Notes related to Brazil

The exhibition All this is us by Yanomami artist Sheroanawe Hakihiiwe at MASP presented 48 works with the mission to preserve his community’s cultural value.

For the first time ever in Brazil, the installation Eu, Você e a Lua (2015) (Me, You and the Moon) –one of the last major works completed by the artist– will be presented at the Museu de Arte Moderna de São Paulo (Museum of Modern Art of São Paulo).

The exhibition How many worlds are we? Presented in The Jim Thompson Art Center explores the notion of East and West in traditional and contemporary cultural practices between Amazonas and Southeast Asia.

With the third act dedicated to the memory of Abdias Nascimento (1914-2011), an exhibition focused on the work of Mestre Didi (1917-2013) and a large installation by the emerging Mônica Ventura, Inhotim is consolidating an important change in the profile of its collection and in the commissioning of new works.

The memories of a community narrated by the individuals who live in it. This is what visitors will discover at the exhibition Retratistas do Morro (Portraitists of the Hill), running at Sesc Pinheiros.

Curated by Valquíria Prates, Mirela Estelles and Cauê Alves, the exhibit at MAM São Paulo brings more than 70 collection pieces by artists ranging from painting to intervention.

Melodia is a collective exhibition at Fonte residency featuring a compendium of distinctively composed artworks. Through a variety of processes, techniques, and multidimensional approaches, the exhibition poses the question: What if these diverse works formed a melody?

Claudia Andujar and the Yanomami Struggle is the first major international retrospective at the Museo Universitario Arte Contemporáneo (MUAC) dedicated to the long collaboration between Brazilian artist and activist Claudia Andujar and the Yanomami people.

Breath Pieces is Camila Sposati’s –a Brazilian artist and researcher– first solo exhibition in Germany. The artist creates a unique experiential space that vibrates throughout the city of Stuttgart and builds on her artistic exploration over the past years.

AVAF began using wallpapers as a first way to occupy the exhibition space, sometimes as a way to enhance it, sometimes as a way to transform it, among several other elements that make up his immersive installations. He works with a wide range of media, including installations, painting, sculpture, tapestry, neon and wallpaper, and his trainings vary depending on the projects he undertakes.

The Currier Museum of Art announces the first solo exhibition of UÝRA (they/them/their) in a US institution.

FOUNDRY SEOUL presented São Paulo-based emerging artist Fernanda Galvão in her first solo exhibition in Asia Oyster Dream.

Deeply influenced by the socio-natural context of Brazil, the work of Daniel Steegmann Mangrané (Barcelona, 1977; lives and works in Rio de Janeiro) looks into ecology as a tool to analyse the relationships of mutual transformation.

The EFG Latin America Art Award ­–together with ArtNexus– presented Jean Terra, from Anita Schwartz Galeria de Arte from Rio de Janeiro (Brazil), as the SP ARTE fair selected artist for its annual acquisition award.

El sueño sudamericano es la primera exposición individual de la artista en el PAMM, en Estados Unidos. Marcela Cantuária invita al espectador a considerar la naturaleza de estos sueños.

Mitchell-Innes & Nash presented first solo exhibition for Brazilian artist Antonio Henrique Amaral (1935-2015). Antonio Henrique Amaral: O Discurso will feature 10 paintings ranging in date from the 1960s to the 1990s.

This is one of the unique moments of the most recent contemporary art in Brazil. The final tracking shot of Olho da Rua, a video by Jonathas de Andrade now on display at Inhotim, one of Brazil's leading visual arts centers, is one of those happy moments in which the artist manages to capture with such precision the zeitgeist of his country (in this case, on a continental scale).

With the recent exhibition by Rosario López, Tapizar el Paisaje, Marli Matsumoto's gallery received and sheltered a strong artistic expression that, through apocalyptic tapestries and photographs of recent industrial history, tells the story of how the landscape is shaped, built or destroyed. In this interview, the founder of the gallery in São Paulo delves into the bases that gave life to the gallery and her interest in providing a space for young artists and experimental contemporary art.

From Body to Code at ZKM (Center for Art and Media Karlsruhe) will gather, for the first time in Europe, the most representative pieces of her artistic trajectory.

The largest exhibition ever dedicated to the work of Judith Lauand, with more than seven decades of production.

The 13^th edition of the Mercosul Biennial, anchored in the Trauma, dream and flight tripod and finished last November, had encouraging developments, especially due to the outstanding presence of emerging artists, the strong contact with the public and the resumption of powerful spaces and traditional attractions of the event, such as the Cais do Porto. However, there were problems in the organization of the exhibition, the most serious episode of which was the '(dis)invitation' of names to exhibit works, and a certain frustration with pieces that would have a technological appeal.

The first solo exhibition in the United States of the afro-brazilian artist Arthur Bispo. Co-curated by Aimé Iglesias Lukin, Ricardo Resende, and Javier Téllez, with Tie Jojima.

The Institute for Studies on Latin American Art (ISLAA) presents Political/Subjective Maps: Anna Bella Geiger, Magali Lara, Lea Lublin, and Margarita Paksa. It will explore how these four visionary Conceptual artists have appropriated the visual language of maps to highlight entrenched power structures; mine social, political, emotional, and personal subjects; and imagine new ways of apprehending the world.

The exhibition Madalena Santos Reinbolt: una cabeza llena de planetas (A head full of planets) is the first solo exhibition of the Brazilian artist at the Museu de Arte de São Paulo.

MALBA presents a panoramic exhibition by Anna Maria Maiolino (Scalea Italy, 1942) with more than fifty years of works that include paintings, drawings, woodcuts, sculptures, photographs, videos, sound pieces and installations in an attempt to capture the prismatic spirit of the artist.

Painting as the basis and as a problem, affective bonds and forms of unlearning. These are some of the themes that outline the exhibition "A Slow Coming - Chapter I", a new exhibition at the Museum of Contemporary Art (MAC) in Niterói, Brazil.

Including works by artists such as Panmela Castro, Antonio Obá, the duo Barbara Wagner and Benjamin de Burca as well as Jonathas de Andrade, the exhibitions unpack and update issues brought up in the newspaper "Quilombo", published by Abdias Nascimento from 1948 to 1950.

Somewhat fused forms, in a dismantling that seems continuous, signaling a kind of tired geometry. The banal brilliance of a chromatic automotive cover in what could have been the label of a crumbling and volatile language typical of large urban agglomerations, in a tenuous cross between street art and graffiti.