Notas relacionadas con: Latin American Art

Within the 225 galleries exhibiting over 800 artists, Latin American galleries mark their presence in the 2023 edition of The Armory Show. From September 8 to 10^th, the New York Art Fair returns for its third year at the Javits Center.

For the second time at the Costa Salguero Center in Buenos Aires, Argentina, the arteba Foundation held a new edition of its contemporary art fair, where artists, gallery owners, collectors, curators, cultural referents and a massive public attracted by a renewed proposal converged.

Pinta Sud ASU closed its second edition in Asunción, Paraguay, where a proposal of first-class activities was carried out to reflect the avant-garde and eclectic spirit of national and regional art.

The Minneapolis Institute of Art presented a new exhibition, in partnership with the Denver Art Museum. ReVisión: Art in the Americas provides a poignant look into the history of Latin America.

Europe galleries meet Latin American artists at Art Basel: Nohemí Pérez, Ernesto Neto, Carlos Garaicoa, Alejandro Cesarco, Jesús R. Soto, Manuel Solano, Bayrol Jiménez, Paolo Salvador, Dalton Gata, Ad Minoliti, Rafa Silvares and Jorge Méndez Blake.

During Art Basel 2023, US galleries are representing Latin American artists such as Tomás Saraceno, Ernesto Neto, Belkis Ayón, Lucas Arruda, Óscar Murillo and Félix González-Torres.

Art Basel 2023 featured over 200 leading galleries and more than 4000 artists, where Latin-American galleries from Colombia, Mexico and Brazil, among other countries, participated.  

LA ESCUELA__ invites artists, architects, scholars, educators, collectives, and community organizations to collaborate in the creation of artistic projects and research texts that link art and education in Latin America. The deadline to apply is June 15^th, 2023.

MoMA opened Chosen Memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond, an exhibition that brings together 65 works by Latin American artists who have a special interest in history.

The Blanton Museum of Art at The University of Texas at Austin announces the appointment of Dr. Claudia Zapata as the museum's first Associate Curator of Latino Art.

Gerardo Mosquera is a Cuban-born art historian, critic, and curator. He is recognized for his contributions to the field of Latin American art and has worked extensively in the international art world.

The EFG Latin America Art Award ­–together with ArtNexus– presented Jean Terra, from Anita Schwartz Galeria de Arte from Rio de Janeiro (Brazil), as the SP ARTE fair selected artist for its annual acquisition award.

This exhibition at the Museo Universitario de Arte Contemporáneo de México presents graphic actions in public space carried out by activists and artists at the intersection of art/politics in Latin America.

The 13^th edition of the Mercosul Biennial, anchored in the Trauma, dream and flight tripod and finished last November, had encouraging developments, especially due to the outstanding presence of emerging artists, the strong contact with the public and the resumption of powerful spaces and traditional attractions of the event, such as the Cais do Porto. However, there were problems in the organization of the exhibition, the most serious episode of which was the '(dis)invitation' of names to exhibit works, and a certain frustration with pieces that would have a technological appeal.

Pinta Miami concludes the 2022 cultural agenda with more than 14,000 visitors, 48 institutions and 28 cities present. The fair at The Hangar, Coconut Grove led to good sales and a record number of awards. Pinta closes the year with extensive ground covered and is preparing to continue growing on both sides of the Atlantic.

Pinta Miami inaugurates today, and within the concepts of change and processes, the Special Projects section presents works by Carlos Medina, Richard Garet, Muu Blanco and Julia Zurilla.

Curated by Florencia Portocarrero, NEXT is a new section at Pinta Miami 2022 that functions as an innovative and inclusive platform that allows the fair's audience to discover the latest and emerging art from Latin America. The curatorial structure is based on dialogue and collaboration between galleries. As a result, in five booths, NEXT brings together ten galleries and twelve artists.

PINTA MIAMI IS COMING TO THE GROVE

Pinta Miami celebrates its sixteenth iteration in The Hangar, the new venue in the artistic community of Coconut Grove. The Fair presents Latin American and Spanish modern and contemporary art at geographical crossroads. During Miami Art Week, new visitors will connect with larger national and global art enthusiasts and collectors in this landmark building of singular distinction.

The EFG Latin America Art Award –in collaboration with ArtNexus– presented the Ch.ACO 2022 selected artist, Rafael Villares, as one of the finalists for the company’s annual acquisition award. The winner will be announced at Pinta Miami this week.

Pinta comes to The Grove! 48 art institutions - 28 cities - 17 countries

The exhibition will feature works donated to the museum by the Colección Patricia Phelps de Cisneros, as well as news acquisitions, loans and commissions from the late 1980s to the present.

Ruth Benzacar launches a new call for entries to celebrate the 20th anniversary of Currículum Cero, the gallery's visual arts competition. The new edition focuses on proposals, with no age limits. The deadline for registration is October 31, 2022.

The Museo de Arte de Zapopan presents selected works from the Cisneros Fontanals Art Foundation (CIFO) to explore -and question- the ways contemporary Latin American art and its main exponents are conceived.

In the past first week of August, from 1 to 7, the first edition of Pinta Sud ASU was held in the city of Asunción, Paraguay. This is a special program dedicated to promoting and giving visibility to Paraguayan contemporary art on the local and international scene, and which seeks to generate environments of cooperation and exchange between various public and private sectors of the Paraguayan cultural scene.

Celebrating the work and legacy of the writer Clarice Lispector (1920-1977), the IMS brings the exhibition Constelação Clarice. An investigation into the poetics of the author, curated by Eucanaã Ferraz and Veronica Stigger, the exhibition brings together approximately 300 pieces, including manuscripts, photographs, letters, records, press materials and other documents.

Popular Painters and Other Visionaries examines the practices of 35 artists working on the margins of modernism and the mainstream art world throughout the Americas around the mid-20th century.

Americas Society presents the second part of This Must Be the Place: Latin American Artists in New York, 1965–1975, a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists who lived in New York City in the 1960s and 1970s. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today.

This year, in its 15^th anniversary and after highly transformative events, Pinta ventures into a new concept. New formats, new location and many other exciting ingredients will make up Pinta 2021.

This Must Be the Place: Latin American Artists in New York, 1965–1975 is a group exhibition that explores the artworks, performances, and experimental practices of this generation of artists, as well as their involvement in the local art scene. Diversifying the city’s artistic life, these artists helped shape New York into the global art center it is today. The artworks presented in this exhibition are central to understanding the social and political landscape in the Americas and the tensions and bridges between north and south, exploring issues of migration, identity, politics, exile, and nostalgia.

The exhibition, at the Vigil Gonzales gallery in Valle Sagrado, brings together the work of seven Latin American artists who question the generalizations imposed on the countries and cultures of their region, and address issues such as politics, neoliberalism, and the art market.