Architecture
PINTA NAMES DANIEL FISCHER AS NEW ARCHITECT
With its new location and wider horizons, Pinta introduces architect and curator Daniel Fischer to its production team.
COLUMNS AS TEXTS: READING ARCHITECTURE
In 1985, Josefina Ludmer gave a set of classes in the form of a seminar at the University of Buenos Aires. These classes marked a turning point in the way we read literary theory. In dialogue with the book Ways of Seeing by John Berger, Ludmer will raise the question about ways of reading literature. Ricardo Piglia dictates in 1990 a seminar composed of 11 classes that will later be known as the seminar of "The three vanguards"; This will become a point of reference to account - among other problems - for how certain authors build their own tradition by confronting it with others.
PHOTOGRAPHY AS A CONSTRUCTION OF ARCHITECTURAL SENSE
Gonzalo Maggi, in his photography, provides entity to a space that, although occupied, emanates a certain feeling of emptiness. By introducing a subject, an individual but metonymic form of existence, he gives architecture a meaning that exceeds its own ontology.
EXTEND THE WHITE OF THE STATUES TO THE WALLS AND CUT THE BLUE OF THE SKY
Carlo Scarpa designed the Gipsoteca - plaster museum - for Antonio Canova in Possagno between 1955 and 1957. An expansion of the museum that houses the molds of the great Italian neoclassical sculptor, we keep a copy of his Three Graces in front of the Sarmiento Historical Museum in Buenos Aires.
TRANSMODERNISMOS, CONCEPTUALITIES OF THE HABITAT AND THE BODY
Fabiana Barreda's work, exhibited at BAphoto 2021 at the OdA Arte stand, amalgamates different cases and concepts within the idea of space and the politics of feminism. With references to the great architectures, and to the female body as habitable and inhabiting, subjectivities are called into question and once again photography plays a catalytic role of simultaneous approach and estrangement.
CARLO SCARPA, VENICE, THE ENIGMA IN THE POETIC
"Venice, nenuphar city" ... says the poet Paul Morand in his magnificent book Venises, plural. Venice, in addition to being host of the most famous biennials, today on its seventeenth edition in architecture, is in its plurality the land of one of the great masters of 20th century architecture, Carlo Scarpa.
NEW HORIZONS - ARCHITECTURE SECTION IN ARTE AL DÍA
Arte al Día is pleased to present a new editorial section. With a more holistic view of art, the new Architecture section is proposed as a platform for expansion. It will be carried out under the curatorship of the Argentine architect Alejandro Vaca Bononato.
MAGDALENA FERNÁNDEZ WINS INTERNATIONAL CODAawards
When artists, designers, industry resources, and clients work together, common places are transformed into spectacular spaces. CODAworx, the hub of the commissioned art economy, has announced the winners of the ninth annual international CODAawards: Collaboration of Design + Art. The CODAawards recognize collaborations that result in outstanding projects which successfully integrate commissioned art into interior, architectural, or public spaces.
TO THE BIENNALE’S QUESTION “HOW WILL WE LIVE TOGETHER?” THE DANISH ANSWER WITH “CONNECTEDNESS”
Con-nect-ed-ness: The Danish Pavilion at the 17th International Venice Architecture Biennale focuses on people’s connection with each other and with nature, in a total installation consisting of a giant cyclic system of water collected locally in Venice.
AMERICAN FRAMING – UNITED STATES PAVILION AT THE VENICE ARCHITECTURE BIENNALE
To the question proposed by Hashim Sarkis (curator of the 17th International Architecture Exhibition) How will we live together?, the United States project team alludes to the democratic nature of wood framing.
