Notas relacionadas con: Environment

The Blackwood Gallery at University of Toronto Mississauga presented GUT_BRAIN, an exhibition series inspired by the primary movements of the digestive system: ingestion, propulsion, mechanical breakdown, chemical digestion, absorption, and elimination.

The Blanton Museum of Art at the University of Texas at Austin presents a special two-part exhibition that explores the history and contemporary urgency of climate-related issues.

Under the title Nature of Hope, the eleventh edition of the International Architecture Biennale Rotterdam (IABR) examines nature, culture and hope from the perspective of architectural thought and action, as a driving force for social change.

In line with the Carbon Neutral 2050 Plan that brings together the main cities of the world –including Buenos Aires– the Museo de Arte Moderno measured its carbon footprint as a first step to know its environmental impact and begin to take measures to reduce it.

Sonoran Quipu is a sprwaling sculpture at Museum of Contemporary Art Tucson composed of natural and human debris collected by indivuals and organizations across the city.

Tomás Saraceno launched in Serpentine South Gallery a living collaborative and multi-species exhibition that delves into how different life forms, technologies and energy systems are connected in the climate emergency.

Everlasting Plastics is the United States Pavilion’s proposal at the Venice Architecture Biennale.

2086: Together now? asks why there is so much isolation at an era where humans are supposed to be hyper-connected through globalization of information, finance, and event culture.

It is the first museum in Spain to become an active member of the international community of art organizations working to reduce the environmental impact of the museum sector.

The Currier Museum of Art announces the first solo exhibition of UÝRA (they/them/their) in a US institution.

The Jamestown Arts Center announced A Hard Rain’s A-Gonna Fall: An Intersection of Art and Science. This exhibition brings together 11 artists from all over the world.

The exhibition Río Sil, lines and geometries by Irene Kopelman at the Fundación Cerezales Antonino y Cinia, approaches the landscape of the Sil river bank reiterating a model of observation that affects the relationship between art and natural sciences.

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

The 18th International Architecture Exhibition, titled The Laboratory of the Future, will be open to the public from Saturday May 20 to Sunday November 26, 2023 at the Giardini and the Arsenale, and at Forte Marghera; it will be curated by Lesley Lokko and organised by La Biennale di Venezia.

As a way of closing 2022 and give a way to 2023, Rolf Art, curated by Francisco Medail, presented Eso que estalla no es el sol, a group show in which several artists talk about the conjunction nature-humans.

Reynier Leyva Novo: Methuselah exhibited in El Museo del Barrio, reproduces through digital artwork the 6000-mile transnational migratory journey of a single monarch butterfly.

For the first time in Argentina Anthropocene is showing at PROA Foundation. A world-renowned exhibition by Canadian artists Edward Burtynsky, Jennifer Baichwall and Nicholas de Pencier.

Curated by Carolina Castro Jorquera, Punto de vista (Point of view), Rodrigo Arteaga's exhibition, is a continuation of the artist's explorations and concerns about the way in which we perceive the beings and forms with which we coexist.

PAV (Parco Arte Vivente) is presenting Tierra (Earth), the solo exhibition of guatemaltecan artista Regina José Galino. She has been investigating for over 20 years the subject of social justice through the lens of performative practives.

The Lisbon Architecture Triennale 2022 explores how new paradigms are changing our ways of place-making in a globalized Planet and proposes a future based in intersecting and exchanging knowledge to make a more sustainable world.

ArtYard inaugurated the new exhibition by Cuban artist Alexandre Arrechea. LANDSCAPE AND HIERARCHIES explores the relationship between the individual and the collective, and the domino effect that human actions may have on society and nature.

An institution that is more attentive and permeable to public debate, that has its own collection as a living witness to the changes. This could be one of the guiding axes of the work of the Venezuelan Julieta González at the head of the artistic direction of Inhotim, one of the main centers of contemporary art in Brazil and one of the most inspiring open-air museums in the world.

The artist has created a full-fledged maritime museum within the walls of the Brooklyn Museum, debuting approximately 250 new and recent works made entirely out of discarded plastic found in New York waterways. DEATH TO THE LIVING, Long Live Trash, a critical, provocative look at the ecological impact of capitalism across centuries, connects the history of American maritime art to current themes of environmental justice.

The Museum of Modern Art announces Projects: Carolina Caycedo and David de Rozas, on view in the Museum’s street-level gallery through January 2, 2023. The exhibition focuses on the struggles for territorial sovereignty, Indigenous rights, and the building of environmental memory.

La Intermundial Holobiente is an inter/un-disciplinary group that attempts to invent imaginative practices based on modes of thought that are more than human —that is, not anthropo-centered. Its members are Claudia Fontes, visual artist represented by the gallery, philosopher Paula Fleisner and writer Pablo M. Ruiz.

Presented by Superblue and BMW i, this art installation uses new technology to create an immersive chorus of 6,000 heartbeats. "Pulse Topology" will be presented in the foyer of Design Miami/ Basel from June 14 to 19.

The New York based photography foundation Penumbra exhibits OCÉANOS by Roberto Huarcaya (Lima, Perú, 1959) until July 22^nd. The show presents the first-ever exhibition of this Peruvian artist’ large-scale photograms of the Pacific Ocean. In what could be described as a "photogrammatic performance," Huarcaya immerses himself into the waters of the sea to record its virulent nature and traces of contamination.

Review about the exhibition Into the Great Dying: (The Steps We Take), on view until June 2022

“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.

Another Space announces Elsewhere(s), an exploration of otherworldliness. Cocurated by Estrellita B. Brodsky and José Falconi, the exhibition brings together works by over 25 artists from Latin America and its diaspora, from the 9th Century BCE to the present. Grouped around themes of cosmology, magic, and non-Western forms of knowledge, Elsewhere(s) seeks to reflect on the traditional role of artists and their potential to envision alternative societies as utopian or reclaimed territories.