Notes related to Chile

The Denver Art Museum (DAM) presented Sandra Vásquez de la Horra: The Awake Volcanoes, the first solo show in a U.S. Museum for the Chilean artist, known for her participation at the 2022 Venice Biennale and being the recipient of the prestigious Käthe Kollwitz Prize for 2023.

The EFG Latin American Art Award, together with ArtNexus, announced Fernanda López Quilodráan from Santiago, (Chile), as one of the finalists for the annual acquisition award, whose winner will be announced at Pinta Miami during Miami Art Week.

Soñar el agua, una retrospectiva del futuro (1964-...) [Dreaming of Water, a Retrospective of the Future (1964-...)] is the most comprehensive exhibition at MALBA dedicated to this day to the poet, visual artist and feminist activist Cecilia Vicuña (Santiago de Chile, 1948). It is under the curatorship of Miguel A. López.

Ancestral Clouds Ancestral Claims is Arjuna Neuman and Denise Ferreira da Silva’s first solo exhibition in Austria at Kunstalle Wien. It is centered around the presentation of new work.

The Portland Biennale, organized by Converge 45 together with Chilean writer and curator Christian Viveros-Fauné, centers on the idea of art-as-a-social-form: contemporary and historical artworks that take the measure of their era in order to respond directly to the challenges of their time.

The Chilean artist Alfredo Jaar is the winner of the 11^th Hiroshima Art Prize and will present an exhibition at the Hiroshima City Museum of Contemporary Art.

The work Eccidio by Iván Navarro (Chile, 1972) will be installed from June 30, 2023 to June 30, 2024 in the Medieval Borgo of Sipicciano, Municipality of Graffignano in the Italian Province of Viterbo.

The exhibition showcases over 50 years of work of Chilean artist Silvia Palacios Whitman. Americas Society gathered from historic performances to recent drawings.

In Pinakothek der Moderne, the Chilean-born and New York-based architect who makes art—as Alfredo Jaar refers to himself— explores complex sociopolitical issues, bringing to the fore the ethics of representation. 

Curated by Carolina Castro Jorquera, Punto de vista (Point of view), Rodrigo Arteaga's exhibition, is a continuation of the artist's explorations and concerns about the way in which we perceive the beings and forms with which we coexist.

The first major show of the multi-media artist on O-Overgarden, in which she explores her Chilean heritage.

“We live in a world that demands of us clear meanings and pragmatic definitions of things, that wants to possess and that rejects uncertainty. Taking our focus back to poetry allows us to understand that knowing is not synonymous with dominating, but rather with being with, generating interconnectedness and bonding”.

Tate Modern and Hyundai Motor announced that Chilean artist and poet Cecilia Vicuña will create the next annual Hyundai Commission. Vicuña (b.1948) is perhaps best known for her radical textile sculptures, combining natural materials and traditional crafts. A prolific multi-disciplinary artist, Vicuña explores the pressing concerns of ecology, community, and social justice. Her new site-specific work for the Turbine Hall will inaugurate on October 11^th  2022.

Chilean artist Cecilia Vicuña is a recipients of the Golden Lions for Lifetime Achievement of the 59th International Art Exhibition of La Biennale di Venezia - The Milk of Dreams.

The Chilean pavilion that will represent Chile at the upcoming 59th Venice Art Biennale will host the collective and interdisciplinary project Turba Tol, curated by Camila Marambio and with the participation of Ariel Bustamante, sound artist, Dominga Sotomayor, filmmaker, Carla Macchiavello, art historian and Alfredo Thiermann, architect. The management is in charge of Juan Pablo Vergara and also includes scientists, indigenous activists and other collaborators from the creative field.

The EFG Latin America Art Award, in partnership with ArtNexus, announces José Caerols, from OMA Galeria, Santiago de Chile, as the nominated artist for its annual acquisition award. The list of selected artists is now finallyy complete, and the winner will be announced at Pinta Miami this week.

Voluspa Jarpa’s Syndemic is the winner of the inaugural edition of the Julius Baer Art Prize for Latin American Female Artists, a new biennial award initiated by Julius Baer and The Museum of Modern Art of Bogotá – MAMBO. It is the first of its kind to be held in Latin America, and its mission is to honor the research of outstanding Latin American female artists. Syndemic is a site-specific multimedia project that involves photos, archival documents, videos, maps, sculptures, objects, installation, wallpapers, and lasers that project beyond the Museum’s physical space into the surrounding environment. The term “Syndemic”, from the medical field, is Voluspa Jarpa’s metaphor to analyze the violent social riots that occurred from October 2019 to March 2020 in Chile.

A Ch.ACO “without limits” that seeks to re-link galleries, artists, collectors and art lovers. A sustainable fair that offers galleries hybrid formats, designed to build collaborative networks that will activate the local scene and regional alliances. A national project that brings together the community around contemporary visual arts and culture in general.

This alliance opens the opportunity to promote a collaboration that hopes to be very beneficial for the cultural sector, marked by the beginning of the necessary dialogue to build a new model in market relations, museums and galleries.

Overcoming the distances and obstacles created by the global crisis, Latin American art continues to stand strong. With a specially designed section -REMITENTE-, created in collaboration with Mariano Mayer, ARCO is witness of a strong latin protagonism.

The Chilean artist Pablo Linsambarth (Santiago de Chile, 1989) exhibits in VIGIL GONZALES’ Online Viewing Room (Peru). The exhibition aims to account for a new figurative aesthetic in development in the American continent. Taking into consideration the historical and social framework that surrounds Linsambarth's artistic impulses, the paintings on display are part of an equally interesting dialogue on an aesthetic, conceptual and political level.