Madrid, and Bogotá. Between 2023 and 2024, a second retrospective, Cecilia Vicuña. Soñar el agua, curated by López, was presented at the Museo de Bellas Artes in Chile, the Malba in Argentina, and the Pinacoteca de São Paulo in Brazil.
*Cover image: Teresa Burga, Untitled, 1967. Courtesy of Galerie Barbara Thumm.
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PINTA LIMA: TWO CURATORIAL PROJECTS THAT NARRATE THE EVERYDAY ENVIRONMENT
In its 2025 edition, the Latin American contemporary art fair presents, through RADAR and Video Project, a selection of works that engage with key issues of the present—both within the artistic field and beyond it: from questions surrounding the re-signification of ancestral knowledge to reflections on the idiosyncrasies of human nature.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.
FORO PINTA LIMA 2025: REFLECTIONS ABOUT THE MARKET OF A REGION
The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

This 2025, the EFG Latin America Art Award celebrates its 15th anniversary, consolidated as one of the most relevant recognitions of contemporary creation in the region. Within the framework of Pinta Lima, one of the fairs where the selection of nominated artists takes place, the impact this award has had on the visibility of Latin American visual arts is highlighted.
EFG LATIN AMERICA ART AWARD: FIFTEEN YEARS CELEBRATING THE ART OF A REGION
This 2025, the EFG Latin America Art Award celebrates its 15th anniversary, consolidated as one of the most relevant recognitions of contemporary creation in the region. Within the framework of Pinta Lima, one of the fairs where the selection of nominated artists takes place, the impact this award has had on the visibility of Latin American visual arts is highlighted.

Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”
ALEJANDRA MONTEVERDE AND CRISIS GALERÍA: MEMORY, BODY, AND TERRITORY
Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”

Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
A PROJECT THAT “ACTIVATES THE PAST AS POSSIBILITY” AT PINTA LIMA
Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.

Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.
COLOMBIAN PRESENCE AT PINTA LIMA: THREE PROPOSALS FROM BOGOTÁ
Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.

A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.
YESTERDAY AND TOMORROW, INSIDE AND OUTSIDE: SPECIAL PROJECT AT PINTA LIMA
A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.

After four days of intense activity, during which key figures from the international and regional contemporary art scenes came together, the twelfth edition of Pinta Lima concluded at Casa Prado, reaffirming itself as one of the main events for contemporary art in Peru. This edition, directed by Irene Gelfman, celebrated cultural legacy and projected the future of Latin American art at a time when the Peruvian ecosystem —with the international rise of its artists, the strengthening of its gallery circuit, and the growth of local collecting— is advancing strongly toward consolidation.
LEGACY, ESTABLISHED ART, AND THE EMERGING: A CONVERSATION AT PINTA LIMA 2025
After four days of intense activity, during which key figures from the international and regional contemporary art scenes came together, the twelfth edition of Pinta Lima concluded at Casa Prado, reaffirming itself as one of the main events for contemporary art in Peru. This edition, directed by Irene Gelfman, celebrated cultural legacy and projected the future of Latin American art at a time when the Peruvian ecosystem —with the international rise of its artists, the strengthening of its gallery circuit, and the growth of local collecting— is advancing strongly toward consolidation.

The art fair invites galleries to submit their proposals for its new edition, taking place from December 4 to 7 at The Hangar, Coconut Grove. The application deadline is July 30.
PINTA MIAMI OPENS CALL FOR ITS 2025 EDITION
The art fair invites galleries to submit their proposals for its new edition, taking place from December 4 to 7 at The Hangar, Coconut Grove. The application deadline is July 30.

This was my first visit to Lima (and I hope it’s the first of many), and I came to take part in Pinta Lima 2025—an incredibly enriching experience. From the opening to the close, the fair was full of life: buzzing rooms, lively conversations, and unexpected encounters. There was an unmistakable energy in the air, the kind that comes from a city that takes seriously its place on the Latin American contemporary art map.
PINTA LIMA 2025: ENTHUSIASM, QUALITY AND A SCENE GAINING GLOBAL MOMENTUM
This was my first visit to Lima (and I hope it’s the first of many), and I came to take part in Pinta Lima 2025—an incredibly enriching experience. From the opening to the close, the fair was full of life: buzzing rooms, lively conversations, and unexpected encounters. There was an unmistakable energy in the air, the kind that comes from a city that takes seriously its place on the Latin American contemporary art map.

The Institute for Studies on Latin American Art (ISLAA) presents Magali Lara: Stitched to the Body, an exhibition that examines a key moment in the career of pioneering Mexican artist.
MAGALI LARA: MEXICAN FEMINISM IN NEW YORK
The Institute for Studies on Latin American Art (ISLAA) presents Magali Lara: Stitched to the Body, an exhibition that examines a key moment in the career of pioneering Mexican artist.

Proa Foundation celebrates the reopening of its renovated spaces with an exhibition organized in collaboration with the Vitra Design Museum: Here We Are! Women in Design 1900–Today, a journey through 120 years of female creativity, innovation, and talent in design.
120 YEARS OF WOMEN REVOLUTIONIZING DESIGN
Proa Foundation celebrates the reopening of its renovated spaces with an exhibition organized in collaboration with the Vitra Design Museum: Here We Are! Women in Design 1900–Today, a journey through 120 years of female creativity, innovation, and talent in design.

The Instituto Cultural Peruano Norteamericano (ICPNA) presents at the Venancio Shinki Space in Miraflores Como si la verdad importara (As if truth mattered), an exhibition that deploys a series of pictorial strategies designed to challenge perception and question the notion of certainty in the image.
JAVIER BARILARO IN PERU: POETICS OF DETAIL
The Instituto Cultural Peruano Norteamericano (ICPNA) presents at the Venancio Shinki Space in Miraflores Como si la verdad importara (As if truth mattered), an exhibition that deploys a series of pictorial strategies designed to challenge perception and question the notion of certainty in the image.

In its 2025 edition, the Latin American contemporary art fair presents, through RADAR and Video Project, a selection of works that engage with key issues of the present—both within the artistic field and beyond it: from questions surrounding the re-signification of ancestral knowledge to reflections on the idiosyncrasies of human nature.
PINTA LIMA: TWO CURATORIAL PROJECTS THAT NARRATE THE EVERYDAY ENVIRONMENT
In its 2025 edition, the Latin American contemporary art fair presents, through RADAR and Video Project, a selection of works that engage with key issues of the present—both within the artistic field and beyond it: from questions surrounding the re-signification of ancestral knowledge to reflections on the idiosyncrasies of human nature.

The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.
FORO PINTA LIMA 2025: REFLECTIONS ABOUT THE MARKET OF A REGION
The sustained rise of Peruvian artists in the contemporary art circuit abroad, the incipient professionalization of the gallery circuit and an expanding local collecting are symptoms of an ecosystem that, although still young, is consolidating. In this context, Pinta Lima inaugurates its 2025 edition as a platform that makes the country's artistic production visible and presents its circuit of Collection Talks within the framework of the FORO conversation.

This 2025, the EFG Latin America Art Award celebrates its 15th anniversary, consolidated as one of the most relevant recognitions of contemporary creation in the region. Within the framework of Pinta Lima, one of the fairs where the selection of nominated artists takes place, the impact this award has had on the visibility of Latin American visual arts is highlighted.
EFG LATIN AMERICA ART AWARD: FIFTEEN YEARS CELEBRATING THE ART OF A REGION
This 2025, the EFG Latin America Art Award celebrates its 15th anniversary, consolidated as one of the most relevant recognitions of contemporary creation in the region. Within the framework of Pinta Lima, one of the fairs where the selection of nominated artists takes place, the impact this award has had on the visibility of Latin American visual arts is highlighted.

Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”
ALEJANDRA MONTEVERDE AND CRISIS GALERÍA: MEMORY, BODY, AND TERRITORY
Alejandra Monteverde is the founder of Crisis Galería, an art space located in Lima, Peru. The institution will be part of the RADAR section at the 2025 edition of Pinta Lima, a platform for artists to engage with some of the most pressing discussions in contemporary Latin American art. Crisis Galería will present “stories of resistance, transformation, and belonging.”

Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.
A PROJECT THAT “ACTIVATES THE PAST AS POSSIBILITY” AT PINTA LIMA
Peruvian artist Yerko Zlatar, alongside Mariana Otero, director of Puna gallery (Peru), explores the contemporaneity of traditional crafts in the NEXT Section of the fair. The collaborative duo showcases unique pieces rooted in traditional practices such as weaving, ceramics, and basketry, understood as living languages that enable the creation of new works of art.

Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.
COLOMBIAN PRESENCE AT PINTA LIMA: THREE PROPOSALS FROM BOGOTÁ
Pinta Lima returns for its 12th edition from April 24 to 27, 2025, bringing with it three Bogotá-based galleries offering versatile and thought-provoking proposals. Together, they create a dialogue that spans a wide thematic universe characteristic of contemporary art: exploring the passage of time and materiality, questioning art history and identity, and exposing the visual culture of mass media.

A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.
YESTERDAY AND TOMORROW, INSIDE AND OUTSIDE: SPECIAL PROJECT AT PINTA LIMA
A system. An architecture. A way of setting out the guidelines that connect millenary myths with the manifestations provided by the present. Lo que este paisaje puede decir sobre el futuro (What this landscape can say about the future), Pinta Lima's Special Project, is an oracle: a sacred space that reveals the union between what is and what can be.

After four days of intense activity, during which key figures from the international and regional contemporary art scenes came together, the twelfth edition of Pinta Lima concluded at Casa Prado, reaffirming itself as one of the main events for contemporary art in Peru. This edition, directed by Irene Gelfman, celebrated cultural legacy and projected the future of Latin American art at a time when the Peruvian ecosystem —with the international rise of its artists, the strengthening of its gallery circuit, and the growth of local collecting— is advancing strongly toward consolidation.
LEGACY, ESTABLISHED ART, AND THE EMERGING: A CONVERSATION AT PINTA LIMA 2025
After four days of intense activity, during which key figures from the international and regional contemporary art scenes came together, the twelfth edition of Pinta Lima concluded at Casa Prado, reaffirming itself as one of the main events for contemporary art in Peru. This edition, directed by Irene Gelfman, celebrated cultural legacy and projected the future of Latin American art at a time when the Peruvian ecosystem —with the international rise of its artists, the strengthening of its gallery circuit, and the growth of local collecting— is advancing strongly toward consolidation.

The art fair invites galleries to submit their proposals for its new edition, taking place from December 4 to 7 at The Hangar, Coconut Grove. The application deadline is July 30.
PINTA MIAMI OPENS CALL FOR ITS 2025 EDITION
The art fair invites galleries to submit their proposals for its new edition, taking place from December 4 to 7 at The Hangar, Coconut Grove. The application deadline is July 30.

This was my first visit to Lima (and I hope it’s the first of many), and I came to take part in Pinta Lima 2025—an incredibly enriching experience. From the opening to the close, the fair was full of life: buzzing rooms, lively conversations, and unexpected encounters. There was an unmistakable energy in the air, the kind that comes from a city that takes seriously its place on the Latin American contemporary art map.
PINTA LIMA 2025: ENTHUSIASM, QUALITY AND A SCENE GAINING GLOBAL MOMENTUM
This was my first visit to Lima (and I hope it’s the first of many), and I came to take part in Pinta Lima 2025—an incredibly enriching experience. From the opening to the close, the fair was full of life: buzzing rooms, lively conversations, and unexpected encounters. There was an unmistakable energy in the air, the kind that comes from a city that takes seriously its place on the Latin American contemporary art map.

The Institute for Studies on Latin American Art (ISLAA) presents Magali Lara: Stitched to the Body, an exhibition that examines a key moment in the career of pioneering Mexican artist.
MAGALI LARA: MEXICAN FEMINISM IN NEW YORK
The Institute for Studies on Latin American Art (ISLAA) presents Magali Lara: Stitched to the Body, an exhibition that examines a key moment in the career of pioneering Mexican artist.

Proa Foundation celebrates the reopening of its renovated spaces with an exhibition organized in collaboration with the Vitra Design Museum: Here We Are! Women in Design 1900–Today, a journey through 120 years of female creativity, innovation, and talent in design.
120 YEARS OF WOMEN REVOLUTIONIZING DESIGN
Proa Foundation celebrates the reopening of its renovated spaces with an exhibition organized in collaboration with the Vitra Design Museum: Here We Are! Women in Design 1900–Today, a journey through 120 years of female creativity, innovation, and talent in design.

The Instituto Cultural Peruano Norteamericano (ICPNA) presents at the Venancio Shinki Space in Miraflores Como si la verdad importara (As if truth mattered), an exhibition that deploys a series of pictorial strategies designed to challenge perception and question the notion of certainty in the image.
JAVIER BARILARO IN PERU: POETICS OF DETAIL
The Instituto Cultural Peruano Norteamericano (ICPNA) presents at the Venancio Shinki Space in Miraflores Como si la verdad importara (As if truth mattered), an exhibition that deploys a series of pictorial strategies designed to challenge perception and question the notion of certainty in the image.